Featuring the original Chinese as well as english translations and historical introductions by Burton Watson, J.P. Seaton, Paul Hansen, James Sanford, and the editors, this book provides an appreciation and understanding of this elegant and traditional expression of spirituality."So take a walk with...these cranky, melancholy, lonely, mischievous poet-ancestors. Their songs are stout as a pilgrim's stave or a pair of good shoes, and were meant to be taken on the great journey."--Andrew Schelling, from his Introduction

    Most of the songs are simple, erotic lyrics. Some are attributed to legendary courtesans, while others may have been sung at harvest festivals or marriage celebrations. In addition to the folk songs, Rexroth offers a wide sampling of Chinese verse: works by 60 different poets, from the third century to our own time. Rexroth always translated Chinese poetry—as he said—“solely to please myself.” And he created, with remarkable success, English versions which stand as poems in their own right.

    China's tradition of "rivers-and-mountains" poetry stretches across millennia. This is a plain-spoken poetry of immediate day-to-day experience, and yet seems most akin to China's grand landscape paintings. Although its wisdom is ancient, rooted in Taoist and Zen thought, the work feels utterly contemporary, especially as rendered here in Hinton's rich and accessible translations. Mountain Home collects poems from 5th- through 13th-century China and includes the poets Li Po, Po Chu-i and Tu Fu. The "rivers-and-mountains" tradition covers a remarkable range of topics: comic domestic scenes, social protest, travel, sage recluses, and mountain landscapes shaped into forms of enlightenment. And within this range, the poems articulate the experience of living as an organic part of the natural world and its processes. In an age of global ecological disruption and mass extinction, this tradition grows more urgently important every day. Mountain Home offers poems that will charm and inform not just readers of poetry, but also the large community of readers who are interested in environmental awareness.

    They encourage us to be more present, more attentive and compassionate, in the living of our days. They grant us a taste of being good enough, just as we are, in this world, just as it is.Poetry of Presence ($21.95; dimensions 6″ x 9″) is a collection of more than 150 mindfulness poems, mostly by contemporary or recent poets. These poems call us to the Here and Now, and help us to dwell there. The Here and Now is all that truly belongs to us, and as the poets say, it’s enough.This is a book for the times we live in. An inspiring read for lovers of beautiful, accessible poetry, it’s also a valuable resource for literature teachers, spiritual directors, meditators, interfaith clergy, mindfulness trainers, social workers, counselors, poetry therapists, hospice and grief workers, and medical personnel.Anthologized poets include Yehuda Amichai • Margaret Atwood • Ellen Bass • Wendell Berry • Robert Bly • Billy Collins • Mahmoud Darwish • Thich Nhat Hanh • Joy Harjo • Tony Hoagland • Miroslav Holub • Marie Howe • Erica Jong • Kabir • Galway Kinnell • Ted Kooser • Howard Nemerov • Kathleen Norris • Mary Oliver • Rainer Maria Rilke • Rumi • May Sarton • William Stafford • David Wagoner • Alice Walker and many more."I’ll keep this by my side to read one poem a day to return to a state of mindfulness, breathing language through the heart. If you choose one anthology, I say let it be this one for the amazement⎯for the voices that, surprisingly, will speak to what you want to find in yourself.”⎯ Grace Cavalieri, Host and Producer, “The Poet and the Poem from the Library of Congress”“The poems in this book, arranged gently and creatively, are an invitation to mindful presence and to a world where words and phrases initiate us, wake us up, and guide us home.”⎯ Kelly Boys, Host of The Year of Mindfulness and mindfulness consultant to the United Nations Foundation“These poems remind us to live `undefended.’ To stand, deliberately and consciously, as witnesses of the present moment. To gaze upon existence from the place of Divine Intimacy. To reach out from that place to those who suffer. Living this way takes lots of practice. Poetry of Presence will be a companion and guide, leading us into deeper communion with the world.”⎯ Fr. Richard Rohr, Founder of the Center for Action and Contemplation, and The Naked Now: Learning to See as the Mystics See“After reading just a poem or two in Poetry of Presence, I started quieting down, breathing easier. The poems had already begun to do their work. What a gift! This will be a book I will return to again and again to find the peaceful presence I need to face the day.”⎯ Megan Scribner, Co-author of Teaching with Heart: Poetry that Speaks to the Courage to Teach “Especially in times of challenge, I turn to poetry in my life, and in my work. Poetry expresses the ineffable⎯that which is beyond logic and linear thinking⎯like God, or love or presence. In my mindfulness teaching, poetry is always present and I look forward to using the poems in this beautiful collection on a regular basis.”⎯ Rabbi Jill Berkson Zimmerman, Founder of the Jewish Mindfulness Network“This collection of poems is an invitation toward ‘being’ with the present moment, through the written word. I am moved, inspired and surprised by the powerful and clear voices in these poems: both new gems, and old friends. In teaching Mindfulness-Based Stress Reduction, I know Poetry of Presence will be a regular resource, as it speaks directly to the heart of being fully human.”⎯ Holly Nelson-Johnson, MBSR Mentor for the University of California-San Diego Mindfulness-Based Professional Training Institute, and president of Mindfulness for Living“Phyllis Cole-Dai and Ruby Wilson have collected an extensive anthology of exquisite poetry that can open the minds and hearts of readers to the richness and vastness of the present moment. As a Mindfulness-Based Stress Reduction teacher, I find this collection to be a true gift, with poems that I will share with the participants in my classes for years to come.”⎯ Diane Reibel, Ph.D., Director of the Mindfulness Institute at Thomas Jefferson University Hospital and coauthor of Teaching Mindfulness: A Practical Guide for Clinicians and Educators

    “Pastan . . . expresses a full range of the possibilities and potencies of the human, feminine voice” (Boston Globe).from "In the Forest" The trees are lit from within like Sabbath candlesbefore they are snuffed out.Autumn is such a Jewish season,the whole minor key of it.Hear how the wind trembles through the branches, vibratoas notes of cello music.

    Included are extensive notes, a preface by renowned translator Red Pine, a findings list, and photographs of the cave and surrounding area where Han Shan (“Cold Mountain”) lived.Cold Mountain is one of the most revered poets in China. He was a Taoist/Buddhist hermit who begged for food at temples, often sang and drank with cowherds, and became an immortal figure in the history of Chinese literature and Zen. His poems were written twelve-hundred years ago on the rocks, trees, and temple walls of China’s Tientai Mountains. This revised edition also includes poems by Han Shan’s colleagues, Pickup (Shih-te) and Big Stick (Feng-kan), translated here for the first time.As Red Pine begins his Preface, “If China’s literary critics were put in charge of organizing a tea for their country’s greatest poets of the past, Cold Mountain would not be on many invitation lists. Yet no other poet occupies the altars of China’s temples and shines, where his statue often stands alongside immortals and bodhisattvas. He is equally revered in Korea and Japan. And when Jack Kerouac dedicated The Dharma Bums to him in 1958, Cold Mountain became the guardian angel of a generation of Westerners as well.”Reviews of Red Pine's Collected Songs of Cold Mountain:”The translator’s preface describes his rendition of the life of Cold Mountain, offering an excellent historical and philosophical context for the simple yet profound poems attributed to the poet."—Library Journal“These are poems one must taste fully and drink whole... The poems of Han-shan read like a journal or memoir, and they often work as Zen koans, challenging the mind to go beyond the words and reason.”—Parabola“Red Pine... has given us the first full collection of Han Shan’s songs in an idiom that is clear, graceful, and neutral enough to last... His translations are accurate and mirror the music of the originals... The Collected Songs of Cold Mountain is a considerable performance and a truly valuable book. Thanks to Copper Canyon's high standards of bookmaking, it is beautiful to hold and behold; thanks to Red Pine’s care, it will survive as the definitive text of Han Shan in English for many years. It belongs on the shelf of everyone with an interest in poetry and... should be opened often."—The Bloomsbury Review“An exquisite publication that captures the Taoist practice of passionate attention, of being still inside and relaxed in the comforts and discomforts around you, going nowhere else... We discover this in the poet’s vision and spirit, in the precision and balance of the translator’s scholarship and heart, and in the elegant wilderness of the bookmaker’s art around them. On every level this is a beautiful book.”—Judges’ comments on awarding the WESTAF Award in Translation“Cold Mountain’s colloquial poetry...sound like inspired raps—marvelously direct, with skips, jumps, verbal nudges and abrupt revelations... The volume is beautifully produced, with a long and careful introduction... This is an indispensable book.”—The Berkeley Monthly“More than anyone else, Red Pine has made [Han Shan’s] spontaneous poems accessible to Western readers... In this new, expanded edition, invaluable notes and an extensive new critical preface provide a contextual awareness, not just for the poems, but for their sources in Buddhist and Confucian culture.”—Inquiring MindRed Pine is one of the world’s leading translators of Chinese literary and religious texts. His other translations include Lao-tzu’s Taoteching (isbn 9781556592904) and Poems of the Masters: China’s Classic Anthology of T’ang and Sung Dynasty Verse (isbn 9781556591952).

    Poet Laureate for 2004-2006, Ted Kooser is one of America's masters of the short metaphorical poem. Dana Gioia has remarked that Kooser has written more perfect poems than any poet of his generation. Long admired and praised by other poets, Kooser is also accesible to the reader not familiar with contemporary poetry.

    Here are "Birches," "Mending Wall," "Stopping by Woods on a Snowy Evening," "Two Tramps at Mudtime," "Choose Something Like a Star," and "The Gift Outright," which Frost read at the inauguration of John F. Kennedy." An essential addition to every home library, Robert Frost's Poems is a celebration of the New England countryside, Frost's appreciation of common folk, and his wonderful understanding of the human condition. These classic verses touch our hearts and leave behind a lasting impression.* Over 100 poems* All Frost's best known verses from throughout his life

    Of the three, Wang was the consummate master of the short imagistic landscape poem that came to typify classical Chinese poetry. He developed a nature poetry of resounding tranquility wherein deep understanding goes far beyond the words on the page—a poetics that can be traced to his assiduous practice of Ch'an (Zen) Buddhism. But in spite of this philosophical depth, Wang is not a difficult poet. Indeed, he may be the most immediately appealing of China's great poets, and in Hinton's masterful translations he sounds utterly contemporary. Many of his best poems are incredibly concise, composed of only twenty words, and they often turn on the tiniest details: a bird's cry, a splinter of light on moss, an egret's wingbeat. Such imagistic clarity is not surprising since Wang was also one of China's greatest landscape painters. This is a breathtaking poetry, one that in true Zen fashion renders the ten thousand things of this world in such a way that they empty the self even as they shimmer with the clarity of their own self-sufficient identity.

    accompanied by evocative illustrations, it is an intimate and unapologetically personal journey through a life the way we remember them, as Keaton puts it "chaotic, fragmented and often grammatically incorrect".

    The texts were written between the ninth and the seventeenth centuries and convey each author's underlying sense of the world and what is to be valued in it. Four Huts presents original translations by Burton Watson—one of the most respected translators of Chinese and Japanese literature. The qualities that emerge from these writings are an awareness of impermanence, love of nature, fondness for poetry and music, and an appreciation of the quiet life. Four Huts features eleven brush paintings by artist Stephen Addiss.

    When the groom dies before a wedding can take place, seventeen-year-old Spring Swallow is ordered to become a ghost bride to appease his spirit. Under her in-laws' protection, she will be little more than a servant, unable to know real love or bear children. Refusing to accept her fate as a "bad-luck woman," Spring Swallow flees on her wedding day. In the city of Soochow, Spring Swallow joins a community of renowned embroiderers. The women work for Aunty Peony, whose exquisite stitching once earned her the Emperor's love. But when Aunty Peony agrees to replicate a famous painting--a lucrative assignment that will take a year to complete--betrayal and jealousy emerges within the group. Spring Swallow becomes entangled in each woman's story of heartbreak, even while she embarks on a dangerous affair with a young revolutionary. On a journey that leads from the remote hillsides around Soochow to cosmopolitan Peking, Spring Swallow draws on the secret techniques learned from Aunty Peony and her own indomitable strength, determined to forge a life that is truly her own.

    This book features Li Po's work which is suffused with Taoism and Zen Buddhism.

    Featuring poems, excerpts from his private notebooks, lyrics, and hand-drawn self-portraits, The Flame offers an unprecedentedly intimate look inside the life and mind of a singular artist.A reckoning with a life lived deeply and passionately, with wit and panache, The Flame is a valedictory work.“This volume contains my father’s final efforts as a poet,” writes Cohen’s son, Adam Cohen, in his foreword. “It was what he was staying alive to do, his sole breathing purpose at the end.”Leonard Cohen died in late 2016. But “each page of paper that he blackened,” in the words of his son, “was lasting evidence of a burning soul.”