His memoir of those years, North Toward Home, became a modern classic. In The Courting of Marcus Dupree he turned again home to Mississippi to write about the small town of Philadelphia and its favorite son, a black high-school quarterback. In Marcus Dupree, Morris found a living emblem of that baroque strain in the American character called southern.Beginning on the summer practice fields, Morris follows Marcus Dupree through each game of his senior varsity year. He talks with the Dupree family, the college recruiters, the coach and the school principal, some of the teachers and townspeople, and, of course, with the young man himself. As the season progresses and the seventeen-year-old Dupree attracts a degree of national attention to Philadelphia neither known nor endured since the Troubles of the early sixties, these conversations take on a wider significance. Willie Morris has created more than a spectator's journal. He writes here of his repatriation to a land and a people who have recovered something that fear and misdirected loyalties had once eclipsed. The result is a fascinating, unusual, and even topical work that tells a story richer than its apparent subject, for it brings the whole of the eighties South, with all its distinctive resonances, to life.

    The challenges are many, and for the faculty—whose jobs may depend on their students’ ability to improve on the test—the stakes are high.Ten-year-old Hydea is about to start fifth grade—with second-grade reading skills. Her friend Marbella is a little further along, but she’s more interested in socializing than in learning. And then there’s Matthew, a second grader who began the school year below grade level and who, over the course of the year, slipped even more. In past years, these three students and many others would have received help from the literacy specialist Mrs. Schaefer. But with cutbacks and a change in her job description—the third in as many years—she won’t be able to give all struggling students the same attention. This year, she will have to select the few students whom she and the teachers can bet on—the ones who are close to achieving proficiency on the CMT. The hope is that this strategy, though not ideal, will give them the boost they—and the school—need to pass the exams. And, for added measure, Principal Hay has already asked his faculty to teach to the test.Journalist Ron Berler spent a full year at Brookside, sitting in on classes, strategy sessions, and even faculty meetings. In Raising the Curve, he introduces us to the students, teachers, and staff who make up the Brookside community. Though their school is classified as failing—like so many others across the country—they never give up on themselves or on one another. In this nuanced and personal portrait, Berler captures their concerns, as well as their pride, resilience, and spirited faith.

    22 pages. This volume is produced from digital images from the Cornell University Library Samuel J. May Anti-Slavery Collection.

    After a start as a conventional bleeding heart with an idealistic aid group, he quickly wises up to the harsh reality of a world in which human life is just another product in a competitive marketplace. Now he travels the globe on the trail of illegal immigrants, refugees, and other ordinary souls brought low by war, natural disaster, or economic collapse. Scouting the slums and gutters of the world, Moises's task is to unearth nature's most beautiful men, women, and children and save them--for Club Olympus, a top-price international sex club.Then Moises receives his toughest assignment yet: to find a "Nubian prince," an African illegal caught fleetingly in the pages of a glossy magazine. The man is so painfully desirable that Club Olympus will sacrifice anything to have him--even Moises himself. Our narrator begins the chase, dazed, prevaricating, self-obsessed, funny, a little cruel, a little sentimental.The Nubian Prince takes place in a pitiless world where the have-nots will do anything to become haves, while the privileged don't know what to live for. Hilarious, moving, sexually explosive, and deeply disturbing, this bestselling Spanish novel introduces a new European star.

    The letter defends the strategy of nonviolent resistance to racism. It says that people have a moral responsibility to break unjust laws and to take direct action rather than waiting potentially forever for justice to come through the courts. Responding to being referred to as an "outsider," King writes, "Injustice anywhere is a threat to justice everywhere."

    Ward's eight and a half years in Los Angeles conducting participant observation with MS-13, Gangsters Without Borders: An Ethnography of a Salvadoran Street Gang takes an inside look at gang life in the United States and in a global context.Taking us through their journey from their homeland in El Salvador to the mean streets of Los Angeles, Gangsters Without Borders offers a perspective from the point of view of the hard-core members who live this hard, fast, and dangerous life.A powerful and engaging overview of gang dynamics, Gangsters Without Borders contextualizes the sources and severity of the marginalization felt by Salvadoran immigrants and debunks myths about street gangs in the United States. This account of gangsters' lives before, during, and after theirinvolvement with the gang delivers an intimate and analytical portrait unlike any other.

    A handful of the inhabitants discover the true power behind the ruling class, and the methods they use to remain above the law. Feeling like strangers in the land of their forefathers, Ethan and Wayne navigate the ethical minefield of violent revolution as they try to reclaim their nation from those who have subverted it.

    God wasn’t bothered by Jim Crow. Baby Jesus had white skin. Meet Plantation Jesus: a god who is comfortable with bigotry, and an idol that distorts the message of the real Savior. That false image of God is dead, right? Wrong, argue the authors of Plantation Jesus, an authoritative new book on one of the most urgent issues of our day. Through their shared passion for Jesus Christ and with an unblinking look at history, church, and pop culture, authors Skot Welch and Rick Wilson detail the manifold ways that racism damages the church’s witness. Together Welch and Wilson take on common responses by white Christians to racial injustice, such as “I never owned a slave,” “I don’t see color; only people,” and “We just need to get over it and move on.” Together they call out the church’s denials and dodges and evasions of race, and they invite readers to encounter the Christ of the disenfranchised.With practical resources and Spirit-filled stories, Plantation Jesus nudges readers to learn the history, acknowledge the injury, and face the truth. Only then can the church lead the way toward true reconciliation. Only then can the legacy of Plantation Jesus be replaced with the true way of Jesus Christ.

    The conversations you have; the ideas that burst on you; the kiss that transforms you. And then you grow up, and make a deal with adulthood. A Small Revolution in Germany is about that rapturous moment when ideas, and ideals, and passion crash over one boy’s head. And what happens in the decades afterwards? When you see the overwhelming truth when you are seventeen, why should you ever abandon that truth? Spike is brought into a small, clever group of friends, bursting with a passion for ideas, and the wish to change the world. They smash up political meetings; they paint slogans on walls; they long for armed revolution; they argue, exuberantly, until dawn. In the years to follow, they all change their minds, and go into the world. They become writers, politicians, public figures. One of them becomes famous when she dies. They all change their minds, and make sensible compromises. Only Spike stays exactly as he is, going on with the burning desire for change, in the safe embrace of unconditional love. Alone from the old group, he is the only one who has achieved nothing, and who has never deviated from the impractical shining path of revolution he saw as a teenager. Thirty years on, photographs of the teenage group look like a bunch of celebrated individuals, with only one unknown face in it – Spike.

    Powerful yet intimate, the stories in this volume present the real voices of America speaking out on the impact of race in their daily lives. The result of a virtually unprecedented commitment of talent and resources, the New York Times landmark series "How Race Is Lived in America" captured the cultural landscape of the nation in provocative, eye-opening articles following people from all backgrounds and every corner of society. The stories in the series are enhanced by additional commentary from the writers, photographers, and editors; results and analysis of an extensive Times poll on attitudes about race; and selected reader responses. Together they offer a highly personal yet panoramic view of real-world conflict and aspiration.

    Six years later, during the sweltering summer of 1968 in rural Oklahoma, Theo meets Frank, a Native American outcast, and learns that he has the ability to heal through his disfigured hands.As he explores the extraordinary, Theo desperately attempts to remain an ordinary boy. But when word of his gift spreads, Theo is shunned by the church for doing “the devil’s work.” He is immediately swept away by his Auntie Li, and into a world which ultimately threatens his life as he saves others’.Told from Theo’s perspective some fifty years later, it is through his work as a therapist with a broken woman that he musters the courage to relive the summer that haunts him.The Substance of All Things is the gripping, heart-wrenching, and often humorous tale of mentors and mothers and fathers, love and redemption, prophets and charlatans, miracles and faith._________________From The Substance of All Things...Suddenly, I felt a twitch in the palm of my left hand. Just the slightest tingle, a prickling really, so that I couldn’t quite discern if the feeling was painful or stimulating—like when water is so hot on the skin that it might be cold, the distinction cannot be made. Then my right hand twitched, sparkling to a tickle that felt like a fortune-teller following the lines of my destiny with a fingernail. The current splayed to my fingers, tiny jolts of something—something charged, even voltaic. But there was something more—a feeling inside of me that couldn’t be located in my physical body, as if a door which had always existed but had always been locked suddenly opened, slowly, to a secret place, and whatever was within engulfed me like a color I’d never seen; a feeling almost too large for my body, and my knees buckled at its enormity, but I would not fall. I knew that something beyond myself was happening like a dream and I dared not peek for fear that it would end.

    According to ancient Hindu beliefs, dreads signified a singleminded pursuit of the spiritual. Devotion to God displaced vanity, and hair was left to its own devices.Dreads captures this organic explosion of hair in all its beautiful, subversive glory. One hundred duotone portraits present dread-heads from around the world, in all walks of life. Interviewed on location by the photographers, jatta-wearers wax philosophic about the integrity of their hair, and every stunning image confirms their choice. Alice Walker puts words to pictures, offering lyrical ruminations about her decision to let her own mane mat.

    The problem of racism stretches back as far humanity’s origin in the book of Genesis. Brother pitted against brother, tribe against tribe––people have warred against one another, fueled by contempt for racial differences. Yet the gospel is a message of reconciliation. The kingdom of God is us reconciled to one another. Editors Russell Moore and Andrew T. Walker of the Ethics and Religious Liberty Commission (ERLC) assemble leading voices to frame the issues with a gospel-centered perspective. The Gospel for Life series gives every believer a biblically-saturated understanding of the most urgent issues facing our culture today, because the gospel is for all of life.

    I pretended to be asleep.”Time 40:39

    More than 300 slaves worked the plantation's fields at the height of its prosperity; but nearly 125 years later, the only remembrance of their lives at Somerset, now a state historic site, was a lonely wooden sign marked "Site of Slave Quarters."Somerset Homecoming, first published in 1989, is the story of one woman's unflagging efforts to recover the history of her ancestors, slaves who had lived and worked at Somerset Place. Traveling down winding southern roads, through county courthouses and state archives, and onto the front porches of people willing to share tales handed down through generations, Dorothy Spruill Redford spent ten years tracing the lives of Somerset's slaves and their descendants. Her endeavors culminated in the joyous, nationally publicized homecoming she organized that brought together more than 2,000 descendants of the plantation's slaves and owners and marked the beginning of a campaign to turn Somerset Place into a remarkable resource for learning about the history of both African Americans and whites in the region.