Here is the Naked Ape at his most primal in love, at work, at war. Meet man as he really is: relative to the apes, stripped of his veneer as we see him courting, making love, sleeping, socializing, grooming, playing. The Naked Ape takes its place alongside Darwin’s Origin of the Species, presenting man not as a fallen angel, but as a risen ape, remarkable in his resilience, energy and imagination, yet an animal nonetheless, in danger of forgetting his origins. With its penetrating insights on man's beginnings, sex life, habits and our astonishing bonds to the animal kingdom, The Naked Ape is a landmark, at once provocative, compelling and timeless.

    Now these and twenty-two more of history's most famous personages are brought brilliantly to life, in this collection of unfailingly accurate yet undeniably hilarious biographies. You'll laugh while you learn about the very real people behind the legendary names, including why Montezuma was so vengeful, and why Catherine was so Great. You'll even finally lay to rest the rumor that Charlemagne was called "Chuck" by his friends.

    "The History of the World in Bite-Sized Chunks" pulls it all together, from the world's earliest civilizations in 3500 BC to the founding of the United Nations in 1945, passing by the likes of Charlemagne, the Ottoman Empire and the Crimean War, to name a few. Here's your chance to introduce yourself to the full spectrum of world history, and discover just how the modern world came to be.

    Both an intellectually thrilling journey into the nature of scientific discovery and the most personal book he has ever published, I Have Landed marks the end of a significant chapter in the career of one of the most acclaimed and widely read scientists of our time. Gould writes about the themes that have defined his career, which his readers have come to expect and celebrate, casting new light upon them and conveying the ideas that science professionals exchange among themselves (minus the technical jargon). Here, of course, is Charles Darwin, from his centrality to any sound scientific education to little-known facts about his life. Gould touches on subjects as far-reaching and disparate as feathered dinosaurs, the scourge of syphilis and the frustration of the man who identified it, and Freud's "evolutionary fantasy." He writes brilliantly of Nabokov's delicately crafted drawings of butterflies and the true meaning of biological diversity. And in the poignant title essay, he details his grandfather's journey from Hungary to America, where he arrived on September 11, 1901. It is from his grandfather's journal entry of that day, stating simply "I have landed," that the book's title was drawn. This landing occurred 100 years to the day before our greatest recent tragedy, also explored, but with optimism, in the concluding section of the book. Presented in eight parts, I Have Landed begins with a remembrance of a moment of wonder from childhood. In Part II, Gould explains that humanistic disciplines are not antithetical to theoretical or applied sciences. Rather, they often share a commonality of method and motivation, with great potential to enhance the achievements of each other, an assertion perfectly supported by essays on such notables as Nabokov and Frederic Church. Part III contains what no Gould collection would be complete without: his always compelling "mini intellectual biographies," which render each subject and his work deserving of reevaluation and renewed significance. In this collection of figures compelling and strange, Gould exercises one of his greatest strengths, the ability to reveal a significant scientific concept through a finely crafted and sympathetic portrait of the person behind the science. Turning his pen to three key figures--Sigmund Freud, Isabelle Duncan, and E. Ray Lankester, the latter an unlikely attendee of the funeral of Karl Marx--he highlights the effect of the Darwinian revolution and its resonance on their lives and work. Part IV encourages the reader--through what Gould calls "intellectual paleontology"--to consider scientific theories of the sixteenth and seventeenth centuries in a new light and to recognize the limitations our own place in history may impose on our understanding of those ideas. Part V explores the op-ed genre and includes two essays with differing linguistic formats, which address the continual tug-of-war between the study of evolution and creationism. In subsequent essays, in true Gould fashion, we are treated to moments of good humor, especially when he leads us to topics that bring him obvious delight, such as Dorothy Sayers novels and his enduring love of baseball and all its dramas. There is an ardent admiration of the topsy-turvy world of Gilbert and Sullivan (wonderfully demonstrated in the jacket illustration), who are not above inclusion in all things evolutionary. This is truly Gould's most personal work to date. How fitting that this final collection should be his most revealing and, in content, the one that reflects most clearly the complexity, breadth of knowledge, and optimism that characterize Gould himself. I Have Landed succeeds in reinforcing Gould's underlying and constant theme from the series' commencement thirty years ago--the study of our own scientific, intellectual, and emotional evolution--bringing reader and author alike to what can only be described as a brilliantly written and very natural conclusion. "From the Hardcover edition."

    Architectural marvels, including the M.C. Escher-like stepwells in India. Mind-boggling events, like the Baby Jumping Festival in Spain, where men dressed as devils literally vault over rows of squirming infants. Not to mention the Great Stalacpipe Organ in Virginia, Turkmenistan’s 45-year hole of fire called the Door of Hell, coffins hanging off a side of a cliff in the Philippines, eccentric bone museums in Italy, or a weather-forecasting invention that was powered by leeches, still on display in Devon, England.Atlas Obscura revels in the weird, the unexpected, the overlooked, the hidden, and the mysterious. Every page expands our sense of how strange and marvelous the world really is. And with its compelling descriptions, hundreds of photographs, surprising charts, maps for every region of the world, it is a book you can open anywhere.

    But its myriad occurrences in art, nature, and science have been a source of speculation and wonder for thousands of years. Divine Proportion draws upon both religion and science to tell the story of Phi and to explore its manifestations in such diverse places as the structure of the inner ear, the spiral of a hurricane, the majesty of the Parthenon, and the elusive perfection of the Mona Lisa. A universal key to harmony, regeneration, and balance, Phi is at the heart of a tantalizing story begun on clay tablets in ancient Babylon, and which will continue to be written for centuries to come.

    Yet it is also one of the most puzzling, with an intriguing and sometimes violent history, from the sixth century BCE to the present day. Destroyed by Vesuvius in 79 CE, the ruins of Pompeii offer the best evidence we have of life in the Roman Empire. But the eruptions are only part of the story. In The Fires of Vesuvius, acclaimed historian Mary Beard makes sense of the remains. She explores what kind of town it was--more like Calcutta or the Costa del Sol?--and what it can tell us about ordinary life there. From sex to politics, food to religion, slavery to literacy, Beard offers us the big picture even as she takes us close enough to the past to smell the bad breath and see the intestinal tapeworms of the inhabitants of the lost city. She resurrects the Temple of Isis as a testament to ancient multiculturalism. At the Suburban Baths we go from communal bathing to hygiene to erotica. Recently, Pompeii has been a focus of pleasure and loss: from Pink Floyd's memorable rock concert to Primo Levi's elegy on the victims. But Pompeii still does not give up its secrets quite as easily as it may seem. This book shows us how much more and less there is to Pompeii than a city frozen in time as it went about its business on 24 August 79.

    Starting with Ptolemy, "father of modern geography," and ending with satellite cartography, A History of the World in 12 Maps brings maps from classical Greece, Renaissance Europe, and the Islamic and Buddhist worlds to life and reveals their influence on how we—literally—look at our present world. As Brotton shows, the long road to our present geographical reality was rife with controversy, manipulation, and special interests trumping science. Through the centuries maps have been wielded to promote any number of imperial, religious, and economic agendas, and have represented the idiosyncratic and uneasy fusion of science and subjectivity. Brotton also conjures the worlds that produced these notable works of cartography and tells the stories of those who created, used, and misused them for their own ends.

    The award-winning author of Misty of Chincoteague and King of the Wind describes in vivid detail the hardworking Shire, the elegant Lipizzan, the spirited Mustang, and many more. Each description is paired with a full color illustration by Wesley Dennis. This keepsake edition is a gorgeous addition to any collection of Henry’s books and a favorite for years to come!

    . . Patterns of Culture is a signpost on the road to a freer and more tolerant life." -- New York TimesA remarkable introduction to cultural studies, Patterns of Culture is an eloquent declaration of the role of culture in shaping human life. In this fascinating work, the renowned anthropologist Ruth Benedict compares three societies -- the Zuni of the southwestern United States, the Kwakiutl of western Canada, and the Dobuans of Melanesia -- and demonstrates the diversity of behaviors in them. Benedict's groundbreaking study shows that a unique configuration of traits defines each human culture and she examines the relationship between culture and the individual. Featuring prefatory remarks by Franz Boas, Margaret Mead, and Louise Lamphere, this provocative work ultimately explores what it means to be human."That today the modern world is on such easy terms with the concept of culture . . . is in very great part due to this book." -- Margaret Mead"Benedict's Patterns of Culture is a foundational text in teaching us the value of diversity. Her hope for the future still has resonance in the twenty-first century: that recognition of cultural relativity will create an appreciation for 'the coexisting and equally valid patterns of life which mankind has created for itself from the raw materials of existence.'" -- from the new foreword by Louise Lamphere, past president of the American Anthrolopological AssociationRuth Benedict (1887-1948) was one of the most eminent anthropologists of the twentieth century. Her profoundly influential books Patterns of Culture and The Chrysanthemum and the Sword: Patterns of Japanese Culture were bestsellers when they were first published, and they have remained indispensable works for the study of culture in the many decades since.

    No one has ever been able to determine their origins, and even the Basques' language, Euskera—the most ancient in Europe—is related to none other on earth. For centuries, their influence has been felt in nearly every realm, from religion to sports to commerce. Even today, the Basques are enjoying what may be the most important cultural renaissance in their long existence.Mark Kurlansky's passion for the Basque people and his exuberant eye for detail shine throughout this fascinating book. Like Cod, The Basque History of the World,blends human stories with economic, political, literary, and culinary history into a rich and heroic tale.Among the Basques' greatest accomplishments:Exploration—the first man to circumnavigate the globe, Juan Sebastian de Elcano, was a Basque and the Basques were the second Europeans, after the Vikings, in North America Gastronomy and agriculture—they were the first Europeans to eat corn and chili peppers and cultivate tobacco, and were among the first to use chocolate Religion—Ignatius Loyola, a Basque, founded the Jesuit religious order Business and politics—they introduced capitalism and modern commercial banking to southern Europe Recreation—they invented beach resorts, jai alai, and racing regattas, and were the first Europeans to play sports with balls“A delectable portrait of an uncanny, indomitable nation.” –Newsday“Exciting, Illuminating, and thought provoking.” –The Boston Globe"Entertaining and instructive… [Kurlansky’s] approach is unorthodox, mixing history with anecdotes, poems with recipes.” –The New York Times Book Review

    Cunliffe views Europe not in terms of states and shifting political land boundaries but as a geographical niche particularly favored in facing many seas. These seas, and Europe’s great transpeninsular rivers, ensured a rich diversity of natural resources while also encouraging the dynamic interaction of peoples across networks of communication and exchange. The development of these early Europeans is rooted in complex interplays, shifting balances, and geographic and demographic fluidity.Drawing on archaeology, anthropology, and history, Cunliffe has produced an interdisciplinary tour de force. His is a bold book of exceptional scholarship, erudite and engaging, and it heralds an entirely new understanding of Old Europe.

    It is the history of who you are and how you came to be. It is unique to you, as it is to each of the 100 billion modern humans who have ever drawn breath. But it is also our collective story, because in every one of our genomes we each carry the history of our species births, deaths, disease, war, famine, migration, and a lot of sex. Since scientists first read the human genome in 2001, it has been subject to all sorts of claims, counterclaims, and myths. In fact, as Adam Rutherford explains, our genomes should be read not as instruction manuals, but as epic poems. DNA determines far less than we have been led to believe about us as individuals, but vastly more about us as a species. In this captivating journey through the expanding landscape of genetics, Adam Rutherford reveals what our genes now tell us about history, and what history tells us about our genes. From Neanderthals to murder, from redheads to race, dead kings to plague, evolution to epigenetics, this is a demystifying and illuminating new portrait of who we are and how we came to be."

    The book examines the differing interpretations of genocide from psychology, sociology, anthropology and political science and analyzes the influence of race, ethnicity, nationalism and gender on genocides. In the final section, the author examines how we punish those responsible for waging genocide and how the international community can prevent further bloodshed.

    It takes another three billion years of evolving life forms until it finally happens, a primate super species emerges: mankind. In conjunction with History Channel's hit television series by the same name, Mankind is a sweeping history of humans from the birth of the Earth and hunting antelope in Africa's Rift Valley to the present day with the completion of the Genome project and the birth of the seven billionth human. Like a Hollywood action movie, Mankind is a fast-moving, adventurous history of key events from each major historical epoch that directly affect us today such as the invention of iron, the beginning of Buddhism, the crucifixion of Jesus, the fall of Rome, the invention of the printing press, the Industrial Revolution, and the invention of the computer. With more than 300 color photographs and maps, Mankind is not only a visual overview of the broad story of civilization, but it also includes illustrated pop-out sidebars explaining distinctions between science and history, such as why there is 700 times more iron than bronze buried in the earth, why pepper is the only food we can taste with our skin, and how a wobble in the earth's axis helped bring down the Egyptian Empire. This is the most exciting and entertaining history of mankind ever produced.