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     Published when she was only twenty-three and written while she was a student at Brown, Sleepwalking marks the beginning of Meg Wolitzer’s acclaimed career. Filled with her usual wisdom, compassion and insight, Sleepwalking tells the story of the three notorious “death girls,” so called on the Swarthmore campus because they dress in black and are each absorbed in the work and suicide of a different poet: Sylvia Plath, Anne Sexton, and Wolitzer’s creation Lucy Asher, a gifted writer who drowned herself at twenty-four. At night the death girls gather in a candlelit room to read their heroines’ work aloud. But an affair with Julian, an upperclassman, pushes sensitive , struggling Claire Danziger—she of the Lucy Asher obsession-–to consider to what degree her “death girl” identity is really who she is. As she grapples with her feelings for Julian, her own understanding of herself and her past begins to shift uncomfortably and even disturbingly. Finally, Claire takes drastic measures to confront the facts about herself that she has been avoiding for years.

    First developed in 1959, it focuses on four key areas: reaction, learning, behavior, and results. "Evaluating Training Programs" provides a comprehensive guide to Kirkpatrick's four-level model, along with detailed case studies that show how the approach is used successfully in a wide range of programs and institutions. The third edition revises and updates existing material and includes new strategies for managing change effectively.

    These narrative poems take readers into the heart of southern Appalachia—its highways and strip malls and gun culture, its fragility and danger—as the speaker wrestles with what it means to be the only Jewish family in an Evangelical neighborhood and the anxieties of raising one white son and one black son amidst racial tensions and school lockdown drills. With a firm hand on the pulse of the uncertainty at the heart of 21st century America and a refusal to settle for easy answers, Meitner’s poems embrace life in an increasingly fractured society and never stop asking what it means to love our neighbor as ourselves.

    Spanning the period from the 1950s to the 1970s, a time when English society was changing with disconcerting speed, the characters are first seen as students at Cambridge, before the story moves on to follow their progress and varying fortunes in the larger world of the media and academe.For Adam Morris, of the quicksilver tongue, the concentration camps of which he has only heard of and the social life of England, which he has experienced, combine to give him a scorching skepticism. Unable to accept without suspicion what life offers, he develops a sharp ambivalence that allows him both to enjoy the fruits of a successful screenwriting career and also to retain the self-critical detachment of a novelist.For the other colourful and powerfully realised characters, success, money and satisfaction come in varying degrees. Over all of them the golden Cambridge era, with its smart badinage, its exploratory sex and its uncertain friendships, throws a light - or a shadow - from which none, perhaps, can ever quite escape.The subject of a highly-acclaimed 1976 television series starring TomConti, The Glittering Prizes is a witty, incisive and moving saga of an era and a generation. This new edition will be widely welcomed.

    It covers all of Kane's major plays and productions, contains hitherto unpublished material and reviews, and looks at her continuing influence after her tragic early death. Locating the main dramatic sources and features of her work as well as centralizing her place within the 'new wave' of emergent British dramatists in the 1990's, Graham Saunders provides an introduction for those familiar and unfamiliar with her work.

    When news spreads of a high school teacher's relationship with his underage student, participants and observers alike soon take part in an elaborate show of concern and dismay. But beneath the surface of the teenage girls' display, there simmers a new awareness of their own power. They obsessively examine the details of the affair with the curiosity, jealousy, and approbation native to any adolescent girl, under the watchful eye of their stern and enigmatic saxophone teacher, whose focus may not be as strictly on their upcoming recital as she implies.

    In Virtual War, he offers an analysis of the conflict in Kosovo and what it means for the future of warfare. He describes the latest phase in modern combat: war fought by remote control. In real war, nations are mobilized, soldiers fight and die, victories are won. In virtual war, however, there is often no formal declaration of hostilities, the combatants are strike pilots and computer programmers, the nation enlists as a TV audience, and instead of defeat and victory there is only an uncertain endgame.Kosovo was such a virtual war, a war in which U.S. and NATO forces did the fighting but only Kosovars and Serbs did the dying. Ignatieff examines the conflict through the eyes of key players--politicians, diplomats, and generals--and through the experience of the victims, the refugees and civilians who suffered. As unrest continues in the Balkans, East Timor, and other places around the world, Ignatieff raises the troubling possibility that virtual wars, so much easier to fight, could become the way superpowers impose their will in the century ahead.

    Known for its "elitist approach" to American Government, this text presents its argument in a new context--the politics of the 21st century--including the Clinton and Bush Administrations effects on government and politics the U.S.

    After a childhood moving from one academic outpost to another with her father (a man prone to aphorisms and meteoric affairs), Blue is clever, deadpan, and possessed of a vast lexicon of literary, political, philosophical, and scientific knowledge—and is quite the cineaste to boot. In her final year of high school at the elite (and unusual) St. Gallway School in Stockton, North Carolina, Blue falls in with a charismatic group of friends and their captivating teacher, Hannah Schneider. But when the drowning of one of Hannah's friends and the shocking death of Hannah herself lead to a confluence of mysteries, Blue is left to make sense of it all with only her gimlet-eyed instincts and cultural references to guide—or misguide—her.

    Using a unique systems approach, it brings together an extraordinary breadth of information into a highly accessible, easy-to-read text that clarifies the complexities of health care organization and finance, while presenting a solid overview of how the various components fit together.

    As such it has the difficult task of mediating between academic expertise and lived experience, attempting to reconcile opposed interests and perspectives. This clearly written introduction provides a concise but comprehensive overview of the most pressing and controversial issues surrounding contemporary language use today, including intercultural communication, political persuasion, new technologies, the growth of English, language in education, and foreign language teaching and learning.

    A serial killer on a warped moral mission who turns his victims' "sins" into the means of their murder. The movie Seven is analyzed here covering topics such as sin, story, structure, seriality, sound, sight and salvation.

    What is the secret to BTS' exceptional worldwide popularity, referred as the "BTS Phenomenon"? Is it because of the seven members' X-factor, their amazing talent and explosive energy on stage? How can they be understood within and without the context of K-pop? What do the ARMYs, their loyal brigade of worldwide fans, mean by "BTS-Pop?"Youngdae Kim, a seasoned critic of Korean popular music, boldly tackles an unprecedented task: an in-depth review of BTS' entire discography. After all, the proper approach to give musicians their due respect is by listening to their music--it's the heart of their message and their route to the top.

    With Leland Edwards on piano, Neil Novotny on clarinet, Victor Dash on drums, and Connor on bass, the group comes together with the help of its muse, the lovely Peggy Benoit, who plays saxophone and sings. But soon isolated Rookery State will be touched by the great discontent sweeping the country: the first labor union in the college's history comes noisily to campus. As a teachers strike takes shape, the five musicians must struggle with their loyalties--to the school, the town, their families, and one another. . . .