Despite his obvious intelligence and compelling voice, it is clear that something about solitary, odd Mike is not quite right. When he becomes fixated on a classmate named Jennifer Arkland and she goes missing, we are left with the looming question: Is Mike Engleby involved? As he grows up, finding a job and even a girlfriend in London, Mike only becomes more and more detached from those around him in an almost anti-coming-of-age. His inability to relate to others and his undependable memory (able to recall countless lines of text yet sometimes incapable of summoning up his own experiences from mere days before) lead the reader down an unclear and often darkly humorous path where one is never completely comfortable or confident about what is true.Mike Engleby is a chilling and unforgettable character, and Engleby is a novel that will surprise and beguile Sebastian Faulks' readership.

    After running away from the workhouse and pompous beadle Mr Bumble, Oliver finds himself lured into a den of thieves peopled by vivid and memorable characters - the Artful Dodger, vicious burglar Bill Sikes, his dog Bull's Eye, and prostitute Nancy, all watched over by cunning master-thief Fagin. Combining elements of Gothic Romance, the Newgate Novel and popular melodrama, Dickens created an entirely new kind of fiction, scathing in its indictment of a cruel society, and pervaded by an unforgettable sense of threat and mystery.This Penguin Classics edition of Oliver Twist is the first critical edition to faithfully reproduce the text as its earliest readers would have encountered it from its serialisation in Bentley's Miscellany, and includes an introduction by Philip Horne, a glossary of Victorian thieves' slang, a chronology of Dickens's life, a map of contemporary London and all of George Cruikshank's original illustrations.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Through a psychiatrist's analysis of the events, Shaffer creates a chilling portrait of how materialism and convenience have killed our capacity for worship and passion and, consequently, our capacity for pain. Rarely has a playwrite created an atmosphere and situation that so harshly pinpoint the spiritual and mental decay of modern man.

    Are their malefactions at the root of the haunting -- or is there something darker, something much more unknowable at work? (Jacketless library hardcover.)

    One waiter, one customer. The overnight fry cook rambles up to the pie case to take his nightly hit of dessert-topping propellant. It’s not a complete surprise when he falls to the floor; the stuff gives him the spins. That’s the point. It’s a bad moment for the boss to arrive, though. It’s worse when the cook turns out to be dead - from a bullet no one heard. For the waiter, it’s the start of the the worst few months of his life, and before it’s done he’ll be neck-deep in drug deals, romances with a faithless minx and an unintelligible Russian teacher - and a plot by campus radicals to blow something big. It’s 1980, after all. No shortage of things to deplore. They’re not too concerned with disco, though; that seems to be on the way out. “Graveyard Special” is another humorous mystery by the author of “Falling Up the Stairs,” and the first in a series of interconnected mysteries that span six decades.

    Set in 1855, it tells the story of William May, an engineer who has returned home to London from the horrors of the Crimean War. When he secures a job trans­forming the city’s sewer system, he believes that he will be able to find salvation in the subterranean world beneath the city. But the peace of the tunnels is shattered by a murder, and William is implicated as the killer. Could he truly have committed the crime? How will he bring the truth above-ground? With richly atmospheric prose, The Great Stink combines fact and fiction to transport readers into London’s putrid past, and marks the debut of a remarkably talented writer in the tradition of the very best historical novelists.

    In his previous novels, he has explored this inner world and its manifestations in the lives of his characters with rare inventiveness and subtlety, shrewd humor and insight. In When We Were Orphans, his first novel in five years, he returns to this terrain in a brilliantly realized story that illuminates the power of one's past to determine the present.Christopher Banks, an English boy born in early-twentieth-century Shanghai, is orphaned at age nine when his mother and father both vanish under suspicious circumstances. Sent to live in England, he grows up to become a renowned detective and, more than twenty years later, returns to Shanghai, where the Sino-Japanese War is raging, to solve the mystery of the disappearances.The story is straightforward. Its telling is remarkable. Christopher's voice is controlled, detailed, and detached, its precision unsurprising in someone who has devoted his life to the examination of details and the rigors of objective thought. But within the layers of his narrative is slowly revealed what he can't, or won't, see: that his memory, despite what he wants to believe, is not unaffected by his childhood tragedies; that his powers of perception, the heralded clarity of his vision, can be blinding as well as enlightening; and that the simplest desires--a child's for his parents, a man's for understanding--may give rise to the most complicated truths.A masterful combination of narrative control and soaring imagination, When We Were Orphans is Kazuo Ishiguro at his best.

     This digital box set contains the tenth, eleventh and twelfth thrillers: Blackout: John Milton’s life is about to change. The former government assassin follows a lead to Manila that he hopes will change his life. But he never expected to wake up in an unfamiliar hotel room beside a murder victim. And, unfortunately for him, Milton doesn’t remember a thing about the night before. The Alamo: John Milton has finally found a place to escape the bloodshed: off-season Coney Island. No tourists. No special ops. Just peace and quiet. But when a local boy witnesses a grisly murder, Milton can’t resist investigating Redeemer: John Milton is visiting an old friend in Rio who runs a close protection business guarding the city's elite. Milton offers to stand in when one of his bodyguards doesn’t turn up for work. The job? Take the wife and daughter of an anti-corruption judge to a school recital and bring them back again. Simple? Not so much... What Critics Say About Mark Dawson --“Mark Dawson’s John Milton books are sharper than a stiletto. If you’ve run out of Lee Child books, Mark Dawson is your man. Absolutely brilliant.” - Matt Nixson, Books Editor, Mail on Sunday --"A literary sensation." - The Daily Telegraph --"Dawson writes the kind of thrillers I love. Non-stop, grab-you-by-the-throat tales of doing the right thing no matter the odds. Simply excellent." - USA Today bestselling author Brett Battles --"It’s impossible not to think of Lee Child’s super-selling Jack Reacher." - The Times --"Mark Dawson has all the skills. A great thriller writer on the top of his game." - Sunday Times bestselling author Steve Cavanagh --"Dawson maintains the reader’s interest throughout and the pages turning. It is easy to see why he has found such a big readership. He deserves it." - Crime Fiction Lover

    Our narrator must piece together the history of his blighted existence and discover the agents of its cruel end. What he doesn’t expect is that digging for the truth will demand plenty of lying.

    The novel is concerned with the conflict between the individual and the state, the punishment of young criminals, and the possibility or otherwise of redemption. The linguistic originality of the book, and the moral questions it raises, are as relevant now as they ever were.Source: anthonyburgess.org

    Bradley hopes to retire to the country, but predatory friends and relations dash his hopes of a peaceful retirement. He is tormented by his melancholic sister, who has decided to come live with him; his ex-wife, who has infuriating hopes of redeeming the past; her delinquent brother, who wants money and emotional confrontations; and Bradley's friend and rival, Arnold Baffin, a younger, deplorably more successful author of commercial fiction. The ever-mounting action includes marital cross-purposes, seduction, suicide, abduction, romantic idylls, murder, and due process of law. Bradley tries to escape from it all but fails, leading to a violent climax, and a coda that casts shifting perspectives on all that has preceded.

    He didn't mean to kill the security guard with his skateboard - it was self-defense. But there's no one to back up his story. No one even knows he was at Paranoid Park. Should he confess, or can he get away with it? It's an ethical question no one should have to answer.Writing more intensely than ever before, Blake Nelson delivers a film noir in book form, complete with interior monologue and dark, psychological drama. This is a riveting look at one boy's fall into a world of crime, guilt, and fear - and his desperate attempt to get out again.

    In a moment of weakness, the bartender—a lone wolf named Caesar Stiles with a chip on his shoulder and a Sicilian family curse hanging over him—agrees. What follows is a stylish literary mystery set in Brooklyn on the dawn of gentrification.While Caesar is initially trying to earn an honest living at the neighborhood watering hole, his world quickly unravels. In addition to being haunted by his past, including a brother who is intent on settling an old family score, Caesar is being hunted down by a mysterious nemesis known as The Orange Man. Adding to this combustible mix, Caesar is a white man living in a deep-rooted African American community with decidedly mixed feelings about his presence. In the course of his search for the French girl's missing brother, Caesar tumbles headlong into the shadowy depths of his newly adopted neighborhood, where he ultimately uncovers some of its most sinister secrets.Taking place over the course of a single week, Outerborough Blues is a tightly paced and gritty urban noir saturated with the rough and tumble atmosphere of early 1990s Brooklyn.Andrew Cotto has written for numerous publications, including The New York Times, Men's Journal, Salon.com, Teachers & Writers magazine and The Good Men Project. He has an MFA in creative writing from The New School. He lives in Brooklyn, New York.

    In modern-day Calcutta.A beautiful model. He cuts her open. His DRAUPADIHe hammers surgical needles into his SAHADEVA. The head of NAKULA he severs.Will Detectives Ruksana Ahmed and Siddhanth Singh be able to keep him from his ARJUN, BHEEMA and YUDHISTHIRA?Or will Duryodhana finally win?

    There was no apparent motive for the crime, and there were almost no clues. As Truman Capote reconstructs the murder and the investigation that led to the capture, trial, and execution of the killers, he generates both mesmerizing suspense and astonishing empathy. At the center of his study are the amoral young killers Perry Smith and Dick Hickcock, who, vividly drawn by Capote, are shown to be reprehensible yet entirely and frighteningly human. In Cold Blood is a seminal work of modern prose, a remarkable synthesis of journalistic skill and powerfully evocative narrative.