They illuminate the gritty idiosyncrasies of immigrant life in urban barrios spanning Los Angeles to Chicago to Harlem. Rodríguez lends powerful voices to those struggling to keep the gas on, to find work, and to keep love.  Populated by a vibrant cast of characters, ranging from the drugged, to the eccentric, to the heartbroken, Rodríguez’s poems protest capitalism, violence, and exploitation while reveling in the potential of compassion.

    As we read, each of our senses is engaged, and we come to detect a search for spiritual revelations--in buildings, churches, homes, trains, and cars. Then suddenly we find ourselves back in the open, pursuing the course to Baltimore and Bucharest, to the zoo and the park, to the past and future. As ever, Ashbery's wakeful digressions are wily, comic, heartbreaking, and vertiginous.

    Families, homes, lovers, marriages -- the safe havens they have been taught to depend on no longer guarantee shelter or stability.ONE WAY OR ANOTHER introduces Peter Cameron as an extraordinary writer, one distinguished not only by his prose, which is always abundantly witty and pitch-perfect, but also by a rare generosity of heart.Included in this book are two stories that were selected for the O. HENRY PRIZE STORIES: "Homework," first published in The New Yorker, and "Excerpts from Swan Lake," first published in The Kenyon Review.

    Though things start slowly, Ivan wins her over after a strong pursuit, and the two marry, agreeing never to inflict any “irreparable wounds.” But though Ivan proves to be a fine father, he is a distant husband, and Caroline finds herself daydreaming of other men. So as the years pass, the couple finds ways to bend but not break their cardinal rule. Rough Strife, the first novel from Lynne Sharon Schwartz, was nominated for the National Book Foundation Award. In this sensational debut, Schwartz depicts a marriage that grows painfully into the modern era, despite the changes—both political and personal—that challenge it.

    The author of the award-winning Blue Angel now offers the trenchant, bitingly funny adventures of a Haitian au pair in an eccentric upper-class Hudson Valley household.

    And in the great glass tower of Eldorado TV they are getting ready to cut and edit a major series that will outshine "Brideshead" and "The Jewel in the Crown".

    The author approaches Marian's death from the viewpoints of the people that touched her life including her lover, her best friend, and even her enemies.

    Rudolfo Anaya returns to the deeply spiritual themes of his hugely popular Bless Me, Ultima with this insightful tale of a prophet and his message to save humankind from itself.

    In Blacker Than a Thousand Midnights, she fulfills the promise of the earlier book, and reintroduces readers to the inhabitants of fictional Rio Seco, California. This is the story of Darnell Tucker, and black firefighter and workingman trying to work the toughest turf of all: the straight and narrow. As his friends disappear around him - victims of the streets, of police dogs, of drugs, of an addiction to cheap thrills and guns - Darnell struggles to establish his own business, facing a thousand midnights before he's home free, with a job that supports his young family. Yet even as he gains a tentative sense of self, Darnell Tucker is drawn to the destructive beauty of fires, and to the wilder, untamed forces beyond the structure of domesticity. This search for balance in a dangerous world propels the quiet heroism of a beautifully evoked and very moving story.

    In many ways, this war, and the subsequent peace of Westphalia, would set the stage for the balance of power in Europe until the First World War in 1914. Fully illustrated to capture both the majesty and the horror of The Thirty Years' War.

    F. Freedman presents The Obstacle Course, a coming-of-age story that recounts the adventures of a colorful, profane, street-smart, and appealing fifteen-year-old boy growing up in 1957 on the Eastern Shore of Maryland. Roy Poole has to be smart because he is almost always on his own. His father is a drinker, womanizer, and wife-beater. His mother can't cope with her husband or her children; Roy copes by running with his own gang, whose escapades sometimes border on the criminal. And this young man is eminently available when the girls come after him, which is often. But there is another side to Roy. He builds model ships and regularly hitchhikes to Annapolis to run the Naval Academy's grueling obstacle course. For Roy Poole's one ambition in life, his consuming dream, is to become a midshipman. One day, like a gift from heaven, Roy meets a retired admiral who also builds model ships. The admiral is immediately attracted to the youngster, and he becomes almost a second father to the boy. Admiral Wells arranges for Roy to be admitted to a military prep school that sends most of its graduates to the Naval Academy. And then, suddenly, Roy's innocence brings about an explosion in this exotic world he has entered. Embittered and lost, Roy strikes out blindly for parts unknown. And on that adventure, particularly in an encounter with members of a black church, people that he, a Southerner in the fifties, has never known except as stereotypes, he begins the process of understanding that offers him a chance for his own redemption. This powerful and gritty coming-of-age novel will evoke memories of Holden Caulfield and Huck Finn. It also bears comparison to the novels of Pat Conroy. Best of all, The Obstacle Course confirms Freedman's talent for telling a compelling story in a full and rich original voice that marks him as a novelist with a limitless future.

    The 12 tales in this book vary in setting from a Polaris base in Scotland to a frail remnant of hippy "happiness" in Tasmania, and in subject-matter from male gynaecologists' interference with female organs to a rich woman confessing to the night sea that she has lied and cheated and "murdered".

    In setting the stage for her extraordinary tale, she recreates the aura of turn-of-the-century Frankfurt, Boston, and Saratoga Springs and of an age when private passions were hidden below the surfaces of private selves. She recalls her marriage as a sheltered young woman to the brilliantly promising Robert Maclaren, his swift rise to international musical fame, the darker story of his angry silences, and eventually, the grim details of his illness and death. In the final phase of her story she tells of the late-blossoming passion she discovers with Anna, the serene nurse who tended Robert in his dying days, and about the artists' colony they found as a tribute to his life and work.

    Dunn's landscape at the end of the century embraces the spectrum of urgencies and obsessions that we live with and for. It's a landscape that we share with citizens and spies, revelers and mourners, women who weep, men who keep secrets, and especially with the poet himself.

    Jones survives storms, dismastings, arrest by the Soviet Navy, being sunk by whales, and the smuggling of Edam cheese and Barbary apes. Through his eyes we get to meet an intriguing cast of dockside characters: Karl, the German fish-canning salesman; Pete, the Australian smuggler; Sissie, the Englishwoman who wheedles her way permanently aboard; and Nelson, Jones' three-legged dog.