She's adjusted to the Florida lifestyle, received a small raise, and is enjoying a playful romance with island cop Nick Billie. Things start to heat up when Mallie's old boyfriend, Cole, reappears and she finds herself torn between two men. But just before the annual Mango Festival which had promised to be a pleasant distraction the body of the Mango Queen is found in the mangroves. So it s back to business and Mallie is assigned to report on the case. She soon finds that the murderer isn't the only one in town to worry about, as her investigation begins digging up old secrets that many islanders prefer to remain buried. Can Mallie find the key to the Mango Queen s death before the killer plants her under the nearest tropical tree? And if she survives that, will she be able to decide whether Nick or Cole holds the key to her heart?

    Their designs are evil, and she has no idea about their intentions. They have devised a plan to kidnap her. What are their further plans in Eastern Europe? Who will help her get out of this trouble?

    In 1917 a munitions factory in Silvertown explodes flattening much of the surrounding area and causing extensive damage to Constance Street – Nellie’s daughter is blown from her crib but miraculously survives.Deciding to open the laundry as a field hospital for the injured, Nellie and the women on the street come together to tend the wounded, the sick and the emotionally shattered as they cope with the aftermath of not just one but two world wars.Through the Great War, the roaring Twenties, the Depression and then the unimaginable – the outbreak of a second world war – Nellie and the street survive with love, laughter and friendships that bind the community together. But just as this incredible group of women live through the worst, the unthinkable happens. On 7 September 1940, Constance Street is no more.Following in the footsteps of Farewell to the East End by Jennifer Worth and The Sugar Girls, Constance Street is a life-affirming, heart-warming read that reminds us of a time when people pulled together.

    When Reggie Lee joins defense contractor Frontierza, the company's work on advanced hibernation technology for sleeper colony ships seems the perfect career starter. He has the opportunity to lead the first team to test the technology in a month-long cryogenic sleep.But the world Reggie wakes to is nothing like he expects. It's a world where life is cheap and only the strong survive.Pick up this exciting post-apocalyptic trilogy today, and see this new world of Burning Sands.

    One of his best-loved and most famous plays, it exposes the lies plaguing the family of a wealthy Southern planter of humble origins.

    They sailed far out to sea. The blue one returned to the harbor. The red one sailed home too. But the yellow boat sailed up to the sun." Benjamin always concluded his bedtime ritual by saying, "Mom, you can be the red boat or the blue boat, but I am the yellow boat." This remarkable voyage of Benjamin was extensively developed and widely produced in America for several years, always to ovations. Cast of 4 men and 3 women.THE YELLOW BOAT is based on the true story of David and Sonja Saar's son, Benjamin, who was born with congenital hemophilia, and died in 1987 at the age of 8 of AIDS related complications. A uniquely gifted visual artist, Benjamin's buoyant imagination transformed his physical and emotional pain into a blaze of colors and shapes in his fanciful drawings and paintings. The story of THE YELLOW BOAT Is a glorious affirmation of a child's life, and the strength and courage of all children. Recommended for children of age 8 and older, parents, families and adults.

    What Rebecca Gilman makes of this familiar scenario is something startlingly real and compelling, delving deeply into the small space that can divide a feeling of hope from one of hopelessness, as Curt and Sandy both try to get a foothold in the American dream of a house, a job, a life, a relationship with another human being.Gilman's previous play, Boy Gets Girl, was acclaimed by Time magazine as the best play of 2000, saying that "with Spinning into Butter, her play about race relations on campus, Rebecca Gilman gave notice that she was a playwright to watch. And with this intense drama of a woman's encounter with a stalker, she became one to hail . . . It's not just a gripping play but also an important one." Marked by Gilman's characteristically sharp delineation of character, pitch-perfect dialogue, and effortless use of humor that is both biting and silly, Blue Surge is a worthy successor to these plays--an intimate look at the class struggle in America today as well as a brilliant example of the dramatic craft from one of today's most accomplished practitioners. It will have its world premiere at the Goodman Theatre in Chicago in the spring of 2001.

    While the hunt has twists and turns, the girls never lose sight of their goal...to outwit the local Police Department and form their own sleuthing group...The We're Not Dead Yet Club. Join the fun as this mismatched group of friends and their men cohorts search for clues and almost end up in the hoosegow and the local cemetery.

    Everyone needs them. Especially when relations between you and your family are less than perfect. And for the talented and ambitious Janet Street-Porter, her friends became her family. is the story of these vibrant characters – some famous, some infamous, all extraordinary – and their often volatile relationships with her. Above all, it is a portrait of an exciting and creative era, by someone who lived it to the full.

     Action, suspense, romance, laughs, and just enough sex... a campaign you'll never forget. The political thriller with heart. THE NEXT PRESIDENT IS GOING TO BE A WOMAN... Catherine Young, Vice President and newly-anointed Democratic nominee, is surging in the polls. The race is on against opposition candidate Jerusha Hutchins, former stewardess and blonde beauty, who is the darling of the far-right Liberty Party. But with political wunderkind Zane Zarillo running her campaign, Catherine is bound to hold her lead. Suddenly a medical emergency puts the President in the hospital and forces Catherine to act in his place… a perfect opportunity for her to show her Oval Office stuff. Just when her election looks like a sure thing, Catherine's romantic fling from decades ago comes to light. Will the American public accept a woman with a past? "Rating: 5.5 out of 5 Stars – Top Pick." Underground Book Reviews What Amazon readers are saying: "… RUNNING had me up till the wee hours of the morning! And, when I was not reading it, I was thinking about the characters. This book is at times funny, heartbreaking, and suspenseful. " "… writing, pace, and storyline were so good that I found myself putting off other things so I could keep reading." "… it grabbed me and didn't let go. With a fast-paced plot and an unerring feel for the cinematic, Fitzgerald creates a thriller that will resonate not just with political junkies like myself, but the suspense-thriller reader as well."

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.

    It seemed like a simple case of murder, but questions remained. Was Dale Harrell a hapless, innocent victim of a brutal killing, or was this the final act of a desperate woman who had suffered through years of domestic violence? The fact that the incident took place in a middle class suburb of Phoenix, Arizona, with the couple’s three children within the property at the time, meant nothing. The questions for the jury were simple. Was the killing premeditated or was it an act of self defense? Was it done for financial gain? Should the defendant pay for her crime with her life, should she be incarcerated for twenty-five years to life, or should she receive a life sentence with no chance of parole? Author Paul Sanders was Juror #13 in a trial packed with twists and turns. He sat every day in court, in a trial which got deep inside the day-to-day lives of a family and eventually delivered justice to a victim. Read this remarkable true story now and make up your own mind as to the truth behind the Hammer Killing Trial. Amazon reviews: “Mr. Sanders is a brilliant writer. You feel like you are right in the courtroom with him…” “This is a must-read for any avid trial watcher!” “Brain Damage is a very interesting journey through a death penalty trial. It made me want to be a juror!” Also by Paul Sanders: "Why Not Kill Her: A Juror's Perspective - The Jodi Arias Death Penalty Retrial" "Banquet of Consequences: A Juror's Plight - The Carnation Murders Trial of Michele Anderson" (March 2017)

    But he is also much more than that—he is a mentor, teacher, and trailblazer to many photographers, and a hero to those who feel Jay’s teaching has changed the way they see and create their own photography. He is a living legend whose work is studied around the world, and whose teaching style and presentation garner standing ovations and critical acclaim every time he takes the stage. In his first educational book, Light, Gesture, and Color, Jay put his amazing insights and learning moments from a lifetime behind the lens into a book that communicated the three most important aspects of street photography: light, gesture, and color. Here, in It’s Not About the F-Stop, Jay continues and builds on that success to take take you beyond the buttons and dials on your camera to continue to teach you how to “see” like a photographer, and how to capture the world around you in a way that delights, intrigues, and challenges the viewer. Each page unveils something new and challenges you to rethink everything you know about the bigger picture of photography. This isn’t a book about f-stops or ISOs. It’s about seeing. And there is nobody that communicates this, visually or through the written word, like Jay Maisel.

    He has two manuscripts but lacks the funds to publish both. His difficult decision--whether to publish his lover's memoir or the novel written by his best friend--is further complicated by the arrival of a mysterious machine that produces pages predicting the future of the play's protagonists, affecting their lives and relationships in haunting and unexpected ways. "The Violet Hour" opened on Broadway on November 6, 2003, starring Robert Sean Leonard.

    Using the format of an end-of-term play, the new drama teacher's progress through two terms of recalcitrant classes, synical colleagues and obstructive caretakers is reviewed. Disillutioned, he departs for a safer private school.