In these poems about the death of his mother, this moving, otherworldly narrative takes us through the levels of Super Mario World, whose flowered landscapes bleed into our world, and ours, strange with loss, bleed into it. His remarkable debut is a daring exploration of memory, grief and the necessity of the unreal.

    The inventive and varied page designs offer perfect counterpoint to the staccato tempo of this hard-boiled jazz-age tragedy told in syncopated rhyming couplets.Here is a poem that can make even readers with no time for poetry stop dead in their tracks. Once read, large shards of this story of one night of debauchery will become permanently lodged in the brain. When The Wild Party was first published, Louis Untermeyer declared: "It is repulsive and fascinating, vicious and vivacious, uncompromising, unashamed . . . and unremittingly powerful. It is an amazing tour de force."

    Rich's work has long challenged social plausibilities built on violence and demoralizing power. In Midnight Salvage, she continues her explorations at the end of the century, trying, as she has said, "to face the terrible with hope, in language as complex as necessary, as communicative as possible—a poetics which can work as antidote to complacency, self-involvement, and despair. I have wanted to assume a theater of voices rather than the restricted I. To write for both readers I know exist and those I can only imagine, finding their own salvaged beauty as I have found mine." "In her vision of warning and her celebration of life, Adrienne Rich is the Blake of American letters."—Nadine Gordimer

    Published in 1954 in Tabriz, it is about Shahriyar's childhood and his memories of his village Khoshgenab near Tabriz. Heydar Baba is the name of a mountain overlooking the village.In Heydar Babaya Salam Shahriar narrates a nostalgia from his childhood in a village in Iranian Azerbaijan.

    Yousaf's debut poetry collection, he writes of a journey dedicated to growth, mental illness, spirituality, and self-reflections. Filled with various poems and topics, this collection will surely give you different emotions, ones which you wouldn't experience otherwise.

    In The Lightning Should Have Fallen on Ghalib: Selected Poems of Ghalib, poet Robert Bly and Urdu scholar Sunil Dutta collaborate to bring the delicacy and intensity of Ghalib's poetry to readers of English. This collection of thirty ghazals by Ghalib also serves as an introduction to the ghazal, the elegant and amazing poetic form revered for centuries in the Muslim world.

    This well-chosen and comprehensive collection offers a compact and affordable alternative to larger and more expensive anthologies.

    Blood and death attend. But when the war is won, and life stares, hungry, in the parents’ faces, where does that violence, anxiety, and shame go? The poems in Patter re-imagine miscarriages as minstrel shows, magic tricks, and comic strips; set Darth Vader against Oedipus’s dad in competition for “Father of the Year;” and interrogate the poet’s family’s stint on reality TV. In this, his third collection, award-winning poet Douglas Kearney doggedly worries the line between love and hate, showing how it bleeds itself into “fatherhood.”

    In her debut, Lauren Eden’s succinct and beautiful observations of human nature and its gains and losses will lead readers to understand their own journey in love and self discovery - now, and of yesteryear.

    In this anthology–the first devoted exclusively to blues poems–a wide array of poets pay tribute to the form and offer testimony to its lasting power.The blues have left an indelible mark on the work of a diverse range of poets: from “The Weary Blues” by Langston Hughes and “Funeral Blues” by W. H. Auden, to “Blues on Yellow” by Marilyn Chin and “Reservation Blues” by Sherman Alexie. Here are blues-influenced and blues-inflected poems from, among others, Gwendolyn Brooks, Allen Ginsberg, June Jordan, Richard Wright, Nikki Giovanni, Charles Wright, Yusef Komunyakaa, and Cornelius Eady. And here, too, are classic song lyrics–poems in their own right–from Bessie Smith, Robert Johnson, Ma Rainey, and Muddy Waters.The rich emotional palette of the blues is fully represented here in verse that pays tribute to the heart and humor of the music, and in poems that swing with its history and hard-bitten hope.

    An introduction by Normal Finkelstein connects the biographical elements to a consideration of the work and takes in Auster's early literary and philosophical influences. Penetrating, lyric, and tempered with the same brooding intelligence that informs The New York Trilogy, these poems offer a unique window into postmodern consciousness.

    Translated by the American poet James Wright.

    As D.M. Thomas points out in his introduction, practically none of her poetry was published between 1923 and 1940. Her poetic range was wide, from the transparent anonymity of “Requiem” to the symphonic complexity of “Poem without a Hero.” She was revered and loved not only by the best of her fellow poets but by the ordinary people of Russia: five thousand mourners, mostly the young, crowded to her requiem mass in a Leningrad church.You Will Hear Thunder brings together for the first time all D.M. Thomas’s translations of Anna Akhmatova’s poems. They were very highly praised on their separate appearances in 1976 and 1979. John Bayley called them “a mastery achievement,” and said of Thomas that “he has profound reverence and affection for the original;” while Donald David wrote that Thomas’s translation was “The first version to explain to me why Akhmatova was so much esteemed by those great poets, Pasternak and Mandelstam and Tsvetaeva.” It is good to have these powerful, noble and compassionate poems in one set of covers.

    Just as To Bless the Space Between Us was being published, he died suddenly at the age of fifty-two. His powerfully wise and lyrical voice is profoundly missed, but his many readers are now given a special opportunity to revisit John in his first book, a collection of poetry.      O'Donohue's readers know him as both a spiritual guide and a poet. In the same spirit as his bestselling works, readers will be inspired yet again by John's depth of wisdom and artistry.

    Sidney argues with wit and irony that poetry is the art which best teaches what is good and true.