Printed on high-quality paper, designed by Jeff Fisher, the books should become collectors' items. This title is "The Labrador Fiasco" by Margaret Atwood.

    Three more stories - 'Chawdron', 'The Rest Cure' and 'The Claxtons' complete the volume.

    His work has helped to shape a generation of writers, theatergoers, and thinkers. His plays are studied worldwide as texts that changed the face of theater. The Caucasian Chalk Circle is a parable inspired by the Chinese play Chalk Circle. Written at the close of World War II, the story is set in the Caucasus Mountains of Georgia. It retells the tale of King Solomon and a child claimed by and fought over by two mothers. But this chalk circle is metaphorically drawn around a society misdirected in its priorities. Brecht's statements about class are cloaked in the innocence of a fable that whispers insistently to the audience.No translations of Brecht's work are as reliable and compelling as Eric Bentley's. These versions are widely viewed as the standard renderings of Brecht's work, ensuring that future generations of readers will come in close contact with the work of a playwright who introduced a new way of thinking about the theater.

    Seeking his fortune, he stumbles into a centuries-old feud when he travels to Mitherhome, the city of the water mages. He accepts a servant's position in the household of the sole stone mage permitted within the city walls, and there his untapped magical talents and his fascination with his master's abilities are a predictably dangerous combination. Soon, without meaning to, he complicates and endangers the lives of everyone he has come to know and care about, for when it comes to magic, there are rules and laws, and the untrained mage-to-be must be careful not to tap into deep forces and ancient enmities. Otherwise, other people might end up paying the price for his mistakes.

    Each piece of narration is invested with gristliness and wit. Talking Book World

    Collected here for the first time in paperback, the essays, articles, observations—and even some untypical country-music lyrics—offer a rare overview of the eclectic sensibility of an American original. Whether rocking with the Doors, depoliticizing Picasso’s Guernica, lamenting the angst-ridden state of contemporary literature, or drooling over tomato sandwiches and a species of womanhood he calls “the genius waitress,” Tom Robbins’s briefer writings exhibit the five traits that perhaps best characterize his novels: an imaginative wit, a cheerfully brash disregard for convention, a sweetly nasty eroticism, a mystical but keenly observant eye, and an irrepressible love of language. Embedded in this primarily journalistic compilation are brand-new short stories, a sheaf of largely unpublished poems, and an offbeat assessment of our divided nation. Wherever you open Wild Ducks Flying Backward, you’ll encounter the serious playfulness that percolates from the mind of a self-described “romantic Zen hedonist” and “stray dog in the banquet halls of culture.”

    The resulting novel, The Artificial Silk Girl, became an acclaimed bestseller and a masterwork of German literature, in the tradition of Christopher Isherwood's 'Berlin Stories' and Bertolt Brecht's 'Three Penny Opera'. Like Isherwood and Brecht, Keun revealed the dark underside of Berlin's "golden twenties" with empathy and honesty. Unfortunately, a Nazi censorship board banned Keun's work in 1933, and destroyed all existing copies of The Artificial Silk Girl. Only one English translation was ever published, in Great Britain, before the book disappeared in the chaos of the ensuing war. Today, more than seven decades later, the story of this quintessential "material girl" remains as relevant as ever, as an accessible new translation brings this lost classic to light once more. Other Press is pleased to announce the republication of The Artificial Silk Girl, elegantly translated by noted Germanist Kathie von Ankum, and featuring a new introduction by Harvard professor Maria Tatar.

    A British paratrooper jumps into occupied territory; the 1958 New York Yankees gain an unexpected teammate in a puny, teenaged Hasidic Jew; a September 11th widow receives an astonishing gift from the contractor working on her new apartment--these and other stories exhibit the constantly changing variety of the ocean itself, the peaks and troughs of life. Lighthearted, glittering fables are met with starker tales that sound the depths of sacrifice and duty. The Pacific and Other Stories is a resplendent, powerful collection of lasting substance and emotional import.

    The reprinted stories include:"In the Vault";"Pickman's Model";"The Rats in the Walls";"The Music of Erich Zann";"The Haunter of the Dark";"The Dunwich Horror";and "The Thing on the Doorstep".

    Here indeed is a monumental Faust, an audacious man boldly wagering with the devil, Mephistopheles, that no magic, sensuality, experience, or knowledge can lead him to a moment he would wish to last forever. Here, in Faust, Part I, the tremendous versatility of Goethe’s genius creates some of the most beautiful passages in literature. Here too we experience Goethe’s characteristic humor, the excitement and eroticism of the witches’ Walpurgis Night, and the moving emotion of Gretchen’s tragic fate.This authoritative edition, which offers Peter Salm’s wonderfully readable translation as well as the original German on facing pages, brings us Faust in a vital, rhythmic American idiom that carefully preserves the grandeur, integrity, and poetic immediacy of Goethe’s words.

    Set in an unnamed German-occupied ghetto, the story centers on an unlikely hero, Jakob Heym, who accidentally overhears news of vital importance: the Russians are advancing on a city three hundred miles away. As Jakob's tidings rekindle hope and the promise of liberation, he feels compelled to elaborate. Forming a protective bond with a young orphan girl, Jakob becomes caught in his own web of optimistic lies. Awarded Germany's prestigious Heinrich Mann Prize for fiction and in a new translation by Leila Vennewitz, Jakob the Liar is a masterpiece of Kafkaesque comedy which unfolds with the impact of a timeless folk legend.

    Bored at the opera, egocentric young Lieutenant Gustl contemplates which women are flirting with him; the fact that there are too many Jews in the army, which is the reason for "all this anti-Semitism"; and an upcoming duel with a doctor who made an unflattering remark about the military. After the concert, impatient in the coat check queue, Gustl gets into a quarrel with a baker who threatens to break Gustl's sword in two if he doesn't calm down. Convinced he's been dishonored, Gustl decides he must commit suicide and spends the night walking the streets, weighing the repercussions of killing himself. When he arrives at his favorite cafe for a final breakfast, he becomes elated on learning that he can go on living because the baker died of a stroke just after their encounter. This novel is an early embodiment of modern skepticism and despair. Written in interior monologue, it demonstrates a Freudian influence, while its historical and literary impact remains its strong point, making it more interesting to think about than to read.

     Extract: “And what are these, Paul?” asked Evelyn, opening a tarnished gold box and examining its contents curiously. “Seeds of some unknown Egyptian plant,” replied Forsyth, with a sudden shadow on his dark face, as he looked down at the three scarlet grains lying in the white hand lifted to him. “Where did you get them?” asked the girl. “That is a weird story, which will only haunt you if I tell it,” said Forsyth, with an absent expression that strongly excited the girl’s curiosity.

    Walter Faber is an emotionally detached engineer forced by a string of coincidences to embark on a journey through his past.

    Every word tells, & the number of unusually stirring incidents is legion, while the plot is phenomenal in its strength, merit & ingeniousness.