He was born without a conscience and remorse is an alien concept. Will he ever find out the truth about the past that shaped who he really is?Cassie refuses to live up to the expectations of her family, instead choosing to have fun with her flat mates and go home with various deviant men.Her best friend, Lisette, on the other hand, just wants a quiet predictable life with her steady boyfriend Jarred. But can Lisette find a way to fix their mediocre love life?Police Sergeant Lynn Gough knows exactly what she wants – and that’s her childhood crush Pete. The only thing getting in the way is his fiancée, Tamika. Lynn knows about Tamika’s dirty secrets however, and will stop at nothing to get rid of her.Rita wants children, but her husband Lewis is not so sure. Rita’s traumatic childhood continues to impact her relationships as an adult. While she battles with her inner demons, Lewis finds other ways of occupying his time. Will Rita learn to address the past to save her future?Explore how sex, lies and love impact our complex web of relationships, and discover how deeply our choices can impact others.

    It’s 1936 and Britain is in the grip of the Depression.Nell Flanagan is a decent, hardworking woman, married to Stephen, a tough, heavy-drinking brute of a man, who works as a casual in the docks — when there’s work available. Nell has hidden the abuse she has suffered at his hands from her young children, although most of the neighbours realise what’s going on.The Tanners think she must be asking for it, but nineteen-year-old Martin Lovell, has always admired Nell. When he sees Stephen actually attacking Nell, he can stand back no longer, but his actions have repercussions for all the families…

    She had been happily married to her lover, until four years later she and her husband becomes an estranged couple. The lady gets lost in a whirlpool of her monotonous life, a life without love and respect, a life of servile existence, a life repressed in every sense from joy and desires. She starts beating her wings to escape from the deadly clutches of expectations and social repressions to rise above the menial existence and achieve what she wanted for her life.She falls in love with another man, a man who is her teacher and mentor. but she is afraid to acknowledge her feelings for fear of social accusations. But an incident drives to her to an awareness of the temporality of life and she indulges in an ambitious and sexual relationship with her mentor. She enters a world led by her lover where ambition becomes real and where she begins to face the disorder of the human world, of women particularly.a time comes when she is asked to choose between the men, and this is where she shows her independence and strength.

     She must have been important because the mysterious client spared no expense to get her there to investigate the disappearance, making the gig too good to resist. Had Lindy known the victim’s identity, and her own financial reality were not so grim, she would have turned him down in an instant. Instead, she travels to a remote island with a man she’d rather avoid, and where the residents keep their secrets close. One of them knows the truth, and she must find it before it finds her.

    Set in September of 1916, the play combines historical fact and legend, exploring the deep-seated Ameri

    This play, translated from the original Marathi, is one of his most gripping, socially relevant ones.

    It premiered in April 2000 at the Gielgud Theatre, Shaftesbury Avenue, London, starring Kathleen Turner as Mrs RobinsonCalifornia in the 60s. Benjamin's got excellent grades, very proud parents and, since he helped Mrs Robinson with her zipper, a fine future behind him… A cult novel, a classic film, a quintessential hit of the 60s, now Benjamin's disastrous sexual odyssey is brought vividly to life in this world stage premiere production."Terry Johnson is that rare creature: a moralist with wit. He writes with responsible gaiety" (Guardian)

    Jody is in his forties and runs a map store. Not one for the outside world, he stays in his store all the time. His friend, Carl is in his late thirties and has been bringing chairs of dead friends into Jody's store and leaving them there. When Jody needs to take an AIDS test, Carl tries to convince him it is not only okay to leave the store, but also that he must take responsibility for his life. If he doesn't, he will join the set of chairs that Carl has taken great pains to place in the right spots around the store. Jody finally leaves the map store to take his HIV test and return to find Carl sitting in a chair of his own. With this gesture, we know that Carl has joined the many of their friends who have died, but now Jody must take Carl's place as the caretaker.

    This sidesplitting play, a testimony to David’s great writing talent, is also his first time on Broadway—in fact, his first time acting on stage since eighth grade. In Fish in the Dark Larry David stars as Norman Drexel, a man in his fifties who is average in most respects except for his hyperactive libido. As Norman and his family try to navigate the death of a loved one, old acquaintances and unsettled arguments resurface with hilarious consequences.Fish in the Dark has its world premiere at the Cort Theatre on Broadway on March 5, 2015, starring Larry David.

    Boom tells the story of an elderly woman and her property agent son in Singapore, who are struggling over the potential en bloc sale of their home. Their destinies become interwoven with that of an idealistic civil servant, Jeremiah, who is facing the greatest challenge of his career—persuading a reluctant corpse to yield its memories. Boom is a quirky yet poignant tale about the relocation of both dead and living, and how personal stories get left behind in the inexorable march of progress.Written by economist-turned-playwright Jean Tay, Boom was conceptualised at the Royal Court Theatre in London in 2007, and developed and staged by the Singapore Repertory Theatre in September 2008. It was nominated for Best Original Script for The Straits Times’ Life! Theatre Awards in 2009 and is now an O- and N-Level Literature text in Singapore schools.“Jean Tay is one of the most gifted playwrights I have come across in years.” —Gaurav Kripalani, Artistic Director, Singapore Repertory Theatre

    The party that he and his brother Darren have been planning has been brought forward - to tonight.In a lawless, ravaged city, where memories of the past have been brutally erased, the boys and their team survive by realising their clients' darkest fantasies. But just how far are they prepared to go in trading humanity for information? As the light fades and events spiral out of control it becomes clear that on the success of the evening hangs not just their security, but their existence. The world is at its worst?let the party begin. Mercury Fur is a challenging new work containing some explicit scenes that may cause offence.Published to tie-in with the play's premier at the Drum Theatre, Plymouth and The Chololate Factory, London in February 2005, produced by Paines Plough."Philip Ridley is a singular writer, a prolific polymath, probably a genius, and the creator of some of the most peculiar, grotesque and compelling British plays (and films) of the last several years" Time Out

    

    But Betty's luck turns to delicious lunacy when this sensible Everywoman gets drawn into the chaotic world of some very unsavory housemates - her friend Trudy, who talks too much; the lewd, seminaked Buck, who tries to have sex with everyone; and Keith, a serial killer who hides in his room with a mysterious hatbox. With sand between her toes, walking a thin line between sanity and survival, poor Betty will leave her summer vacation more terrorized than tan.

    The Bourgeois Gentleman, Moliere's classic treatment of snobbery, presents Monsieur Jordain's obsessive desire to move up out of the ranks of the middle class and associate with the gentry.

    He is sent to Italy by a wealthy financier to try and coax home the rich man's son. In the process Ripley becomes both attracted and seduced, finding the murder the only way to deal with the situation. From that point Ripley tries to cover up his crime. Patricia Highsmith's beguiling tale of morality and amorality is given a dramatic rendering by contemporary dramatist Phyllis Nagy, who knew Highsmith in her later years in Paris."Each play I see by Phyllis Nagy confirms me in the belief that she is the finest playwright to have emerged in the 1990s" (Financial Times)