Born a god but banished from Mouth Olympus and hated by all who inhabit it, he lives in a hell built of fire and darkness, demons, and his own nightmares. His only hope for happiness is found in young Persephone, the innocent and beautiful goddess of springtime, who brings beauty and love wherever she goes. But when it seems as though the only chance for him to confess his love for her will be taken by Persephone's overbearing mother Demeter, he's forced to take desperate measures. But will Life love Death? The fate of the world hangs in the balance.

    It is a simple, affecting tale of young Indian boys midway between two cultures, reluctant to abandon the ways of their fathers, and puzzled and uncomfortable in their new roles of "make-believe white men." The ambition of the Indian parents for their children, the struggle of the teachers to acquaint their charges with a new world of learning, and especially the problems met by both parents and teachers in controlling and directing schoolboy exuberance contribute to the authen-ticity of this portrait of the "Universal Boy," to whom La Flesche dedicated his book. Regarded by anthropologists as a classic of Native American literature, it is one of those rare books that are valued by the specialist as authentic sources of information about Indian culture and yet can be recommended wholeheartedly to the general reader, especially to young people in high school and the upper grades, as a useful corrective to the often distorted picture of Indian life seen in movies, comics, and television.

    W. Schultz (1859–1947) was an author, explorer, and historian known for his historical writings of the Blackfoot Indians in the late 1800s, when he lived among them as a fur trader. In 1907, Schultz published My Life as an Indian, the first of many future writings about the Blackfeet that he would produce over the next thirty years. Schultz lived in Browning, Montana. "With the Indians in the Rockies" is by a Rocky Mountain veteran, J. W. Shultz, and is “real stuff,” vivid and exciting, with the value that comes from firsthand knowledge. It is the story of Thomas Fox, a trapper, whose life was spent among the Indians——friendly and hostile,—in the pursuit of his calling, and who told the story to Mr. Schultz around the camp-fire. Buffalo-hunting, rowing up the Missouri, fights with Indians, the discovery that his Uncle Wesley was married to a squaw, to whom he became very much attached, exploring the Rocky Mountains, adventures in the snow, bear hunting and the like make up the story.It is a story of out-door adventure, Indians, wild animals, and the perils of a mountain winter that has seldom been equalled in absorbing vividness and power. Mr. Schultz's work bids fair to become a classic for old and young alike. Few men are now left who can write with such knowledge and charm about the scenes and people of the old buffalo days. Every boy, as well as every man and woman who retains an interest in the realities of life in the open, will read the book with delight.Schultz writes:"WHEN in the eighteen seventies I turned my back on civilization and joined the trappers and traders of the Northwest, Thomas Fox became my friend. We were together in the Indian camps and trading posts often for months at a time ; he loved to recount his adventures in still earlier days, and thus it was that I learned the facts of his life. The stories that he told by the evening camp-fire and before the comfortable fireplaces of our various posts, on long winter days, were impressed upon my memory, but to make sure of them I frequently took notes of the more important points. "As time passed, I realized more and more how unusual and interesting his adventures were, and I urged him to write an account of them. He began with enthusiasm, but soon tired of the unaccustomed work. Later, however, after the buffalo had been exterminated and we were settled on a cattle-ranch, where the life was of a deadly monotony compared with that which we had led, I induced him to take up the narrative once more."

    Her humble story began as a Princess of Sparta; honorable, loyal, with promise to become a powerful queen. Her lauded beauty was more curse than blessing, inciting lust and jealousy in the greedy kings who would make her their prize. Given in marriage to Menelaus of Mycenae, an abusive husband who neither wants nor needs her, she clings to a prophecy made to her about a great destiny, and even greater love.That destiny awaits her in Paris, a noble prince of Troy, whose reputation for fairness and fortitude precedes him as an Ambassador. Unjustly cursed at birth by a dark omen claiming he will cause the destruction of Troy, Paris is a haunted figure. This omen overshadows his good deeds, making him an object of ridicule amongst the Trojan nobility, and compelling his own mother to try to kill him as a babe. He is a man who has never known love.Until the day the Fates intervene and Paris travels to Mycenae as an Ambassador of Troy. He meets Helen, and the two souls linked by common destiny and purpose are reunited. Their love becomes legend, provoking the greatest war of ancient history, shaking the foundations of the world, and paving the way for the rise of Greece and Rome.

    When a grieving mother returns to the remote Alaskan town where her young son drowned, she discovers that the truth about her son's death is shrouded in legend— and buried in a terrifying wrinkle between life and death. When Jenna Rosen abandons her comfortable Seattle life to return to Wrangell, Alaska, it's a wrenching return to her past. Long ago the home of her Native American grandmother, Wrangell is located near the Thunder Bay resort, where Jenna's young son, Bobby, disappeared two years before. His body was never recovered, and Jenna is determined to lay to rest the aching mystery of his death. But the spectacular town provides little comfort beyond the steady and tender affections of Eddie, a local fisherman. And then whispers of ancient legends begin to suggest a frightening new possibility about Bobby's fate. Soon, Jenna must sift through the beliefs of her ancestors, the Tlingit— who still tell of powerful, menacing forces at work in the Alaskan wilderness.There beliefs are shared by Dr. David Livingstone, a practicing shaman who had been hired to "cleanse" Thunder Bay of its restless spirits. The experience almost cost him his life, and he warns Jenna about the danger of disturbing the legendary kushtaka— soul-stealing predators that stalk a netherworld between land and sea, the living and the dead. But Jenna is desperate for answers, and she appeals to both Livingstone and Eddie to help her sort fact from myth, and face the unthinkable possibilities head-on. Armed with nothing but a mother's ferocious protective instincts, Jenna's quest for the truth about her son— and the strength of her beliefs— is about to pull her into a terrifying and life-changing abyss...Coloring powerful legend with universal emotions, Garth Stein masterfully evokes our most primal dreams and fears. Remarkably vivid and relentlessly suspenseful, "Raven Stole the Moon" marks the arrival of a stunningly imaginative new talent.

    "An unprecedented account of the shaman's world and the way it is entered."Stanley Krippner, PhD, coauthor of Personal Mythology: The Psychology of Your Evolving Self and Healing State.Black Elk opens the Lakota sacred hoop.

    She is legend. And she’s about to make one hell of a comeback.Sara Vanadi is more than she appears to be.In her prime, she was Freya, the Norse goddess of love, beauty, war, and death. Now all that’s left of her legacy is herself. Her power comes from belief, and for an ancient goddess in the 21st century, true believers are hard to come by.She’s been lying low for a few decades, when all of a sudden a shadowy corporation extends an offer: join them and receive unlimited strength and believers—or refuse and be destroyed. Sara chooses neither; she flees with the help of a new friend named Nathan.With a modern power rising that wishes to bend the divine to its will, Sara decides to fight back—but first she needs some new clothes.

    These willingly allowed themselves to be bedevilled, consumed by a passion that would not be denied, existing only to serve her will, content to be moulded to suit the purposes of the most enchanting creature in all of creation – Mohini.Distilled from the essence of Vishnu, Mohini, the Enchantress is a part of him and yet she revels in the autonomy and extraordinary powers of beauty, magic and enchantment that are hers to wield. Vivid and ephemeral, she is beloved and desired by all in existence. But she is elusive as the fragment of a forgotten dream, a tantalizing temptress, traipsing her way across the topsy – turvy realms of fable and myth. Her meandering path will see her in the thick of things as the Devas and Asuras churn the ocean of milk to get their hands on the nectar of immortality, blunder into a love triangle that will spark a bloody war, fulfil the last wish of a dead hero, melt into the arms of Mahadeva, the only one capable of enchanting the enchantress and become the mother of Shastha, who will serve as a beacon of hope for all who are considered oddities by a spiteful society that recognizes only two genders amongst the vast multitudes... Set against the tumult and intrigue of a celestial quest for immortality, Anuja Chandramouli brings the extraordinary saga of Mohini to vivid life. Balancing delicately on the tightrope between mythology and reality, she takes the reader on a dizzying ride through the shifting sands of time, gender, love, and desire, deftly intertwining the threads of the past and the present, blurring the lines between fact and fiction while spinning a deliciously entertaining yarn for the ages.

    This commemorative edition contains for the first time Seton's drawigns of American Indian motifs, a selection of photographs illustrating his life, information about his role as founder of the Boys Scouts of America.

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    C. Gwynne’s Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second entails one of the most remarkable narratives ever to come out of the Old West: the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son Quanah, who became the last and greatest chief of the Comanches. Although readers may be more familiar with the tribal names Apache and Sioux, it was in fact the legendary fighting ability of the Comanches that determined just how and when the American West opened up. Comanche boys became adept bareback riders by age six; full Comanche braves were considered the best horsemen who ever rode. They were so masterful at war and so skillful with their arrows and lances that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana. White settlers arriving in Texas from the eastern United States were surprised to find the frontier being rolled backward by Comanches incensed by the invasion of their tribal lands. So effective were the Comanches that they forced the creation of the Texas Rangers and account for the advent of the new weapon specifically designed to fight them: the six-gun. The war with the Comanches lasted four decades, in effect holding up the development of the new American nation. Gwynne’s exhilarating account delivers a sweeping narrative that encompasses Spanish colonialism, the Civil War, the destruction of the buffalo herds, and the arrival of the railroads—a historical feast for anyone interested in how the United States came into being. Against this backdrop Gwynne presents the compelling drama of Cynthia Ann Parker, a lovely nine-year-old girl with cornflower-blue eyes who was kidnapped by Comanches from the far Texas frontier in 1836. She grew to love her captors and became infamous as the "White Squaw" who refused to return until her tragic capture by Texas Rangers in 1860. More famous still was her son Quanah, a warrior who was never defeated and whose guerrilla wars in the Texas Panhandle made him a legend. S. C. Gwynne’s account of these events is meticulously researched, intellectually provocative, and, above all, thrillingly told.

    Tracked by an entity bent on revenge, these childhood friends are helpless as the culture and traditions they left behind catch up to them in a violent, vengeful way.

    Only after a firsthand lesson in Kristiano brutality does Black Shell fully comprehend the dangers these invaders pose to his people’s way of life. And while his first instinct is to run far from the Kristianos, Black Shell has been called to a greater destiny—by the Spirit Being known as Horned Serpent. With Pearl Hand by his side, Black Shell must find a way to unite the disparate tribes and settlements of his native land and overcome the merciless armies of de Soto. . . .

    Then, exciting clues were discovered - hatchets made of stone, paintings drawn in caves, an skeletons of prehistoric beasts and prehistoric man. Step by step the puzzling pieces were put together until finally the great mystery was solved.Here is a story that spans a million years - the story of the first men in the world.

    Heaney's performance reminds us that Beowulf, written near the turn of another millennium, was intended to be heard not read.Composed toward the end of the first millennium of our era, Beowulf is the elegiac narrative of the adventures of Beowulf, a Scandinavian hero who saves the Danes from the seemingly invincible monster Grendel and, later, from Grendel's mother. He then returns to his own country and lives to old age before dying in a vivid fight against a dragon.The poem is about encountering the monstrous, defeating it, and then having to live on in the exhausted aftermath. In the contours of this story, at once remote and uncannily familiar at the end of the twentieth century, Seamus Heaney finds a resonance that summons power to the poetry from deep beneath its surface.