First published serially in the feminist journal The Forerunner in 1910, The Crux tells the story of a group of New England women who move west to start a boardinghouse for men in Colorado. The innocent central character, Vivian Lane, falls in love with Morton Elder, who has both gonorrhea and syphilis. The concern of the novel is not so much that Vivian will catch syphilis, but that, if she were to marry and have children with Morton, she would harm the "national stock." The novel was written, in Gilman’s words, as a "story . . . for young women to read . . . in order that they may protect themselves and their children to come." What was to be protected was the civic imperative to produce "pureblooded" citizens for a utopian ideal.Dana Seitler’s introduction provides historical context, revealing The Crux as an allegory for social and political anxieties—including the rampant insecurities over contagion and disease—in the United States at the beginning of the twentieth century. Seitler highlights the importance of The Crux to understandings of Gilman’s body of work specifically and early feminism more generally. She shows how the novel complicates critical history by illustrating the biological argument undergirding Gilman’s feminism. Indeed, The Crux demonstrates how popular conceptions of eugenic science were attractive to feminist authors and intellectuals because they suggested that ideologies of national progress and U.S. expansionism depended as much on women and motherhood as on masculine contest.

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    At a young age, Rafael was exposed to many languages. By the time he was 17, he was the master of five languages. He quickly added a sixth language - English - to his linguistic collection. After a brief stint in the business world, Sabatini went to work as a writer. He wrote short stories in the 1890s, and his first novel came out in 1902. Sabatini was a prolific writer; he produced a new book approximately every year. He consciously chose to write in his adopted language, because, he said, "all the best stories are written in English." In all, he produced 31 novels, eight short story collections, six non-fiction books, numerous uncollected short stories, and a play. He is best known for his world-wide bestsellers: 'The Sea Hawk' (1915), 'Scaramouche' (1921), 'Captain Blood' (1922) and 'Bellarion the Fortunate' (1926). Other famous works by Sabatini are 'The Lion's Skin' (1911), 'The Strolling Saint# (1913) and 'The Snare' (1917).

    Excerpt: Long lines of cliff breaking have left a chasm ;And in the chasm are foam and yellow sands ;Beyond, red roofs about a narrow wharfIn cluster ; then a moulder'd church ; and higherA long street climbs to one tall-tower'd mill ;And high in heaven behind it a gray downWith Danish barrows ; and a hazelwood,By autumn nutters haunted, flourishesGreen in a cuplike hollow of the down.[...]

    A mysterious night-swimmer climbs aboard, and, in keeping the presence of this fugitive a secret, the skipper risks both his captaincy and the safety of his ship. A test of nerve in the Gulf of Siam ensues.

    Colambre travels incognito to Ireland to see the country that he still considers his home. When he returns to London he assists his father to pay off the debts, on condition that the Clonbrony family return to live in Ireland. Maria Edgeworth (1 January 1768 - 22 May 1849) was a prolific Anglo-Irish writer of adults' and children's literature. She was one of the first realist writers in children's literature and was a significant figure in the evolution of the novel in Europe. She held advanced views, for a woman of her time, on estate management, politics and education, and corresponded with some of the leading literary and economic writers, including Sir Walter Scott and David Ricardo.

    All four find themselves on an ocean liner headed for England together, and typically Wodehousian romantic shenanigans ensue.

    As a young man he falls in love with both Lady Castlewood and Beatrix, her beautiful, headstrong daughter, and is inspired to join the ultimately unsuccessful campaign to reinstate James Stuart to the throne. Thackeray valued Henry Esmond more than any of his other novels and it displays many of his own memories and emotions.

    In these eight stories, the master burglar indulges his passion for cricket and crime: stealing jewels from a country house, outwitting the law, pilfering from the nouveau riche, and, of course, bowling like a demon-all with the assistance of his plucky sidekick, Bunny. Encouraged by his brother-in-law, Arthur Conan Doyle, to write a series about a public school villain, and influenced by his own experiences at Uppingham, E. W. Hornung created a unique form of crime story, where, in stealing as in sport, it is playing the game that counts, and there is always honor among thieves.

    But mankind is too busy hating, stealing, scheming, and killing to care. As luminous green trails of cosmic dust and vapor stream across the heavens, blood flows beneath: nations wage all-out war, bitter strikes erupt, and jealous lovers plot revenge and murder. The earth slips past the comet by the narrowest of margins, but all succumb to the gases in its tail. When mankind wakes up, everyone is completely and profoundly different. An ill-fated romance between Willie Leadford and Nettie Stuart unfolds in a world buried in misery and bent on its own destruction. After the earth passes through the comet's tail, suffering, pettiness, and injustice melt away. Willie, Nettie, and everyone around them are reborn. They now see themselves and their world in a dramatically new and wonderful way.

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    But constrained by the times, instead she marries her cousin Thomas, a boat builder, and settles down to raise a family.Janet's loving spirit - the passionate yearning for adventure and for love - is passed down to her son, and through him to his children's children. As generations of the family struggle against hardship and loss, their intricately plotted history is set against the greater backdrop of war and social change in Britain.

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