In an all out street war, who will come out on top? ENGA vs. DOA, the battle lines have been drawn.

    We're magic, but we aren't magicians. We're ancient deities, all the things anyone has ever believed in, new and old. We're real and we're here, walking among you. Some of us are more special than others. Some of us hold the key to immense power and the ability to bestow it on others. Risers are hailed and hunted, wanted for the blessings they can bestow, and not always for good. From the moment I see my riser, the only woman who can help me attain maximum power in my human form, I know I want her, or at least I want what she can give me.This is the first installment of the Third Street Conjure Boys series.

    Doughty’s poems are at once absurdist and matter-of-fact; the images he conjures are thrown into high relief through cutting wordplay. In a series of prose poems about showbiz, he reimagines Cookie Monster as a burned-out suicide, and cheesy talk-show host Joe Franklin as a cross-dressing witness to the apocalypse. And in “For Charlotte, Unlisted,” he wrenchingly tracks the elusive memory of a faded romance.

    Keisha Ervin's After the Storm- Mo and Quan have been together for eight years and they've survived it all. But a storm is approaching and all of the secrets they've kept are about to be revealed. This time, will Mo and Quan be able to weather the storm? Danielle Santiago's Allure of the Game- Arnessa is on the come-up, making moves and moving weight, attracting the unwanted attention of Suef, whose blocks are hit hard due to Arnessa's success. When Suef threatens Cenise, Arnessa's little sister, Arnessa focuses all her energy on eliminating the threat. Preoccupied with Suef, will the Allure of the Game claim Cenise when Arnessa least expects it? Quentin Carter's The Fink- When Phelix Mitchell is released from prison 25 years early after testifying against his best friend, he finds out something that he was told as a child Nobody likes a tattle tale is more than just a saying. Consumed by guilt, Phelix makes the ultimate sacrifice to try to right a wrong. T. Styles' Cold as Ice- Pepper Thomas is a straight A student living in a rough part of Southeast Washington DC., who manages to stay away from drugs, violence and crime. That is, until next door neighbor and drug dealer Ice's home is robbed. With newfound evidence that can be held for ransom, can Pepper be as Cold as Ice? Leo Sullivan's B-More Love- Ashley is an innocent high school senior about to enter college. Jamal is a young thug, born and bred in Baltimore's West Port Projects. Ashley dislikes the thug, refusing his desire to help when Ashley's mother becomes ill. However, a tragic event brings the two together and in order for Ashley's mother to have a chance at living- someone must die!

    . . is strikingly different. Michael's poems are interior, fragmentary, and austere, often stripped down to single-word lines; they seethe with incipient violence. Matthew's are effusive, ecstatic, and all-embracing, spilling over with pop-cultural references and exuberant carnality." —The New YorkerIdentical twins Michael and Matthew Dickman once invented their own language. Now they have invented an exhilarating book of poem-plays about the fifty states. Pointed, comic, and surreal, these one-page vignettes feature unusual staging and an eclectic cast of characters—landforms, lobsters, and historical figures including Duke Ellington, Sacajawea, Judy Garland, and Kenneth Koch, the avant-garde spirit informing this book introduced by playwright John Guare."Lucky in Kansas"Judy Garland: This is always the worst partTin Man: The coming backJudy Garland: Yes, it fucking sucks, it's depressing as shitThe Lion: Well, we're lucky to still be employed at this farmStraw Man: I wouldn't call it luckyThe Lion: We were lucky to get backStraw Man: That's not really lucky either I don't think you know what lucky meansJudy Garland: It's funny what you missTin Man: The runningJudy Garland: The flyingTin Man: The flying monkeysJudy Garland: The beautiful flying monkeys above the endless emeralds the unbelievably green worldMichael Dickman and Matthew Dickman are identical twins who were born and raised in Portland, Oregon. Michael received the 2010 James Laughlin Award for his second collection Flies (Copper Canyon Press, 2011). Matthew won the prestigious APR/Honickman Award for his debut volume, All-American Poem.

    "The Himalayas Within Him" finds Heart worrying about the sound of his own heartbeat, wondering why it doesn't "blare like a quartet of trombones" as it reflects his "ardent complexity." In "Goodbye to the Hands That Have Touched Him" Heart, after suffering many sleepless nights, decides "that love exists at the root of his problems. Without love his path would be as smooth as a plate of glass and he'd sleep like a kitten." Dividing the Heart poems is the long "Oh, Immobility, Death's Vast Associate, " a jazzy disquisition on human isolation and inaction in the midst of a planet full of people feeling similarly. Throughout Pallbearers Envying the One Who Rides Dobyns has painstakingly sculpted straight-forward language into a distinct sound, creating an unforgettable collection of poems that offers readers unexpected revelations about the complexities of the heart.

    The misunderstandings caused by language recur throughout the book: contemplating what "yes" means in different cultures; watching Nickelodeon's "Nick at Nite" with a husband who grew up in the Philippines and never saw The Patty Duke Show; misreading another poet's title "The Difference Between Pepsi and Coke" as "The Difference Between Pepsi and Pope" and concluding that "Pepsi is all for premarital sex. / The Pope won't stain your teeth." Misunderstandings also abound as characters mingle with others from different classes. In "Cockroaches," a father-in-law refers to budget-minded American college students backpacking in Europe as cockroaches, not realizing his daughter-in-law was once, not so long ago, such a student/roach herself.With welcome levity and refreshing irreverence, The Star-Spangled Banner addresses issues of ethnicity, class, and gender in America.

    Dirty Old Men (And Other Stories) include:• “The Bartender”: a married man is tempted by a young female bartender at his after-work hangout.• “Skin Deep”: a veteran photographer falls head over heels for a young model, who in turn is the mistress of a magazine publisher.• Not even strokes or heart attacks can stop one older man from sleeping with younger women in “Addicted to It.”• In “Sugar Daddy Rules,” an older man teaches a friend how to score with younger women.With Tyree’s signature frank sex talk and insight into the historical attraction older men have for younger women, Dirty Old Men (And Other Stories) is an energizing, erotic read.

    And he also showed that within him beat the heart of an artist -- a major factor in his resilience and recovery.Now with Who Will Cry for the Little Boy?, his first collection of poetry, Antwone Fisher reveals the inner truths that took him from a tumultuous childhood to the man he is today. The powerful poems presented here range from impressions and expressions of Antwone's years growing up to the love that he has gained from the family he made for himself as an adult.From the title poem -- which is featured prominently in the movie Antwone Fisher -- a plaintive, haunting tribute to a childhood lost to abuse and neglect, to "Azure Indigo," the uplifting and touching poem about his daughters, many readers will find their own feelings and experiences reflected in this lyrical and passionate collection.

    Rogue & Kat Savage.

    Harryette Mullen is the mixer. Street, jive, down-home post-mod speech meet at the meat market. Food may be the subject of these short prose-poems, but look at us, teasing ourselves with endless adverts to buy, consume more and better - so long as its packaged right, full color box and shrink-wrapped.

    Every woman should know the feelings of being loved and radiating those feelings back to her mate. This is a beautiful expression of heartfelt emotion using short, gratifying sentiments. If there is a lover in you, you will not get enough of "Her."

    The Outernationale locates us "just off the grid," in an emotional and spiritual frontier, where reverie, outrage, history, and vision merge. Thinking and feeling become one in the urgent music of Gizzi's poems. Saturated with luminous detail, these original poems possess, even in their sorrowing moments, a dizzying freedom. This is both a poetry of conscience and the embodiment of a genuinely poetic consciousness. Objects, images, and their histories are caught here in their half-life, their profoundly human after-life. Gizzi has written a brilliant follow-up to Some Values of Landscape and Weather, a book hailed by Robert Creeley as "a breakthrough book in every way: for reader, for writer, and for the art."

    Original. 20,000 first printing.

    This small-town nurse has too many responsibilities, including caring for her aging parents, to be interested in fame or status. But as the sensual celebrity escorts her to exclusive Manhattan nightclubs and glitzy movie premieres, Faith is falling fast for the genuine, charismatic man behind the slick media image. More used to fanatics and groupies, Irvin Freeman is surprised and intrigued by Faith's down-to-earth personality. One impulsive kiss turns their private flirtation into public news. But paparazzi and crazed admirers are making her doubt their potential as a couple. Will the pressures of fame cause their love to fade before he can convince her they've found their own real-life happy ending?