Presents practical, Buddhist-based guidelines to achieving happiness in romantic relationships through a series of inspirational quotes complemented by thematic watercolors and divided into three sections that explore the concepts of illusion, reality, and life.

    The residents of this sleepy little town are none the wiser, but everyone sure knows about Oregon Investigations. Cousins Jack and Liam, and their longtime friend, Brodie aren’t just the private investigators of the firm, they’re also shifters belonging to the very same dwindling den of wolves. PART ONE Charlotte Gold has followed in her father’s legendary, country-singing footsteps, though her success hasn’t spanned beyond Cottage Grove. She’s just fine with that and singing with her band at Home on the Range feels like a little slice of heaven and a whole lot of fun whenever she gets on stage. But when her drummer keels over, dead, one night while playing, Charlotte’s quiet corner of paradise turns dark. No one suspects foul play except for Charlotte and she will stop at nothing to expose the killer who took her friend’s life, even if the residents of Cottage Grove think she’s crazy. One man doesn’t think she’s lost her mind, however, and Jack has all the skills and resources to crack this overlooked case wide open. PART TWO Eve Picoult hasn’t set foot in her hometown of Cottage Grove since she graduated high school ten years ago, but her dear friend twists her arm into agreeing to return for their ten-year reunion. It’s been forever, but how could she say no to her favorite Skype friend who has always been there for her, through thick and thin? For Eve, well, one reason comes to mind… or person. Brodie Shea. When Eve arrives at Cottage Grove, however, she discovers her friend mysteriously vanished. How could that be? Eve fears the worst, knowing her friend wouldn’t miss her high school reunion for the world. And it will be Brodie and his private investigation firm who will help Eve find out why her old friend has suddenly disappeared. PART THREE One dark, foggy night, as Wendy Cunningham kicks and fights her way up from the bottom of Silver Lake, she fears that life as she knows it is about to come to a violent end. But a man pulls her out, saving her life at the last minute. She doesn’t recognize him, but Liam knows exactly who she is. Come to think about it, not only does Wendy not recognize Liam, but she doesn’t recognize Cottage Grove, the town where she apparently grew up in, or remember anything about her life for that matter. Amnesia. Wendy’s memory will come back, but no one knows when or how or why, and until she remembers who knocked her out and tossed her into Silver Lake for dead, she will have no choice but to rely on the one man she trusts didn’t do it—Liam Doren. But Liam has secrets of his own. He’s a wolf shifter, after all, and the closer these two get, the harder it becomes for him to hide it from her.

    One of comics’ true visionary formalists reinvents science fiction in this graphic novel.This collects six wildly inventive short comics stories that might collectively be dubbed “speculative memoir.” Schrauwen’s deadpan depictions of his and his offspring's upcoming lives include alien abduction, dialogue with future agents, and coded messages in envelopes at breakfast.

    Unwavering in their commitment to high quality stupidity, MAD's legendary artists and writers, long known as "The Usual Gang of Idiots," have brilliantly satirized politics, celebrities, sports, media, cultural trends, and more. Totally MAD (originally titled The New American Cookbook until cooler heads prevailed) is the ultimate collection of MAD's most idiotic material, including such classics as Spy vs. Spy, The MAD Fold-in, A MAD Look At..., The Lighter Side of, Horrifying Clichés and The Shadow Knows, plus modern MAD classics including The MAD Strip Club and The Fundalini Pages. Whether you grew up with MAD in the 50s, 60s, or 70s, reading it with a flashlight under the covers so your parents wouldn't catch you, or in the 80s, 90s and beyond, reading it while watching the MADtv sketch comedy show or the more recent animated series on the Cartoon Network, this book will bring back fond memories and also provide a great introduction to MAD for new readers. Then again, maybe not. SPECIAL BONUS!Includes "The Soul of MAD," 12 classic cover prints, ten featuring Alfred E. Neuman, MAD's gap-toothed grinning idiot mascot. These beautiful reproductions are suitable for framing or wrapping fish.

    A group of raccoons gnaw on God’s severed head; a man brags to his friend about driving a Transformer out of its own funeral; a toaster revolts against its master. These are just some of the scenes in the pitch-black world of Hell Was Full, the popular webcomic that blends the bleak and the absurd into a delicious dadaist cocktail.

    With all-new stories, a How-To-Draw, and classic Sunday strips from Charles Schulz, get your perfect beach read right here. Featuring a Schroeder 1st appearance variant cover!

    Details the characters, corporations, and products in the world of the forthcoming Last Man Standing graphic novel and motion picture, presented as if the book is a scrapbook kept by the protagonist.

    This 372-page, full colour hardback will tell the entire story of how Peter, a young boy on the streets of Dickensian London, became Peter Pan.This omnibus edition collects the complete 6 volume bande dessinee series lovingly created by Loisel from 1990 to 2004. This series has never before been seen in the UK, and has never been collected in English.

    This is the first time these hilarious stories, starring the hapless Buddy Bradley and his cast of loser cohorts, have ever been available under one cover, and never have they been available at such a low price (it would have cost at least three times as much to read all of these classic stories in any previous editions). Bagge's riotous tales of the early 1990s subculture are more hilarious now than ever, find out why he has been praised by R. Crumb, Matt Groening, John Kricfalusi, Publishers Weekly, Entertainment Weekly and many more. Comedy genius.

    It was originally titled Sick Sick Sick, but Feiffer changed the name to, simply, Feiffer, because he got tired of explaining that the title referred to the society he was commenting on, not the nature of his humor, which, he insisted, was not sick.Politically, the '50s was dominated by the insipid Presidency of Dwight D. Eisenhower; the backwash of Joe McCarthy; and the Cold War, which was in full swing. Culturally, the Beats were revolutionizing literature, Marlon Brando was changing the face of acting, and Elvis Presley was altering the public's perception of pop music. The post-war suburban bliss of the country was being challenged by sociologists and economists in books like The Lonely Crowd, The Other America, and The Afflulent Society. The civil rights movement was gaining momentum. Camelot was just around the corner, and would be shattered by the assassinations of JFK, RFK, and MLK. The Vietnam War would polarize the country. It was into this scrambled political-cultural climate that Jules Feiffer flung himself full throttle for the next ten years.His strip tackled just about every issue, private and public, that affected the sentient American: relationships, sexuality, love, family, parents, children, psychoanalysis, neuroses, presidents, politicians, media, race, class, labor, religion, foreign policy, war, and one or two other existential questions. It was the first time that the American public had been subjected to a weekly dose of comics that so uncompromisingly and wittily confronted individuals' private fears and society's public transgressions. Explainers is the first of four volumes collecting Feiffer's entire run of weekly strips from The Village Voice. This edition contains approximately 500 strips originally published between 1956 and 1966 in a brick-like landscape hardcover format.

    Key Features An integrated approach to the development of all four language skills. Notions and functions. Vocabulary presentation and practice. Variety of reading, listening and speaking tasks. Grammar presentation in context. Activities encouraging critical thinking as well as web research. Writing sections containing models and development of writing skills & Writing bank. Realistic pairwork and groupwork activities. Pronunciation and Intonation sections. Study Skills to help students become autonomous learners. Practical English sections preparing students to use the language in real-life situations. Culture sections & CLIL sections for each module. Language Review. Grammar Reference section. Interactive Whiteboard (IWB) Software. Interactive eBook. Writing Books that help students practise and improve their writing skills. Public Speaking / Presentation Skills booklets to help learners become effective communicators and competent public speakers.

    Covering topics as diverse as religion, gender, knowledge, morality, and the meaning of life (or the lack thereof), I Think, Therefore I Draw gives a thorough introduction to all of the major debates in philosophy through history and the present. And since they explain with the help of a selection of some of the smartest cartoonists working today, you'll breeze through these weighty topics as you guffaw and slap your knee.Cathcart and Klein's Plato and a Platypus Walk into a Bar... and Heidegger and a Hippo Walk Through Those Pearly Gates have been a favorite of philosophers and non-philosophers alike for years. Packed with dozens of witty cartoons and loaded with profound philosophical insight, I Think, Therefore I Draw will delight readers and leave them enlightened.

    D, Drawn and Quarterly), Bardín the Superrealist is a suite of stories, musings and gags that, much like Dan Clowes's Ice Haven, can be read individually or together as one overarching story.Heavily influenced by surrealists such as Luis Bunuel, and graphically by "clear-line" cartoonists from Herge (Tintin) to Chris Ware, Bardín the Superrealist begins when everyman Bardín finds himself suddenly transported (well, at least his upper half) to another dimension, where an "Andalusian Dog" (a reference to Bunuel's Un Chien Andalou) serves as his ill-tempered guide.In a series of vignettes, gags, illustrations, text pieces, and dream stories, ping-ponging back between the surrealist world and the "real" world, Bardín examines, questions, and defends his own beliefs, convictions and philosophies while tangling with the Dog and the Holy Trinity in a variety of guises (including a familiar-looking mouse with red shorts and white gloves).In other stories, he imagines himself in a painting by Brueghel the Elder, tries to deal with his onanism in a productive way, is enlightened, dodges his real "creator" Max in the street, has several horrific nightmares and marvelous hallucinations, and, in the book's climactic episode, "The Sound and the Fury," battles a bona fida dragon. Bardín the Superrealist is a playful, hilarious, thought-provoking (and beautifully illustrated) major work by one of the great European cartoonists.

    She is perhapsas well known for her tantalizing brand of Southern Gothic humor as she is for her Catholicism. That these tendencies should be so happily married in her fiction is no longer a surprise. The real surprise is learning that this much beloved icon of American literature did not set out to be a fiction writer, but a cartoonist. This seems to be the last well-kept secret of her creative life. Flannery O'Connor: The Cartoons, the first book devoted to the author's work in the visual arts, emphasizes O'Connor's most prolific period as a cartoonist, drawing for her high school and college publications in the early 1940s. While many of these images lampoon student life and the impact of World War II on the home front, something much more is happening. Her cartoons are a creative threshing floor for experimenting and trying out techniques that are deployed later with such great success in her fiction. O'Connor learns how to set up and carry a joke visually, how to write a good one-liner and set it off against a background of complex visual narration. She develops and asserts her taste for a stock set of character types, attitudes, situations, exaggerations, and grotesques, and she learns how to present them not to distort the truth, but to expose her vision of it.She worked in both pen & ink and linoleum cuts, and her rough-hewn technique combined with her acidic observations to form a visual precursor to her prose. Fantagraphics is honored to bring the early cartoons of this American literary treasure to a 21st century readership.

    His story opens with a boxing match which has a nasty ending for the up-and-coming boxer, despite his victory. It's not long before we discover that Rock is not only striving to make it in the boxing world, but is also something of a mathematical genius, which is how he met his best friend, TJ. For the first time in all their years of friendship, TJ introduces Rock to a girlfriend, the lovely Anne. Anne and Rock soon establish a bond of trust when Rock discovers that Anne too is living a double life, even though Anne's secret is not exactly what she leads Rock to believe. This is just the beginning of the tangled web of lies and deception that gets ever more convoluted as the series goes on...