The notorious Morelli family hosts their annual Christmas ball. And you are invited to experience the sensual feast.MEET ME UNDER THE MISTLETOE is an exclusive anthology of scorching hot NEW holiday stories. Download your copy and tell a book-loving friend, because it won't last long.HOLIDAY STORIES INCLUDE:O Holy Night by Pam GodwinSanta Baby by Claire ContrerasAll I Want for Christmas Is You by M. RobinsonLast Christmas by Katee RobertCarol of the Bells by Maria LuisSilver Bells by Alta HensleyO Come All Ye Faithful by Amelia WildeSilent Night by Sienna SnowIt Came Upon a Midnight Clear by Jenika SnowAll I Want For Christmas Is You by Sam MarianoLittle Drummer Boy by M. O'KeefeBaby, It's Cold Outside by Giana DarlingAway in a Manger by Jade WestThis Christmas by Theodora TaylorHallelujah by Skye Warren

    In late August 1619, a ship arrived in the British colony of Virginia bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival led to the barbaric and unprecedented system of American chattel slavery that would last for the next 250 years. This is sometimes referred to as the country’s original sin, but it is more than that: It is the source of so much that still defines the United States. The 1619 Project: A New Origin Story builds on The New York Times Magazine’s award-winning “1619 Project,” which reframed our understanding of American history by placing slavery and its continuing legacy at the center of our national narrative. This book substantially expands on the original "1619 Project, "weaving together eighteen essays that explore the legacy of slavery in present-day America with thirty-six poems and works of fiction that illuminate key moments of oppression, struggle, and resistance. The essays show how the inheritance of 1619 reaches into every part of contemporary American society, from politics, music, diet, traffic, and citizenship to capitalism, religion, and our democracy itself. This legacy can be seen in the way we tell stories, the way we teach our children, and the way we remember. Together, the elements of the book reveal a new origin story for the United States, one that helps explain not only the persistence of anti-Black racism and inequality in American life today, but also the roots of what makes the country unique. The book also features an elaboration of the original project’s Pulitzer Prize–winning lead essay by Nikole Hannah-Jones on how the struggles of Black Americans have expanded democracy for all Americans, as well as two original pieces from Hannah-Jones, one of which makes a case for reparative solutions to this legacy of injustice.

    For August and her girls, sharing confidences as they ambled through neighborhood streets, Brooklyn was a place where they believed that they were beautiful, talented, brilliant—a part of a future that belonged to them.But beneath the hopeful veneer, there was another Brooklyn, a dangerous place where grown men reached for innocent girls in dark hallways, where ghosts haunted the night, where mothers disappeared. A world where madness was just a sunset away and fathers found hope in religion.

    Stuever starts the narrative as so many start the Christmas season: standing in line with the people waiting to purchase flat-screen TVs on Black Friday. From there he follows three of Frisco's true holiday believers as they navigate through the Nativity and all its attendant crises. Tammie Parnell, an eternally optimistic suburban mom, is the proprietor of "Two Elves with a Twist," a company that decorates other people's big houses for Christmas. Jeff and Bridgette Trykoski own that house every town has: the one with the visible-from-space, jaw-dropping Christmas lights. And single mother Carol Cavazos just hopes that the life-affirming moments of Christmas might overcome the struggles of the rest of the year. Stuever's portraits of the happy, mega-churchy, shop-until-you-drop community in "Tinsel" are revealing and riotously funny, showing how our ancient rituals of celebration have survived--and succumbed to--the test of time.

    To find out more about Crisis, see www.crisis.org.uk

    It took ten years and a half a million miles of travel across three continents to find it, but finally, in an astonishing feat of genealogical detective work, he discovered not only the name of "the African"—Kunta Kinte—but the precise location of Juffure, the very village in The Gambia, West Africa, from which he was abducted in 1767 at the age of sixteen and taken on the Lord Ligonier to Maryland and sold to a Virginia planter.Haley has talked in Juffure with his own African sixth cousins. On September 29, 1967, he stood on the dock in Annapolis where his great-great-great-great-grandfather was taken ashore on September 29, 1767. Now he has written the monumental two-century drama of Kunta Kinte and the six generations who came after him—slaves and freedmen, farmers and blacksmiths, lumber mill workers and Pullman porters, lawyers and architects—and one author.But Haley has done more than recapture the history of his own family. As the first black American writer to trace his origins back to their roots, he has told the story of 25,000,000 Americans of African descent. He has rediscovered for an entire people a rich cultural heritage that slavery took away from them, along with their names and their identities. But Roots speaks, finally, not just to blacks, or to whites, but to all people and all races everywhere, for the story it tells is one of the most eloquent testimonials ever written to the indomitability of the human spirit.

    From the beloved author of Fried Green Tomatoes at the Whistle Stop Cafe comes her latest New York Times bestseller--a new Yuletide classic about small-town America and larger-than-life wonders.

    In 1919, award-winning poet Eve L. Ewing explores the story of this event—which lasted eight days and resulted in thirty-eight deaths and almost 500 injuries—through poems recounting the stories of everyday people trying to survive and thrive in the city. Ewing uses speculative and Afrofuturist lenses to recast history, and illuminates the thin line between the past and the present.

    Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores, as coeditor Cherríe Moraga writes, “the complex confluence of identities—race, class, gender, and sexuality—systemic to women of color oppression and liberation.”

    Their home is gone. They have nowhere to go and nothing left to lose. With only the memories of their greatest loss—the death of their child during a Christmas years before—Jack and Maggie settle in a seemingly deserted mansion for the night.Inside they find shelter, warmth, and a bit of cheer. They also discover a surprise. Now, in the darkest of times, the unexpected compassion of strangers will make this Christmas one to remember forever.

    Christopher Ringle is the last person you'd expect to find moonlighting as Santa Claus at the mall on the day after Thanksgiving. But it is there that he meets a young man named Molar Alan, who desperately needs a new perspective on the underlying value of Christmas. Dr. Ringle recruits Mo and his older brother as volunteers at a nearby children's hospital for the holiday season. At the hospital, Mo is tasked to help bring holiday cheer to the young cancer patients on the fifth floor. His biggest challenge is befriending a decidedly angry girl who is so embarrassed by her scarred appearance that she hides her face behind the safety of a paper bag. Almost in spite of himself, Mo finds that Christmas joy emanates from a source far greater than the North Pole, while the young girl learns that she is more beautiful than she had ever imagined.

    . . except at Christmas time.This year, Edward Haddington, a lowly candle maker, is visited by a mysterious angel. That angel silently imparts a precious gift—a gift that’s bungled and subsequently lost. The candle maker and his wife, Bea, struggle to find the gift.And when they do, they have to make a difficult choice. Who among their community is most in need of a Christmas miracle?Join inspirational author Max Lucado and experience anew the joy of Christmas.BONUS: Includes a sneak preview of Max’s novel, Miracle at the Higher Grounds Café!

    In her debut collection of short fiction, Due takes us to Gracetown, a small Florida town that has both literal and figurative ghost; into future scenarios that seem all too real; and provides empathetic portraits of those whose lives are touched by Otherness. Featuring an award-winning novella and fifteen stories—one of which has never been published before—Ghost Summer: Stories is sure to both haunt and delight.With an Introduction by Nalo Hopkinson and an Afterword by Steven Barnes.

    from Middle English "wenchel," 1 a: a girl, maid, young woman; a female child.Tawawa House in many respects is like any other American resort before the Civil War. Situated in Ohio, this idyllic retreat is particularly nice in the summer when the Southern humidity is too much to bear. The main building, with its luxurious finishes, is loftier than the white cottages that flank it, but then again, the smaller structures are better positioned to catch any breeze that may come off the pond. And they provide more privacy, which best suits the needs of the Southern white men who vacation there every summer with their black, enslaved mistresses. It's their open secret.Lizzie, Reenie, and Sweet are regulars at Tawawa House. They have become friends over the years as they reunite and share developments in their own lives and on their respective plantations. They don't bother too much with questions of freedom, though the resort is situated in free territory–but when truth-telling Mawu comes to the resort and starts talking of running away, things change.To run is to leave behind everything these women value most–friends and families still down South–and for some it also means escaping from the emotional and psychological bonds that bind them to their masters. When a fire on the resort sets off a string of tragedies, the women of Tawawa House soon learn that triumph and dehumanization are inseparable and that love exists even in the most inhuman, brutal of circumstances–all while they are bearing witness to the end of an era.An engaging, page-turning, and wholly original novel, Wench explores, with an unflinching eye, the moral complexities of slavery.

    Christmas hasn't changed much in her sixteen years. But instead she returns to find that her best friend is dating her ex-boyfriend, her parents have separated, and her archnemesis got a job working at her grandmother's inn. And she certainly didn't expect to find the boy she may or may not have tricked into believing that Christmas was an idyllic holiday paradise on her grandmother's doorstep. It's up to Finley to make sure he gets the Christmas he was promised. This is Finley's Christmas. It's about home and family and friends and finding her place, and along the way she also finds the best Christmas present of all: love.