By March 17, 2020, the imagined was the real; New York City had closed schools, bars, and restaurants--with the rest of the country to follow.With nihilist humor and controlled despair, What to Miss When explores fears of death and grocery shopping, stress cleaning and drinking, influencers behaving badly, everything we took for granted, and life mediated by screens--with dissociation-via-internet, and looking for mirrors in a fourteenth-century pandemic text, a kind of survival response to living casually through catastrophe.

    Called the best fiction writer to appear in the South since Flannery O'Connor (Larry McMurtry), acclaimed author Hannah ("Airships, Bats Out of Hell") returns with an all-new collection of short stories.

    It is especially a cry from the heart. As if the tenderness and poetry were dumbfounded before the eruption of a volcano. Natasha Kanapé Fontaine reveals herself as a poet and Innu woman. She loves. She cries. She shouts ... to come into the world again. "A beautiful collection of poems that has the reader enter the Borean “countryside” and walk through it, almost spiritually, and brings us to very roots of a tradition that reunites the dead and living, and with it, the burning ancestral memories that provide a possibility of endless secrets of stones and matter." —Hugues Corriveau, Le Devoir This collection is primarily a search within oneself, of love, the body en route to expectation and ecstasy; a search supported by a lively writing, an explosion of impressions towards nature evocative of a Dali painting. The energy of the image surprises here, one is amazed by the force of this bright and concise language. "Natasha Kanapé Fontaine speaks of blades, vertebrae, back, nerves; she uses a whole lexicon of the skeleton that evokes the structure of the body, its frame, which supports it, which gives it its strength. A call to movement, her poetry is one of action rather than contemplation: we dance, we are walking, we are standing. "—Cousins ​​de personnes (Paris) "Natasha Kanapé Fontaine has written a book as pure as a diamond taken from coal, like the first sentence uttered after awakening from being drunk the night before. She has succeeded, in these deeply moving pages, to begin to ask the fundamental questions of origins, beauty, death and the passage of time.” —Maxime Catellier, Le Libraire (Quebec)

    Her first book, Almanacs, was a travellers's litany, featuring a road movie in poems set in the north of Scotland. Nigh-No-Place is the liturgy of a poet passionately aware of the natural world." Nigh-No-Place reflects the breadth of ground she's covered. 'Ten-minute Break Haiku' is her response to working in a fish factory. 'Paternoster' is the Lord's Prayer uttered by a draught-horse. 'Prenatal Polar Bear' takes place in Churchill, Manitoba, surrounded by tundra.

    . . a soaring, unblinking gaze into the meaning of life itself."--Marlon James, author of Black Leopard, Red Wolfmy father saiddavid has taken his own lifeAdam is in the middle of his own busy life, and approaching a career high in the form of a #1 New York Times bestselling book--when these words from his father open a chasm beneath his feet. I Had a Brother Once is the story of everything that comes after. In the shadow of David's inexplicable death, Adam is forced to re-remember a brother he thought he knew and to reckon with a ghost, confronting his unsettled family history, his distant relationship with tradition and faith, and his desperate need to understand an event that always slides just out of his grasp. This is an expansive and deeply thoughtful poetic meditation on loss and a raw, darkly funny, human story of trying to create a ritual--of remembrance, mourning, forgiveness, and acceptance--where once there was a life.

    Eliot Prize 2021.The female body is a political space. C+nto enters the private lives of characters from the butch counterculture, telling the inside story of the protests these women led to reclaim their bodies as their own - for self-expression and against hatred. History, magic, rebellion, party and sermon vibrate through Joelle Taylor's cantos, which celebrate these underground communities throughout the '90s.

    It was to her utter surprise that this middle-aged, out-of-shape mother found herself on the starting line of a triathlon.In Women Who Tri, DiFabio explores the triathlon phenomenon that has gripped her town and swept the nation.Her memoir is both inspiring and informative as it explores the popularity, psychology, subculture, and transformative power of triathlons among -ordinary- women. Set in a small New Jersey town that now hosts America's largest women-only triathlon club, Women Who Tri weaves together the insights of a psychologist, the research of a journalist, and the deep insecurities of a daunted newbie.DiFabio shares her journey from nervous newcomer to triathlon finisher as she investigates one of the world's most challenging and inspiring sports. She profiles women who have overcome challenges to become athletes and tri for themselves and to help others. Women Who Tri will entertain, enlighten, and inspire any triathlon enthusiast, from tri-addicts to the tri-curious.

    It is a compilation of every word Sana wishes someone had said to her when she was a young girl. When she was struggling. Falling. Breaking. Bleeding. It is a reflection of the responsibility she feels to say these words to everyone waiting to hear them. Consisting of four chapters titled "the naivety," "the refusing," "the understanding," and "the growing," the collection is meant to take the reader on a journey of pain and hope, reinforcing the idea that life is still worth living. That life is always worth living.

    Keema Waterfield's INSIDE PASSAGE, about Alaska's underbelly and hardscrabble life; the author grew up chasing music with her 20-year-old mother on the Alaskan folk festival circuit, two small siblings in tow; adrift with a revolving cast of musicians, drunks, stepdads, and one man with a gun, she yearned for a place to call home, to Rose Alexandre-Leach at Green Writers Press, with Ferne Johansson editing, in an exclusive submission, for publication in spring 2020.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    Enlightening and inspiring, The Uncertain Sea is just the story most of us need right now.Fear and uncertainty—emotions we’ve become all too familiar with this past year. From the pandemic to political upheaval to the recession to lurking environmental disasters, we’ve been battered by one unfathomable event after another, with more to come. How do we handle the emotional fallout from such traumas? How do we bounce back?Bonnie Tsui tackles these big questions in The Uncertain Sea, her insightful look at fear and the many ways people handle it. Plagued by the anxiety she herself was feeling in 2020, she looked for guidance from an old friend whose very career would make most of us shudder. Ron Elliott is an underwater photographer specializing in sharks—in particular, the great whites of the Farallon Islands, off San Francisco, notorious for being one of the sharkiest spots on earth. Over the years, Elliott has had numerous close calls and was even attacked by a great white in 2018, nearly losing a hand. Yet still he returns to the water. Tsui wondered how Elliott managed risk and fear and what his resilience might teach the rest of us.In her 2020 bestseller Why We Swim, Tsui—an accomplished swimmer and surfer—examines the cultural and biological aspects of our relationship to water. In The Uncertain Sea, she uses open water—and what lurks beneath the surface—as a metaphor to explore our psychological responses to the unknown. She draws on scientific research to better understand how and why fear manifests itself in humans, and frankly discusses her own deep-seated anxieties. She takes a thoughtful look at the movie Jaws, the blockbuster that cemented sharks in our collective unconscious as the symbol of all that is dangerous and scary. As a result, sharks—animals that are crucial to the food chain and present a statistically insignificant threat to people—have been threatened by overhunting. The fact that shark-liver oil is being used in developmental COVID vaccines that could save millions of lives adds to the dark irony of our shark mythology.Throughout her narrative, Tsui turns back to her friend Ron Elliott, who, Buddha-like, finds his quiet center in the sharks’ cold, forbidding “living room.” He is comfortable with being uncomfortable; in fact, that’s how he finds his strength. It’s a lesson we all should learn.“We are imperfect beings, teetering on a razor’s edge between reason and emotion,” Tsui writes. “What does resilience look like? Why do we embrace risk? My very human answer: We risk, sometimes a lot, so that we can seek joy.”

    This issue is devoted to currents of all kinds, and to barriers that check them

    Published 20 years ago, this sequence of poems charts the progress of a love affair from the passionate honeymoon with the milk bottles turning to cheese on the doorstep, through the stage of quarrels, jealousy, recriminations and boredom, to the point where love is as nice as a cup of tea in bed.

    Marked by its quiet power and emotional nuance, her fiction garnered widespread praise.Now, at long last, Tallent returns with a new collection of diverse, thematically linked, and deeply powerful stories that confirm her enduring gift for capturing relationships at their moment of transformation: marriages breaking apart, people haunted by memories of old love and reaching haltingly toward new futures. Mendocino Fire explore moments of fracture and fragmentation; it limns the wilderness of our inner psyche and brilliantly evokes the electric tension of deep emotion. In these pages, Tallent explores expectations met and thwarted, and our never-ending quest to avoid being alone.With this breathtaking collection, Elizabeth Tallent cements her rightful place in the literary pantheon beside her contemporaries Lorrie Moore, Ann Beattie, and Louise Erdrich. Visceral and surprising, profound yet elemental, Mendocino Fire is a welcome visit with a wise and familiar friend.

    Matthew Olzmann's poetry is that rare thing that embraces complication while, at every turn, fil....