And no story about a young writer struggling to launch his career ever matched its subject matter better than the tale behind Leonard's Western oeuvre.In 1950, fresh out of college -- having written two "pointless" stories, as he describes them -- Leonard decided he needed to pick a market, a big one, which would give him a better chance to be published while he learned to write. In choosing between crime and Westerns, the latter had an irresistible pull -- Leonard loved movies set in the West. As he researched deeper into settings, Arizona in the 1880s captured his imagination: the Spanish influence, the standoffs and shootouts between Apache Indians and the U.S. cavalry ...His first dozen stories sold for 2 cents a word, for $100 each. The rest is history.This first-ever complete collection of Leonard's thirty Western tales will thrill lovers of the genre, his die-hard fans, and everyone in between -- and makes a terrific study of the launch of a phenomenal career.From his very first story ever published -- "The Trail of the Apache" -- through five decades of classic Western tales, The Complete Western Stories of Elmore Leonard demonstrates again and again the superb talent for language and gripping narrative that has made Leonard one of the most acclaimed and influential writers of our time.

    But a few quick tasks became a long lunch-and now things could go too far with a man who isn't what he seems....The Killer's Wife (with Max DiLallo): Four girls have gone missing. Detective McGrath knows the only way to find them is to get close to the suspect's wife...maybe too closeWe. Are. Not. Alone (with Tim Arnold): The first message from space. It will change the world. It's first contact. Undeniable proof of alien life. Disgraced Air Force scientist Robert Barnett found it. Now he's the target of a desperate nationwide manhunt-and Earth's future hangs in the balance.

    Offering up heart-pumping tales of suspense in all its guises are thirty-two of the most critically acclaimed and award-winning names in the business. From the signature characters that made such authors as David Morrell and John Lescroart famous to four of the hottest new voices in the genre, this blockbuster will tantalize and terrify.Lock the doors, draw the shades, pull up the covers and be prepared for Thriller to keep you up all night.

    Los Angeles.  In no other city do sex, celebrity, money, and crime exert such an irresistible magnetic field.  And no writer has mapped that field with greater savagery and savvy than James Ellroy.  With this fever-hot collection of reportage and short fiction, he returns to his native habitat and portrays it as a smog-shrouded netherworld where"every third person is a peeper, prowler, pederast, or pimp."From the scandal sheets of the 1950s to this morning's police blotter, Ellroy reopens true crimes and restores human dimensions to their victims.  Sublimely, he resurrects the rag Hush-Hush magazine.  And in a baroquely plotted novella of slaughter and corruption he enlists the forgotten luminaries of a lost Hollywood.  Shocking, mesmerizing, and written in prose as wounding as an ice pick, Crime Wave is Ellroy at his best.

    Suspecting that something is amiss with their father’s burial, teenager Kenneth Tyler and his sister Corrie venture to his gravesite and make a horrific discovery: their father, a whiskey bootlegger, was not actually buried in the casket they bought for him. Worse, they learn that the undertaker, Fenton Breece, has been grotesquely manipulating the dead.Armed with incriminating photographs, Tyler becomes obsessed with bringing the perverse undertaker to justice. But first, he must outrun Granville Sutter, a local strongman and convicted murderer hired by Fenton to destroy the evidence. What follows is an adventure through the Harrikin, an eerie backwoods filled with tangled roads, rusted machinery, and eccentric squatters–old men, witches, and families among them–who both shield and imperil Tyler as he runs for safety. With his poetic, haunting prose, William Gay rewrites the rules of the gothic fairy tale while exploring the classic Southern themes of good and evil.

    Now the author of the Lincoln Rhyme series ("The Cold Moon" and "The Bone Collector," among others) has compiled a second volume of his award-winning, spine-tingling short stories of suspense.While best known for his twenty-four novels, Jeffery Deaver is also a short story master -- he is a three-time recipient of the Ellery Queen Reader's Award for Best Short Story, and he won the Short Story Dagger from the Crime Writers Association for a piece that appeared in his first short story collection, "Twisted. The New York Times" said of that book: "A mystery hit for those who like their intrigue short and sweet . . . [The stories] feature tight, bare-bones plotting and the sneaky tricks that Mr. Deaver's title promises." The sneaky tricks are here in spades, and Deaver even gives his fans a new Lincoln Rhyme and Amelia Sachs story.Deaver is back with sixteen stories in the tradition of O. Henry and Edgar Allan Poe. His subjects range from a Westchester commuter to a brilliant Victorian England caper. With these intricately plotted, bone-chilling stories, Jeffery Deaver is at the top of his crime-writing game.

    He sits motionless, like a spider in the centre of its web, but that web has a thousand radiations, and he knows well every quiver of each of them' Sherlock Holmes, scourge of criminals everywhere, whether they be lurking in London's foggy backstreets or plotting behind the walls of an idyllic country mansion, and his faithful colleague Dr Watson, solve these breathtaking and perplexing mysteries. In Arthur Conan Doyle's The Five Orange Pips and Other Cases we encounter some of his most famous and devilishly difficult problems.

    This exclusive audiobook contains the previously published tales The Unremarkable Heart, The Blessing of Brokenness, Necessary Women, The Mean Time, Cold Cold Heart, and the never-before-seen story The Truth About Pretty Girls.

    Desperation - both material and psychological - motivates his characters. A husband cruelly avenges the killing of his wife's pet; an injured rapist is cared for by a young girl, until she reaches her breaking point; a disturbed veteran of Iraq is murdered for his erratic behavior; an outsider's house is set on fire by an angry neighbor. There is also the tenderness and loyalty of the vulnerable in these stories - between spouses, parents and children, siblings, and comrades in arms - which brings the troubled, sorely tested cast of characters to vivid, relatable life.

    He solves cases with the able assistance of his close friend and confidant. And, one day, he will become the arch enemy of Sherlock Holmes.Meet Professor James Moriarty - consulting criminal.In these three original tales - collected for the first time - Andy Weir brings to life a Moriarty worthy of the Great Detective himself.1. The Adventure of the Dishonor Among Thieves2. The Adventure of the Unscrupulous Assassin3. The Adventure of the Sealed Room

    In this taut, chilling novel, Lester Ballard--a violent, dispossessed man falsely accused of rape--haunts the hill country of East Tennessee when he is released from jail.  While telling his story, Cormac McCarthy depicts the most sordid aspects of life with dignity, humor, and characteristic lyrical brilliance.

    Scott Fitzgerald, the iconic American writer of The Great Gatsby who is more widely read today than ever.I’d Die For You is a collection of the last remaining unpublished and uncollected short stories by F. Scott Fitzgerald, edited by Anne Margaret Daniel. Fitzgerald did not design the stories in I’d Die For You as a collection. Most were submitted individually to major magazines during the 1930s and accepted for publication during Fitzgerald’s lifetime, but were never printed. Some were written as movie scenarios and sent to studios or producers, but not filmed. Others are stories that could not be sold because their subject matter or style departed from what editors expected of Fitzgerald. They date from the earliest days of Fitzgerald’s career to the last. They come from various sources, from libraries to private collections, including those of Fitzgerald’s family. Readers will experience Fitzgerald writing about controversial topics, depicting young men and women who actually spoke and thought more as young men and women did, without censorship. Rather than permit changes and sanitizing by his contemporary editors, Fitzgerald preferred to let his work remain unpublished, even at a time when he was in great need of money and review attention. “I’d Die For You,” the collection’s title story, is drawn from Fitzgerald’s stays in the mountains of North Carolina when his health, and that of his wife Zelda, was falling apart. With the addition of a Hollywood star and film crew to the Smoky Mountain lakes and pines, Fitzgerald brings in the cinematic world in which he would soon be living. Most of the stories printed here come from this time period, during the middle and late1930s, though the collection spans Fitzgerald’s career from 1920 to the end of his life. The book is subtitled And Other Lost Stories in recognition of an absence until now. Some of the eighteen stories were physically lost, coming to light only in the past few years. All were lost, in one sense or another: lost in the painful shuffle of the difficulties of Fitzgerald’s life in the middle 1930s; lost to readers because contemporary editors did not understand or accept what he was trying to write; lost because archives are like that, and good things can wait patiently in libraries for many centuries sometimes. I’d Die For You And Other Lost Stories echoes as well the nostalgia and elegy in Gertrude Stein’s famous phrase “a lost generation,” that generation for whom Fitzgerald was a leading figure. Written in his characteristically beautiful, sharp, and surprising language, exploring themes both familiar and fresh, these stories provide new insight into the bold and uncompromising arc of Fitzgerald’s career. I’d Die For You is a revealing, intimate look at Fitzgerald’s creative process that shows him to be a writer working at the fore of modern literature—in all its developing complexities.

    His work bears special resonance for writers and readers, and yet his paintings never tell a story so much as they invite viewers to find for themselves the untold stories within."So says Lawrence Block, who has invited seventeen outstanding writers to join him in an unprecedented anthology of brand-new stories: In Sunlight or In Shadow. The results are remarkable and range across all genres, wedding literary excellence to storytelling savvy.Contributors include Stephen King, Joyce Carol Oates, Robert Olen Butler, Michael Connelly, Megan Abbott, Craig Ferguson, Nicholas Christopher, Jill D. Block, Joe R. Lansdale, Justin Scott, Kris Nelscott, Warren Moore, Jonathan Santlofer, Jeffery Deaver, Lee Child, and Lawrence Block himself. Even Gail Levin, Hopper’s biographer and compiler of his catalogue raisonée, appears with her own first work of fiction, providing a true account of art theft on a grand scale and told in the voice of the country preacher who perpetrated the crime.In a beautifully produced anthology as befits such a collection of acclaimed authors, each story is illustrated with a quality full-color reproduction of the painting that inspired it.

    The publisher has even added a few of Ms. Christie's supernatural stories to entice you.The stories are: (1) Double Sin, (2) Wasp's Nest, (3) The Theft of the Royal Ruby, (4) The Dressmaker's Doll, (5) Greenshaw's Folly, (6) The Double Clue, (7) The Last Séance, and (8) Sanctuary.Of the eight, Hercule Poirot stars in #1, #2, #3, and #6. Miss Marple is the lead in #5 and #8. And there are two Christie standalones, not part of any novel or short story series, #4 and #7."The Theft of the Royal Ruby" is actually an expanded version of 1923's "The Adventure of the Christmas Pudding." A young prince from the Middle East, during a visit to London, has dabbled with the wrong woman and lost a magnificent jewel which only Hercule Poirot may be able to recover. Talking of dabbling, that is what Miss Marple does in "Sanctuary." She offers advice to her goddaughter on a religious matter; a man has died in the woman's church under mysterious circumstances. Readers are also sure to enjoy "The Last Séance" in which a young medium holds one too many.Librarian's note: this entry is for the collection of short stories, "Double Sin and Other Stories." Individual entries for each of the stories, including the title story, can be found elsewhere on Goodreads. The entries for Hercule Poirot short stories can be found by searching: "a Hercule Poirot Short Story." For Miss Marple, "a Miss Marple Short Story," and for Christie short stories without such leading characters, "an Agatha Christie Standalone Short Story."

    Dick has written some of the most intriguing, original and thought-provoking fiction of our time. This collection includes stories that will make you laugh, cringe...and stop and think.The Minority Report: a special unit that employs those with the power of precognition to prevent crimes proves itself less than reliable...We Can Remember It For You Wholesale: an everyguy's yearning for more exciting "memories" places him in a danger he never could have imagined (basis of the feature film Total Recall)...Paycheck: a mechanic who has no memory of the previous two years of his life finds that a bag of seemingly worthless and unrelated objects can actually unlock the secret of his recent past — and insure that he has a future...Second Variety: the UN's technological advances to win a global war veer out of control, threatening to destroy all of humankind (basis of the movie Screamers)...The Eyes Have It: a whimsical, laugh-out-loud play on the words of the title.