Desperate for human connection, they listen through walls and engage in such obsessions as collecting hairs left behind by lovers. These 24 passionately and intricately rendered stories secure Lutz's place at the forefront of the contemporary fiction of disaffection.

    A fictional town full of very real people who survive the attack of Hurricane Hugo and then find their bearings in the aftermath—often in wild and hilarious ways. The days leading up to the impending disaster are not at all unusual—no portents of disaster, no signs of impending calamity. Bryce works his night shift at the hot dog factory, Isaac drives the bus to school, Evelyn attends a funeral. But when the electricity fails in the middle of the night on September 21, 1989, it marks the moment when everything will change: Hugo has arrived.The storm builds, the wind whips by faster and faster, and interpersonal dramas, grudges, and rivalries are dredged up along with the flotsam and debris. Meanwhile, flood markers, painted red, track the height of the water from past rainstorms, and as the creek level rises higher than ever before, so do the emotions of the townspeople.Alternating between weather forecasts and short stories, Floodmarkers is an exquisitely crafted day-in-the-life of a town. And as Nic Brown has us look bravely at the eye of the storm, he cleverly shows us that human nature can stir up a spectacular tempest all its own.

    The New Yorker offers a signature mix of reporting and commentary on politics, international affairs, and the arts, along with fiction, poetry, humor, and cartoons. Founded in 1925, The New Yorker has received more National Magazine Awards than any other magazine. Notable work in recent years includes coverage of the war on terror by George Packer, Jane Mayer, Lawrence Wright, Steve Coll, and Seymour M. Hersh; reports from the front lines of the Middle East by Jon Lee Anderson, Dexter Filkins, and Wendell Steavenson; Malcolm Gladwell on "the tipping point"; Anthony Lane on movies; James Wood on books; Elizabeth Kolbert on the environment; Atul Gawande on health care; fiction by Jonathan Franzen, Edwidge Danticat, Zadie Smith, and Haruki Murakami; humor by David Sedaris and Andy Borowitz; and cartoons by Roz Chast.

    A woman reconsiders her decision to join a fundamentalist compound and enter a polygamous marriage; a Somali refugee takes a job at the local mill to support her family; a college student attempts to right her world through the lens of mathematics; an Iraq War vet struggles to regain his compromised relationships. In spare yet vivid prose, Anderson explores loss and desire, regret and hope. Everywhere we are reminded of all that a single life contains.

    Although social realities -- racial and ethnic tensions, sexual harassment, and abuse -- make up their background, these are really love stories in which people discover and forgive one another. A daughter finds her father's kindness extends beyond her and their family; a wife discovers and forgives the affair between her husband and best friend; and, in the title story which takes the form of a letter to an almost-lover, the narrator winds through swirling eddies of memory and language to relate her present and past lives and the loves that have informed them.Written with a masterful sureness of hand and heart, these captivating, intimate stories display Sena Jeter Naslund's extraordinary presence as one of today's most rewarding writers of fiction.

    hard drinkers, passionate lovers, good haters, living on the edge, hurling fury at a complacent world."

    Marisa Silver's singular voice makes us care deeply about their everyday desperations and hard-won hopes.

    In stories filled with heart and humour, Tim Gautreaux explores the stresses and strains of everyday life as his characters struggle to make amends for their mistakes and hope for different, better days to come.

    Set mainly amid Indian reservations and uranium mills, these twelve stories create a kaleidoscopic view of family, myth, love, landscape, and loss in a place where infinite skies and endless roads suggest a world of possibility, yet dreams are deceiving, like an oasis, just beyond reach. Whether it’s a young woman pushed quite literally to the edge on a desolate mountain pass, an orphaned brother and sister trying to patch together an existence one stitch at a time, a cop who suspects his kleptomaniac wife is stealing from other people — materially and emotionally — or a wily roadside hypnotist whose alleged power is both wonderful and strange, Ann Cummins’s characters want to transcend the circumstances of their lives, to believe in the eventuality of change. Again and again, Ann Cummins generates imagery of white-hot intensity and pushes the limits of both the human spirit and the short story form. Gritty, seductive, and always daring, this unforgettable collection puts forth a haunting new vision of hope and heartache in contemporary America and confirms the arrival of an important new voice.

    RozanLost and found by Thomas BentilLook what love is doing to me by Marlon JamesHome sweet home by Sandra KittA visit to St. Nick's by Robert J. HughesNumbers up by Miles Marshall LewisThe big five by Joseph WallaceErnie K.'s gelding by Ed DeeThe prince of Arthur Avenue by Patrick W. PicciarelliYou want I should whack Monkey Boy? by Thomas Adcock

    These stories (written between 1943 and 1979) combine the mystical and horrific with traditional southern folk tales and legends. At the same time, these stories reveal a post World War 2 modernism that make them much more then pulp romanticism. The paranoia and cynicism of modern weird icons such as the X-files may well have had their genesis in the pulp musings of Manly Wade Wellman. Indeed the intensely driven, idealistic occult investigator John Thunstone could be a pulp/noir stand in for Fox Mulder.This work will be issued in a fine collector's hardcover state, with 24 illustrations. Edited by John Pelan, illustrated by Kenneth Waters.Contents:• Introduction• The Third Cry to Legba• The Golden Goblins• Hoofs• The Letters of Cold Fire• John Thunstone's Inheritance• Sorcery from Thule• The Dead Man's Hand• Thorne of the Threshold• The Shonokins• Blood from a Stone• The Dai Sword• Twice Cursed• Shonokin Town• The Leonard Rondache• The Last Grave of Lill Warren• Rouse Him Not• The Dakwa• The Beasts That Perish• Willow He Walk• A Witch for All Seasons• Chastel

    We're talking over a hundred print pages of pure pulp perfection that'll cost you less than the paper it ain't printed on.Includes the Spinetingler-Award-winning "Seven Days of Rain," Derringer-Award finalist "The Big Score," and "The World Behind," which originally appeared in Ellery Queen's Mystery Magazine.Also included are "A Better Life," "The Well," "A Simple Kindness," "Eight Pounds," and "The Toll Collectors."

    A Louisiana farmer sees the image of Christ appear on the freezer door and questions the meaning of faith. In a Maine resort town, Miss Langevin, a spinster who could write a book on disappointment, now gets a chance to help another woman escape it. And in the title story, a science teacher's modest dreams and painful memories erode his existence like water entering stone.

    As in her acclaimed novels The Siege and A Spell of Winter, world-class storyteller Helen Dunmore shows us with subtlety and humor precisely who her characters are and why we should care for them. In each taut, agile tale, they grow to surprise, concern, and move us as they negotiate situations that are often both mundane and bizarre: a cafeteria cook confronts her Polish pen pal in a meeting that is unexpectedly intense; a divorced mother gains insight from a parking meter; a boastful writer is put in his place in spectacular fashion; and in a chilling future, conception is ruthlessly controlled by the government. In several stories a soulful, curious woman named Ulli takes up residence in the reader's imagination -- stumbling across a strangely magnetic collector of religious icons, contemplating a youthful pregnancy, and remembering a troubled lover. In Ice Cream, Dunmore reveals both her poet's ear for the concise and piercing potentialities of language and the novelist's ambition of scope, proving her status as "a master of the shorter form" (The Sunday Telegraph). "Spellbinding ... She captures a moment in time and leaves us reeling at the echoes." -- Michael McLoughlin, The Irish News "Cool, elegant, and beautifully controlled, the stories collected in Ice Cream display Dunmore's virtuosity of language." -- Pamela Norris, The Independent on Sunday "All the senses are vibrantly alive in these stories." -- Katie Owen, The Sunday Telegraph

    She owns a small motor-inn motel on a major highway in South Georgia. The summer heat is still strong in the waning days of October, and she is tired from a long summer season. As the evening progresses, Ginny’s motel begins to fill-up. There is Johnny Benton, a strange motel guest who insists on parking his car behind the motel, a would-be suitor named Don Ferris, a guest that is the catalyst for a long and frightening night, and then there is the dead husband whose long shadow is cast across Ginny’s life like a long heavy rain...