Melanie May, a small-town cop hungry for the big time, risks her career to convince a troubled FBI profiler of the identity of a serial killer, only to realize that the profile she's created fits someone in her own life -- and that the killer won't stop...until all fall down.

    She's disturbed to discover the culprit is a raven, and tries to shoo it away. Which is when the killer strikes.DS Nathan Cody, still bearing the scars of an undercover mission that went horrifyingly wrong, is put on the case. But the police have no leads, except the body of the bird - and the victim's missing eyes.As flashbacks from his past begin to intrude, Cody realises he is battling not just a murderer, but his own inner demons too.And then the killer strikes again, and Cody realises the threat isn't to the people of Liverpool after all - it's to the police.Following the success and acclaim of the Callum Doyle novels, A Tapping at My Door is the first instalment of David Jackson's new Nathan Cody series.From the bestselling author of Cry Baby, the beginning of a brilliant and gripping police procedural series set in Liverpool, perfect for fans of Peter James and Mark Billingham"Recalls Harlan Coben - though for my money Jackson is the better writer." Guardian

    In the year since Temperance Brennan left behind a shaky marriage in North Carolina, work has often preempted her weekend plans to explore Quebec. When a female corpse is discovered meticulously dismembered and stashed in trash bags, Temperance detects an alarming pattern and she plunges into a harrowing search for a killer. But her investigation is about to place those closest to her, her best friend and her own daughter, in mortal danger...

    It’s a young woman in the North Tower when the first plane crashed into the building who has the courage and determination to take on both sides of the law and avenge the old lady’s death. Anna Petrescu is missing, presumed dead, after 9/11 and she uses her new status to escape from America, only to be pursued across the world from Toronto to London, to Hong Kong, Tokyo and Bucharest, but it is only when she returns to New York that the mystery unfolds. Why are so many people willing to risk their own lives and others' to own the Van Gogh Self-Portrait with Bandaged Ear? Jeffrey Archer, one of the greatest popular novelists of our generation, delivers a truly page-turning thriller.

    Caleb Maddox is a San Francisco toxicologist studying the chemical effects of pain. After a bruising breakup with his girlfriend, he’s out drinking whiskey when a hauntingly seductive woman appears by his side. Emmeline whispers to Caleb over absinthe, gets his blood on her fingers and then brushes his ear with her lips as she says goodbye. He must find her.As his search begins, Caleb becomes entangled in a serial-murder investigation. The police have been fishing men from the bay, and the postmortems are inconclusive. One of the victims vanished from the bar the night Caleb met Emmeline. When questioned, Caleb can’t offer any information, nor does he tell them he’s been secretly helping the city’s medical examiner, an old friend, study the chemical evidence on the victims’ remains. The search for the killer soon entwines with Caleb’s hunt for Emmeline, and the closer he gets to each, the more dangerous his world becomes.From the first pages up to the haunting, unforgettable denouement, The Poison Artist is a gripping thriller about obsession and damage, about a man unmoored by an unspeakable past and an irresistible woman who offers the ultimate escape.

    She was wrong. Deborah Jenkins pulls her coat around her as she sets out on her short walk home in the pouring rain. But she never makes it home that night. And she is never seen again …Four years later, an abandoned baby girl is found wrapped in dirty rags on a doorstep. An anonymous phone call urges the police to run a DNA test on the baby. But nobody is prepared for the results. The newborn belongs to Deborah. She’s still alive.If you love Lisa Gardner, Patricia Gibney and Robert Bryndza, you’ll love this jaw-dropping new crime thriller from Carla Kovach. The Next Girl will keep you guessing until the very last page.

    Perfect for fans of Louise Jensen's THE SISTER and Katerina Diamond's THE SECRET, Linda Green and Paula Hawkins.Karen is meant to be the one who fixes problems.It's her job, as a psychiatrist - and it's always been her role as a friend.But Jessica is different. She should be the patient, the one that Karen helps.But she knows things about Karen. Her friends, her personal life. Things no patient should know.And Karen is starting to wonder if she should have let her in . . .

    Throughout the summer of 1944—until one father forbids it—the subterranean space becomes their "secret garden," where the friends play games and tell stories.Six decades later, beneath a house on the same land, construction workers uncover a tin box containing two skeletal hands, one male and one female. As the discovery makes national news, the friends come together once again, to recall their days in the tunnel for the detective investigating the case. Is the truth buried among these aging friends and their memories? This impromptu reunion causes long-simmering feelings to bubble to the surface. Alan, stuck in a passionless marriage, begins flirting with Daphne, a glamorous widow. Michael considers contacting his estranged father, who sent Michael to live with an aunt after his mother vanished in 1944. Lewis begins remembering details about his Uncle James, an army private who once accompanied the children into the tunnels, and who later disappeared.In The Girl Next Door Rendell brilliantly shatters the assumptions about age, showing that the choices people make—and the emotions behind them—remain as potent in late life as they were in youth.

    But a few quick tasks became a long lunch-and now things could go too far with a man who isn't what he seems....The Killer's Wife (with Max DiLallo): Four girls have gone missing. Detective McGrath knows the only way to find them is to get close to the suspect's wife...maybe too closeWe. Are. Not. Alone (with Tim Arnold): The first message from space. It will change the world. It's first contact. Undeniable proof of alien life. Disgraced Air Force scientist Robert Barnett found it. Now he's the target of a desperate nationwide manhunt-and Earth's future hangs in the balance.

    . . and vanished.Missing persons investigator Brenna Spector has a rare neurological disorder that enables her to recall every detail of every day of her life. A blessing and a curse, it began in childhood, when her older sister stepped into a strange car never to be seen again, and it’s proven invaluable in her work. But it hasn’t helped her solve the mystery that haunts her above all others—and it didn’t lead her to little Iris. When a local woman, Carol Wentz, disappears eleven years later, Brenna uncovers bizarre connections between the missing woman, the long-gone little girl . . . and herself.

    In her hunt for evidence, Sue begins to mistrust everyone close to her daughter and she’s forced to look further, into the depths of her own past.There is a lot that Sue doesn’t know about Charlotte’s life. But then there’s a lot that Charlotte doesn’t know about Sue’s …

    There, amongst the dark fir trees, he planned to build a house, find a girl and live happily ever after. Yet, as he left the village, a shadow of menace hung over the land. For this was the place where accidents happened. Perhaps Michael should have heeded the locals’ warnings: ‘There’s no luck for them as meddles with Gipsy’s Acre.’ Michael Rogers is a man who is about to learn the true meaning of the old saying ‘In my end is my beginning.’The title Endless Night was taken from William Blake’s Auguries of Innocence and describes Christie’s favourite theme in the novel: a “twisted” character, who always chooses evil over good.Christie finished Endless Night in six weeks, as opposed to the three-four months that most of her other novels took. Despite being in her seventies while writing it, she told an interviewer that being Michael, the twenty-something narrator, “wasn’t difficult. After all, you hear people like him talking all the time.”The book is dedicated to Christie's relative "Nora Prichard from whom I first heard the legend of Gipsy's Acre." Gipsy's Acre was a field on the Welsh moors.

    Promise Falls isn't the kind of community where a family is shot to death in their own home. But that is exactly what happened to the Langleys one sweltering summer night, and no one in this small upstate New York town is more shocked than their next-door neighbors, Jim and Ellen Cutter. They visited for the occasional barbecue, and their son, Derek, was friends with the Langleys? boy, Adam; but how well did they really know their neighbors? That's the question Jim Cutter is asking, and the answers he's getting aren't reassuring. Albert Langley was a successful, well-respected criminal lawyer, but was he so good at getting criminals off that he was the victim of revenge ? a debt his innocent family also paid in blood? From the town's criminally corrupt mayor to the tragic suicide of a talented student a decade before, Promise Falls has more than its share of secrets. And Jim Cutter, failed artist turned landscaper, need look no further than his own home and his wife Ellen's past to know that things aren't always what they seem. Suddenly the Cutters must face the unthinkable: that a murderer isn't just stalking too close to home but is inside it already. For the Langleys weren't the first to die and they won't be the last.

    Gifted with a loving family, Melanie has always considered herself lucky. Until tonight.Tonight, a has-been reporter turns up investigating her past. Tonight the first note arrives, saying, "You Get What You Deserve." And tonight, Melanie has her first, horrifying vision of the past.Melanie has no memory of her life before the adoption. Now someone wants to give it back, even if it includes the darkest nightmare the Stokes family ever faced: the murder of their first daughter in Texas. As Melanie desperately searches for her real identity, two seemingly unrelated events from the past will come together in a dangerous explosion of truth.

    When she returns only two hours later, she swears the baby in the crib is not her child. Despite her distress, David is adamant that she is wrong.The police are called to the scene. Detective Constable Simon Waterhouse is sympathetic, but he doubts Alice's story. His superior, Sergeant Charlie Zailer, thinks that Alice must be suffering from some sort of delusion brought on by postpartum depressions.With an increasingly hostile and menacing David swearing she must either be mad or lying, how can Alice make the police believe her before it's too late?