Includes stunning illustrations by Christoph Niemann. "A novelist who writes in a universal language." --The New York TimesIn The Archer we meet Tetsuya, a man once famous for his prodigious gift with a bow and arrow but who has since retired from public life, and the boy who comes searching for him. The boy has many questions, and in answering them Tetsuya illustrates the way of the bow and the tenets of a meaningful life. Paulo Coelho's story suggests that living without a connection between action and soul cannot fulfill, that a life constricted by fear of rejection or failure is not a life worth living. Instead one must take risks, build courage, and embrace the unexpected journey fate has to offer.With the wisdom, generosity, simplicity, and grace that have made him an international best seller, Paulo Coelho provides the framework for a rewarding life: hard work, passion, purpose, thoughtfulness, the willingness to fail, and the urge to make a difference.

    Unfolding through a series of letters written by an unnamed narrator, Last Words tells the story of a passionate relationship between two young women—their sexual awakening, their gradual breakup, and the devastating aftermath of their broken love. In a style that veers between extremes, from self-deprecation to pathos, compulsive repetition to rhapsodic musings, reticence to vulnerability, Qiu’s genre-bending novel is at once a psychological thriller, a sublime romance, and the author’s own suicide note.The letters (which, Qiu tells us, can be read in any order) leap between Paris, Taipei, and Tokyo. They display wrenching insights into what it means to live between cultures, languages, and genders—until the genderless character Zoë appears, and the narrator’s spiritual and physical identity is transformed. As powerfully raw and transcendent as Mishima’s Confessions of a Mask, Goethe’s The Sorrows of Young Werther, and Theresa Cha’s Dictée, to name but a few, Last Words from Montmartre proves Qiu Miaojin to be one of the finest experimentalists and modernist Chinese-language writers of our generation.

    Spending his days walking the streets and his nights drinking and gambling, meeting revolutionaries, zealots, lovers and libertines, he adjusts his eyes to the darkness that falls over Europe, and threatens to destroy him. Mihail Sebastian's 1934 masterpiece, now translated into English for the first time, was written amid the anti-Semitism which would, by the end of the decade, force him out of his career and turn his friends and colleagues against him. For Two Thousand Years is a prescient, heart-wrenching chronicle of resilience and despair, broken layers of memory and the terrible forces of history.

    Born in Kiev in 1903, Nemirovsky immigrated to France during the Russian Revolution. A celebrated Parisian writer between the wars, she died in Auschwitz in 1942.Compiled with Nemirovsky’s daughter, Denise Epstein, Woman of Letters includes reproductions of more than one hundred photographs, letters, and documents from the family archive. The preface by Museum of Jewish Heritage Director David Marwell and Olivier Corpet addresses the current controversy surrounding accusations that Nemirovsky, though Jewish, wrote earlier works that could be considered anti-Semitic. Woman of Letters includes a translation, by Sandra Smith, of the last short story published in the author’s lifetime, along with notes for Captivity, the unfinished third volume of Suite Francaise. The book will accompany a traveling exhibition, on view at the Museum of Jewish Heritage in New York through 2008.The book contains an interview with Denise Epstein by Olivier Corpet; a short story, “The Virgins,” by Irene Nemirovsky; notes for Captivity; and a chronology of the life of Irene Nemirovsky by Olivier Philipponnat and Patrick Lienhardt.Olivier Corpet is founder and director of IMEC (l’Institut Memoires d l’Edition Contemporaine), the largest nongovernmental literary archive in France.Garrett White, founder of Five Ties Publishing, is a writer and editor based in Brooklyn. His translations include An Unspeakable Betrayal: Selected Writings of Luis Bunuel.

    A couple in their thirties live in a small rented cottage in a quiet part of Tokyo; they work at home, freelance copy-editing; they no longer have very much to say to one another. But one day a cat invites itself into their small kitchen. It leaves, but the next day comes again, and then again and again. Soon they are buying treats for the cat and enjoying talks about the animal and all its little ways. Life suddenly seems to have more promise for the husband and wife — the days have more light and color. The novel brims with new small joys and many moments of staggering poetic beauty, but then something happens….As Kenzaburo Oe has remarked, Takashi Hiraide’s work "really shines." His poetry, which is remarkably cross-hatched with beauty, has been acclaimed here for "its seemingly endless string of shape-shifting objects and experiences,whose splintering effect is enacted via a unique combination of speed and minutiae."

    In a search for truth in all its guises, he dispenses with the rules of genre. For him, no form is out of reach: Theology, historiography, reportage, and memoir--among many others--are fused under the pressure of an inimitable combination of passion, curiosity, and intellect that has made Carrère one of our most distinctive and important literary voices today.97,196 Words introduces Carrère's shorter work to an English-language audience. Featuring more than thirty extraordinary texts written over an illustrious twenty-five-year period of Carrère's creative life, the book shows a remarkable mind at work. Spanning continents, histories, and personal relationships, 97,196 Words considers the divides between truth, reality, and our shared humanity, exploring remarkable events and eccentric lives, including Carrère's own.

    China's tradition of "rivers-and-mountains" poetry stretches across millennia. This is a plain-spoken poetry of immediate day-to-day experience, and yet seems most akin to China's grand landscape paintings. Although its wisdom is ancient, rooted in Taoist and Zen thought, the work feels utterly contemporary, especially as rendered here in Hinton's rich and accessible translations. Mountain Home collects poems from 5th- through 13th-century China and includes the poets Li Po, Po Chu-i and Tu Fu. The "rivers-and-mountains" tradition covers a remarkable range of topics: comic domestic scenes, social protest, travel, sage recluses, and mountain landscapes shaped into forms of enlightenment. And within this range, the poems articulate the experience of living as an organic part of the natural world and its processes. In an age of global ecological disruption and mass extinction, this tradition grows more urgently important every day. Mountain Home offers poems that will charm and inform not just readers of poetry, but also the large community of readers who are interested in environmental awareness.

    Most of their work–short stories, poems, essays, and excerpts from novels–appears here in English for the first time. The Chilean writer Ariel Dorfman introduces us to a story of extraordinary poise and spiritual intelligence by the Argentinian writer Juan Forn. The Romanian writer Norman Manea shares with us the sexy, sinister, and thrillingly avant garde fiction of his homeland’s leading female novelist. The Indian writer Amit Chaudhuri spotlights the Bengali writer Parashuram, whose hilarious comedy of manners imagines what might have happened if Britain had been colonized by Bengal. And Roberto Calasso writes admiringly of his fellow Italian Giorgio Manganelli, whose piece celebrates the Indian city of Madurai.Every piece here–be it from the Americas, Africa, Europe, the Middle East, South Asia, East Asia, Southeast Asia, or the Caribbean–is a discovery, a colorful thread in a global weave of literary exchange.Edited by Samantha Schnee, Alane Salierno Mason, and Dedi FelmanContents:Introduction by Andre Dubus IIIWhere are you running to? by Ma JianMeteorite mountain by Can XueLooking for the elephant by Jo Kyung RanChildren of the sky by Seno Gumira AjidarmaThe scripture read backward by ParashuramThe unfinished game by Goli TaraghiThe day in Buenos Aires by Jabbar Yussin HussinTwo poems by Saniyya SalehFaint hints of tranquillity by Adania ShibliShards of reality and glass by Hassan KhaderDrowsy haze by Gamal Al-GhitaniThe uses of English by Akinwumi Isolafrom Provisional by Gabriela AdamesteanuTwo poems by Senadin Musabegovićfrom Experiment with India by Giorgio Manganellifrom The fish of Berlin by Eleonora HummelSeven poems by Bronisław Majfrom His majesty, almighty Death by Myriam Anissimovfrom October 27, 2003 by Etel AdnanVietnam. Thursday by Johan HarstadLightweight champ by Juan VilloroThe sheika's condition by Mario BellatinWhen I was a man by Ambar Pastfrom Revulsion by Horacio Castellanos MoyaThe Chareron inheritance by Evelyne Trouillotfrom Kind's silence by Marcela SoláBaked mud by Juan José SaerSwimming at night by Juan Forn

    "let the story tell itself or the child tell it." It is this voice or child's-eye view that lends The Gift its special charm as H.D. recreates the ordinary and extraordinary occasions of her early youth, the nightmares and delights. A road-company presentation of Uncle Tom's Cabin, Christmas Eve with its particular family ritual, a family outing, a disturbing accident––the happenings and incidents, perceptions and misconceptions with which a child's life is crowded are the substance of this most winning book. As she did for the H.D. novel HERmione, H.D.'s daughter, Perdita Schaffner, provides a fine introduction.

    One Art takes us behind Bishop's formal sophistication and reserve, displaying to the full the gift for friendship, the striving for perfection, and the passionate, questing, rigorous spirit that made her a great poet.

    This collection gathers together the Nobel Prize-winning writer Samuel Beckett's English poems (including Whoroscope, his first published verse), English translations of poems by Eluard, Rimbaud, Apollinaire, and Chamfort, and poems in French, several of which are presented in translation.

    This fascinating new selection tells Chekhov's story as a man and a writer through affectionate bulletins to his family, insightful discussions of literature with publishers and theater directors, and tender love letters to his actress wife. Vividly evoking landscapes, people, and his day to day life, the letters offer revealing glimpses into Chekhov's preoccupations-the onset of tuberculosis, his dual careers as doctor and writer, and his ambivalence about his growing reputation as Russia's foremost playwright and author. This volume takes us inside the mind of one of the world's greatest writers, and the character that emerges from these pages is resilient, generous, charming, and life enhancing.

    Like his life, O'Brian's death was marked by secrecy and confusion, sharpening the curiosity of his many readers who for years have speculated about the man behind the beloved Aubery-Maturin series of novels.Dean King at last unveils the story of Richard Patrick Russ, a writer and intellectual who emerged from the Second World War as Patrick O'Brian, a persona created by his imagination and refined over decades. To research this book, King crisscrossed Europe to speak to long-lost relatives, friends, and colleagues of his famously reclusive subject; now he has fashioned this wealth of information into a dramatic and compelling narrative. As King meticulously examines the events of O'Brian's life, he deepens and enriches our understanding and appreciation of O'Brian's work.

    This inventory of lacks becomes an incantation: if only for an instant, it transmits a presence to these "units" that had previously been lost to the history of human creativity and thought.- A boarder for two years following a national funeral, Mirabeau is removed from the Pantheon and transferred to the cemetery of Clamart when his pornographic novels are discovered - A photograph taken by Hessling on Christmas night, 1943, of a young woman nailed alive to the village gate of Novimgorod; Hessling asks his friend Wolfgang Borchert to develop the film, look at the photograph, and destroy it - The Beautiful Gardener, a picture by Max Ernst, burned by the Nazis -- from "The Missing PiecesThe Missing Pieces" is an incantatory text, a catalog of what has been lost over time and what in some cases never existed. Through a lengthy chain of brief, laconic citations, Henri Lefebvre evokes the history of what is no more and what never was: the artworks, films, screenplays, negatives, poems, symphonies, buildings, letters, concepts, and lives that cannot be seen, heard, read, inhabited, or known about. It is a literary vanitas of sorts, but one that confers an almost mythical quality on the enigmatic creations it recounts -- rather than reminding us of the death that inhabits everything humans create.Lefebvre's list includes Marcel Duchamp's (accdidentally destroyed) film of Man Ray shaving off the Baroness Elsa von Freytag-Loringhoven's pubic hair; the page written by Balzac on his deathbed (lost); "Spinoza's Treatise on the Rainbow" (thrown into a fire); the final seven meters of Kerouac's original typescript for "On the Road" (eaten by a dog); the chalk drawings of Francis Picabia (erased before an audience); and the one moment in Andre Malraux's life in which he exclaimed "I believe, for a minute, I was thinking nothing." "The Missing Pieces" offers a treasure trove of cultural and artistic detail and will entertain even those readers not enamored of the void."

    Offered here are tales of battle, travel, and adventure, but also songs of heartache and longing, pearls of lusty innuendo and clear-eyed stoicism, charms and spells for everyday use, and seven "hoards" of delightfully puzzling riddles.Featuring all-new translations by seventy-four of our most celebrated poets—including Seamus Heaney, Robert Pinsky, Billy Collins, Eavan Boland, Paul Muldoon, Robert Hass, Gary Soto, Jane Hirshfield, David Ferry, Molly Peacock, Yusef Komunyakaa, Richard Wilbur, and many others—The Word Exchange is a landmark work of translation, as fascinating and multivocal as the original literature it translates.