It has lain in the cold and dark of the bog, waiting patiently for a host to set it free. Now, for John Cluer and his family, nothing will ever be the same again.A novelette of approximately 10,000 words.

    The only problem is, the first time she hears about this invitation is when she wakes up cuffed to metal chair in a room she doesn’t recognise with five other strangers…Except perhaps they’re not so strange after all as it turns out they all have one thing in common: They all upset Jasper Black in school. Jasper Black, aka ‘Carrot Top’ hates each and every one of his old school ‘chums’. They made his life misery in school, and now it’s his turn to make them cry. This is his moment of glory, and he has a captive audience.Jasper Black believes in karma. And Jasper Black wants to play some party games…This is an extreme horror novella. It contains strong scenes of sex and violence.

    Unbearable pain. A night of passion becomes a nightmare for corporate headhunter Adam Walters. In Prague for a few days to do business, he makes the most of his time away from home and commitments, indulging his lustful desires. But when he wakes up hog tied naked on an operating table in a filthy tiled room, he can’t begin to imagine the pain that is about to come his way… WARNING * This is an extreme horror book. It may contain scenes of gratuitous sex, and violence against humans, animals, and inanimate objects that didn’t deserve their fate.

    He soon realises that there is more to the cards than meets the eye and that his own future is looking very bleak indeed. The Cards is a fast-paced supernatural story of 10,000 words. Jack Nightingale appears in the full-length novels Nightfall, Midnight, Nightmare, Nightshade, Lastnight, San Francisco Night and New York Night. He also appears in several short stories including Blood Bath, Cursed, Still Bleeding, Tracks, My Name Is Lydia, The Creeper, The Undead, The Asylum, The Mansion and Wrong Turn. The Jack Nightingale time line is complex, this story is set between Midnight and Nightshade. Jack Nightingale has his own website at www.jacknightingale.com

    The pigs thought they had got off scot-free until Jake took justice into his own hands. This is an extremely sadistic story that should only be read by the seasoned extreme-horror reader.WARNING: This book is extreme and contains filthy, grotesque and brutal torture scenes. It contains GRAPHIC CONTENT, ADULT LANGUAGE & POLITICAL INCORRECTNESS, may be disturbing to sensitive readers, and should only be read by the seasoned extreme-horror reader.

    A bolt of lightning sees him fused to his fellow cheater on a detour into the backwoods. Now he’s fighting wild beasts and raw nature just to stay alive in this dark comedy romance that blends erotic horror with black humour and extreme splatter.And now... A warning!Do not buy this book, gentle reader.No really, we mean it. Move along, click away from this page and go look at some Dino porn instead. We’re not kidding. The only reason we published it is because award winning author Jasper Bark has got some serious dirt on us. Honestly, there’s no other reason to put out something this depraved.This is the sickest, filthiest and most horny novella you’re likely to read this year. It will turn you on even as it turns your stomach. Think you’ve seen everything there is to see in horror and erotica? Think again! Just when you think this story can’t get any lower it finds new depths to plumb. Why are you still reading this?! Oh God you’re going to buy it aren’t you? You can’t help yourself. You’re going to click on that purchase button and download this little bad boy.Well don’t say we didn’t warn you...But, if you do enjoy Stuck On You, be sure to pick up Jasper’s Stuck On You, and Other Prime Cuts collection, as well.

    Tortured by the ghost of a fallen Marine, he is faced with the truth, it may be too late for the ones he loves. Hell is cold, and Death stands at the end of his road, the Korean Road.

    A thriller that actually manages to thrill, and a very dark comedy that twists and spirals towards a completely unexpected ending. This is one play where seeing isn't quite believing and reading the text is the only way to uncover all the clues.

    His ethics, however, leave a bit to be desired. When the Aphrodite Aesthetic Reconstruction Clinic hires him to create a genetic weight-loss treatment, Doctor Adams uses a synthetic retro virus to transport pygmy shrew DNA into clients willing to pay tens of thousands of dollars to be able to eat whatever they want without gaining a pound. Pygmy Shrews have metabolisms so fast they don’t store fat cells and have to eat every two hours, twice their body-weight in food every day, or they will die. When they are hungry, they will attack and consume prey more than twice their size. They have fangs tipped with a red iron ore, saliva that contains a paralyzing neurotoxin, are the size of a quarter, and are considered to be some of the most vicious animals on earth. When Doctor Adams’s clients begin burning more calories than they can possibly consume, he is afraid he has made one terrible mistake.

    After purchasing a convenience store in a once civil society, the streets around him have rapidly devolved into utter lawlessness. They're now festering with sinister gutter scum that only live to harass and intimidate him. His pathetic profits are gouged under the threat of violence and there isn't a damn thing he can do about it. Because in a city with no rules, where the sun never shines, the authorities are no help. In fact, they're an equal part of the problem.The relentless fear of confrontation is so obvious that even Oliver's wife Lydia has grown to resent his spineless existence. The absence of bravado opens the door to a horrific home invasion that leaves the miserable pair savagely maimed. From there, things only get worse until the criminal leeches have taken everything. Until there's nothing left inside but hate and the gnawing hunger for revenge. Until a switch finally flips and Oliver realizes that they all have to die.WARNING: This book contains graphic content. Reader discretion is advised.

    A virus has seemingly come from no where, bringing with it a number of conspiracy theories as to its origin. Some of the theories are outlandish whilst some have an eerie ring of possible truth around them. But, as the world goes into lock down with people living in isolation only allowed out of their homes for essential journeys, people soon realise there are greater things to worry about than COVID-19. As the virus continues to get a grip of the world, mankind reveals the many monsters within.

    Reeling from a painful break-up, English instructor and avid book lover Wesley Smith is haunted by his ex-girlfriend's parting shot: "Why can't you just read off the computer like everyone else?" He buys an e-book reader out of spite, but soon finds he can use the device to glimpse realities he had never before imagined, discovering literary riches beyond his wildest dreams...and all-too-human tragedies that surpass his most terrible nightmares.

    Due to a twist of fate, he happens to start talking to a woman at the next table, and he discovers that they have one thing in common. Paula is also marking her birthday alone. After a one night stand during which they share no personal information whatsoever, John and Paula come to a loose understanding: they'll meet in the same hotel bar on the same day every year, unless one of them has something better to do. No phone numbers. No social media profiles. Just an idea. And then they go their separate ways. Or do they? For the next ten years, John and Paula stick (more or less) to their agreement. As time passes, they begin to learn more about one another, despite their attempts to remain distant. And although he knows he should remain detached, John finds himself wanting to know more and more about the mysterious Paula. Some years she seems remote and disinterested, other years she's emotional and attached, and sometimes she seems half crazy. In fact, even though she looks the same, John starts to wonder if this is really the same woman every year after all. Can one person really be ten different people at the same time? Or is something even more sinister going on? And is Paula connected to a series of murders in local hotels? I Married a Serial Killer is a horror thriller about two very mis-matched people whose lives become entwined, about the dangers of breaking the rules, and about the potentially deadly consequences of asking too many questions.

    Tired, weak, and nearly broken under the weight of his guilt, he wanders the streets waiting for death to catch up to him. But when he is beset by bandits, he gains a new perspective. Maybe he doesn't have to feel guilty about feeding, after all.Theron - Theron travels by ship to his long ago home of Athens, Greece. He soon discovers the Council of Thirteen has put a price on his head so large every Bachiyr in the city will try to collect it, which leads to a very tense reunion with an old lover.The Ugliest Thing, by Daniel Arenson - Just what is it about the image in the telescope that makes people lose their sanity? Is it worth the risk to see for yourself?Also included is a preview of 61 A.D., the thrilling sequel to David's 2010 horror bestseller, 33 A.D.

    Don't look for help, your weaker friends will be too scared to attend, but you’re in for the nightmare of your life. Sit down in front of the TV and prepare for a late-night odyssey of wicked shocks as a horror movie marathon becomes a bloodbath before your very eyes. It starts when a disgruntled cable host seizes control of a television station, determined to give his viewers an evening they won’t soon forget. One where monsters of all shapes and sizes rise up against mankind. One where deranged killers prowl the night for a variety of victims. And one where cinema itself haunts its creators and creations. Join modern horror stars Adam Cesare (Tribesmen, Zero Lives Remaining) and Matt Serafini (Feral, Island Red) as they bring you ten tales of fear that will have you shivering between the pages. All NIGHT TERROR—good to the last slash.