With genuine caring and concern for her boys, Franny looks after the gay men of Provincetown with the ultimate goal of making a place in the world for those who don't belong and making the world better for all.

    The book is an urgent recall of heartbreak, a stark portrait of an identity in crisis.

    Handsome, charismatic, a powerful athlete and oarsman, David Sparsholt seems at first unaware of the effect he has on others--especially on the lonely and romantic Evert Dax, son of a celebrated novelist, himself also destined to become a writer. While the Blitz rages in London, Oxford exists at a strange remove from the action: a place of transience and uncertainty, the fears and rigors of the blackout both encouraging and concealing unexpected liaisons. Between these two young men of very different backgrounds an unusual friendship develops, one whose consequences will unfold over the many years that follow.Alan Hollinghurst's masterly new novel evokes the intimate lives of three generations of Sparsholts in a sequence of vividly rendered episodes: a childhood holiday in Cornwall; eccentric social gatherings at the Dax family home; the adventures of David's son Johnny, in pursuit of love and a career as a painter in 1970s London. Changes in taste, morality, and private life are explored in a group portrait of friends brought together by art, literature, and love. Champions of the Modern live to see modernity itself becoming history, while more personal, life-changing crises and scandals--including that which gives this novel its title--recede into the past, leaving their ambiguous traces. And as gay men and women live in increasing freedom and openness, and the gay scene evolves into new forms and possibilities, The Sparsholt Affair becomes a meditation on human transience, even as it expresses the countervailing longing for permanence and continuity.Witty, tender, epic in scope yet rich in observation, The Sparsholt Affair is a dazzling new work of fiction by a writer justly hailed by the Wall Street Journal as "one of the best novelists at work today."

    That’s great and all, but Justin Davis thinks this is a complete load.Withdrawn and perpetually anxious, Justin begins senior year completely overwhelmed by thoughts of life after high school. Up until now he’s been able to coast through life without any complications. He’s managed to pass all his classes, he has just enough friends to not eat alone at lunch and, quite frankly, he’s come to accept things just as they are: dismal. But after seventeen years of coasting, Justin meets two guys determined to ruin everything.With constant meddling from his nosy new friend Travis, Justin finally has to learn to own his bisexuality, connect with friends he didn’t know he had, and even get closer to his crush, Evan—a shy yet equally meddlesome junior.In this YA, coming-of-age novel, follow one boy’s struggle to embrace life’s complications and realize that ignoring life is much more difficult than living it. Especially when best friends don’t leave you any other choice.

    It’s not like he didn’t deserve it. After all, he crashed his dad’s vintage Bonneville in a car-chase duel on a Miami freeway. Ben is mad at the world and not ready to reveal the reason for his bad behavior the past year, when he partied and got into fights to forget his attraction to his best friend’s hot cousin Dino. Norway is cold and rainy, the farm is desolate and resists modernization, and the grandparents are quiet and religious. On to the scene waltzes Even, the eighteen-year-old farmhand, who counters Ben’s restlessness and complaints with friendship, fresh perspectives, and problems of his own.With the mounting expectations of Ben taking over the farm one day, getting closer to Even becomes Ben’s only reason to stay put. As the friendship deepens, the two boys learn that secrets can turn into both beautiful and ugly truths, and that support can be found in unexpected places.

     Even the most idyllic small town has dangerous currents just under the surface -- like abuse, bigotry and hate. And murder. Killian Kendall is a small-town teen whose whole world is about to be turned upside down. The new kid in school is openly gay and, despite himself, Killian finds himself drawn to him. When the boy is killed in a brutal attack, and Killian is injured in the process, Killian begins to questions everything around him. The police seem eager to write the attack off as a random mugging, but Killian knows better. Unable to ignore the injustice, Killian launches his own investigation, and everyone is a suspect -- even his closest friends. His search turns up hatred in small town America. Before it's over, more people will die, and Killian's life will be on the line again. Bleeding Hearts is the first book in the Killian Kendall Mystery Series.

    But when Jack's father takes him out in a rowboat on Lake Watchmayoyo and tells his son that he's gay, nothing will ever be normal again.

    old boy named Tyler Morris, who auditions for a student film to win the heart of Billy Greske, the school's celebrity thespian. The plan seems promising until Tyler’s bipolar best friend Jenny offers love advice and a local skater takes interest in Tyler as well. Furthering complications, Tyler's estranged mother, a clairvoyant circus clown, returns home to win back the love of her family.

    Thatcher's policies have put husbands and sons out of work, and the city's notorious drugs epidemic is waiting in the wings. Shuggie's mother Agnes walks a wayward path: she is Shuggie's guiding light but a burden for him and his siblings. She dreams of a house with its own front door while she flicks through the pages of the Freemans catalogue, ordering a little happiness on credit, anything to brighten up her grey life. Married to a philandering taxi-driver husband, Agnes keeps her pride by looking good--her beehive, make-up, and pearly-white false teeth offer a glamourous image of a Glaswegian Elizabeth Taylor. But under the surface, Agnes finds increasing solace in drink, and she drains away the lion's share of each week's benefits--all the family has to live on--on cans of extra-strong lager hidden in handbags and poured into tea mugs. Agnes's older children find their own ways to get a safe distance from their mother, abandoning Shuggie to care for her as she swings between alcoholic binges and sobriety. Shuggie is meanwhile struggling to somehow become the normal boy he desperately longs to be, but everyone has realized that he is "no right," a boy with a secret that all but him can see. Agnes is supportive of her son, but her addiction has the power to eclipse everyone close to her--even her beloved Shuggie.A heartbreaking story of addiction, sexuality, and love, Shuggie Bain is an epic portrayal of a working-class family that is rarely seen in fiction. Recalling the work of Edouard Louis, Alan Hollinghurst, Frank McCourt, and Hanya Yanagihara, it is a blistering debut by a brilliant novelist who has a powerful and important story to tell.

    Why can he hear his mother's voice, acerbic and disappointed in him as usual? Is it because of Dr Pereira's wonder drug? Perhaps her presence would be understandable enough, but what is Pip from Great Expectations doing here? Soon, more and more voices add to the chorus.

    We drive at high speed along back roads, through woods, vineyards, and oat fields. The bike smells like gasoline and makes a lot of noise, and sometimes I’m frightened when the wheels slip on the gravel on the dirt road, but the only thing that matters is that I’m holding on to him, that I’m holding on to him outside.Just outside a hotel in Bordeaux, Philippe chances upon a young man who bears a striking resemblance to his first love. What follows is a look back at the relationship he’s never forgotten, a hidden affair with a gorgeous boy named Thomas during their last year of high school. Without ever acknowledging they know each other in the halls, they steal time to meet in secret, carrying on a passionate, world-altering affair.Dazzlingly rendered in English by Ringwald in her first-ever translation, Besson’s powerfully moving coming-of-age story captures the eroticism and tenderness of first love—and the heartbreaking passage of time.

    She had scraped together what previous generations of trans women could only dream of: a life of mundane, bourgeois comforts. The only thing missing was a child. But then her girlfriend, Amy, detransitioned and became Ames, and everything fell apart. Now Reese is caught in a self-destructive pattern: avoiding her loneliness by sleeping with married men.Ames isn't happy either. He thought detransitioning to live as a man would make life easier, but that decision cost him his relationship with Reese—and losing her meant losing his only family. Even though their romance is over, he longs to find a way back to her. When Ames's boss and lover, Katrina, reveals that she's pregnant with his baby—and that she's not sure whether she wants to keep it—Ames wonders if this is the chance he's been waiting for. Could the three of them form some kind of unconventional family—and raise the baby together?This provocative debut is about what happens at the emotional, messy, vulnerable corners of womanhood that platitudes and good intentions can't reach. Torrey Peters brilliantly and fearlessly navigates the most dangerous taboos around gender, sex, and relationships, gifting us a thrillingly original, witty, and deeply moving novel.

    The manager of a Greenwich Village bookstore and politically to the left, Ralph agrees to an F2F (face-to-face) meeting with Thersites in Washington, D.C., where his friend Nancy writes speeches for a popular woman senator. With his penchant for Shakespearean drama, Ralph should have seen the elements gathering for tragedy...or farce. Thersites proves to be a young, attractive, and enthusiastic lover. He is also Republican, in the closet, right-wing, and the author of a tell-all book that spreads gossip about several Washington women, including a footnote about a lesbian affair between a speechwriter and a "happily married" senator. In a town where rumors can kill a career, such words may be fatal. And despite his passion, Ralph is disturbed by his new lover's politics...and then stunned at being charged with his murder. Christopher Bram joins dark satire with chilling suspense as Ralph is arrested for first-degree homicide and becomes a "cause" in the gay community.

    Billy, the bisexual narrator and main character of In One Person, tells the tragicomic story (lasting more than half a century) of his life as a "sexual suspect," a phrase first used by John Irving in 1978 in his landmark novel of "terminal cases," The World According to Garp.In One Person is a poignant tribute to Billy’s friends and lovers—a theatrical cast of characters who defy category and convention. Not least, In One Person is an intimate and unforgettable portrait of the solitariness of a bisexual man who is dedicated to making himself "worthwhile.

    When it comes to his own life, the answers are a little more elusive—until computer troubles introduce him to the newest and cutest member of his company’s IT support team. Simon may be charmed by Benji’s sweet and unassuming manner, but will he find the answer to the one relationship question he has never been able to solve: how to know when he’s met Mr. Right?