In order to prove his mettle to his beloved - and her aristocratic stepfather - he set out on a quest to become the first person to walk across Africa, ''a feat hitherto thought by many explorers to be impossible'' (New York Times, 1900). In 2007 thirty-five-year-old American journalist Julian Smith faced a similar problem with his girlfriend of six years . . . and decided to address it in the same way Grogan had more than a hundred years before: he was going to retrace the Leopard's 4,500-mile journey for love and glory through the lakes, volcanoes, savannas, and crowded modern cities of Africa.Crossing the Heart of Africa is the unforgettable account of twin adventures, as Julian beautifully interweaves his own contemporary journey with Grogan's larger-than-life tale of charging elephants, cannibal attacks, deadly jungles, and romantic triumph.

    ‘Ethiopia bred in me the conviction that if there is a wider purpose to our life, it is to understand the world, to seek out its diversity, to celebrate its heroes and its wonders – in short, to witness it.’When Philip Marsden first went to Ethiopia in 1982, it changed the direction of his life. What he saw of its stunning antiquity, its raw Christianity, its extremes of brutality and grace prompted his curiosity, and made him a writer.But Ethiopia at that time was torn apart by civil war. The north, the ancient heartland of the country, was closed off. Twenty years later, Marsden returned. The result is this book – the account of a journey deferred.Walking hundreds of miles through a landscape of cavernous gorges, tabletop mountains and semi-desert, Marsden encounters monks and hermits, rebels and farmers. And he creates an unforgettable picture of one of the most remote regions left on earth. As in his award-winning book ‘The Spirit-Wrestlers’, Marsden reminds us of the brilliant heights that travel writing can attain, whilst celebrating the ageless rewards of the open road and the people for whom the mythic and the everyday are inextricably joined.

    Located in a maze of donkey-trod alleyways, the house - a traditional riad - was beautiful but in desperate need of repair. Walls were in danger of collapse, the plumbing non-existent. While neither Suzanna nor her husband spoke Arabic, and had only a smattering of French, they were determined to restore the building to its original splendour, using only traditional craftsmen and handmade materials. But they soon found that trying to do business in Fez was like being transported back several centuries in time and so began the remarkable experience that veered between frustration, hilarity and moments of pure exhilaration. But restoring the riad was only part of their immersion in the rich and colourful life of this ancient city. A House in Fez is a journey into Moroccan culture, revealing its day-to-day rhythms, its customs and festivals; its history, Islam, and Sufi rituals; the lore of djinns and spirits; the vibrant life-filled market places and the irresistible Moroccan cuisine. And above all, into the lives of the people - warm, friendly, and hospitable.Beautifully descriptive and infused with an extraordinary sense of place, this is a compelling account of one couple's adventures in ancient Morocco.

    Curator of kitsch and unabashed aficionada of pop culture, Halliday offers bemused, self-deprecating narration of events from guerrilla theater in Romania to drug-induced Apocalypse Now reenactments in Vietnam to a perhaps more surreal collagen-implant demonstration at a Paris fashion show emceed by Lauren Bacall. On layover in Amsterdam, Halliday finds unlikely trouble in the red-light districteliciting the ire of a tiny, violent madam, and is forced to explain tampons to soldiers in Kashmir"they re for ladies. Bleeding ladies"that, she admits, "might have looked like white cotton bullets lined up in their box." A self-admittedly bumbling vacationer, Halliday shareswith razor-sharp wit and to hilarious effectthe travel stories most are too self-conscious to tell. Includes line drawings by the author."

    With the intimacy and good humor available only to the most fearless and open-eyed reporters, Schmidle narrates what was arguably the most turbulent period of Pakistan’s recent history, a time when President Pervez Musharraf lost his power and the Taliban found theirs, and when Americans began to realize that Pakistan’s fate is inextricably linked with our own.In February 2006 Schmidle had traveled to Pakistan hoping to learn about the place dubbed “the most dangerous country in the world.” It was while there that he befriended a radical cleric (who became an enemy of the state and was killed), came to crave the smell of tear gas (because it assured him that he was sufficiently close to the action), and in the end, was deported by the Pakistani authorities, managed to get back into the country, and was chased out a second time.

    At the age of forty-eight, on the verge of a divorce, Rita left an elegant life in L.A. to follow her dream of connecting with people in cultures all over the world. In 1986 she sold her possessions and became a nomad, living in a Zapotec village in Mexico, sleeping with sea lions on the Galapagos Islands, and residing everywhere from thatched huts to regal palaces. She has observed orangutans in the rain forest of Borneo, visited trance healers and dens of black magic, and cooked with women on fires all over the world. Rita’s example encourages us all to dust off our dreams and rediscover the joy, the exuberance, and the hidden spirit that so many of us bury when we become adults.

    As she experiences the rawness and precariousness of life in another culture, Morris begins to hear echoes of her own life and her own sense of deprivation. And she begins, too, to overcome the struggles of the past that have held her back personally; as in the very best travel writing, Morris effectively explores her own soul while exploring new terrain and new experience. By crossing such boundaries throughout the pages of Nothing to Declare, she sets new frontiers for herself as a woman—and as a writer.

    Each volume’s series editor selects notable works from hundreds of magazines, journals, and websites. A special guest editor, a leading writer in the field, then chooses the best twenty or so pieces to publish. This unique system has made the Best American series the most respected — and most popular — of its kind.The Best American Travel Writing 2012 includesBryan Curtis, Lynn Freed, J. Malcolm Garcia, Peter Gwin,Pico Iyer, Mark Jenkins, Dimiter Kenarov, Robin Kirk,Kimberly Meyer, Paul Theroux, and others

    In City of the Soul, William Murray begins to show us why.Growing up in Rome and spending much of his life in the city, William Murray is an expert guide as he takes us on an intimate walking tour of some of Rome’s most glorious achievements, illuminating the history and the mythology that define the city. Murray leads us through the centro, the city’s historic downtown center. He writes about the Villa Borghese, the Piazza di Spagna, and the Trevi Fountain and describes such singular attractions as the Capuchin Church of Santa Maria della Concezione, whose macabre crypt has impressed visitors from Mark Twain to the Marquis de Sade. As he walks, he reveals stories that only a longtime resident would know, capturing the sights, sounds, and flavors that make Rome a combination of the deep past and the ever-sensual present.

    Few would guess that Kazakhstan—a blank in Westerners' collective geography—turns out to be diverse, tolerant, and surprisingly modern, the country that gave the world apples, trousers, and even, perhaps, King Arthur.Christopher Robbins enjoyed unprecedented access to the Kazakh president while crafting this travelogue, and he relates a story by turns hilarious and grim. He finds Eminem-worship by a shrinking Aral Sea, hears the Kazakh John Lennon play in a dusty desert town, joins nomads hunting eagles, eats boiled sheep's head (a delicacy), and explores some of the most beautiful, unspoiled places on earth. Observant and culturally attuned, Robbins is a master stylist in the tradition of travel writing as literature, a companion to V. S. Naipaul and Paul Theroux.

    First published by John Murray as The Alleys of Marrakesh.

    Truth is, travel can make or break a relationship. Just negotiating when to leave for the airport can be tricky: she insists on arriving hours ahead of flight time, he likes the excitement of a photo finish. But as Mary-Lou Weisman sees it, "The inevitable rage with which we begin each trip only helps us to better appreciate the good times that lie ahead." Or maybe not. When people have jet lag, can't speak the language, figure out the money, or maintain intestinal regularity, they get cranky. And since they don't know anybody else in Kyoto to take it out on, they take it out on each other. Alas, couples therapy is rarely available on vacation, which is why we need this hilarious and truthful take on travel and togetherness. Using her own misadventures--from honeymoon through Elderhostel--Weisman exposes all the gender landmines: Destinations: He wants to outrun molten lava down a volcano, she prefers raking gravel in a Buddhist monastery. Motivations: She longs for a change of scenery, he hopes for a change of self. Preparations: She keeps a file of required sights, he won't be bullied by travel guides. Accommodations: She divides every hotel room in half so he'll know on which side of the bed to throw his wet towel. Inclinations: She shops a country, he eats it. This is the real skinny on what happens when Mars and Venus hit the road. With a sly wink, a comic nod, and just the right amount of optimism, Weisman shows us that despite the shortcomings of one's beloved, harmonious travel is possible.

    It continued down rapids so fierce they could swallow a raft in a split second. It ended six months and 4,200 miles later, where the Amazon runs gently into the Atlantic. Joe Kane's personal account of the first expedition to travel the entirety of the world's longest river is a riveting adventure in the tradition of Joseph Conrad, filled with death-defying encounters: with narco-traffickers and Sendero Luminoso guerrillas and nature at its most unforgiving. Not least of all, Running the Amazon shows a polyglot group of urbanized travelers confronting their wilder selves -- their fear and egotism, selflessness and courage.

    As he travels among Islamists and the emerging Hindu Muslim class in India, Pakistan, and Afghanistan, Mishra explores the myths and places of the Buddha's life, the West's "discovery" of Buddhism, and the impact of Buddhist ideas on such modern politicians as Gandhi and Nelson Mandela. Mishra ultimately reaches an enlightenment of his own by discovering the living meaning of the Buddha's teaching, in this "unusually discerning, beautifully written, and deeply affecting reflection on Buddhism" (Booklist).

    reprisals against Afghanistan looked to him as an Afghan American. The message spread, and in a few days it had reached, and affected, millions of people-Afghans and Americans, soldiers and pacifists, conservative Christians and talk-show hosts; for the message, written in twenty minutes, was one Ansary had been writing all his life.West of Kabul, East of New York is an urgent communiqué by an American with "an Afghan soul still inside me," who has lived in the very different worlds of Islam and the secular West. The son of an Afghan man and the first American woman to live as an Afghan, Ansary grew up in the intimate world of Afghan family life, one never seen by outsiders. No sooner had he emigrated to San Francisco than he was drawn into the community of Afghan expatriates sustained by the dream of returning to their country -and then drawn back to the Islamic world himself to discover the nascent phenomenon of militant religious fundamentalism.Tamim Ansary has emerged as one of the most eloquent voices on the conflict between Islam and the West. His book is a deeply personal account of the struggle to reconcile two great civilizations and to find some point in the imagination where they might meet.