Aldine’s sister converts and moves to America to marry, and Aldine follows, hoping to find the life she’s meant to lead and the person she’s meant to love.In New York, Aldine answers an ad soliciting a teacher for a one-room schoolhouse in a place she can’t possibly imagine: drought-stricken Kansas. She arrives as farms on the Great Plains have begun to fail and schools are going bankrupt, unable to pay or house new teachers. With no money and too much pride to turn back, she lives uneasily with the family of Ansel Price—the charming, optimistic man who placed the ad—and his family responds to her with kind curiosity, suspicion, and, most dangerously, love. Just as she’s settling into her strange new life, a storm forces unspoken thoughts to the surface that will forever alter the course of their lives.Laura McNeal’s novel is a sweeping and timeless love story about leaving—and finding—home.

    Louis respond to a series of meetings conducted by a land speculator who lures them west by promising "prime homesteads" in a "booming community." Unbeknownst to them, the speculator's true motive is to find an excuse to bring women to the fledging community of Plum Grove, Nebraska, in hopes they will accept marriage proposals shortly after their arrival!Sparks fly when these unsuspecting widows meet the men who are waiting for them. These women are going to need all the courage and faith they can muster to survive these unwanted circumstances--especially when they begin to discover that none of them is exactly who she appears to be.

    Whether he was writing under his early pen name, Jim Mayo, or his own, L’Amour’s stories are unforgettable, touching on rough and rugged American ideals and set in the untamable frontier of the Western United States.Nearly a dozen stories are presented here that represent the best of L’Amour’s yarn-spinning writing, a choice collection handpicked from the variety of pulp Western magazines in which the author first became known. The most popular author of Westerns the world has ever known, L’Amour writes stories full of mavericks, outlaws, romantics, and heroes. His characters follow the unspoken laws and morals of the Wild West, and the pictures he paints are unrivaled in their authenticity. From gold prospectors to sheriffs, characters of L’Amour tales will never be forgotten.

    Though tragedy has wrecked her life, Allie Siders holds on to the hope that her five-year-old daughter, Betsy, will speak again. But with a stalker out for revenge, all Allie can think about now is their safety. She must sever all ties and abandon life as she knows it. She heads to the peaceful Bluebird Ranch, nestled deep in Texas hill country, and to the only person who can help them. The ranch is a sanctuary for abused horses, and also for troubled youths: the perfect place for Betsy to grow and recover. Ranch owner Elijah DeAngelo eagerly welcomes the duo. But Rick Bailey--the ranch foreman and DeAngelo's right hand man--hasn't decided to let his guard down . . . yet. Promises made long ago soon force Rick and Allie to work together to escape danger. Will they discover love along the way?

    Her doting parents want her to make a good match with a worthy gentleman and live a respectable life. She is beautiful and intelligent and she comes with a hefty dowry. There is no reason that she shouldn’t be able to find an eligible man and settle down.Tessa herself is the reason. The men who are attempting to court her are, in her opinion, boring and conceited. Not only that, Tessa craves excitement and adventure, of which there is little in her social circles. By chance, she comes across an advertisement for a bride brokerage company seeking eligible women of good breeding to go west and find husbands.One man on the list catches her eye and she begins corresponding with him, eventually agreeing to go to Montana to meet him. She can’t resist the possibility of finding someone different and even if she doesn’t, the adventure itself would be worth her time. Tessa makes a successful escape and sets out to make a new life in Montana.Dean Samuels is a Montana rancher who is in over his head. His ranch is struggling and his two children are unruly and in need of a caretaker. It’s clear to his younger brother, Marcus, that he needs help. He tells Dean about a mail order bride service and convinces him that he should utilize it to find a wife.After his wife, Sarah, had passed away, Dean never intended to marry again. His ranch and his children became his life. However, it becomes apparent that Sadie, his daughter, and his son, Jack, need stability and love. The demands of raising his children and keeping his head above water financially have taken a toll and Dean grudgingly gives in to Marcus’ idea.Sarah had been the love of his life and Dean doesn’t intend to let any other woman into his heart. He’s locked those kinds of emotions deep inside, not wanting to take the chance of getting hurt like that again. Because Dean has trouble expressing his feelings in writing, his younger brother Marcus agrees to help write the letters to Tessa. Dean is happy to leave that part up to him.When Dean and Tessa meet, sparks fly between the two strong willed people. Tessa is disappointed that Dean isn’t the romantic, sophisticated man she was lead to believe he was in the letters she received. Dean is aggravated that she isn’t a meek woman who is easily managed. Never mind the fact that she has no idea of how to take care of children and keep a home.Dean and Tessa struggle to find common ground and make their marriage work. Will they each take the risk and open their hearts to one another? Can their marriage survive and will they find love and contentment in each other? Their future happiness hangs in the balance under the Montana skies.

    Keller goes in, does the job, gets out: usually at a few hours’ notice . . . Often Keller’s work takes him out of New York to other cities, to pretty provincial towns that almost tempt him into moving to the woods and the lakeshores. Almost but not quite. But then one job goes wrong in a way Keller has never imagined and it leaves him with a big problem. Finding himself with an orphan on his hands, Keller's job begins to interfere with his carefully guarded life. And once you let someone in to your life, they tend to want to know what you do when you're away. And killing for a living, lucrative though it is, just doesn't find favour with some folks.

    K. Chesterton (1874–1936) is best known as the creator of detective-priest Father Brown (even though Chesterton's mystery stories constitute only a small fraction of his writings). The eight adventures in this classic British mystery trace the activities of Horne Fisher, the man who knew too much, and his trusted friend Harold March. Although Horne's keen mind and powerful deductive gifts make him a natural sleuth, his inquiries have a way of developing moral complications. Notable for their wit and sense of wonder, these tales offer an evocative portrait of upper-crust society in pre–World War I England.

    She particularly enjoys studying the fossils and formations in the magnificent cave near her father's house. The cave seems plenty safe--until the day a mysterious intruder steals the rope she uses to climb out.Rafe Kincaid is a man used to being in control--of himself, his brothers, and his family's ranch. The last thing he expects is to find a woman trapped in the cavern on his land--or to be forced to kiss her!Rafe is more intrigued by Julia than any woman he's ever known. But when their developing relationship threatens a reconciliation with his brothers, will Rafe have to choose between his family and this new love that could heal his troubled heart and secure his happiness?

    This magnificent trilogy also contains two other superb short novels. In Revenge, love causes the course of a man's life to be savagely and irrevocably altered. Nordstrom, in The Man Who Gave up his Name, is unable to relinquish his consuming obsessions with women, dancing and food.'

    Michener’s magnificent saga of the West is an enthralling celebration of the frontier. Brimming with the glory of America’s past, the story of Colorado—the Centennial State—is manifested through its people: Lame Beaver, the Arapaho chieftain and warrior, and his Comanche and Pawnee enemies; Levi Zendt, fleeing with his child bride from the Amish country; the cowboy, Jim Lloyd, who falls in love with a wealthy and cultured Englishwoman, Charlotte Seccombe. In Centennial, trappers, traders, homesteaders, gold seekers, ranchers, and hunters are brought together in the dramatic conflicts that shape the destiny of the legendary West—and the entire country.

    What follows is a rich, nostalgic look at one of our most cherished national pastimes and a remarkable story about fathers and sons, love and family, and the inimitable joy of finding your way home.

    Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

    With Butcher’s Crossing, his fiercely intelligent, beautifully written western, Williams dismantles the myths of modern America.It is the 1870s, and Will Andrews, fired up by Emerson to seek “an original relation to nature,” drops out of Harvard and heads west. He washes up in Butcher’s Crossing, a small Kansas town on the outskirts of nowhere. Butcher’s Crossing is full of restless men looking for ways to make money and ways to waste it. Before long Andrews strikes up a friendship with one of them, a man who regales Andrews with tales of immense herds of buffalo, ready for the taking, hidden away in a beautiful valley deep in the Colorado Rockies. He convinces Andrews to join in an expedition to track the animals down. The journey out is grueling, but at the end is a place of paradisal richness. Once there, however, the three men abandon themselves to an orgy of slaughter, so caught up in killing buffalo that they lose all sense of time. Winter soon overtakes them: they are snowed in. Next spring, half-insane with cabin fever, cold, and hunger, they stagger back to Butcher’s Crossing to find a world as irremediably changed as they have been.

    He was the self-styled spokesman of the "Lost Generation" and author of The Great Gatsby (1925). His debut novel, This Side of Paradise (1920) examines the lives and morality of post-World War I youth. Flappers and Philosophers (1920) was his first collection of short stories. His second novel, The Beautiful and Damned (1922), demonstrates an evolution and maturity in his writing, and provides an excellent portrait of America during the Jazz Age, as does Tales of the Jazz Age (1922).

    Then came the announcement that the whole thing was a hoax. End of story. Case closed.Except that two agents of the most secret intelligence agency in the U.S. government were on the scene and disappeared without reporting back. Then four more follow up agents also disappeared. So the head of the agency and his two top agents went in and managed to get out with their discovery: an invasion is underway by slug-like aliens who can touch a human and completely control his or her mind. What the humans know, they know. What the slugs want, no matter what, the human will do. And most of Iowa is already under their control.Sam Cavanaugh was one of the agents who discovered the truth. Unfortunately, that was just before he was taken over by one of the aliens and began working for the invaders, with no will of his own. And he has just learned that a high official in the Treasury Department is now under control of the aliens. Since the Treasury Department includes the Secret Service, which safeguards the President of the United States, control of the entire nation is near at hand.