Even all the way in California, no one’s safe. In the 5th installment of the Coke Dreams series, all your favorite couples are back and once again they are racing the clock to fight for love in this ever gripping tale where nothing is what it appears to be. Lines are crossed and battle lines are drawn. Who will come out on top and who will pay the ultimate price with their life?

    Dayton Gauthier experiences this first-hand when his wife of almost thirty years dies suddenly. Trying to come to grips with what happened and moving on with his life has proven to be harder than he ever imagined. Once his three adult children help him to see that his life is worth living after his wife’s death, he seems to be doing well… until a year later when a woman catches his attention. She not only catches his attention, but she keeps it, holding it hostage. But Dayton still finds it difficult to move on because he’s at war with his heart and his flesh. Ladonna Owens has lived a peaceful life for years and that’s mainly because she shut her family out. Because they were the source of her depression, abuse, and hostility, she chose to move away and not deal with any of them anymore. Being a professional singer afforded her a life that she could live comfortably. Because of her victimization, it made her heart hard toward men. She became somewhat selfish… taking what she desired sexually and moving on. However, that approach didn’t work for Dayton Gauthier. She realizes immediately that there is something between them and tries to prove herself worthy of his affection, but the insecurities of her past rear their ugly heads. Dayton and Ladonna have demons to overcome before than can fully explore a relationship with anyone, let alone each other. But each other is who they want. Will Dayton be able to overcome his grief to pursue a relationship with Ladonna? Can Ladonna trust Dayton long enough to entertain more than a physical connection?

    . . even more ambitious than Vogel's "How I Learned to Drive" . . . it covers more ground and is bolder in its storytelling. Vogel's language is at its most poetic, eloquent and elegiac. In fact, its vivid imagery rivals the prose style of any great American short story writer. The play sounds like it might have been adapted from a beautiful, undiscovered novella."-"New Haven Register""One of the most absorbing evenings of theatre to come along in some time."-"Variety"Past and present collide on a snowy Christmas Eve for a troubled family of five. Humorous and heart-wrenching, this beautifully written play proves that magic can be found in the simplest breaths of life. Combining the elements of No theatre and Bunraku with contemporary Western sensibilities, Vogel's "Ride" is a mesmerizing homage to the works of Thornton Wilder, including "Our Town." A moving and memorable study of the American family careening near the edge of oblivion.Paula Vogel's plays include "The Baltimore Waltz," "Mineola Twins," "Hot 'n' Throbbing," "Desdemona," "And Baby Makes Seven," among others. Ms. Vogel will be the resident playwright during the Signature Theatre's 2004?05 season dedicated to her works. She has taught at Brown University in the MFA playwriting program since 1985.

    This sidesplitting play, a testimony to David’s great writing talent, is also his first time on Broadway—in fact, his first time acting on stage since eighth grade. In Fish in the Dark Larry David stars as Norman Drexel, a man in his fifties who is average in most respects except for his hyperactive libido. As Norman and his family try to navigate the death of a loved one, old acquaintances and unsettled arguments resurface with hilarious consequences.Fish in the Dark has its world premiere at the Cort Theatre on Broadway on March 5, 2015, starring Larry David.

    

    At first, the new doctor cures anything

    

    Using the format of an end-of-term play, the new drama teacher's progress through two terms of recalcitrant classes, synical colleagues and obstructive caretakers is reviewed. Disillutioned, he departs for a safer private school.

    But when a domestic disturbance call takes a turn for the worse, their friendship is put on the line. The result is a difficult journey into a moral gray area where trust and loyalty struggle for survival against a sobering backdrop of pimps, prostitutes, and criminal lowlifes.A dark duologue filled with sharp storytelling and biting repartee, A Steady Rain explores the complexities of a lifelong bond tainted by domestic affairs, violence, and the rough streets of Chicago.

    Two brothers live in a house in North Philly. Although adults, there is something child-like about these orphans. The eldest supports himself and his slightly retarded brother by petty thievery. One night he brings home a rich older man to get him drunk and rob him. It turns out that the man-Harold is very rich and on the lam from a hitman. Harold establishes the house as a base of operations and, in a strange, hilarious and moving way, becomes the father figure the boys have always yearned for. "A weird, wonderful thriller filled with suspense, pathos and packing an emotional wallop."-WMCA Radio "Keeps you transfixed."-New York Daily News

    When Jill's stoical stepgrandmother tells her the harrowing tale of her tragic past, Jill must learn the price of forgiveness and the power of love.

    She successfully completes the mission only to find another similar case is waiting for her when she gets home. As it turns out, someone is targeting relatives of the current administration. The next target is Grayson Davenport, brother of the Director of Homeland Security.As a clandestine member of the Department of Homeland Security, Grayson Davenport from time to time uses his position as Director of the Davenport Foundation as a perfect front for assignments amongst the rich and powerful people he socializes with. His current mission is to uncover information regarding a conspiracy against the administration. To his surprise, he finds himself a target of the conspiracy. The person assigned to protect him is a woman.The moment they meet the heat between Grayson and Monique is instantaneous. Sparks fly causing them both to lose track of their mission. Monique knew this pretty man could never handle a woman like her. Just as Grayson knew this woman could not hold an intelligent conversation with him. Neither understood their reaction to each other or the danger that had entered their lives. Now, Grayson and Monique must fight forces who are attempting to destroy the current administration, together. While Grayson is protecting her, Monique is protecting her heart from him.

    She craved freedom more than anything in the world and she was determined to have it. But just as she seemed to have it all figured out, an unexpected curve ball from her past, drastically shakes things up a bit. Before long, her past and her present begin to collide and secrets that she thought would stay hidden forever; are out in the open for the whole world and everyone else to see. Paying the price for her indiscretions is more than Skilar could handle and jealousy soon gets the best of her. The unthinkable become her first thought, the unbearable becomes her first actions, and the unsaid seemed to be the very thing that everyone was talking about. Just because it’s in the dark, is it necessarily hidden? Or can you fumble around long enough until you somehow stumble across it? The lights are on and with secrecy, history, and disloyalty suddenly all around her, Skilar quickly learns that no one can be trusted…not even the people she trusts the most.

    Thirty-five-year-old Felix Humble is a Cambridge astro-physicist in search of a unified field theory. Following the sudden death of his father, Felix returns to his middle England home and his difficult and demanding mother, where he soon realises that his search for unity must include his own chaotic home life.Humble Boy premiered at the Royal National Theatre, London, in August 2001, and transferred to the Gielgud Theatre, London, in 2002. The play was the winner of the Susan Smith Blackburn Award 2001, the Critics' Circle Best New Play Award 2002, and the People's Choice Best New Play Award 2002.

    He visits an old flame, buys a gun and goes on a blistering road trip through the new home front.'I don't blame the war. The war was alright. I miss it. It's just you come back to this.'Written during the London bombings of 2005, Motortown is a fierce, violent and controversial response to the anti-war movement - and to the war itself. Chaotic and complex, powerful and provocative, Simon Stephen's new play portrays a volatile and morally insecure world.Motortown premieres at the Royal Court Theatre on 21 April 2006. It follows the critically acclaimed On the Shore of the Wide World (Manchester Royal Exchange/National Theatre), winner of the Olivier Award for Best New Play (2005).