It has been the subject of myth, legend, and folklore; the villain, and occassional hero, of films and novels. Today, the vampire is alive and flourishing in hit television shows, special night clubs, and even comic books.With more than 2,000 entries in A - Z format, The Vampire Encyclopedia offers information on a variety of subjects: the history of the vampire legend methods of finding and destroying vampires how to become a vampire the role of the vampire bat all about female vampires and much more! There are listings of films, appendices that list short stories and novels that feature vampires, even a listing of vampire societies and organizations. Whether traditional vampires or psychic vampires; historical vampires or vampires in poetry and art, they are all included in this comprehensive, single-volume reference guide to the undead.

    Linda Burfield Hazzard. It was supposed to be a holiday for the two sisters. But within a month of arriving at what the locals called Starvation Heights, the women were emaciated shadows of their former selves, waiting for death. They were not the first victims of Linda Hazzard, a quack doctor of extraordinary evil and greed who would stop at nothing short of murder to achieve her ambitions. As their jewelry disappeared and forged bank drafts began transferring their wealth to Hazzard’s accounts, Dora Williamson sent a last desperate plea to a friend in Australia, begging her to save them from the brutal treatments and lonely isolation of Starvation Heights.In this true story—a haunting saga of medical murder set in an era of steamships and gaslights—Gregg Olsen reveals one of the most unusual and disturbing criminal cases in American history.

    As a dark serial killer – The Axeman – stalks the city, three individuals set out to unmask him…Though every citizen of the ‘Big Easy’ thinks they know who could be behind the terrifying murders, Detective Lieutenant Michael Talbot, heading up the official investigation, is struggling to find leads. But Michael has a grave secret – and if he doesn’t find himself on the right track fast – it could be exposed…Former detective Luca d’Andrea has spent the last six years in Angola state penitentiary, after Michael, his protégée, blew the whistle on his corrupt behaviour. Now a newly freed man, Luca finds himself working with the mafia, whose need to solve the mystery of the Axeman is every bit as urgent as the authorities’.Meanwhile, Ida is a secretary at the Pinkerton Detective Agency.Obsessed with Sherlock Holmes and dreaming of a better life, Ida stumbles across a clue which lures her and her trumpet-playing friend, Lewis ‘Louis’ Armstrong, to the case and into terrible danger…As Michael, Luca and Ida each draw closer to discovering the killer’s identity, the Axeman himself will issue a challenge to the people of New Orleans: play jazz or risk becoming the next victim. And as the case builds to its crescendo, the sky will darken and a great storm will loom over the city…

    

    But beginning in December 1884, Austin was terrorized by someone equally as vicious and, in some ways, far more diabolical than London's infamous Jack the Ripper. For almost exactly one year, the Midnight Assassin crisscrossed the entire city, striking on moonlit nights, using axes, knives, and long steel rods to rip apart women from every race and class. At the time the concept of a serial killer was unthinkable, but the murders continued, the killer became more brazen, and the citizens' panic reached a fever pitch.Before it was all over, at least a dozen men would be arrested in connection with the murders, and the crimes would expose what a newspaper described as "the most extensive and profound scandal ever known in Austin." And yes, when Jack the Ripper began his attacks in 1888, London police investigators did wonder if the killer from Austin had crossed the ocean to terrorize their own city.With vivid historical detail and novelistic flair, Texas Monthly journalist Skip Hollandsworth brings this terrifying saga to life.

    He’d cast a spell for her, but when she’s transported right to him, she’s not so sure she’s ready to be under the spell of another man. (It didn’t go so well last time with controlling, abusive, domineering Jeff.) If only Criminy wasn’t so deliciously rakish….Half the inhabitants of Sang are Pinkies—human—and the other half are Bludmen, who in Tish’s world would be called vampires. But they don’t mess with any of the bat/coffin/no sunlight nonsense. They’re rather like you and me, just more fabulous, long living, and mostly indestructible. (They're also very good kissers.) But when the evil Mayor of Manchester (formerly Bludchester) redoubles his efforts to rid Sang of the Bludmen once and for all, stealing Tish’s locket in hopes of traveling back to her world himself for reinforcements, Criminy and Tish must battle ghosts, sea monsters, wayward submarines, a secret cabal, and thundering Bludmares to get the locket back and allow Tish to return home…but has she found love with Criminy? Could she stay in Sang forever?

    Ned Conti needs a stipend. So the struggling young historian agrees to trace the mysterious past of a Brooklyn nun for evidence of miracles. Trapped in a neighborhood of cheap rents and failed promise, in a rent-controlled apartment suddenly, inexplicably seized by a beautiful and angry ghost, Ned's only refuge is the F train to Manhattan's East Village bars, where he and his friends drown their sorrows in drink....But Ned is about to heed another call, the siren song of New Orleans, where the history of countless lost souls seems to rise from the steaming streets--and where, ten years before, he ended a brief, passionate affair with a woman whose memory has haunted him ever since. Here, in a city of spirits, Ned will embrace a dead saint and a living sinner...as a beautiful ghost offers him her desire. And his destiny....Set amid the sleepless energy and seething passion of New York and New Orleans, Madeleine's Ghost is a spellbinding novel of lost love, history, and desire--a work of startling originality that is at once exquisitely written and compulsively readable.

    All over the rural town of Grandville, tacked to power poles and trees, taped to store windows, blowing along the sidewalks, fliers have appeared announcing the mysterious one-night-only performance of The Traveling Vampire Show.The show will feature Valeria, the only known vampire in captivity. According to the fliers, she is a gorgeous, stunning beauty. In the course of the performance, she will stalk volunteers from the audience, sink her teeth into their necks and drink their blood!For three local teenagers who see the fliers, this is a show they don't want to miss. But they may have to.Though they can probably scrape up the price of admission, other obstacles stand in the way. One problem, nobody under 18 years of age is allowed into the show. Dwight, Rusty, and Slim are only 16. Another problem, the show begins at midnight and the three teens always have to be home by then. If that weren't bad enough, the show is to take place at Janks Field -- a desolate patch of ground with a nasty history -- that has been declared off limits by their parentsThe situation appears hopeless.Though Dwight and his friends fear they won't be able to attend the actual performance of the Traveling Vampire Show, they do have the entire day to themselves. Why not hike out to Janks Field and take a look around? With any luck, they might be able to watch the crew make preparations for tonight's performance. If they're really lucky, maybe they'll get a peek at Valeria, the gorgeous vampire.And so the three friends set off on foot for Janks Field...Dwight is a solid, honest kid, long on common sense and loyalty to his friends. He always tries to do what's right.Rusty is a husky guy who relishes trouble.Slim, their long-time pal, is the brains of the outfit, a voracious reader of novels, an aspiring writer, and a girl. Also, she is sometimes too brave for her own good.The Traveling Vampire Show is the tale, told in Dwight's own words, of what happened to him, Rusty and Slim on that hot summer day they hiked to Janks Field. It's the story of their friendship and love, their temptations, their betrayals, and their courage as they went where they shouldn't go, did what they shouldn't do...and ran into big trouble.

    With her specialist's knowledge and demure disposition, Hannah is requested to aid the investigation. Except Hannah discovers her role is to apologise in the wake of the rude and disgraced man tasked with finding the murderer. The obnoxious Viscount Wycliff thinks to employ Hannah purely as a front to satisfy Whitehall, but she'll have none of that. The two must work together to find the murderer before the season is ruined. But the viscount is about to meet his greatest challenge, and it's not a member of the ton with a hankering for brains.

    His congregation was racially integrated, and he was a much-lauded leader in the contemporary civil rights movement. Eventually, Jones moved his church, Peoples Temple, to northern California. He became involved in electoral politics, and soon was a prominent Bay Area leader.In this riveting narrative, Jeff Guinn examines Jones’s life, from his extramarital affairs, drug use, and fraudulent faith healing to the fraught decision to move almost a thousand of his followers to a settlement in the jungles of Guyana in South America. Guinn provides stunning new details of the events leading to the fatal day in November, 1978 when more than nine hundred people died—including almost three hundred infants and children—after being ordered to swallow a cyanide-laced drink.Guinn examined thousands of pages of FBI files on the case, including material released during the course of his research. He traveled to Jones’s Indiana hometown, where he spoke to people never previously interviewed, and uncovered fresh information from Jonestown survivors. He even visited the Jonestown site with the same pilot who flew there the day that Congressman Leo Ryan was murdered on Jones’s orders. The Road to Jonestown is the definitive book about Jim Jones and the events that led to the tragedy at Jonestown.

    The product of the centuries-long struggle among three mighty empires--France, Spain, and England--and among their respective American colonies and enslaved African peoples, it has always seemed like a foreign port to most Americans, baffled as they are by its complex cultural inheritance.The World That Made New Orleans offers a new perspective on this insufficiently understood city by telling the remarkable story of New Orleans’s first century--a tale of imperial war, religious conflict, the search for treasure, the spread of slavery, the Cuban connection, the cruel aristocracy of sugar, and the very different revolutions that created the United States and Haiti. It demonstrates that New Orleans already had its own distinct personality at the time of Louisiana’s statehood in 1812. By then, important roots of American music were firmly planted in its urban swamp--especially in the dances at Congo Square, where enslaved Africans and African Americans appeared en masse on Sundays to, as an 1819 visitor to the city put it, “rock the city.”

    And die. Joey Peacock knows this as well as anybody—he has spent the last forty years as an adolescent vampire, perfecting the routine he now enjoys: womanizing in punk clubs and discotheques, feeding by night, and sleeping by day with others of his kind in the macabre labyrinth under the city’s sidewalks.The subways are his playground and his highway, shuttling him throughout Manhattan to bleed the unsuspecting in the Sheep Meadow of Central Park or in the backseats of Checker cabs, or even those in their own apartments who are too hypnotized by sitcoms to notice him opening their windows. It’s almost too easy.Until one night he sees them hunting on his beloved subway. The children with the merry eyes. Vampires, like him…or not like him. Whatever they are, whatever their appearance means, the undead in the tunnels of Manhattan are not as safe as they once were.And neither are the rest of us.

    Dan Chambeaux. Taking on the creepiest of cases in the Unnatural Quarter with a human lawyer for a partner and a ghost for a girlfriend, Chambeaux redefines "dead on arrival." But just because he was murdered doesn't mean he'd leave his clients in the lurch. Besides, zombies are so good at lurching. Now he's back from the dead and back in business--with a caseload that's downright unnatural. A resurrected mummy is suing the museum that put him on display. Two witches, victims of a curse gone terribly wrong, seek restitution from a publisher for not using "spell check" on its magical tomes. And he's got to figure out a very personal question--Who killed him? For Dan Chambeaux, it's all in a day's work. (Still, does everybody have to call him "Shamble"?) Funny, fresh, and irresistible, this cadaverous caper puts the P.I. in R.I.P. . ..with a vengeance. "Wickedly funny, deviously twisted and enormously satisfying. This is a big juicy bite of zombie goodness. Two decaying thumbs up!"--Jonathan Maberry"Anderson has become the literary equivalent of Quentin Tarantino in the fantasy adventure genre."--The Daily Rotation"An unpredictable walk on the weird side. Prepare to be entertained." --Charlaine Harris

    -- so when his assistant tells him about a ghost for sale on an online auction site, he immediately puts in a bid and purchases it. The black, heart-shaped box that Coyne receives in the mail not only contains the suit of a dead man but also his vengeance-obsessed spirit. The ghost, it turns out, is the stepfather of a young groupie who committed suicide after the 54-year-old Coyne callously used her up and threw her away. Now, determined to kill Coyne and anyone who aids him, the merciless ghost of Craddock McDermott begins his assault on the rocker's sanity.

    His estranged family—bitter ex-wife Caroline, troubled teenage son Trenton, and unforgiving daughter Minna—have arrived for their inheritance. But the Walkers are not alone. Prim Alice and the cynical Sandra, long dead former residents bound to the house, linger within its claustrophobic walls. Jostling for space, memory, and supremacy, they observe the family, trading barbs and reminiscences about their past lives. Though their voices cannot be heard, Alice and Sandra speak through the house itself—in the hiss of the radiator, a creak in the stairs, the dimming of a light bulb. The living and dead are each haunted by painful truths that will soon surface with explosive force. When a new ghost appears, and Trenton begins to communicate with her, the spirit and human worlds collide—with cataclysmic results.