In Can You Forgive Her? Trollope inextricably binds together the issues of parliamentary election and marriage, of politics and privacy. The values and aspirations of the governing stratum of Victorian society are ruthlessly examined and none remain unscathed. Above all Trollope focuses on the predicament of women. 'What should a woman do with her life?' asks Alice Vavasor of herself, and this theme is echoed by every other woman in the novel, from the uncomfortably married Lady Glencora to the coquettish Mrs Greenow and Alice's clear-headed cousin, Kate.

    His parents, however, disapprove of his ambition, urging him instead to take his rightful place as a gentleman of leisure—with a suitable wife of their choosing, of course. Ellie Napper would like nothing more than for her parents to abandon their incessant efforts to marry her off to the greatest possible advantage. Her lack of matrimonial enthusiasm drives her family mad, but she refuses to feign frivolity in order to make herself more palatable to potential suitors. When Ellie and Newton are introduced through their mutual acquaintance, Charlie Jonquil, they commiserate over their shared plight. In desperation, they hatch a plan: Ellie and Newton will feign an interest in each other—enough to convince their parents not to push them toward unwanted matches but not enough to cause whispers or expectations. Their plot quickly spirals out of control, but the greatest complication is the one they didn’t see coming: their plan never included falling in love.

    But with nearly all of her sisters married and gone from the household, the unrefined Mary has transformed into an attractive and eligible young woman in her own right.When another scandal involving Lydia and Wickham threatens the Bennet house, Mary and Kitty are packed off to visit Jane and her husband, Charles Bingley, where they meet the dashing Henry Walsh. Eager and naïve, Mary is confused by Henry's attentions, even as she finds herself drawing closer to him. Could this really be love—or the notions of a foolish girl unschooled in the art of romance and flirtation?

    Set in the northern countryside of Victorian-era England, this spellbinding novel of good and evil, wealth and want, and the profound power of love is another major achievement in the career of one of the world's most widely read and beloved authors.

    The journey is triggered by a mysterious package left to Leo by his father, to be opened on his 25th birthday; the package contains an ancient shard of pottery and several documents, suggesting an ancient mystery about the Vincey family. Holly and Leo eventually arrive in eastern Africa where they encounter a primitive race of natives and a mysterious white queen, Ayesha, who reigns as the all-powerful "She" or "She-who-must-be-obeyed" and who has a mysterious connection to young Leo. The story expresses numerous racial and evolutionary conceptions of the late Victorians, especially notions of degeneration and racial decline prominent during the fin de siècle. In the figure of She, the novel notably explored themes of female authority and feminine behaviour. It has received praise and criticism alike for its representation of womanhood. (From Wikipedia)

    Its coaching inn, The Bell, is its lifeblood--along with the coach lines that stop there daily, bringing news, mail, travelers, and much-needed trade.Jane Bell lives on the edge of the inn property. She had been a genteel lady until she married the charming innkeeper who promised she would never have to work in his family's inn. But when he dies under mysterious circumstances, Jane finds herself The Bell's owner, and worse, she has three months to pay a large loan or lose the place.Feeling reluctant and ill-equipped, Jane is tempted to abandon her husband's legacy and return to her former life of ease. However, she soon realizes there is more at stake than her comfort. But who can she trust to help her? Her resentful mother-in-law? Her husband's brother, who wanted the inn for himself? Or the handsome newcomer with secret plans of his own . . . ?With pressure mounting from the bank, Jane struggles to win over naysayers and turn the place around. Can Jane bring new life to the inn, and to her heart as well?

    No one could guess she had been forced to take a position in trade—or that she had come to the Earl of Auden’s estate to entice him into naming her dismayingly disagreeable cousin Anthony heir to a fortune that she then could share.But Elizabeth had stiff competition for the Earl’s imperious favor…from the schemingly seductive Lady Isabel Courtney and her odious little boy, Owen…from the implacably upright Richard Courtney and his unfortunate honesty…and from the memory of the Earl’s first wife, who had made him despise women who deceived.Elizabeth knew she could never reveal the truth to the Earl—even when she forgot about gaining his fortune and began losing her heart….

    Fourteen years later the Petroski brothers arrived in London setting it alight with their breathtaking presence, bone melting accents and heart fluttering masculinity; eligible women were all interested in their availability. And yet the Prince’s betrothed, Miss Georgina Franklin, was yet to receive a visit.

    So she leases the Dower House from a kindly baron on a neighboring estate, believing that she has successfully met the greatest challenge of her life.How wrong she is! The kindly baron dies. An orphan arrives, whom Katherine accepts as her nephew. She is determined to provide for him, which means she must forget about love and marry a gentleman with money.There are three possibilities.Her cousin, Sir Clive Brampton, is eager to let bygones be bygones and marry Katherine. She would be able to return to her family home and live a life of financial ease. Her nephew would be provided for and launched into a career deemed suitable by Sir Clive. Can Katherine just accept Sir Clive’s generous offer?The Reverend Mr. Augustus Wharton, the newly arrived vicar, listens attentively to Katherine’s anguished musings over the loss of her brother on a distant battlefield in Spain. There are rumors that Mr. Wharton’s present vocation is a stunning contrast to his past as a hard drinking, gambling rake. Katherine dismisses the rumors and wonders if she could live happily with a man for whom she feels only sisterly affection.Finally, there is the new baron, Lord Henry Dracott. Lord Harry, as he is called, is clearly attracted to Katherine. But in spite of their best efforts to be civil to each other, their disagreements end up in arguments. Although there is mutual attraction, Katherine knows that Lord Harry’s heart is buried with his dead wife.Katherine tries to be a sensible lady and accept a practical marriage. But will her heart let her?

    The Duchess of Waverly is sympathetic to her son's predicament and helps him find a suitable female to fill the position. Miss Catherine Hayward accepts this unusual job. She is surprised to find that the need to keep her new charge from being compromised is genuine. It isn't long before her sympathetic and protective feelings give way to more pleasant, fanciful notions of sharing his company. Soon Catherine finds herself falling for her employer, the Marquess, which makes her the exact type of woman from whom he is to be protected.

    Lord David Chambers has one goal—to put his father’s Scotland estate to rights. Even if it means leaving in the middle of the London Season and avoiding the matchmakers. As the second son of a duke, David looks forward to facing the wilds of Scotland, and trying to make something of himself and prove his worth to his father. But David’s not prepared for the censure he receives from the local Scottish gentry, especially Ceana Shaw, the baronet’s daughter who not only mistakes him for the duke himself, she seems determined to think the worst of David. VINGT-ET-UN | TWENTY-ONE by Nichole Van. Eliza Mail had found the perfect place to live out her days as a young widow, away from the pain of her past and lost love. Seemingly by chance, Eliza’s childhood neighbor, Liam Trebor, Duke of Chawton, comes to her village for a visit. Eliza hasn’t seen Liam in over five years, and his presence panics her. Will he reveal what he knows to her friends and neighbors, destroying her current life? Eliza must avoid Liam at all costs, but he seems equally determined to flush her out of hiding. What happens if Eliza’s past does not stay where it belongs . . . in her past? I KISSED A DUKE by Janelle Daniels. Madeline Maybury will do anything to be invited into the inner circles of the ton. She takes on a challenge from a high society lady to kiss the Duke of Hargrave. When she finds Ethan alone and explains that she needs to kiss him, instead of turning her away, he’s amused. He also obliges. Madeline believes she can report back and achieve all of her ambitions. Instead, she’s given an even greater task. Once she accomplishes it, she realizes that the Duke of Hargrave is a very different man than she expected, and she’s in grave danger of falling in love.

     Faced with her stepbrother’s betrayal and an unwanted marriage, Alice Rosemeyer accepts an invitation to the estate of Larkhall. Determined to earn her future security without a husband, she begins operating as the anonymous Ace of Hearts, writing love letters on behalf of the men eager to secure a match at the close of the London season. If she can manage to keep her identity secret, her reputation intact, and avoid the arrogant house guest, Mr. Thomas Herring, she might just call herself successful. When Thomas Herring's sister marries an indebted man because of a love letter, he has no choice but to marry into money himself. Invited to stay at Larkhall, he sets his sights on the wealthy sister of his host. When she appears indifferent, he stumbles upon an advertisement: a gentleman offering assistance in matters of the heart. An ace, so he is called. But when he turns out to be she, and also a guest at the same house, his task is further complicated—especially as Alice proves herself to be as captivating as she is clever. With reputations, secrets, and more than one heart at risk, Alice and Thomas become trapped in a game with no rules, a game neither intended to play. Had they been wrong to play love for a fool? The Ace of Hearts is a sweet regency romance novel, book one in the Larkhall Letters series by Ashtyn Newbold.

    But when her father, Lord Bedley, discovers that the situation in Wales is not what he thought, and that Rhys is in trade, a gulf opens for a pair who’ve come to love each other. Will a difference in class keep them apart?

    At least that hasn’t changed. Two - Impossibly, time can be bent, shaped, and altered. Jumping centuries breaks laws, and I’m living the consequences—good and bad. Three - My future is undeniably cemented in the past. He lives in yesterday, but I want him to be part of my tomorrow. Four - Some things lost are not lost forever. Sometimes they’re only misplaced. Five - Evil is not confined by time. And this evil has traveled to find me. One week ago, I didn’t know time could move backwards. One week ago, I didn’t know anything existed behind the glass of the mirror. One week ago, I didn’t know—couldn’t know—that when I finally found light, I unwillingly welcomed darkness.

    Clara is an idealistic journalist determined to defend underprivileged workers.Can they withstand the cost of their convictions while their hearts--and lives--hang in the balance?