Collected in a mini-book format, here--for the first time in print--are six of her quirky, wry, engaging best:In -The Fermi Paradox Is Our Business Model, - aliens reveal the terrible truth about how humans were created--and why we'll never discover aliens.-As Good as New- is a brilliant twist on the tale of three wishes, set after the end of the world. -Intestate- is about a family reunion in which some attendees aren't quite human anymore--but they're still family.-The Cartography of Sudden Death- demonstrates that when you try to solve a problem with time travel, you now have two problems.-Six Months, Three Days- is the story of the love affair between a man who can see the one true foreordained future, and a woman who can see all the possible futures. They're both right, and the story won the 2012 Hugo Award for Best Novelette.And -Clover, - exclusively written for this collection, is a coda to All the Birds in the Sky, answering the burning question of what happened to Patricia's cat.

    When light destroys shadows, darkness does not gain in density elsewhere. When shadows steal over earth and across the sky, darkness is not diluted. Featuring an Introduction by Aliette De Bodard, Conservation of Shadows features a selection of short stories from Yoon Ha Lee.Content"Ghostweight" (2011)"The Shadow Postulates" (2007)"The Bones of Giants" (2009)"Between Two Dragons" (2010)"Swanwatch" (2009)"Effigy Nights" (2013)"Flower, Mercy, Needle, Chain" (2010)"Iseul's Lexicon" (2013)"Counting the Shapes" (2001)"Blue Ink" (2008)"The Battle of Candle Arc" (2012) "A Vector Alphabet of Interstellar Travel" (2011)"The Unstrung Zither" (2009) "The Black Abacus" (2002)"The Book of Locked Doors" (2012)"Conservation of Shadows" (2012)

    He does not have friends—the two almond-shaped neurons located deep in his brain have seen to that—but his devoted mother and grandmother aren’t fazed by his condition. Their little home above his mother’s used bookstore is decorated with colorful post-it notes that remind him when to smile, when to say "thank you," and when to laugh. Yunjae grows up content, even happy, with his small family in this quiet, peaceful space.Then on Christmas Eve—Yunjae’s sixteenth birthday—everything changes. A shocking act of random violence shatters his world, leaving him alone and on his own. Struggling to cope with his loss, Yunjae retreats into silent isolation, until troubled teenager Gon arrives at his school and begins to bully Yunjae. Against all odds, tormentor and victim learn they have more in common than they realized. Gon is stumped by Yunjae’s impassive calm, while Yunjae thinks if he gets to know the hotheaded Gon, he might learn how to experience true feelings. Drawn by curiosity, the two strike up a surprising friendship. As Yunjae begins to open his life to new people—including a girl at school—something slowly changes inside him. And when Gon suddenly finds his life in danger, it is Yunjae who will step outside of every comfort zone he has created to perhaps become a most unlikely hero. The Emissary meets The Curious Incident of the Dog in the Nighttime in this poignant and triumphant story about how love, friendship, and persistence can change a life forever.

    After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing.Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.

    Yideum captures with raw honesty the sense of dread felt by many Korean women during this time as Jeong struggles in a swirl of misguided desires and hopelessness against a society distorted by competing ideologies, sexual violence, and cultural conservatism. Facing this helplessness, her impulse is to escape into the world of art. Blood Sisters is a vivid, powerful portrayal of a woman's efforts to live an authentic life in the face of injustice.

    Cultures collide in real life and virtual reality. The city is literally a weed, its growth left unchecked. Life is cheap, and data is cheaper.When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik—a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation—a shifting, flowing stream of consciousness—are just the beginning of irrevocable change.At Central Station, humans and machines continue to adapt, thrive...and even evolve.

    Along the way, Karel Capek satirizes science, runaway capitalism, fascism, journalism, militarism, even Hollywood.

    We meet amputee sons whose mothers cart them from brothel to brothel; we meet brothers who love their brother's lovers, and whose lovers in turn are stolen away by the husbands of their sisters. Sexuality in all its ugliness and wonder is put under the microscope by Lee Seung-U, who reminds us that love may come in various forms, but that it is, nonetheless, a force that unifies us all . . . whether we like it or not.

    Her publications in English include The Embroidered Shoes, Five Spice Street, Vertical Motion, and The Last Lover, which won the 2015 Best Translated Book Award for Fiction.Karen Gernant is a professor emerita of Chinese history at Southern Oregon University. She translates in collaboration with Chen Zeping.Chen Zeping is a professor of Chinese linguistics at Fujian Teachers' University, and has collaborated with Karen Gernant on more than ten translations.

    They bide their time, waiting for an extraordinary event to end their stasis. A politician’s wife imagines her life had her husband’s accident been fatal, a man on death row requests that a friend clear up a misunderstanding with a prostitute, and an elevator attendant feels himself wasting away while trapped, immobile, at his station all day.With curious wit, this collection offers revelatory insight and subtle critique, exploring class, gender, and disenchantment in a changing country.

    Revisions from the author's notes are included, allowing a deeper view into her world and a better understanding of her work. The Nebula Award–winning short story Love Is the Plan, the Plan Is Death, the Hugo Award–winning novella The Girl Who Was Plugged In, and the Hugo and Nebula Award–winning novella Houston, Houston, Do You Read? are included.The stories of Alice Sheldon, who wrote as James Tiptree Jr. ( Up the Walls of the World ) until her death in 1987, have been heretofore available mostly in out-of-print collections. Thus the 18 accomplished stories here will be welcomed by new readers and old fans. ''The Screwfly Solution'' describes a chilling, elegant answer to the population problem. In ''Love Is the Plan the Plan Is Death,'' the title tells the tale--species survival insured by imprinted drives--but the story's force is in its exquisite, lyrical prose and its suggestion that personal uniqueness is possible even within biological imperatives. ''The Girl Who Was Plugged In'' is a future boy-meets-girl story with a twist unexpected by the players. ''The Women Men Don't See '' displays Tiptree's keen insight and ability to depict singularity within the ordinary. In Hugo and Nebula award-winning ''Houston, Houston, Do You Read?'' astronauts flying by the sun slip forward 500 years and encounter a culture that successfully questions gender roles in ours.ContentsIntroduction by Michael SwanwickThe Last Flight of Doctor Ain (1969)The Screwfly Solution (1977)And I Awoke and Found Me Here on the Cold Hill’s Side (1972)The Girl Who Was Plugged In (1973)The Man Who Walked Home (1972)And I Have Come Upon This Place by Lost Ways (1972)The Women Men Don’t See (1973)Your Faces, O My Sisters! Your Faces Filled of Light! (1976)Houston, Houston, Do You Read? (1976)With Delicate Mad Hands (1981)A Momentary Taste of Being (1975)We Who Stole the Dream (1978)Her Smoke Rose Up Forever (1974)Love Is the Plan the Plan Is Death (1973)On the Last Afternoon (1972)She Waits for All Men Born (1976)Slow Music (1980)And So On, and So On (1971)

    They include "The Prisoner of the Caucasus," inspired by Tolstoy's own experiences as a soldier in the Chechen War, "Hadji Murat," the novella Harold Bloom called "the best story in the world," "The Devil," a fascinating tale of sexual obsession, and the celebrated "The Death of Ivan Ilyich," an intense and moving examination of death and the possibilities of redemption. Pevear and Volokhonsky's translation captures the richness, immediacy, and multiplicity of Tolstoy's language, and reveals the author as a passionate moral guide, an unflinching seeker of truth, and ultimately, a creator of enduring and universal art. "From the Trade Paperback edition."

    By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that black men and women contend with every day. These stories tackle urgent instances of racism and cultural unrest and explore the many ways we fight for humanity in an unforgiving world.

    Atile'i is one such boy, but as the strongest swimmer and best sailor, he is determined to defy destiny and become the first to survive.Alice Shih, who has lost her husband and son in a climbing accident, is quietly preparing to commit suicide in her house by the sea. But her plan is interrupted when a vast trash vortex comes crashing onto the shore of Taiwan, bringing Atile'i with it.In the aftermath of the catastrophe, Atile'i and Alice retrace her late husband's footsteps into the mountains, hoping to solve the mystery of her son's disappearance. On their journey, memories will be challenged, an unusual bond formed, and a dark secret uncovered that will force Alice to question everything she thought she knew.

    The beautiful Indo prostitute Dewi Ayu and her four daughters are beset by incest, murder, bestiality, rape, insanity, monstrosity, and the often vengeful undead. Kurniawan's gleefully grotesque hyperbole functions as a scathing critique of his young nation's troubled past: the rapacious offhand greed of colonialism; the chaotic struggle for independence; the 1965 mass murders of perhaps a million "Communists," followed by three decades of Suharto's despotic rule.Beauty Is a Wound astonishes from its opening line: "One afternoon on a weekend in May, Dewi Ayu rose from her grave after being dead for twenty-one years…" Drawing on local sources—folk tales and the all-night shadow puppet plays, with their bawdy wit and epic scope—and inspired by Melville and Gogol, Kurniawan's distinctive voice brings something luscious yet astringent to contemporary literature.