In an essay on his career, Edward Hirsch describes They Feed They Lion as his "most eloquent book of industrial Detroit . . . The magisterial title poem--with its fierce diction and driving rhythms--is Levine's hymn to communal rage, to acting in unison." Of The Names of the Lost: "In these poems Levine explicitly links the people of his childhood whom 'no one remembers' with his doomed heroes from the Spanish Civil War."

    A satirical poem that intentionally over-dramatizes an incident in which a lock of a woman's hair is cut without her permission.

    Ansel Elkins’s poetry collection, Blue Yodel, is the 109th volume to be so honored. Esteemed poet and competition judge Carl Phillips praises Elkins for her “arresting use of persona,” calling her poems “razor-edged in their intelligence, Southern Gothic in their sensibility.”   In her imaginative and haunting debut collection, Elkins introduces readers to a multitude of characters whose “otherness” has condemned them to live on the margins of society. She weaves blues, ballads, folklore, and storytelling into an intricate tapestry that depicts the violence, poverty, and loneliness of the Deep South, as well as the compassion, generosity, and hope that brings light to people in their darkest times. The blue yodel heard throughout this diverse compilation is a raw, primal, deeply felt expression of the human experience, calling on us to reach out to the isolated and disenfranchised and to find the humanity in every person.

    E. Talbot Donaldson's translation of the text has been selected for this Norton Critical Edition because of its skillful emulation of the original poem's distinct alliterative verse. Selections of the authoritative Middle English text are also included for comparative analysis. Sources and Backgrounds includes a large collection of contemporary religious and historical documents pertaining to the poem, including selections from the Douai Bible, accounts of the plague, and legal statutes. Criticism includes twenty interpretive essays by leading medievalists, among them E. Talbot Donaldson, George Kane, Jill Mann, Derek Pearsall, C. David Benson, and Elizabeth D. Kirk. A Glossary and Selected Bibliography are also included.

    Andrew Hudgins imagines himself in the life of a now largely forgotten poet, Sidney Lanier, who served as a soldier for the Confederacy.

    Although she was acclaimed by John Buchan and by Rebecca West, who hailed her as a genius, and won the Prix Femina of La Vie Heureuse for Precious Bane (1924), she won little respect from the general public. It was only after her death that the Prime Minister of the United Kingdom, Stanley Baldwin, earned her posthumous success through his approbation, referring to her as a neglected genius at a Literary Fund dinner in 1928. Her writing is notable for its descriptions of nature, and of the human heart. She had a deep sympathy for all her characters and was able to see good and truth in all of them. Among her most famous works are: The Golden Arrow (1916), Gone to Earth (1917), and Seven for a Secret (1922).

    This anthology offers a broad selection of its poetry, and includes a wide range of works by the great poets of the age - notably Sir Philip Sidney, Edmund Sepnser, John Donne, William Shakespeare and John Milton. Poems by less well-known writers also feature prominently - among them significant female poets such as Lady Mary Wroth and Katherine Philips. Compelling and exhilarating, this landmark collection illuminates a time of astonishing innovation, imagination and diversity.Selected and with an introduction by David Norbrook, and edited by H.R. Woudhuysen.

    Included in this selection are the "heroic poems" such as Widsith, Deor, Brunanburh and Maldon, and passages from Beowulf; some of the famous 'riddles' from The Exeter Book; all the "elegies," including The Ruin, The Wanderer, The Seafarer, The Wife's Complaint and The Husband's Message, in which the virtu of Old English is found in its purest and most concentrated form; together with the great Christian poem The Dream of the Rood.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    If the poetic sequence is the main mode of Maggot, it certainly isn't your father's poetic sequence. Taking as a starting point W. B. Yeats's remark that the only fit topics for a serious mood are "sex and the dead," Muldoon finds unexpected ways of thinking and feeling about what it means to come to terms with the early twenty-first century. It's no accident that the centerpiece of Maggot is an outlandish meditation on a failed poem that draws on the vocabulary of entomological forensics. The last series of linked lyrics, meanwhile, takes as its subject the urge to memorialize the scenes of fatal automobile accidents. The extravagant linkage of rot and the erotic is at the heart of not only the title sequence but also many of the round songs that characterize Maggot, and has led Angela Leighton, writing in The Times Literary Supplement, to see these new poems as giving readers "a thrilling, wild, fairground ride, with few let-ups for the squeamish."

    Here, Tempest shows how the old myths still live on in our everyday acts of violence, bravery, sacrifice and love – and that our lives make tales no less dramatic and powerful than those of the old gods.

    Stranger, Baby, its follow-up, is marked by the same sense of fantasy and play, estrangement and edgy humour for which she has become known. But these poems delve deeper again, in their off-kilter and often painful encounter with childhood loss. This is a book of mourning, recrimination, exhilaration and 'oceanic feeling': 'A meditation on a want that can never be answered.'

    Prynne is Britain's leading late Modernist poet. His austere yet playful poetry challenges our sense of the world, not by any direct address to the reader but by showing everything in a different light, enacting slips and changes of meaning through shifting language. When his Poems was first published in 1999, it was immediately acclaimed as a landmark in modern poetry. This expanded edition includes four later collections only previously available in limited editions.

    Note: The University of Adelaide Library eBooks @ Adelaide.

    At once witty and disconsolate -- formally inventive, acutely attentive, insistently alive -- this is a book of fierce vulnerability that explores the ways in which we are educated by the implacable powers of time and desire in a world that constantly renews itself.

    A well–received feature is the grouping by codex to emphasize the great importance of manuscript context in interpreting the poems. The full contents of the Exeter Book are represented, summarized where not translated, to facilitate appreciation of a complete Anglo-Saxon book. The introduction discusses the nature of the legacy, the poet's role, chronology, and especially of translations attempt a style acceptable to the modern ear yet close enough to aid parallel study of the old English text. A check–list of extant Anglo-Saxon poetry enhances the practical usefulness of the volume. The whole thus adds up to a substantial and now widely–cited survey of the Anglo–Saxon poetic achievement.