AND THE GODS ARE ALWAYS DEAD. Captain Malik and the crew of the spaceship the Vihaan II are in search of the only resources that matter—and can only be found by harvesting the giant corpses of alien gods that are found on the edge of human space. While other autopsy ships and explorers race to salvage the meat, minerals, and metals that sustain the human race, Malik sees an opportunity to finally break free from this system: by being the first to find a living god.But Malik’s obsession with the gods will push his crew into the darkest reaches of space, bringing them face to face with a threat unlike anything they ever imagined, unless the rogue agent on their trail can stop them first... Superstars Al Ewing (Immortal Hulk) and Simone Di Meo (Mighty Morphin Power Rangers) present a new sci-fi epic about the search for meaning and the hard choices we make to find it, no matter the cost to the world—or universe—around us. Collects We Only Find Them When They’re Dead #1-5.

    A gifted new killer. Two ex-Captain Americas...When a dramatic attempt on the life of Bucky Barnes reunites him with Sam Wilson, the two old friends are plunged headlong into a race to uncover the new leader of Hydra before a mass casualty event announces the terror group’s resurgence to the world. The clock is ticking...Derek Landy (BLACK ORDER, SECRET EMPIRE: UPRISING) and Federico Vicentini (ABSOLUTE CARNAGE: MILES MORALES) team up for a pulse-pounding action spectacular!

    The fan-favorite title returns with hot new writer, Tini Howard!Cassie Hack has been living off the grid, but when a new monstrous threat arises to torment the kids at Camp Indigo River, it's time for Cassie to pick up the baseball bat once again!Gory, sexy, twisted and funny...HACK IS BACK!Collects issues 1 through 6.

    His story of three friends at university lightly flavored with the occult features some of the best dialogue in comics, and we couldn't help but think it's like Monty Python goes to college. Sign us up! WHY YOU'LL LOVE IT: John Allison's daily webcomics are hilarious, the kind of strips where every panel makes you laugh out loud. As a result, John has earned a large, loyal following of readers that have followed his work daily for the past 12 years. This is a series fans of things like Buffy the Vampire Slayer, Scott Pilgrim, or Gunnerkrigg Court will not want to miss. WHAT IT'S ABOUT: Susan, Esther, and Daisy started at university three weeks ago and became fast friends because their dorm rooms were next to each other. Now, away from home for the first time, all three want to reinvent themselves. But in the face of hand-wringing boys, "personal experimentation," influenza, mystery-mold, nu-chauvinism, and the willful, unwanted intrusion of "academia," they may be lucky just to make it to spring alive.

    Celebrated artist Jeffrey Brown's delightful illustrations give classic Star Wars moments a fresh twist, presenting the trials and joys of parenting through the lens of a galaxy far, far away. Life lessons include lightsaber batting practice, using the Force to raid the cookie jar, Take Your Child to Work Day on the Death Star ("Er, he looks just like you, Lord Vader!"), and the special bond shared between any father and son.

    Only the love of Silvia, his girlfriend, can save him. To help him, she goes to a strange doctor, who will guide her on a journey between reality and myth... This is an early work of the internationally acclaimed cartoonist, rendered in a striking red and black two-color palette.

    In 2002, Fantagraphics embarked on a publishing plan to reintroduce the greatest strip of the first-half of the 20th Century (the Peanuts of its era) to a public that has largely never seen it: this volume is the fourth in a long-term plan to chronologically reprint strips from the prime of Herriman's career, most of which have not seen print since originally running in newspapers 75 years ago. Each volume is edited by the San Francisco Cartoon Art Museum's Bill Blackbeard, the world's foremost authority on early 20th Century American comic strips, and designed by Jimmy Corrigan author Chris Ware, who may well go down as the best cartoonist of the 21st Century. Krazy & Ignatz 1931-1932 is a hot-baked brickbat of a volume, a dance with nearly two full years of the Sunday Krazy Kat (Herriman did not use color until 1935), snug between multiple pages of Herriman extras, including an extensive essay by series editor Bill Blackbeard on pre-Kat Herriman work (with reproductions from rare "Baron Mooch" and "Gooseberry Sprig" strips, and a rarely-seen 1923 full-page drawing of the Kat done for Circulation magazine), and, best of all, a 30-page sequence of over two straight months' worth of 1931 dailies! Plus a new "Debaffler" page decoding Krazy arcana, and a stunning layout front and back and throughout by the inimitable Chris Ware! Krazy Kat is a love story, focusing on the relationships of its three main characters. Krazy Kat adored Ignatz Mouse. Ignatz Mouse just tolerated Krazy Kat, except for recurrent onsets of targeting tumescence, which found expression in the fast delivery of bricks to Krazy's cranium. Offisa Pup loved Krazy and sought to protect "her" (Herriman always maintained that Krazy was gender-less) by throwing Ignatz in jail. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy & Co.'s unique dialogue.

    There's also bonus extras, never seen before and printed in internet-proof ink, including Ivan's 'doesn't count' kama sutra -- handy if you love somebody but still need to use them as unicorn bait.

    Her quest is to find ten people to paint for her exhibition, as well as the inspiration to continue with her art, and the strength to move on with her life.

    Road is a bad ass. She has a list of published work that leaves me awed and inspired."—Billie Joe Armstrong, Green Day"Road's writing has long brought to vivid life the experiences of a queer-identified Latina punk rocker."—Bitch magazineAt its core, Spit and Passion is about the transformative moment when music crashes into a stifling adolescent bedroom and saves you. Suddenly, you belong. At twelve years old, Cristy C. Road is struggling to balance tradition in a Cuban Catholic family with her newfound queer identity, and begins a chronic obsession with the punk band Green Day. In this stunning graphic biography, Road renders the clash between her rich inner world of fantasy and the numbing suburban conformity she is surrounded by. She finds solace in the closet—where she lets her deep excitement about punk rock foment, and finds in that angst and euphoria a path to self-acceptance.Cristy C. Road is a twenty-nine-year-old Cuban American artist and writer from Miami; she currently lives in Brooklyn, New York. She has reached cult status for work that captures the beauty of the imperfect. Her career began with Greenzine, a punk rock zine, which she made for ten years. She has since published Indestructible, an illustrated novel about high school; Distance Makes the Heart Grow Sick, a postcard book; and Bad Habits, a love story about self-destruction and healing. She has also illustrated countless record album covers, book covers, political organization propaganda, and magazine articles.

    Read for free as part of your subscription to comiXology Unlimited, Kindle Unlimited or Amazon Prime. Also available for purchase via comiXology, Kindle and collected in print via Dark Horse Books.

    The lead character in most is Bitchy Bitch, the perma-nently PMS'd and PO'd embodiment of the female id, who also stars in her own series of cartoon shorts on the Oxygen Network's X-Chromosome animated series.The raunchiest collection, focusing on Bitchy's sexual excapades.

    He can't fit in at school. He's the victim of bullies. His dad died overseas in the Iraq war. He also suffers from Type 1 diabetes. One fateful day, his condition causes him to believe he has entered a vivid fantasy world in which he is the lost savior—a fantastic land based on the layout and contents of his home. His desperate attempts to make it out of his bedroom transform into an incredible, epic adventure through a bizarre landscape of submarine pirate dwarves, evil Hell Hounds, Lightning Lords and besieged castles. But is his quest really just an insulin deprived delirium—from which he can die if he doesn't take his meds—or something much bigger?Collecting: Joe the Barbarian 1-8

    "A gorgeous and meditative visual diary" -- publisher's catalogue

    DeMatteis and Mike Zeck craft the ultimate tale of revenge! Kraven the Hunter has stalked and killed every animal known to man. But there is one beast that has eluded him. One quarry that has mocked him at every turn: the wall-crawling web-slinger known as Spider-Man. In his last hunt, Kraven will prove he is the Spider's master - by defeating him, burying him...and becoming him! Plus: DeMatteis and Zeck's soul-searching sequel! Kraven's dazzling debut! And much more! COLLECTING: AMAZING SPIDER-MAN (1963) 15, 293-294; WEB OF SPIDER-MAN (1985) 31-32; PETER PARKER, THE SPECTACULAR SPIDER-MAN (1976) 131-132; MARVEL TEAM-UP (1972) 128; AMAZING SPIDER-MAN: SOUL OF THE HUNTER; WHAT IF? (1989) 17; MATERIAL FROM SENSATIONAL SPIDER-MAN ANNUAL '96, AMAZING SPIDER-MAN (1999) 634-637, WHAT THE-?! 3