With a different die-cut on every page, Tree of Codes explores previously unchartered literary territory. Initially deemed impossible to make, the book is a first — as much a sculptural object as it is a work of masterful storytelling. Tree of Codes is the story of an enormous last day of life — as one character's life is chased to extinction, Foer multi-layers the story with immense, anxious, at times disorientating imagery, crossing both a sense of time and place, making the story of one person’s last day everyone’s story. Inspired to exhume a new story from an existing text, Jonathan Safran Foer has taken his "favorite" book, The Street of Crocodiles by Polish-Jewish writer Bruno Schulz, and used it as a canvas, cutting into and out of the pages, to arrive at an original new story told in Jonathan Safran Foer's own acclaimed voice.

    In the summer of 2008, Tom made the move from Wisconsin to Idyllwild, California, where he intended to embrace a change of scenery and a healthier lifestyle, while continuing to grow his successful online business. Shortly after the move, he began experiencing strange and grim happenings around his property. He initially presumed that someone was messing with him... that was until he came face to face with something he never thought existed. Living Among Bigfoot is a series based on Tom's multiple encounters with the Bigfoot species.

    May of these stories are from the pages of Weird Tales and other classic magazines which brought the work of masters like H.P. Lovecraft, Seabury Quinn, Clark Ashton Smith, August Derleth, Robert E. Howard, and many others to the public. Includes an active table of contents.

    This study narrates the film's journey from box-office bemusement through word of mouth success to the recent director's cut of the film, and also discusses fans' reactions to the film's enigmatic conclusion, explaining how "Donnie Darko" gripped the imagination of Generation X teenagers across the world.

    Then one night, she strips in front of the parish priest and sinks her nails into his throat. If not madness, then the answer must be demonic possession. To vanquish the Devil, Bishop Crimmings recruits Father Gregory Sargent, a younger priest with a taste for modern ideas and brandy. As the two men fight not just the darkness tormenting Susan but also one another, a soul-chilling revelation lurks in the shadows—one that knows that the darkest evil goes by many names.

    Sentences have been relentlessly trimmed, tuned, and teased for maximum impact, and a ferocious attention to rhythm and sound results in a palpable pulse of excitability and distress. The nature of love is questioned at a golf course, a flower shop, an all-you-can-eat buffet. The clay head of a man is bought and displayed as a trophy. Interior life manifests on the physical plane, where characters--human and animal--eat and breathe, provoke and injure one another.With exquisite control, Scanlan moves from expansive moods and fine afternoons to unease and violence--and also from deliberate and generative ambiguity to shocking, revelatory exactitude. Disturbances accrue as the collection progresses. How often the conclusions open--rather than tie--up. How they twist alertly. No mercy, a character says--and these stories are merciless and strange and absolutely masterful.

    The series is designed to be read in order, and you should read part 1 first (Strange Sanctuary). The complete series box set is also available —Blackburn Manor hides a terrifying and unnatural secret. Evil just got a new address…After months on the run from an abusive relationship, Linda Green is ready to slow down and start her life over again. Exhausted from ever-present fear and stress, she yearns for the peace that a fresh start can bring. A fresh start she hopes to find at Blackburn Manor.The lush green trees and serene nature surrounding the manor feel so calming to her frazzled soul that Linda is ready to take advantage of everything this peaceful oasis has to offer. No internet, no distractions. It’s perfect.Until she sees the faces in the window.Not one to believe much in the supernatural, Linda shrugs it off as just a feeling. But the longer she’s at the manor, the more the feeling of uneasiness grows. From the creepy old neighbor who watches her every move to the moving shadows and unexplained phone calls in the middle of the night, something is just not right.She can trust no one. Not even herself.As Linda begins to uncover the history of the place, she is sure that something strange is going on at Blackburn Manor. Something sinister that hides in the shadows, deep within walls cloaked with secrets.Something that will stop at nothing to keep those secrets hidden.The Haunting of Blackburn Manor is a chilling supernatural tale of what happens when a woman’s search for sanctuary turns into a desperate and terrifying attempt to save her own life. Evil truly has a new address...- Part One: Strange Sanctuary (released on March 4th);- Part Two: Voices in the Night (released on March 11th);- Part Three: Secrets in the Dark (released on March 18th);- Part Four: Legend and Lore (released on March 25th);- Part Five: A Call from the Beyond (released on April 1st);- Part Six: Ashes to Ashes (released on April 8th).Don’t miss the second installment of the Haunting of Blackburn Manor, a six-part series of suspense, supernatural horror and mystery.New to the series? Start with Strange Sanctuary, part One of The Haunting of Blackburn Manor.

    The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from ‘The Remains of the Day' to ‘White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.

    From back-alley gyms and smoke-filled arenas to star-studded casinos and exotic locales, they have chronicled unforgettable stories about determination and dissipation, great champions and punch-drunk has-beens, colorful entourages and outrageous promoters, and, inevitably along the way, have written incisively about race, class, and spectacle in America. Like baseball, boxing has a vivid culture and language all its own, one that has proven irresistible to career sportswriters and literary essayists alike.This gritty and glittering anthology gathers a century of the very best writing about the fights. Here are Jack London on the immortal Jack Johnson; H. L. Mencken and Irvin S. Cobb on Jack Dempsey vs. Georges Carpentier, the first “Fight of the Century” that captivated the world in the 1920s; Richard Wright on Joe Louis’s historic first-round knockout of Max Schmeling; A. J. Liebling’s brilliantly comic portrait of a manager who really identifies with his fighter; Jimmy Cannon on Archie Moore, the greatest fighter of the 1950s; James Baldwin and Gay Talese on Floyd Patterson’s epic tilt with Sonny Liston; George Plimpton on Muhammad Ali and Malcolm X; Norman Mailer on the Rumble in the Jungle; Mark Kram on the Thrilla in Manila; Pete Hamill on legendary trainer and manager Cus D’Amato; Mark Kriegel on Oscar De la Hoya; and David Remnick and Joyce Carol Oates on Mike Tyson. National Book Award–winning novelist Colum McCann (Let the Great World Spin) offers a foreword.

    In following years there has been a great deal of interest in the author and his works, although, until now, articles about him have mostly been scattered in obscure journals. Now, at last, here is a book about him, a symposium of explorations and examinations of the Ligottian universe by such leading critics as S.T. Joshi, Stefan Dzimianowicz, Robert M. Price. With a complete, up-to-date bibliography of Ligotti's work, two interviews with him, and even a fascinating essay by Ligotti himself.

    Magic Child, a fifteen-year-old Indian girl, wanders into the wrong whorehouse looking for the right men to kill the monster that lives in the ice caves under the basement of Miss Hawkline's yellow house. What follows is a series of wild, witty, and bizarre encounters. The book was originally published in 1974.

    The Guide selects the most useful and insightful of these and puts them in context, making available the range of critical debate on this important novel to both specialist and general readers.

    You have arrived in the hills. In here, you are surrounded by dense, menacing forests, enveloped in a deadly silence... You never know what lurks here in the Cold, dark night. Do not walk alone after sunset in the hills. A beautiful woman in white haunts the Lonely pathways, looking to enchant and ensnare men... All the people who died in accidents here... They say you hear their screams at night. And the deserted lodges sitting amidst lush greenery and calm streams... Spirits lie in wait here, ready to prey on the living. There are sceptics who did not heed these warnings. They tried to rationalize what they saw, what they felt. But when they came face to face with the beings that they believed didn’t exist, they couldn’t run away anymore... Ghosts of the silent hills is a collection that will make your nights a little scarier, encompassing the very best spine-chilling stories based on true hauntings.About the AuthorBorn in Shimla in 1955, Anita Krishan spent the initial twenty-two years of her life in this pristine Himalayan town, earning her master’s degree in English literature from Himachal University, and moving on to a career of introducing delights of the language to her young learners. In her long tenure as an educator, she has enriched the lives of countless students with the mystery of the narrative. A versatile writer, each of her literary works appertains to a different genre... from the joys and travails of life, to terrorism that has brought the world to its tenterhooks, to now the paranormal. She has travelled extensively around the globe absorbing the diverse human ethos and cultures—the delectable food for her thoughts. Presently, she lives in Gurgaon with her family.

    Told in eloquent, honest prose, Art’s Cello is a story about coming to terms with the past and letting go of the failures we allow to define us — and, in the process, honoring the lives of those we’ve lost. Jim McKean is an international award-winning violinmaker, author, and corresponding editor of Strings Magazine. He is a graduate of the first violinmaking school in America and the former president of the American Federation of Violin and Bow Makers. His novel, Quattrocento, was published in 2002. Cover design by Evan Twohy.

    Killing the Rising Sun takes readers to the bloody tropical-island battlefields of Peleliu and Iwo Jima and to the embattled Philippines, where General Douglas MacArthur has made a triumphant return and is plotting a full-scale invasion of Japan.