When the biographer Russell Graves, who Daniel is helping defend, is sentenced to execution for the murder of his wife, Daniel's Pitt-family investigative instincts kick in, and he sets out to find the real killer. With only twenty-one days before Graves is to be executed, Daniel learns that Graves is writing a biography of Victor Narraway, the former head of Special Branch and a close friend of the Pitts. And the stories don't shed a positive light. Is it possible someone is framing Graves to keep him from writing the biography--maybe even someone Daniel knows in Special Branch? The only answer, it seems, lies in the dead woman's corpse. And so, with the help of some eccentric new acquaintances who don't mind bending the rules, Daniel delves into an underground world of dead bodies and double lives, unearthing scores of lies and conspiracies. As he struggles to balance his duty to the law with his duty to his family, the equal forces of justice and loyalty pull this lawyer-turned-detective in more directions than he imagined possible. And amidst it all, his client's twenty-one days are ticking away.

    He writes human-interest pieces for British and American papers, avoiding the investigative journalism that could get him deported. But as war approaches, he faces the prospect of having to leave his son and his longtime girlfriend. Then, an acquaintance from his communist days approaches him to do some work for the Soviets. Russell is reluctant but ultimately unable to resist. He becomes involved in other dangerous activities, helping a Jewish family and an idealistic American reporter. When the British and the Nazis notice his involvement with the Soviets, Russell is dragged into the world of warring intelligence services.

    London, 1885. In a city of fog and darkness, the notorious thief Edward Shade exists only as a ghost, a fabled con, a thief of other men's futures -- a man of smoke. William Pinkerton is already famous, the son of a brutal detective, when he descends into the underworld of Victorian London in pursuit of a new lead. His father died without ever tracing Shade; William, still reeling from his loss, is determined to drag the thief out of the shadows. Adam Foole is a gentleman without a past, haunted by a love affair ten years gone. When he receives a letter from his lost beloved, he returns to London in search of her; what he learns of her fate, and its connection to the man known as Shade, will force him to confront a grief he thought long-buried. What follows is a fog-enshrouded hunt through sewers, opium dens, drawing rooms, and seance halls. Above all, it is the story of the most unlikely of bonds: between William Pinkerton, the greatest detective of his age, and Adam Foole, the one man who may hold the key to finding Edward Shade. Epic in scope, brilliantly conceived, and stunningly written, Steven Price's By Gaslight is a riveting, atmospheric portrait of two men on the brink. Moving from the diamond mines of South Africa to the battlefields of the Civil War, the novel is a journey into a cityscape of grief, trust, and its breaking, where what we share can bind us even against our darker selves.

    Especially since her father, the late police detective, was killed in the line of duty. But when an elderly Jewish man approaches Aimée with a top-secret decoding job on behalf of a woman in his synagogue, Aimée unwittingly takes on more than she is expecting. She drops off her findings at her client’s house in the Marais, Paris’s historic Jewish quarter, and finds the woman strangled, a swastika carved on her forehead. With the help of her partner, René, Aimée sets out to solve this horrendous murder, but finds herself in an increasingly dangerous web of ancient secrets and buried war crimes.

    Paul's and makes a mystifying mention of murder and an oddly familiar comment about her grandmother, Kate Murray is intrigued. But she never gets to hear the rest of Andrew Deacon's tale. Shocked by his unexpected death, she wonders who this strange, old man is, and what the odd reference to her grandmother could mean. Interest piqued by the story never told, Kate becomes drawn into an investigation, uncovering secrets about the grandmother she thought she knew and a man she never did. Soon she is caught up in a dangerous whirlwind of events that takes her back into her grandmother's mysterious wartime past and across the Atlantic as she tries to retrace Deacon's footsteps. Finding out the truth is not so simple, however, as only a few people are still alive who know the story...and Kate soon realizes that her questions are putting their lives in danger. Stalked by an unknown and sinister enemy, and facing death every step of the way, Kate must use her tough journalistic instinct to find the answers from the past in order to have a future.

    Aunt Sabrina invites her to Essex England, for help with the Order of the New Dawn. Aunt Jagger beats the servants to suicide, and someone feeds her Death mushrooms. Next door, Sir Charles photographs a fresh body in an archaeological dig, and seeks his killer.

    A spirited lady detective. Can she out-class the killer before an innocent person takes the fall?London, 1923. Olive Belgrave needs a job. Despite her aristocratic upbringing, she’s penniless. Determined to support herself, she jumps at an unconventional job—looking into the background of her cousin's fiancé, Alfred. Alfred burst into the upper crust world of London’s high society, but his answers to questions about his past are decidedly vague. Before Olive can gather more than the basics, a murder occurs at a posh party. Suddenly, every Bright Young Person in attendance is a suspect, and Olive must race to find the culprit because a sly murderer is determined to make sure Olive’s first case is her last. Murder at Archly Manor is the first in the High Society Lady Detective series of charming historical cozy mysteries. If you like witty banter, glamorous settings, and delightful plot twists, you’ll love USA Today bestselling author Sara Rosett’s series for Anglophiles and mystery lovers alike.Travel back to the Golden Age of detective fiction with Murder at Archly Manor.

    But when his lifelong friend Lady Jane asks for his help, Lenox cannot resist another chance to unravel a mystery, even if it means trudging through the snow to her townhouse next door.One of Jane's former servants, Prudence Smith, is dead -- an apparent suicide. But Lenox suspects something far more sinister: murder by a rare and deadly poison. The house where the girl worked is full of suspects and, though Prudence dabbled with the hearts of more than a few men, Lenox is baffled by an elusive lack of motive in the girl's death.When another body turns up during the London season's most fashionable ball, Lenox must untangle a web of loyalties and animosities. Was it jealousy that killed Prudence? Or was it something else entirely, something that Lenox alone can uncover before the killer strikes again -- disturbingly close to home?

    This alone could have got him burned at the stake, but he was also a student of occult philosophies and magic. In S.J. Parris's gripping novel, Bruno's pursuit of this rare knowledge brings him to London, where he is unexpectedly recruited by Queen Elizabeth I and is sent undercover to Oxford University on the pretext of a royal visitation. Officially Bruno is to take part in a debate on the Copernican theory of the universe; unofficially, he is to find out whatever he can about a Catholic plot to overthrow the queen. His mission is dramatically thrown off course by a series of grisly murders and a spirited and beautiful young woman. As Bruno begins to discover a pattern in these killings, he realizes that no one at Oxford is who he seems to be. Bruno must attempt to outwit a killer who appears obsessed with the boundary between truth and heresy. Like The Dante Club and The Alienist, this clever, sophisticated, exceptionally enjoyable novel is written with the unstoppable narrative propulsion and stylistic flair of the very best historical thrillers.

    Thomas Silkstone, anatomist and pioneering forensic detective. . .The death of Sir Edward Crick has unleashed a torrent of gossip through the seedy taverns and elegant ballrooms of Oxfordshire. Few mourn the dissolute young man--except his sister, the beautiful Lady Lydia Farrell. When her husband comes under suspicion of murder, she seeks expert help from Dr. Thomas Silkstone, a young anatomist from Philadelphia.Thomas arrived in England to study under its foremost surgeon, where his unconventional methods only add to his outsider status. Against his better judgment he agrees to examine Sir Edward's corpse. But it is not only the dead, but also the living, to whom he must apply the keen blade of his intellect. And the deeper the doctor's investigations go, the greater the risk that he will be consigned to the ranks of the corpses he studies. . .

    . .The Earl of Wrexford possesses a brilliant scientific mind, but boredom and pride lead him to reckless behavior. He does not suffer fools gladly. So when pompous, pious Reverend Josiah Holworthy publicly condemns him for debauchery, Wrexford unsheathes his rapier-sharp wit and strikes back. As their war of words escalates, London’s most popular satirical cartoonist, A.J. Quill, skewers them both. But then the clergyman is found slain in a church—his face burned by chemicals, his throat slashed ear to ear—and Wrexford finds himself the chief suspect.

    So when Emily's dashing husband died on safari soon after their wedding, she felt little grief. After all, she barely knew him. Now, nearly two years later, she discovers that Philip was a far different man from the one she had married so cavalierly. His journals reveal him to have been a gentleman scholar and antiquities collector who, to her surprise, was deeply in love with his wife. Emily becomes fascinated with this new image of her dead husband and she immerses herself in all things ancient and begins to study Greek.Emily's intellectual pursuits and her desire to learn more about Philip take her to the quiet corridors of the British Museum, one of her husband's favorite places. There, amid priceless ancient statues, she uncovers a dark, dangerous secret involving stolen artifacts from the Greco-Roman galleries. And to complicate matters, she's juggling two very prominent and wealthy suitors, one of whose intentions may go beyond the marrying kind. As she sets out to solve the crime, her search leads to more surprises about Philip and causes her to question the role in Victorian society to which she, as a woman, is relegated.

    Then Wesley's old friend from university, archaeologist Neil Watson, unearths the bodies of a strangled young woman and a new-born baby on the site of a seventeenth century merchant's house: though luckily for the overstretched police force the skeletons are centuries old. But as the search for the missing child intensifies and the true identity of the body on the cliff path is established, Wesley begins to suspect a tragic link, spanning the centuries, between his investigations and Neil's: for motives of jealousy, sexual obsession and desperate longing are as old as time. And when the dark secret of the merchant's house is finally revealed, Wesley must act swiftly to avert a further tragedy.

    Benjamin Bones is at war with himself. While most young men are being sent away to fight the Germans, Ben is chosen to serve on English soil. Ordered to move to wild, beautiful Cornwall, he must trade his posh London office and stylish city life for the tiny village of Birdswing, population 1,221 souls. But leaving his home and shelving his career ambitions aren't the only sacrifices facing Ben. His unfaithful wife, Penny, is accompanying him to Cornwall in a last-ditch effort to save their marriage. But moments after their arrival, Penny is run down in the street, and Ben is almost fatally injured. And while the villagers assume Penny's death to be an accident, Ben quickly deduces it was murder.As he convalesces in Fenton House, which the locals call haunted, Ben meets Birdswing's eccentric inhabitants. Mr. Gaston, the volunteer air warden, obsessed with defending his remote village against Nazi spies; Mrs. Cobblepot, a thoroughly practical housekeeper who believes in fairies; and Lady Juliet Linton, a prickly, headstrong aristocrat who won't take no for an answer. While adapting to life during Britain's "War at Home," a time of ration books, victory gardens, bomb shelters, and the Blackout, Ben sets about solving the mystery of Penny's murder--with a little help from Lady Juliet and the Fenton House ghost.MARRIAGE CAN BE MURDER (Dr. Benjamin Bones Mysteries #1) is the new cozy mystery series from New York Times and USA Today bestselling author Emma Jameson.

    Despatched to a monastery at the age of seven, sent back at seventeen when his father and two older brothers are killed by the Plague, Oswald has no experience of running an estate. He finds the years of pestilence and neglect have changed the old place dramatically, not to mention the attitude of the surviving peasants.Yet some things never change. Oswald's mother remains the powerful matriarch of the family, and his sister Clemence simmers in the background, dangerous and unmarried.Before he can do anything, Oswald is confronted by the shocking death of a young woman, Alison Starvecrow. The ambitious village priest claims that Alison was killed by a band of demonic dog-headed men. Oswald is certain this is nonsense, but proving it by finding the real murderer is quite a different matter. Every step he takes seems to lead Oswald deeper into a dark maze of political intrigue, family secrets and violent strife.And then the body of another girl is found.Sarah Sykes brilliantly evokes the landscape and people of medieval Kent in this thrillingly suspenseful debut."