But when people are pushed—by a coworker’s taunt, a face-to-face encounter with a woman in free fall from a bridge—cracks appear, revealing alienation, casual cruelty, madness, and above all a simultaneous hunger for and fear of the unknown.Daniel Orozco leads the reader through the hidden lives and moral philosophies of bridge painters, men housebound by obesity, office temps, and warehouse workers. He reveals the secret pleasures of late-night supermarket trips for cookie binges, exceptional data entry, and an exiled dictator’s occasional piss on the U.S. embassy. A love affair blooms between two officers in the impartially worded pages of a police blotter; a new employee’s first-day office tour includes descriptions of other workers’ most private thoughts and actions; during an earthquake, the consciousness of the entire state of California shakes free for examination.Orientation introduces a writer at the height of his powers, whose work surely invites us to reassess the landscape of American fiction.Orientation is a Kirkus Reviews Best of 2011 Short Story Collections title.

    Jayne Anne Phillips has always been a master of portraiture, both in her widely acclaimed novels and in her short fiction.  The stories in Fast Lanes demonstrated the breadth of her talent in a tour de force of voices, offering elegantly rendered views into the lives of characters torn between the liberation of detachment and the desire to connect.Three stories are collected in this edition for the first time: in "Alma," and adolescent daughter is made the confidante of her lonely mother; "Counting" traces the history of a dommed love affair; and "Callie" evokes memories of the haunting death of a child in 1920's West Virginia.  Along with the original seven stories from Fast Lanes--each told in extraordinary first person narratives that have been hailed by critics as virtuoso performances--these incandescent portraits offer windows into the lives of an entire generation of Americans, demonstrating again and again why Jayne Anne Phillips remains one of our most powerful writers.

    Thomas presents interesting heroines: there's the girl in "Sisters" who hates her younger sibling for (among other things) her precise memory. In "Seeing Things," Maude, who "wants to be tan the whole year round," and whose "great ambition is to be whistled at on the street," is told by her younger sister, "You look ridiculous smoking with the chicken pox." And then there are the four stories about Buddy and Virginia, who have to drop out of school and get married after she gets pregnant. From sibling rivalry to marital strife, Thomas uncovers the pain, the poignancy, and the belief in love that lie in the hearts of her heroines.

     In Magical Mr. Goat, a young girl's imaginary friend yearns to become "more than friends." In Unprotected, an unused prophylactic recalls his years spent trapped inside a teen boy's wallet. The stories in Simon Rich's new book are bizarre, funny, and yet...relatable. Rich explores love's many complications-losing it, finding it, breaking it, and making it-and turns the ordinary into the absurd. With razor-sharp humor and illustrations, and just in time for Valentine's Day, Rich takes readers for an exhilarating, hilarious ride on the rollercoaster of love.

    Frederick Barthelme creates an unforgettably wistful cast of characters, ordinary people moving carefully and curiously through a gently painful world.

    Featuring Newford fiddler Geordie Riddell, it's a gentle story of love, loss and the bonds of friendship.First published in Post Mortem edited by Paul F.Olson and David B. Silva, 1989; also appears in Dreams Underfoot and The Very Best of Charles de Lint.Timeskip is where Newford began: "Newford was not planned out in advance. It started (unbeknownst to me) with“Timeskip,” a short story that I wrote for an anthology. I wanted to set the story somewhere other than the Ottawa area where most of my stories had taken place, but I didn’t feel comfortable writing about a city that I couldn’t physically visit. So I decided to use various aspects of large urban centers that I had visited, and create a fictitious setting."–Charles de Lint, from an interview with FairyRoom.com"I can never recapture the feeling of first arriving in Newford and meeting the people and seeing the sights as a newcomer. However, part of the beauty of Newford is the sense that it has always been there, that de Lint is a reporter who occasionally files stories from a reality stranger and more beautiful than ours. De Lint also manages to keep each new Newford story fresh and captivating because he is so generous and loving in his depiction of the characters. Yes, there are a group of core characters whose stories recur most often, but a city like Newford has so many intriguing people in it, so many diverse stories to tell, so much pain and triumph to chronicle."— Challenging DestinyCharles de Lint is the modern master of urban fantasy. Folktale, myth, fairy tale, dreams, urban legend—all of it adds up to pure magic in de Lint's vivid, original world. No one does it better.— Alice HoffmanCharles de Lint writes like a magician. He draws out the strange inside our own world, weaving stories that feel more real than we are when we read them. He is, simply put, the best.— Holly BlackDe Lint is probably the finest contemporary author of fantasy– Booklist, American Library AssociationUnlike most fantasy writers who deal with battles between ultimate good and evil, de Lint concentrates on smaller, very personal conflicts. Perhaps this is what makes him accessible to the non-fantasy audience as well as the hard-core fans. Perhaps it’s just damned fine writing.– Quill QuireDe Lint’s evocative images, both ordinary and fantastic, jolt the imagination.– Publishers WeeklyIt is hard to imagine urban fantasy done with greater skill– Booklist, American Library Association

    Kinsella’s book The Alligator Report.

    A painter who owes his small success to a man he despises, discovers that his passivity has cost him the love that might have set him free. A writer of modest talents encounters the old love who once betrayed him; now she repels him, yet the unfinished novel she leaves in his hands may surpass anything he could ever produce himself. An American poet in Rome finds herself forced to choose between her lover and a world so alien it takes her voice away. A print maker, who has reached a certain age, enters so deeply into the magical world of her imagination that she can never find her way back. In captivating, luminous prose, Martin explores the trials and rewards of human relationships and creative endeavor with all the ease and insight of a writer at the top of her form.

    He is famous not only for his love of the hills, but for imbuing the countryside with life and vibrancy through moving descriptions. The simple people who inhabit his stories evoke sympathy and laughter in equal measure. This wonderful collection of seventy stories, including classics like ‘A Face in Dark’, ‘The Kitemaker’, ‘The Tunnel’, ‘The Room of Many Colours’, ‘Dust on the Mountain’ and ‘Times Stops at Shamli’, is a must-have for any bookshelf.

    Whether he's dropping into the lives of two teachers―and their love lost and found―in "Nine Inches", documenting the unraveling of a dad at a Little League game in "The Smile on Happy Chang's Face", or gently marking the points of connection between an old woman and a benched high school football player in "Senior Season", Perrotta writes with a sure sense of his characters and their secret longings.Nine Inches contains an elegant collection of short fiction: stories that are as assured in their depictions of characters young and old, established and unsure, as any written today.

    Each book in the series has been designed with today's young reader in mind. As the words come to life, students will develop a lasting appreciation for great literature.The humor of Mark Twain...the suspense of Edgar Allan Poe...the danger of Jack London...the sensitivity of Katherine Mansfield. Creative Short Stories has it all and will prove to be a welcome addition to any library.

    They pine for lost loves and pop music romances, Hollywood heartthrobs, and sunnier towns. They flee from failed relationships and looming violence, adulthood and other deaths. Written with dark humor and incisive, voice-driven prose, Kara Vernor's stories will stick in your head like a song. "Kara Vernor's "Because I Wanted To Write You A Pop Song" is hilarious, dark, and beguiling. These wonderful stories crackle with hard-earned wisdom and wit and will, like all the very best songs, become forever etched on your heart." --John Jodzio, author of Knockout "Reading Kara Vernor is like being in a fast car that reveals the deepest secrets of its passerby. You rubberneck and yearn for more. You're spinning, you're flying, you're exhilarated and sad and brimming with thrill. Hail this book and hold on tight." --Lindsay Hunter, author of Ugly Girls "Kara Vernor says so much in so few words with these stories that I felt myself becoming a better reader as I read them. Her writing feels like a knife, cutting through so many of the falsehoods of American life and leaving only the truth, somehow leaving it both gently and determinedly at the same time. The stories in Because I Wanted to Write You a Pop Song do not flinch and do not seem to even remember how." --Siamak Vossoughi, author of Better Than War (winner of the Flannery O'Connor Award for Short Fiction) "The stories in "Because I Wanted to Write You a Pop Song" dazzle and tenderize. They are strange little worlds that invite you in...Kara Vernor writes with gut, heart, and striking beauty." --Jensen Beach, author of Swallowed by the Cold "If I could leave a few things in a capsule for the civilization coming next, I think I’d maybe pick Kara Vernor’s stories. Beings of the future might know us that way: how we thought; how our words arranged themselves on our tongues when we were only half thinking; what we were after, and how messed up that all was, but how vital in a deeper way. Like some of my favorite writers, Vernor is able to bring to the page a voice you’re shocked to recognize, for it seems so totally new. All of the stars, is what I’m trying to say. All of the hearts and cherries."--Scott Garson, author of Is That You, John Wayne?

    A story set in the far antiquity of Bakker's fictional world world of Eärwa, the setting for his Prince of Nothing and Aspect Emperor series.

    The absurdity of both life and death are on full display; in "Zombies," the best and brightest of a high school prep school become tragically addicted to the latest drug craze: electric shocks from cardiac defibrillators. In "Knock, Knock," a son hopes to tell one last off-color joke to a father in his final moments, while in "Tunnel of Love," a massage therapist runs the curious practice of providing 'relief' to dying clients. And in "Expedition," fans will be thrilled to find to see a side of Tyler Durden never seen before in a precursor story to Fight Club.Funny, caustic, bizarre, poignant; these stories represent everything readers have come to love and expect from Chuck Palahniuk. They have all the impact of a sharp blow to the solar plexus, with considerable collateral damage to the funny bone.

    From the first page of each of the edgy and unrelentingly intense stories in this debut collection, the teenaged characters are headed for big trouble. The adult world has mostly failed them, and they find themselves entering into highly charged situations where they make their own rules, with misguided understanding of the consequences. The stories burn hot and fast, providing searing insights into their world of sex, drugs, drinking, violence, and accidental grace, played out in small, tough towns. Written with raw directness and understanding that makes these nine stories impossible to forget, The History of Vegas announces an exciting, fresh talent with the impact of Mary Gaitskill, Mary Karr, and Jayne Anne Phillips.