Bernhard Gunther, a hard-boiled Berlin detective who specializes in tracking down missing persons — mostly Jews. He is summoned by a wealthy industrialist to find the murderer of his daughter and son-in-law, killed during the robbery of a priceless diamond necklace. Gunther quickly is catapulted into a major political scandal involving Hitler's two main henchmen, Goering and Himmler. The search for clues takes Gunther to morgues overflowing with Nazi victims; raucous nightclubs; the Olympic games where Jesse Owens tramples the theory of Aryan racial superiority; the boudoir of a famous actress; and finally to the Dachau concentration camp. Fights with Gestapo agents, shoot-outs with adulterers, run-ins with a variety of criminals, and dead bodies in unexpected places keep readers guessing to the very end. Hard-hitting, fast-paced, and richly detailed, March Violets is noir writing at its blackest and best.

    On a freezing day in December, another child goes missing: 13-year-old Alison Carter vanishes from the isolated Derbyshire hamlet of Scardale. For the young George Bennett it is the beginning of his most difficult and harrowing case: a murder with no body, an investigation with more dead ends and closed faces than he'd have found in the inner city; an outcome that reverberates down the years.Decades later he tells his story to journalist Catherine Heathcote, but just when her book is poised for publication, Bennett tries to pull the plug. He has new information that he will not divulge, and that threatens the very foundation of his existence. Catherine is forced to reinvestigate the past, with results that turn the world upside down.A taut psychological thriller that explores, exposes and explodes the border between reality and illusion in a multilayered narrative that turns expectations on their head and reminds us that what we know is what we do not know...

    Growing up in the 1950s, he was at the centre of series of killings of young girls in his small rural community. The girls were taken, assaulted and left horribly mutilated. Barely a teenager himself, Joseph becomes determined to try to protect his community and classmates from the predations of the killer. Despite banding together with his friends as ' The Guardians', he was powerless to prevent more murders - and no one was ever caught. Only after a full ten years did the nightmare end when the one of his neighbours is found hanging from a rope, with articles from the dead girls around him. Thankfully, the killings finally ceased. But the past won't stay buried - for it seems that the real murderer still lives and is killing again. And the secret of his identity lies in Joseph's own history...

    Her childhood home is packed solid with useless junk, her mother’s presence already fading. But within this mess, she discovers a small stash of letters—and ultimately, the truth. Forty years earlier, a young woman stumbles from a remote stone house, the night quiet except for the constant wind that encircles her as she hurries deeper into the darkness away from the cliffs and the sea. She has no sense of where she is going, only that she must keep on.

    The newly minted policemen are met with deep hostility by their white peers and their authority is limited: They can’t arrest white suspects; they can’t drive a squad car; they can’t even use the police headquarters and must instead operate out of the basement of a gym.When a black woman who was last seen in a car driven by a white man turns up fatally beaten, no one seems to care except for Boggs and Smith, two black cops from vastly different backgrounds. Pressured from all sides, they will risk their jobs, the trust the community has put in them, and even their own safety to investigate her death. Their efforts bring them up against an old-school cop, Dunlow, who has long run the neighborhood like his own, and Dunlow’s young partner, Rakestraw, a young progressive who may or may not be willing to make allies across color lines.

    It’s a young woman in the North Tower when the first plane crashed into the building who has the courage and determination to take on both sides of the law and avenge the old lady’s death. Anna Petrescu is missing, presumed dead, after 9/11 and she uses her new status to escape from America, only to be pursued across the world from Toronto to London, to Hong Kong, Tokyo and Bucharest, but it is only when she returns to New York that the mystery unfolds. Why are so many people willing to risk their own lives and others' to own the Van Gogh Self-Portrait with Bandaged Ear? Jeffrey Archer, one of the greatest popular novelists of our generation, delivers a truly page-turning thriller.

    The couple is spending the summer of 1969 in the rooms below hers while Frances is researching the architecture in the surrounding gardens. But she's distracted. Beneath a floorboard in her bathroom, she finds a peephole that gives her access to her neighbors’ private lives.To Frances' surprise, Cara and Peter are keen to get to know her. It is the first occasion she has had anybody to call a friend, and before long they are spending every day together: eating lavish dinners, drinking bottle after bottle of wine, and smoking cigarettes until the ash piles up on the crumbling furniture. Frances is dazzled.But as the hot summer rolls lazily on, it becomes clear that not everything is right between Cara and Peter. The stories that Cara tells don’t quite add up, and as Frances becomes increasingly entangled in the lives of the glamorous, hedonistic couple, the boundaries between truth and lies, right and wrong, begin to blur. Amid the decadence, a small crime brings on a bigger one: a crime so terrible that it will brand their lives forever.

    . .A domestic suspense debut about a young couple and their apparently friendly neighbors--a twisty, rollercoaster ride of lies, betrayal, and the secrets between husbands and wives. . .Anne and Marco Conti seem to have it all--a loving relationship, a wonderful home, and their beautiful baby, Cora. But one night when they are at a dinner party next door, a terrible crime is committed. Suspicion immediately focuses on the parents. But the truth is a much more complicated story.Inside the curtained house, an unsettling account of what actually happened unfolds. Detective Rasbach knows that the panicked couple is hiding something. Both Anne and Marco soon discover that the other is keeping secrets, secrets they've kept for years.What follows is the nerve-racking unraveling of a family--a chilling tale of deception, duplicity, and unfaithfulness that will keep you breathless until the final shocking twist.

    It's the chief of police calling—Felicity Dill worked for him; she was a homicide detective. Dill is there that night, the beginning of his dogged search for her killer. What he finds is no surprise to him, because Benjamin Dill is never surprised at what awful things people will do—but it's a real surprise to the reader. As Newsday said when the novel was first published, "One sure thing about Ross Thomas's novels: A reader won't get bored waiting for the action to start."

    Mrs. Creasy is missing and the Avenue is alive with whispers. The neighbors blame her sudden disappearance on the heat wave, but ten-year-olds Grace and Tilly aren’t convinced. As the summer shimmers endlessly on, the girls decide to take matters into their own hands. Inspired by the local vicar, they go looking for God—they believe that if they find Him they might also find Mrs. Creasy and bring her home.Spunky, spirited Grace and quiet, thoughtful Tilly go door to door in search of clues. The cul-de-sac starts to give up its secrets, and the amateur detectives uncover much more than ever imagined. As they try to make sense of what they’ve seen and heard, a complicated history of deception begins to emerge. Everyone on the Avenue has something to hide, a reason for not fitting in.In the suffocating heat of the summer, the ability to guard these differences becomes impossible. Along with the parched lawns and the melting pavement, the lives of all the neighbors begin to unravel. What the girls don’t realize is that the lies told to conceal what happened one fateful day about a decade ago are the same ones Mrs. Creasy was beginning to peel back just before she disappeared.

    And then one night there came a knock at the door of a quiet lodging house in the Marylebone Road. . . . This novel, based on the Jack the Ripper murders, was made into a film by Alfred Hitchcock.

    Custom threshers, steam engineers, bindlestiffs, cooks, camp followers, and hobos join the tide. The threshing season is on.But there is also an evil upon the land. A killer who calls himself the Windmill Man believes he has a holy calling to water the newly plucked earth with blood. The moving harvest is an endless supply of victims. He's been killing for years and has no plans to stop. Who could stop him? Nobody knows he exists. But then a young man named Charlie Krueger, jilted by his childhood sweetheart and estranged from his drunkard father, joins the harvest as a steam engineer. But in a newly harvested field in the nearly black Dakota night, he comes upon a strange man digging a grave. Now he is the only person who can stop the evil. But the killer knows his name and when next they meet, one of them will have to die….

    Some believe Grace is innocent; others think her evil or insane. Now serving a life sentence, Grace claims to have no memory of the murders.An up-and-coming expert in the burgeoning field of mental illness is engaged by a group of reformers and spiritualists who seek a pardon for Grace. He listens to her story while bringing her closer and closer to the day she cannot remember. What will he find in attempting to unlock her memories?Captivating and disturbing, Alias Grace showcases best-selling, Booker Prize-winning author Margaret Atwood at the peak of her powers.

    When the rain finally comes, it’s a miracle. For a moment, the scrubland flourishes and the remote swimming hole fills. Returning home from an afternoon swim, fourteen-year-old Tommy and sixteen-year-old Billy McBride discover a scene of heartbreaking carnage: their dogs dead in the yard, their hardworking father and mother shot to death, and their precocious younger sister unconscious and severely bleeding from a wound to her gut. The boys believe the killer is their former Aboriginal stockman, and, desperate to save Mary, they rush her to John Sullivan, the wealthiest landowner in the region and their father’s former employer, who promises to take care of them.Eager for retribution, the distraught brothers fall sway to Sullivan, who persuades them to join his posse led by the Queensland Native Police, an infamous arm of British colonial power whose sole purpose is the “dispersal” of indigenous Australians to “protect” settler rights. The group is led by the intimidating inspector Edmund Noone, a dangerous and pragmatic officer whose intellect and ruthlessness both fascinates and unnerves the watchful Tommy. Riding for days across the barren outback, the group is determined to find the perpetrators they insist are guilty, for reasons neither of the brothers truly understands. It is a harsh and horrifying journey that will have a devastating impact on Tommy, tormenting him for the rest of his life—and hold enduring consequences for a young country struggling to come into its own.Set in a period of Australian and British history as raw and relevant as that of the wild frontier of nineteenth-century America, Only Killers and Thieves is an unforgettable story of family, guilt, empire, race, manhood, and faith that combines the insightfulness of Philipp Meyer’s The Son with the atmospheric beauty of Amanda Coplin’s The Orchardist and the raw storytelling power of Ian McGuire’s The North Water.

    Among them is Vernon Smothers' son Lucas, a teenaged boy about whom only Vernon and Billy Bob know the truth. Lucas is really Billy Bob's illegitimate son, and when Lucas is arrested for murder, Billy Bob knows that he has no choice but to confront the past and serve as the boy's criminal attorney. During Lucas's trial, Billy Bob realizes that he will have to bring injury upon Lucas as well as himself in order to save his son. And as a result, Billy Bob creates enemies that are far more dangerous than any he had faced as a Texas Ranger.