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    Excerpt: Long lines of cliff breaking have left a chasm ;And in the chasm are foam and yellow sands ;Beyond, red roofs about a narrow wharfIn cluster ; then a moulder'd church ; and higherA long street climbs to one tall-tower'd mill ;And high in heaven behind it a gray downWith Danish barrows ; and a hazelwood,By autumn nutters haunted, flourishesGreen in a cuplike hollow of the down.[...]

    Almost totally emaciated from his ordeal, Max's chances for recovery are slim. Still, his indomitable will bolsters him against all obstacles. A tag with his owner's telephone number allows the kindly strangers to notify the owners of Max's condition. Helped by several specialists and the devotion of his family, Max eventually recovers.Pepper's Ordeal is the true story of another of Kyra Wayne's beloved Dobermans. An open gate leads Pepper to a sinister character and rusty cages full of raging Pitbulls. After some shrewd detective work, Kyra and a pair of courageous boys rescue Pepper from a dogfight training farm, but not without an encounter with the woman with "one long earring".

    The novel follows the lives of Rose and her widowed Aunt, Madame Francesca Bernard, along with young visitor and cousin Isabel, whose lives are changed by the return of an old friend and neighbour Colonel Kent, and his grown son, Allison.

    Norah's prim and proper aunts, who live in the city, consider she is in danger of "growing up wild" - riding all over Billabong on her beloved pony, Bobs, helping with mustering, and joining in all the holidays fun when Jim and his friends come home from boarding school. A fishing trip results in unexpected drama when they discover a mysterious stranger camped in the bush. Who is this stranger and why is he there? Norah's resourcefulness is tested to the full!

    Wiggs scrabbles for survival with her brood of five children.

    Nora Johnson's The World of Henry Orient, published in 1958, is an amusing, affectionate satire of the last days of innocence in the lives of two New York girls, Marian "Gil" Gilbert and Valerie "Val" Boyd. The boredom and impatience of adolescence are richly caught, even as they inspire crazy escapades that will eventually open up the world for these two bright but naive girls.Val and Gil have become friends at an age when friendship is the most important thing. Boys have not entered the picture yet, but childhood has begun to recede and the world is beckoning them. The girls are growing up in comfortable upper-middle-class homes in Manhattan, which creates a special kind of tension and stress in their lives. They are just old enough to have some independence, to play at being grownups, with the city as their playground. At a Carnegie Hall concert, they see a pianist named Henry Orient, and they are immediately smitten with him -- not in the sexual sense, but moonstruck nonetheless. Henry Orient becomes the focus of their lives. They follow him around Manhattan, observing his routine, his "world," unaware at first that they are observing the pianist bound up in a snarl of romantic liaisons. What happens to Val and Gil is what we now called "bonding," the kind of friendship that smoothes the transition from innocence to worldliness, from the certainties of childhood to the infinite possibilities of adulthood.Engaging and exuberant, The World of Henry Orient treats its heroines with affection and good humor. These are silly girls, it seems, doing little more than playing games, but a great deal goes on beneath the surface of their lives. Nora Johnson is sensitive to the delicate stresses that threaten the security adolescents have always known.

    Their neighbours prove a mixed bag, including the towering, kindly Jed Armstrong, a farmer whose land 'marches with' theirs, the local vicar and his family, and the three gossipy Pringle sisters, who travel by donkey-drawn cart and get their knives into one and all. After a bumpy start, with a disagreeable cook and her nincompoop daughter as their only help, Susan and Oliver begin to settle in nicely, and find themselves in the midst of romance, confusion, and earthy hilarity.Molly Clavering was for many years the neighbour and friend of bestselling author D.E. Stevenson, and they may well have influenced one another's writing. First published in 1936 (under the pseudonym B. Mollett) and out of print for more than 80 years, Susan Settles Down is one of her most cheerful and vivid romantic comedies. This new edition features an introduction by Elizabeth Crawford.

    It opens at an almost breakneck pace, with Pharaoh deposed and killed, his wife and child in hiding, and the goddesses stirring. A secret religious order raises the Pharaoh's daughter, and she meets and falls in love with the usurper's disguised son. The climax features traditional adventure-fiction excitement (battle and torture).

    No printings but KINGDOM HOUSE editions have a biographical and historical illustrated introduction. Contains map, town photographs, and stills and background on the Ronald Reagan film.

    Set in a small seaport town (1862), The Morgesons is the dramatic story of Cassandra Morgeson's fight against social and religious norms in a quest for sexual, spiritual, and economic autonomy. An indomitable heroine, Cassandra not only achieves an equal and complete love with her husband and ownership of her family's property, but also masters the skills and accomplishments expected of women.Counterpointed with the stultified lives of her aunt, mother, and sister, Cassandra's success is a striking and radical affirmation of women's power to shape their own destinies. Embodying the convergence of the melodrama and sexual undercurrents of gothic romance and Victorian social realism, The Morgesons marks an important transition in the development of the novel and evoked comparisons during Stoddard's lifetime with such masters as Balzac, Tolstoy, Eliot, the Brontes, and Hawthorne.

    I wanted a perfectly-formatted, easy-to-use Kindle release that included these amazing books at a fantastic price. And here is the result!This exciting collection has these great features:The complete text of eight great books featuring Anne "with an e" ShirleyThree additional novels from Lucy Maud MontgomeryOne complete book of poetry by Montgomery, "The Watchman and Other Poems"142 wonderful short stories written by MontgomeryLinks to download the unabridged audiobooks of all 11 novels for FREE!The ability to easily jump to any book using the Kindle "go to" featureAn individual, active table of contents for each book so you can go to any chapterClean formatting, giving you full control over fonts and font sizesDid I mention an unbeatable price?All titles in this Anne of Green Gables collection, along with their publication date, are listed below.Anne of Green Gables (1908)Anne of Avonlea (1909)Anne of the Island (1915)Anne's House of Dreams (1917)Rainbow Valley (1919)Rilla of Ingleside (1921)Chronicles of Avonlea (1912)Further Chronicles of Avonlea (1920)The Story Girl (1911)The Golden Road (Sequel to The Story Girl, 1913)Kilmeny of the Orchard (1910)The Watchman and Other Poems (1916)The Short Story Collection (1896-1922)Unfortunately, there are two books in the Anne of Green Gables series which were published later and can't yet be included in this Kindle collection because of copyright restrictions. These are "Anne of Windy Poplars" (1936) and "Anne of Ingleside" (1939).Thanks for checking out my Anne Stories collection. I hope you and your family enjoy these books as much as we have!

    This short story collection, a facsimile of the 1909 Authorized Edition, includes "Hearts and Crosses," "The Princess and the Puma," "Christmas by Injunction," and many more.

    ValdemarThe Black CatThe Fall of the House of UsherSilence - A FableThe Masque of the Red DeathThe Cask of AmontilladoThe Imp of the PerverseThe Island of the FayThe AssignationThe Pit and the PendulumThe Premature BurialThe Domain of ArnheimLandor's CottageWilliam WilsonThe Tell-tale HeartBereniceEleonora

    Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.