When they meet again however, they discover that Jai is the crass capitalist developing Rasa Vihar, the heritage building that Anusha and her NGO are fighting to protect. Inevitably they clash, with neither willing to concede to the other. The problem is that although publicly they are enemies, in private, they are wildly attracted to each other. – but when secrets and betrayals enter the equation – things really begin to get out of control. Will the Activist and the Capitalist ever be able to find common ground?An exciting love story, set in Chennai from the best-selling author of Sweet Sixteen.

    She begins to rebuild her life by focusing on a career. She is hired by Sharma Industries to avert the company’s collapse. Aditya, heir to Sharma Industries returns to India from the United States and moves right into Kirthi’s lonely and depressed heart, offering her a life she only dreamed about. Constrained by the oppressive taboo preventing all widows from remarrying, Kirthi struggles with the haunting question: would Aditya love her if he knew? Brought together by work, drawn closer through friendship, pulled apart by cultural taboos, their love shatters prejudice and offers hope.

    These bloody events echoed an older political rift in Egypt and the Middle East: the splitting of nationalists and Islamists during the rule of Egyptian president and Arab nationalist leader Gamal Abdel Nasser. In Making the Arab World, Fawaz Gerges, one of the world's leading authorities on the Middle East, tells how the clash between pan-Arab nationalism and pan-Islamism has shaped the history of the region from the 1920s to the present. Gerges tells this story through an unprecedented dual biography of Nasser and another of the twentieth-century Arab world's most influential figures--Sayyid Qutb, a leading member of the Muslim Brotherhood and the father of many branches of radical political Islam. Their deeply intertwined lives embody and dramatize the divide between Arabism and Islamism. Yet, as Gerges shows, beyond the ideological and existential rhetoric, this is a struggle over the state, its role, and its power. Based on a decade of research, including in-depth interviews with many leading figures in the story, Making the Arab World is essential reading for anyone who wants to understand the roots of the turmoil engulfing the Middle East, from civil wars to the rise of Al-Qaeda and ISIS.

    This unconventional couple was briefly introduced in the steamy bestseller, “No Boundaries” and they’ve returned in this sizzling novella that gives readers a behind the scenes look at their jaw-dropping, sexual adventures. Once a month, the couple departs from their normal marital routine and engages in a kinky threesome where Vanessa selects a hot-looking sex partner to indulge her fantasies while her husband sits back and watches. With a few rules in place, Vanessa and Spike’s open marriage has been a thrilling experience thus far. But when roguishly handsome, Quincy Langford enters the picture, he shakes things up and redefines the rules when he takes the sex game to new heights. If three's a crowd, will one of the men bow out gracefully...or is there always room for one more?

    

    Nakul, who lost his beloved wife after only a month of their marriage in a serial bombing attack, found it impossible to continue with his life.He takes a journey in which he interacts with people like him, who have also lost their loved ones in those blasts and decides to help them. Though he didn't realize that in the process of helping them, he was helping himself. This is his journey through the five stages of grief - DENIAL, ANGER, BARGAINING, DEPRESSION and ACCEPTANCE, and how he comes out of them with the help of his family and his "Grief-Mates".He thought that he had forever of togetherness with his wife, but he didn't, none of us does. And before it is too late, we should better go out there to our loved ones and tell them how much we love them. Have any of you said it lately to your wife, your husband, your children, your brother, sister or your parents, that "You mean the world to me. You have changed my life. I cannot live without you. I love you..."

    He studies Lynch's talent for blending the bizarre and the normal to emphasize the odd nature of normality itself. Hollywood is often criticized for distorting reality and providing escapist fantasies, but in Lynch's movies, fantasy becomes a means through which the viewer is encouraged to build a revolutionary relationship with the world.Considering the filmmaker's entire career, McGowan examines Lynch's play with fantasy and traces the political, cultural, and existential impact of his unique style. Each chapter discusses the idea of impossibility in one of Lynch's films, including the critically acclaimed Blue Velvet and The Elephant Man; the densely plotted Lost Highway and Mulholland Drive; the cult favorite Eraserhead; and the commercially unsuccessful Dune. McGowan engages with theorists from the "golden age" of film studies (Christian Metz, Laura Mulvey, and Jean-Louis Baudry) and with the thought of Sigmund Freud, Jacques Lacan, and Hegel. By using Lynch's weirdness as a point of departure, McGowan adds a new dimension to the field of auteur studies and reveals Lynch to be the source of a new and radical conception of fantasy.

    I was, and what is more I filed a daily report. My employer was myself and my reports consisted of eight thousand pages of journal. This book was drawn from that material. Iran, where he raised mainly pomegranates, but also quinces, grapes, chickens, and bees. He also made many Iranian friends. His memories of that time have yielded a masterpiece of national portraiture, wonderfully alive to the complexities of the Iranian character -- courteous, capricious, deeply religious yet also playful, generous, and poetic. A work of shimmering beauty and sensitivity, Garden of the Brave in War will deepen every reader's understanding of the often elusive country that lies behind the headlines.

    The guide includes all the icons, from Boris Karloff to Wes Craven and Frankenstein to Freddie Kruger, including classics from Argentina, Pakistan, South Africa and the recent chillers from East Asia. The canon of fifty essential horror movies features The Cabinet of Dr Caligari and Switchblade Romance, via Psycho and The Exorcist. Everything you need to know is covered from festivals, adaptations, magazines and merchandise. The guide tells the stories behind the movies that have scared us throughout the twentieth century.

    She keeps her feelings closely guarded and is good at pretending that everything is fine, even when it isn’t. When she finds herself seated next to Luqman Ahmed on an international flight, she knows why has avoided men like him all her life. But she also remembers everything that had drawn him to her the previous times she met him. Luqman is tired of travelling for his job and is seriously considering relocating to the US. But his plans go awry when he’s seated next to his friend Ayub's sister-in-law Ana. He considers himself lucky to get some time talking to pretty Ana whose eyes have always captivated him from the moment he met her for the first time. It isn't too long until they discover their feelings for each other but Luqman is travelling to the US and by the time he returns, their lives are thrown far apart and brought dangerously close at the same time. Will they be able to get back their love for each other again? Will they survive the double whammy that fate has planned for them? Loving you Twice is the second romance in the Jasmine Villa series by Andaleeb Wajid, author of acclaimed novels such as More than Just Biryani, My Brother’s Wedding, The Crunch Factor and House of Screams.

    . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinéma: langue ou langage?'"—Geoffrey Nowell-Smith, Times Literary Supplement"Modern film theory begins with Metz."—Constance Penley, coeditor of Camera Obscura"Any consideration of semiology in relation to the particular field signifying practice of film passes inevitably through a reference to the work of Christian Metz. . . . The first book to be written in this field, [Film Language] is important not merely because of this primacy but also because of the issues it raises . . . issues that have become crucial to the contemporary argument."—Stephen Heath, Screen

    So Reed tries his hand at the detecting business and what follows is a humorous journey into suspense territory. FAREWELL, MY DEUCE (Book 4) Reed Ferguson returns in his most harrowing adventure yet! Life and the detecting business are running smoothly for private eye Reed Ferguson, until one of the Goofball Brothers goes missing. Reed leads the search and soon discovers Deuce's connection to some unscrupulous characters. As Reed learns more about Deuce's activities, the clues point to intrigue, danger and death. But will Reed find his friend alive, or will it be "Farewell, My Deuce." OUT OF THE PAST (Book 5) Compelled by a dark secret from his past, private investigator Reed Ferguson takes on his most unique case yet: bodyguard for young, spoiled trust-fund baby Stephanie McMahon. As Reed tries to protect her from her father’s enemies, he gets more than he bargained for. Things are not what they seem, no one can be trusted, and the past has a way of coming back to haunt us. And when suspicious deaths begin piling up, Reed knows he might be next. With a twisting plot and film noir fun that readers have come to expect, Out of the Past is Reed Ferguson at his best. TORCH SCENE (Book 6) Denver private investigator Reed Ferguson is between cases when a house fire threatens to consume the home of his girlfriend, Willie. The police think it's arson, and they look to Willie - the owner of the building - as the logical suspect. Worse yet, when a body is found in the charred third-floor apartment, the police think Willie is the killer. Reed hops into action to clear her name, but as his own list of suspects grows, so does the danger. Can Reed find the culprit who committed murder, or will his investigation go up in flames?

    Woody is a handsome young contractor and he and Jake get along great. After the house is finished Woody hires Jake for the next house. They soon become great friends. Jake is awkward with girls. He's never really had any luck with them and isn't much interested in them. He's never had any sexual contact with a guy either but he's curious and attracted to Woody. He's determined to make Woody see him in a different light.

    One of the top neurosurgeons in the country. An exemplary doctor and a loner by nature. His heart was well and truly locked away behind the walls as thick as the Fort Knox. Only the man who raised him as his own knew the reason behind his life’s choices. Having been a victim of horrifying child abuse and having watched his mother bludgeoned to death by his own father, he vowed to himself that the circle of violence would end with him. Your genetics load the gun. Your lifestyle pulls the trigger. – Mehmet Oz He was a loaded gun. And he was determined that there would be no victims like his mother. Or himself. One fine day in walked Saanvi Grover. The vivacious intern who was fifteen years his junior, did the impossible. She infiltrated through the tight secure walls and reached his heart with astounding ease. He fought, he dodged but he was no match to her unconditional love and unwavering faith. Too tempted and too weak to resist, he made her his under the condition that they would have no children, natural or adopted, of their own. But fate apparently had other plans. What would he do? Leave his pregnant wife because he had vowed to protect her and the baby from himself? Or prove that love was stronger than DNA?

    Her mama finds her dark skin repulsive, so she abuses and neglects her. Also, she constantly compares Dana to her light-skinned sister. Regardless of Dana's unconditional love for her mama, she still encounters a cycle of torment. Will mama finally realize that Dana is a beautiful person in spite of her dark skin or will she continue to spew those hateful words, "Mama don't like ugly?"