Book picks similar to
Mary in Western Art by Timothy Verdon
Alphonse Mucha: Masterworks
Rosalind Ormiston - 2007
From his early family life in Ivancice right through to his final days in Prague, it delves into every aspect of his career as it developed. Next, beginning with his earliest Parisian posters for the actress Sarah Bernhardt, the second half of the book focuses on Mucha's most intense period of productivity in Paris, and documents his success as an avant-garde artist. Exploring his many decorative panels and commercial posters as well as his illustrations for books and magazines, it takes an in-depth look at his changing artistic styles of the period and reveals his sources of inspiration. The informative text goes hand-in-hand with stunning reproductions of Mucha's most stirring and iconic works, from his "Gismonda" poster of 1894 to his "The Moon and the Stars" series of decorative panels of 1902.Featuring over 150 of his most important graphic works, Alphonse Mucha: Masterworks is the perfect gateway to learning more about this versatile artist - one who was truly successful in producing both commercial pieces and 'high art'. It is an ideal read for those with little knowledge of Mucha as well as those looking to learn more.
Phoebe Pool - 1967
With imagination and insight, the author brings Impressionism into focus by showing it through the eyes of the artists and their contemporaries, using letters, critical reviews and reminiscences of the people who were part of the story. As we see in Bernard Denvir's compelling survey, the Impressionists had new ways of painting, but they also had a new world to paint: a world of stream tricycles, emergent photography, and modern ideas about perception. 195 illus., 17 in color.
Art in History, 600 BC - 2000 AD: Ideas in Profile
Martin Kemp - 2015
Renowned art historian Martin Kemp takes the reader on an extraordinary trip through art, from devotional works to the revolutionary techniques of the Renaissance, from the courtly Masters of the seventeenth century through to the daring avant-garde of the twentieth century and beyond.
Pavel Florensky - 1922
By the time of the 1917 Bolshevik revolution, Fr Pavel had become a leading voice in Russia's great movement in religious philosophy, a movement whose roots lay in the rich ground of nineteenth-century Russian monasticism and whose branches included the work of Bulgakov, Berdiaev, and Solovyev. In the 1920s and 1930s the Soviets violently destroyed this splendor of Russian religious thought. In 1922, Fr Pavel was silenced, and, after a decade of forced scientific work for the regime, he was arrested on false charges, tried, imprisoned, and, in 1937, murdered by KGB directive. Aleksandr Solzhenitsyn honored Fr Pavel in The Gulag Archipelago. Iconostasis is Fr Pavel's final theological work. Composed in 1922, it explores in highly original terms the significance of the icon: its philosophic depth, its spiritual history, its empirical technique. In doing so, Fr Pavel also sketched a new history of both Western religious art and the Orthodox icon: a history under the direct operation of the Holy Spirit. The work is original, challenging and profoundly articulate. This translation is the first complete English version.
Modernists and Mavericks: Bacon, Freud, Hockney and the London Painters
Martin Gayford - 2018
R. B. Kitaj’s proposal, made in 1976, that there was a “substantial School of London” was essentially correct but it caused confusion because it implied that there was a movement or stylistic group at work, when in reality no one style could cover the likes of Francis Bacon and also Bridget Riley.Modernists and Mavericks explores this period based on an exceptionally deep well of firsthand interviews, often unpublished, with such artists as Victor Pasmore, John Craxton, Lucian Freud, Frank Auerbach, Allen Jones, R. B. Kitaj, Euan Uglow, Howard Hodgkin, Terry Frost, Gillian Ayres, Bridget Riley, David Hockney, Frank Bowling, Leon Kossoff, John Hoyland, and Patrick Caulfield. But Martin Gayford also teases out the thread weaving these individual lives together and demonstrates how and why, long after it was officially declared dead, painting lived and thrived in London. Simultaneously aware of the influences of Jackson Pollock, Giacometti, and (through the teaching passed down at the major art school) the traditions of Western art from Piero della Francesca to Picasso and Matisse, the postwar painters were bound by their confidence that this ancient medium could do fresh and marvelous things, and explored in their diverse ways, the possibilities of paint.
Kenneth Clark: Life, Art and Civilisation
James Stourton - 2016
As writer and presenter of the 13-part TV series Civilisation he was responsible for the greatest syntheses of art, music, literature and thought ever made – ‘a contribution to civilisation itself’.Drawing on previously unseen archives, James Stourton reveals the formidable intellect and the complicated private man who wielded enormous influence on all aspects of the arts and drew into his circle a diverse group, many of whom he and his wife Jane would entertain at Saltwood Castle. These included E.M. Forster, Vivien Leigh, Margot Fonteyn, the Queen Mother, Winston Churchill, John Betjeman, Graham Sutherland and Henry Moore. Hidden from view, however, was his wife’s alcoholism and his own womanising.From his time as Bernard Berenson’s protege at I Tatti in Florence to being the Keeper of Western Art at the Ashmolean aged 27 – by which time he had published The Gothic Revival, the first of his many books – to his appointment as the youngest-ever director of the National Gallery, Clark displayed precocious genius. During the war he arranged for the gallery’s entire collection to be hidden in slate mines in Wales, and organised packed concerts of German classical music at the empty gallery to keep up the spirits of Londoners. The war and the Cold War that followed convinced him of the fragility of culture and that, as a potent humanising force, art should be brought to the widest possible audience, a social and moral position that would inform the rest of his career.No voice has exercised so much power and influence over the arts in Britain as Clark’s. James Stourton has written a dazzling biography of a towering figure in the art world, a passionate art historian of the Italian Renaissance and a brilliant communicator who, through the many mediums of his work, conveyed the profound beauty and importance of art, architecture and civilisation for generations to come.
Annotated Art: The World's Greatest Paintings Explored and Explained
Robert Cumming - 1995
Using detailed annotation of 45 works from the world's greatest artists, Art provides a deeper understanding and richer enjoyment of the masterpieces of painting.Great Art Made Accessible. This fascinating book takes an original approach to interpreting the lost language of art, using annotation to highlight everything you need to know to appreciate the world's favorite paintings, from Botticelli's The Birth of Venus to Picasso's Guernica. Art explains the artist's techniques and intentions and clarifies the meaning of obscure subjects, decoding the mysterious symbolism that can make even the most familiar painting elusive.Art is like a gallery full of the world's most spectacular paintings, including the devotional icons of the Gothic period and early Renaissance and the awe-inspiring achievements of the High Renaissance. It shows the splendor of the Baroque and Rococo, and scrutinizes the drama of the Neoclassicists and the Romantics. The enchantment of the Impressionist school and the complexities of the Cubist movement are also revealed in glowing color. Biographical notes on the artist place each work in its true personal and historical context.The book's generous size and faithful color reproduction allow every painting to be displayed accurately and in detail. At last, art lovers can truly enter the world of their favorite paintings.
A Worldly Art: The Dutch Republic, 1585-1718
Mariet Westermann - 1996
Now back in print, this classic book (originally published in 1996) examines the country’s rich artistic culture in the seventeenth century, providing a full account of Dutch artists and patrons; artistic themes and techniques; and the political and social world in which artists worked.Distinguished art historian Mariët Westermann examines the “worldly art” of this time in the context of the unique society that produced it, analyzing artists’ choices and demonstrating how their pictures tell particular stories about the Dutch Republic, its people, and its past. More than 100 color illustrations complement this engaging discussion of an extraordinary moment in the history of art.
How Catholic Art Saved the Faith: The Triumph of Beauty and Truth in Counter-Reformation Art
Elizabeth Lev - 2018
Desperate to restore the peace and recover the unity of Faith, Catholic theologians clarified and reaffirmed Catholic doctrines, but turned as well to another form of evangelization: the Arts.Convinced that to win over the unlettered, the best place to fight heresy was not in the streets but in stone and on canvas, they enlisted the century's best artists to create a glorious wave of beautiful works of sacred art Catholic works of sacred art to draw people together instead of driving them apart.How Catholic Art Saved the Faith tells the story of the creation and successes of this vibrant, visual-arts SWAT team whose war cry could have been art for Faith's sake! Over the years, it included Michelangelo, of course, and, among other great artists, the edgy Caravaggio, the graceful Guido Reni, the technically perfect Annibale Carracci, the colorful Barocci, the theatrical Bernini, and the passionate Artemisia Gentileschi. Each of these creative souls, despite their own interior struggles, was a key player in this magnificent, generations-long project: the affirmation through beauty of the teachings of the Holy Catholic Church.Here you will meet the fascinating artists who formed this cadre's core. You will revel in scores of their full-color paintings. And you will profit from the lucid explanations of their lovely creations: works that over the centuries have touched the hearts and deepened the faith of millions of pilgrims who have made their way to the Eternal City to gaze upon them.Join those pilgrims now in an encounter with the magnificent artworks of the Catholic Restoration artworks which from their conception were intended to delight, teach, and inspire. As they have done for the faith of so many, so will they do for you.
Bernd Growe - 1992
Inspiration, spontaneity, temperament are unknown to me. One has to do the same subject ten times, even a hundred times over. In art, nothing should look like chance, not even movement." Edgar Degas In terms of both theme and technique, the key to understanding the early work of Edgar Degas (1834-1917) is classical painting. Although he was eventually associated with the Impressionists and even participated in their joint exhibitions, Degas never adopted a purely Impressionist approach. Degas's work, reflecting an extremely personal and psychological perspective, emphasizes the scenic or concentrates on the detail. Thus, Degas's painting is often discussed with reference to the rise of short-exposure photography. Thematically, nature proved less interesting to the artist than the life and inhabitants of the modern metropolis. Degas primarily sought his motifs in ballet salons, at the race track or circus, or in bedrooms - but dancers always remained his favorite theme. About the Series: Each book in TASCHEN's Basic Art Series features:a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 colour illustrations with explanatory captions