Winner of three Tony Awards, including Best Book, Urinetown is a tale of greed, corruption, love, and revolution in a time when water is worth its weight in gold.

    A housefull of drama waits to be ignited as misunderstandings and tempers flare. With Judith's new flame and David's newest literary 'inspiration' keeping company as the children follow suit, the Bliss family lives up to its name as the 'quiet weekend' comes to an exhausting and hilarious finale worthy of Feydeau.

    "Ravenhill has more to say, and says it more refreshingly and wittily, than any other playwright of his generation"—Time Out "There are few stage authors writing more interestingly than Mark Ravenhill … He is - it is now yet more evident - a searing, intelligent, disturbing sociologist with a talent for satirical dialogue and a flair for sexual sensationalism."—Financial Times Shopping and Fucking: "is a darkly humorous play for today's twenty-somethings … a real coup de theatre"—Nicholas de Jongh, Evening Standard Faust: "…an intelligent and witty reappropriation of the legend … alive, pertinent and disturbing"—Michael Coveney, Observer Handbag: "…combines urban grit with sly wit, and reveals Mark Ravenhill as a writer of real daring" —Daily Telegraph Some Explicit Polaroids: "laudably ambitious, pulsates with energy … very funny"—Financial Times

    A highly engaging comedy of intrigue, The Barber of Seville portrays the resourceful Figaro foiling a jealous old man's attempts to keep his beautiful ward from her lover. The Marriage of Figaro — condemned by Louis XVI for its daring satire of nobility and privilege — depicts a master and servant set in opposition by their desire for the same woman. With characteristic lightness of touch, Beaumarchais created an audacious farce of disguise and mistaken identity that balances wit, frivolity and seriousness in equal measure.John Wood's lively translation is accompanied by an introduction discussing the author's turbulent life and multifarious careers, and examines each play in detail. This edition also includes Beaumarchais's notes on the characters and costumes.'He has everything — pleasantry, seriousness, reason, vigour, pathos, eloquence of every kind' VOLTAIRE

    How do you love someone you don't even like? It’s not easy. And at first glance it may seem impossible. Let "51 Ways to Love Your Enemies" be your guide. "51 Ways to Love Your Enemies" offers an easy to follow list of practical ways to express love and kindness toward enemies. The list is not only comprised of scriptural principles like forgiveness and compassion, but also practical everyday ideas like buying a cup of coffee and greeting with a smile. "51 Ways to Love Your Enemies" is an enlightening little book with a big message of love. (6300 words)

    

    They had been together for a few months, but it wasn’t working out. They got along good, had fun together, but the sex left something to be desired. She dealt with it because he was such a nice guy. But then she got an anonymous note from a neighbor. One that heard their antics and offered to help her. Kate was in need of some good lovings and the note promised just that. She wasn’t sure who it was that offered such things, but she was intrigued. When she found out who it was, Kate was ready to take on his offer and once she got a taste, she was never going to look back.

    Each day readers will enjoy a Scripture verse, a true first-person story told in an informal, conversational style, which shares the ways God speaks to us in the ordinary events of life, and a brief prayer to help focus the reader to apply the day’s message. For those who wish for more scriptural depth, “Digging Deeper” provides additional Bible references that relate to the day’s reading. Enjoy favorite writers like Debbie Macomber, Edward Grinnan, Elizabeth Sherrill, Patricia Lorenz, Julia Attaway, Karen Barber, Sabra Ciancanelli, Marion Bond West, Brian Doyle, and Rick Hamlin, plus two new contributors. In just five minutes a day, Daily Guideposts helps readers find the spiritual richness in their own lives and welcomes them into a remarkable family of over one million people brought together by a desire to grow spiritually every day of the year.

    David longed for a divorce, but Catalina had other plans.She adamantly refused to contemplate the idea: though she was prepared to obtain a judicial separation — provided the alimony was large enough.When a man died after having had a drink in their house, the police establish that it was the work of poison and start looking to Catalina and David for answers.Catalina finally sees her chance to exact terrible revenge against David.She claims that the poison had been meant for her and that David had tried to kill her…But who is the real murderer?And will Catalina’s allegation be held as truth?Either way, their marriage is surely over…‘A Deadly Marriage’ is a classic murder mystery from a master of the genre.Praise for Roderic Jeffries:'A first-rate whodunit turning on the resourcefulness of a country gentleman who exploits the process of the law to delay its action. Author on the top of his legal and social form.' Francis Goff, Sunday Telegraph‘Tension builds up and there are two exciting court scenes. Roderic Jeffries established a very high reputation for himself in the field of the legal thriller with Exhibit No. Thirteen and Dead Against the Lawyers. Once again he has used a little known quirk of the law, and woven round it an enthralling story of immense intricacy.’  Maurice Richardson, Observer‘The resulting legal intricacies make fascinating reading.' Hester Makeig, Spectator 'First-class, smoothly told, fine court scenes and sketches of lawyers entirely absorbing.' John Clarke, Evening Standard‘The most ingenious of Mr. Jeffries's exercises in legal trickery.' Julian Symons, Sunday Times'Good court scenes; very competent.' Peter Dickinson, Punch'...is for the mystery story connoisseur and particularly the man who can appreciate this ingenious exercise in legal trickery.' Police WorldRoderic Jeffries was born in London in 1926 and was educated at Harrow View House Preparatory School and the Department of Navigation, University of Southampton. In 1943 Roderic Jeffries joined the New Zealand Shipping Company as an apprentice and sailed to Australia and New Zealand, but later transferred to the Union Castle Company in order to visit a different part of the world. He returned to England in 1949 where he was admitted to the Honourable Society of Gray's Inn and read for the Bar at the same time as he began to write. He was called to the Bar in 1953, and after one year's pupilage practiced law for a few terms during which time there to write full time. His first book, a sea story for juveniles, was published in 1950.Endeavour Press is the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

    Dowd starts to introduce his imaginary friend Harvey, a six and a half foot rabbit, to guests at a dinner party, his sister, Veta, has seen as much of his eccentric behavior as she can tolerate. She decides to have him committed to a sanitarium to spare her daughter, Myrtle Mae, and their family, from future embarrassment. Problems arise, however, when Veta herself is mistakenly assumed to be on the fringe of lunacy when she explains to doctors that years of living with Elwood's hallucination have caused her to see Harvey also! The doctors commit Veta instead of Elwood, but when the truth comes out, the search is on for Elwood and his invisible companion. When he shows up at the sanitarium looking for his lost friend Harvey it seems that the mild-mannered Elwood's delusion has had a strange influence on more than one of the doctors. Only at the end does Veta realize that maybe Harvey isn't so bad after all.

    The tables turn when Marjorie is able to subdue Raul and keep him tied up in her fireplace. When Terry and Patricia, Marjorie's roommates, come home, they are shocked and begin discussing how to handle the situation: call the police or take matters into their own hands?

    The darker comedy of The Clouds satirizes Athenian philosophers - Socrates in particular - and reflects the uncertainties of a generation in which all traditional religious and ethical beliefs were being challenged. The Birds takes place in a flawed utopia, with man's eternal flaws observed from up above. In Lysistrata a band of women use sex's manipulative power in order to try and end a war. In The Frogs, the god Dionysus visits the underworld, consulting the late Aeschylus and Euripides regarding whether or not classical Athens will ever have another great dramatist - and provoking an argument between both.Three of the leading Greek translators of the twentieth century - William Arrowsmith, Richmond Lattimore, and Douglas Parker - have created versions of the comedies that are at once contemporary, historically accurate, and funny. Also included are introductions to each play that describe the historical and literary background of the work.

    Christopher Hampton has made a masterful adaptation for the stage of the conspiracy to corrupt a young girl barely out of her convent.

    The notes gathered over a long career and polished to a sharp edge documented the teachings and directions that Hauser shared privately with a host of theatrical and cinematic figures, including Sir Alec Guinness, Richard Burton, Sir Ian McKellen, Dame Judi Dench, Kevin Spacey, and many others who called Hauser their director, mentor, teacher, or boss.Now, the former student has expanded and enhanced his mentor's private notes into a book-length format suitable for anyone searching for the timeless gems of the director s craft. Drawing on years of training, decades of experience, and the distilled wisdom of leading practitioners, Notes on Directing is filled with enduring good advice expressed in assertive, no-nonsense language. More than a how-to, this is a tool for directors looking to better translate the page to the stage or to the screen. With one hundred and thirty directives supported with explanatory commentary, helpful examples, and rare quotes, this deceptively slim volume has the impact of a privileged apprenticeship to a great master.Whether you are a student or a professional, a playgoer, moviegoer, or enthusiast, Notes on Directing provides a thrilling glimpse into the hidden process of creating a live, shared experience.

    At first the Sycamore family seems mad, but it is not long before we realize that if they are mad, the rest of the world is really verklempt.