As they travel, they write home to wives and eunuchs in the harem and to friends in France and elsewhere. Their colourful observations on the culture differences between West and East culture conjure up Eastern sensuality, repression and cruelty in contrast to the freer, more civilized West - but here also unworthy nobles and bishops, frivolous women of fashion and conceited people of all kinds are satirized. Storytellers as well as letter-writers, Montesquieu's Usbek and Rica are disrespectful and witty, but also serious moralists. Persian Letters was a succès de scandale in Paris society, and encapsulates the libertarian, critical spirit of the early eighteenth century.

    GIFT BOX SET OF 4 BOOKS TITLED: THE PUPPET MASTERS - ISBN 0345330145, WALDO&MAGIC - ISBN 0345330153, DOUBLE STAR - ISBN 0345330137 AND THE DOOR INTO SUMMER - ISBN 0345330129

    With a psychopath from his own time rising in the vile ranks of the Cable Street Unmentionables complicating things, Vimes has to ensure that history takes its course so that he will have the right future to go back to, and to keep his younger self alive."One of the funniest English authors alive" (Independent)

    As the novel opens, Jack's twin brother, a Denver homicide detective, has just killed himself. Or so it seems. But when Jack begins to investigate the phenomenon of police suicides, a disturbing pattern emerges, and soon suspects that a serial murderer is at work - a devious cop killer who's left a coast-to-coast trail of "suicide notes" drawn from the poems of Edgar Allan Poe. It's the story of a lifetime - except that "the Poet" already seems to know that Jack is trailing him. . . Here is definitive proof that Michael Connelly is among the best suspense novelists working today. Blood Work: Thanks to a heart transplant, former FBI agent Terrell McCaleb is enjoying a quiet retirement, renovating the fishing boat he lives on in Los Angeles Harbor. But McCaleb's calm seas turn choppy when a story in the "What Happened To?" column of the LA Times brings him face-to-face with the sister of the woman whose heart now beats in his chest. From her, McCaleb learns a terrible truth: that the donor of his heart was not killed in an accident, as he'd been told, but was murdered. Wracked with guilt over the fact that he's alive because another human being was killed, McCaleb embarks on a private investigation of his donor's murder - a crime as horrific as anything he ever encountered as a serial killer investigator for the FBI.

    SUMMER ON BLOSSOM STREET Knitting and life are both about beginnings—and endings. That's why Lydia Goetz, owner of A Good Yarn on Seattle's Blossom Street, offers a class called Knit to Quit. It's for people who want to quit something—or someone!—and start a new phase of their lives. But when your life—and your stitches—get snarled, your friends can always help! HANNAH'S LIST On the anniversary of his beloved wife's death, Dr. Michael Everett receives a letter Hannah wrote him. In it she reminds him of her love and makes one final request. An impossible request. I want you to marry again. She tells him he shouldn't spend the years he has left grieving—and she's chosen three women she asks him to consider. During the months that follow, he spends time with these three women, learning more about each of them…and about himself. Learning what Hannah already knew. He's a man who needs the completeness only love can offer. And Hannah's list leads him to the woman who can help him find it. A TURN IN THE ROAD In the middle of the year, in the middle of her life, Bethanne Hamlin takes a road trip with her daughter, Annie, and her former mother-in-law, Ruth. So, there they are, three women driving across America. They have their maps and their directions—but even the best-planned journey can take you to a turn in the road. Or lead to an unexpected encounter, like the day Bethanne meets a man named Max…

    It is 1846, famine is gripping Ireland and nowhere is it crueller than in Mayo on the west coast. Owen FitzDeane of Ballyford Castle is a good landlord, but even he is powerless to save all his tenants. When he comes upon a half-dead girl beside the road, he insists on taking her back to the castle, to see if they can save her. But Eilinora is no ordinary girl and soon superstition and fear begin to swirl around her, while Lord FitzDeane of Ballyford falls deeper under her spell.

    Here you discover that an ancient Peruvian manuscript has disappeared. Although few Westerners know of its existence and a government wants to suppress it, this precious document contains an important secret: the nine Insights the human race is predicted to grasp as we enter an era of true spiritual awareness. To find the manuscript, you will journey high into the Andes mountains and into the deepest places of the self. When the last of the nine Insights is revealed to you, you will have an exciting new image of human life, and a positive vision of how we will save this planet, its creatures and its beauty. But one Insight will still be missing...

    How stupid is that? On this thing Mom just made a kind of squiggly shape on the page. That jerk didn't even think about what he was saying, didn't even ask himself why her signature might be weird. He's one of those people who think illiteracy is like AIDS. It only exists in Africa.--from Kiffe Kiffe Tomorrow "A tale for anyone who has ever lived outside looking in, especially from that alien country called adolescence. A funny, heartfelt story from a wise guy who happens to be a girl. If you've ever fallen in love, if you've ever had your heart broken, this story is your story." -- Sandra Cisneros, author of THE HOUSE ON MANGO STREET The Paradise projects are only a few metro stops from Paris, but here it's a whole different kind of France. Doria's father, the Beard, has headed back to their hometown in Morocco, leaving her and her mom to cope with their mektoub—their destiny—alone. They have a little help-- from a social worker sent by the city, a psychiatrist sent by the school, and a thug friend who recites Rimbaud.It seems like fate’s dealt them an impossible hand, but Doria might still make a new life. She'll prove the projects aren't only about rap, soccer, and religious tension. She’ll take the Arabic word kif-kif (same old, same old) and mix it up with the French verb kiffer (to really like something). Now she has a whole new motto: KIFFE KIFFE TOMORROW."Moving and irreverent, sad and funny, full of rage and intelligence. [Guène's] characters are unforgettable, her voice fresh, and her book a delight." -- Laila Lalami, author of Hope and Other Dangerous PursuitsFaïza Guène, the child of Algerian immigrants, grew up in the public housing projects of Pantin, outside Paris. This is her first book.

    Dostoevsky's crocodile, cruelly displayed in a traveling sideshow, gobbles whole a pretentious high-ranking civil servant. But the functionary survives unscathed and seizes his new unique platform to expound to the fascinated public. Dostoevsky's Crocodile is a matchless, hilarious satire.Hernandez's Crocodile, on the other hand, while also terribly funny, is a heartbreaker. A pianist struggling to make ends meet as a salesman finds success when he begins to weep before clients and audience alike, but then he can't stop the crocodile tears.

    Every word tells, & the number of unusually stirring incidents is legion, while the plot is phenomenal in its strength, merit & ingeniousness.

    In this playful and perplexing book, we meet a young Parisian researcher who lives inside his bathroom. As he sits in his tub meditating on existence (and refusing to tell us his name), the people around him—his girlfriend, Edmondsson, the Polish painters in his kitchen—each in their own way further enables his peculiar lifestyle, supporting his eccentric quest for immobility. But an invitation to the Austrian embassy shakes up his stable world, prompting him to take a risk and leave his bathroom . . .

    A peasant himself, Guillaumin was unique in that, after a few years of schooling, he continued to work his small farm in central France to the end of his life, reserving nights for study and writing. Guillaumin felt that the French peasant had been misrepresented in contemporary literature--either romanticized as in George Sand or depicted as a dumb victim of the forces of nature as in Zola--and wanted to correct the picture. The result is a moving first-person story that can be read as a fictional account, as well as the best kind of material for historians seeking to understand how nineteenth-century French peasants really lived.

    In response, the distressed mother, who grew up a Quaker and has never seen a gun, steals weapons from the sheriff’s office and tools from a local hardware store. Frantically racing to rescue her stolen daughter, she is surprised to discover she knows how to expertly handle these dangerous, heavy tools. And it suddenly occurs to Karen that not only has her town changed, she has no idea who she is either!

    

    The long poem was the beginning of Cesaire's quest for negritude, and it became an anthem of Blacks around the world. With its emphasis on unusual juxtapositions of object and metaphor, manipulation of language into puns and neologisms, and rhythm, Cesaire considered his style a "beneficial madness" that could "break into the forbidden" and reach the powerful and overlooked aspects of black culture. Clayton Eshleman and Annette Smith achieve a laudable adaptation of Cesaire's work to English by clarifying double meanings, stretching syntax, and finding equivalent English puns, all while remaining remarkably true to the French text. Their treatment of the poetry is marked with imagination, vigor, and accuracy that will clarify difficulties for those already familiar with French, and make the work accessible to those who are not. Andre Breton's introduction, A Great Black Poet, situates the text and provides a moving tribute to C saire. Notebook of a Return to the Native Land is recommended for readers in comparative literature, post-colonial literature, African American studies, poetry, modernism, and French.