Valente, Dexter Palmer and others KAREN JOY FOWLER, guest editor, is the author of six novels and four short story collections, including We Are All Completely Beside Ourselves. She is the winner of the 2014 PEN/Faulkner Award, a finalist for the Man Booker Prize, and has won numerous Nebula and World Fantasy awards. JOHN JOSEPH ADAMS, series editor, is the best-selling editor of more than two dozen anthologies, including Brave New Worlds and Wastelands. He is the editor and publisher of the digital magazines Lightspeed and Nightmare and is the editor of John Joseph Adams Books, a new science fiction/fantasy novel imprint from Houghton Mifflin Harcourt.Table of Contents:"Meet Me in Iram" by Sofia Samatar"The Game of Smash and Recovery" by Kelly Link"Interesting Facts" by Adam Johnson"Planet Lion" by Catherynne M. Valente"The Apartment Dweller’s Bestiary" by Kij Johnson"By Degrees and Dilatory Time" by S.L. Huang"The Mushroom Queen" by Liz Ziemska"The Daydreamer by Proxy" by Dexter Palmer"Tea Time" by Rachel Swirsky"Headshot" by Julian Mortimer Smith"The Duniazát" by Salman Rushdie"No Placeholder for You, My Love" by Nick Wolven"The Thirteen Mercies" by Maria Dahvana Headley"Lightning Jack’s Last Ride" by Dale Bailey"Things You Can Buy for a Penny" by Will Kaufman"Rat Catcher’s Yellows" by Charlie Jane Anders"The Heat of Us: Notes Toward an Oral History" by Sam J. Miller"Three Bodies at Mitanni" by Seth Dickinson"Ambiguity Machines: an Examination" by Vandana Singh"The Great Silence" by Ted Chiang

    An older married man.  Their haunted relationship evolves in a floating melange of restaurants and hotel rooms against the looming backdrop of their separate, anonymous cities.  Although erotically charged, the affair is never consummated - yet the love Fiona feels intensifies into an obsession that continues to possess her long after Raymond leaves her.  Along the way, at receptions and restaurant tables, at dinner parties and on trips, Fiona meets other men and women in relationships that are coming together or falling apart-friendships, marriages, love affairs - each offering their own version of love's nature.  And, throughout, Raymond's wife Helen holds a central place.  For Fiona, Helen herself is "the other woman" - mysterious, enviable and untouchable.

    Nothing, in short, to signify the deep change that each member of the Harrelson household will undergo. Parents Gene and Helen turn away from each other and look inward, losing themselves in private fantasies. Ten-year-old Crispy devises elaborate strategies for her escape from the suffocating clutch of the Harrelson home and into the waiting arms of pop star Marky Mark.But the heart of this family portrait is younger brother Stephen, who, along with his quirky and creative friend Nicole, crafts an alternative reality in which their comic book hero, Wolf Boy, battles the forces of evil, champions the powers of good, and fights to keep his family intact. Through Wolf Boy, Stephen finds an outlet for his grief and a concrete expression for his place in a family spiraling out of control and for all the natural yearnings and hopes of a typical thirteen-year-old. Wolf Boy’s adventures are featured throughout the book, introducing a graphic-novel subplot that adds humor and visual interest and stretches the limits of the conventional novel.With warmth, humor, hope, and empathy, Evan Kuhlman’s debut novel is truly unforgettable and signals a fresh new voice in today’s fiction.

    With "Year's Best SF 17, " acclaimed, award-winning editors and anthologists David G. Hartwell and Kathryn Cramer demonstrate the amazing depth and power of contemporary speculative fiction, showcasing astonishing stories from some of the genre's most respected names as well as exciting new writers to watch. Prepare to travel light years from the ordinary into a tomorrow at once breathtaking, frightening, and possible, with tales of wonder from: Elizabeth Bear Gregory Benford Neil Gaiman Nancy Kress Michael Swanwick and others.Contentsxi • Introduction (Year's Best SF 17) • essay by David G. Hartwell and Kathryn Cramer1 • The Best Science Fiction of the Year Three • (2011) • shortfiction by Ken MacLeod16 • Dolly • (2011) • shortstory by Elizabeth Bear34 • Altogether Elsewhere, Vast Herds of Reindeer • (2011) • shortstory by Ken Liu48 • Tethered • (2011) • shortfiction by Mercurio D. Rivera73 • Wahala • (2011) • shortfiction by Nnedi Okorafor96 • Laika's Ghost • (2011) • novelette by Karl Schroeder128 • Ragnarok • (2011) • poem by Paul Park140 • Six Months, Three Days • (2011) • novelette by Charlie Anders [as by Charlie Jane Anders ]163 • "And Weep Like Alexander" • (2011) • shortfiction by Neil Gaiman169 • The Middle of Somewhere • (2011) • shortfiction by Judith Moffett195 • Mercies • (2011) • novelette by Gregory Benford220 • The Education of Junior Number 12 • [Machine Dynasties] • (2011) • shortfiction by Madeline Ashby246 • Our Candidate • (2011) • shortstory by Robert Reed261 • Thick Water • (2011) • shortfiction by Karen Heuler281 • The War Artist • (2011) • shortstory by Tony Ballantyne294 • The Master of the Aviary • (2011) • shortfiction by Bruce Sterling323 • Home Sweet Bi'ome • (2011) • novelette by Pat MacEwen346 • For I Have Lain Me Down on the Stone of Loneliness and I'll Not Be Back Again • (2011) • shortstory by Michael Swanwick364 • The Ki-anna • (2011) • novelette by Gwyneth Jones388 • Eliot Wrote • (2011) • shortstory by Nancy Kress403 • The Nearest Thing • (2011) • novelette by Genevieve Valentine430 • A Vector Alphabet of Interstellar Travel • (2011) • shortstory by Yoon Ha Lee438 • The Ice Owl • (2011) • novella by Carolyn Ives Gilman

    Gathered into one volume by intrepid chrononauts and world-renowned anthologists Ann and Jeff VanderMeer, this book compiles more than a century's worth of literary travels into the past and the future that will serve to reacquaint readers with beloved classics of the time travel genre and introduce them to thrilling contemporary innovations.This marvelous volume includes nearly seventy journeys through time from authors such as Douglas Adams, Isaac Asimov, Ray Bradbury, William Gibson, Ursula K. Le Guin, George R. R. Martin, Michael Moorcock, H. G. Wells, and Connie Willis, as well as helpful non-fiction articles original to this volume (such as Charles Yu's "Top Ten Tips For Time Travelers").In fact, this book is like a time machine of its very own, covering millions of years of Earth's history from the age of the dinosaurs through to strange and fascinating futures, spanning the ages from the beginning of time to its very end. The Time Traveler's Almanac is the ultimate anthology for the time traveler in your life.

    She can't grow wings because is she under a death promise to a local king. So she takes service at his castle as the Least Jester, hoping to earn her wings and learns a great deal about cupcakes, tea daemons, and Earth dragons along the way. This a short comedic fairy tail, coming in at just under 5000 words (or about 10 pages). In it Gail gets up to her usual silly tricks, tea saturated prose, and food driven biting wit.First published in Sword and Sorceress 22, 2007

    In the title story, a father looks back on the legend of the cherished family dog whose divided loyalties mirrored the fragmenting of his marriage. In "Christmas Party," a young man entertains dark thoughts as he watches his newly remarried ex-wife leading the life he once imagined they would share. "A Former Marine" asks, to chilling effect, if one can ever stop being a parent. And in the haunting, evocative "Veronica," a mysterious woman searching for her missing daughter may not be who she claims she is.Moving between the stark beauty of winter in upstate New York and the seductive heat of Florida, A Permanent Member of the Family charts with subtlety and precision the ebb and flow of both the families we make for ourselves and the ones we're born into, as it asks how we know the ones we love and, in turn, ourselves. One of our most acute and penetrating authors, Banks's virtuosic writing animates stories that are profoundly humane, deeply—and darkly—funny, and absolutely unforgettable.Russell Banks is one of America's most prestigious fiction writers, a past president of the International Parliament of Writers, and a member of the American Academy of Arts and Letters. His work has been translated into twenty languages and has received numerous prizes and awards, including the Commonwealth Writers' Prize. He lives in upstate New York and Miami, Florida.

    As the robotic revolution continues to creep into our lives, it brings with it an impending sense of doom. What horrifying scenarios might unfold if our technology were to go awry? From self-aware robotic toys to intelligent machines violently malfunctioning, this anthology brings to life the half-formed questions and fears we all have about the increasing presence of robots in our lives. With contributions from a mix of bestselling, award-winning, and up-and-coming writers, and including a rare story by “the father of artificial intelligence,” Dr. John McCarthy, Robot Uprisings meticulously describes the exhilarating and terrifying near-future in which humans can only survive by being cleverer than the rebellious machines they have created.

    In Why We Need Love, Simon Van Booy curates an enlightening collection of excerpts, passages, and paintings, presenting works by Geoffrey Chaucer, William Shakespeare, John Donne, William Blake, George Eliot, Emily Dickinson, O. Henry, W. B. Yeats, James Joyce, E. E. Cummings, Anaïs Nin, Marc Chagall, J. Krishnamurti, and others.Provocative and eye-opening, Why We Need Love is one of three slim selections of philosophical texts and excerpts—along with Why We Fight and Why Our Decisions Don’t Matter—introduced and contextualized by acclaimed author Simon Van Booy (Love Begins in Winter, The Secret Lives of People in Love).

     The Moore family were early settlers from Ireland, who eventually made their home in Virginia. A branch of the family discovered Abb’s Valley; a remote settlement, isolated but idyllic, and which had once belonged to Cherokee and Shawnee natives. After many years of happiness, forming a successful and religiously-devoted community, the Moore family was brutally attacked. The Shawnees ruthlessly killed the majority of the family, taking the survivors prisoner, including Mary Moore, James Moore Brown’s mother. Mary found herself sold into slavery, and thus began a long and arduous journey to gain back her freedom and return to the home of youth. With unwavering faith in God and a belief that following His path would set her free, Mary was eventually rescued. This remarkable book, long suppressed because of the politically incorrect facts it contains about early frontier life and the interactions between white settlers and Indians, provides a dramatic insight into the sufferings of the early European pioneers in America. Indians regularly captured whites for use as slaves — although those were the lucky ones. The less fortunate were tortured and killed, often for sport. Written with a strong focus on Presbyterianism, the book’s value lies in its dispassionate detailing of the everyday life and dangers for families on the frontier. Born in Rockbridge, Virginia, USA on 1799 to Samuel Brown and Mary Moore (one of the captives of Abb’s Valley), James Moore Brown married Mary Ann Bell and had 6 children. He passed away on 1866 in Virginia, USA. His only book, The Captives of Abb’s Valley was first published in 1854.

    Debtors come knocking aggressively on her door, making threats, and all she can do is pray that God sends help—fast! Help comes in the guise of a mail-order bride ad and soon Elizabeth is sailing to America, on her way to marry Edmund Williams in San Diego, California. But danger follows her across the ocean and into the arms of Edmund, who has also lost everything and stands to lose even more as he and his friends confront the Clawson Gang that is threatening San Diego. Just when it looks like two shattered lives may finally be mended, Elizabeth’s past reaches out to yank her back. Will Edmund’s steadfast love and Elizabeth’s faith be enough to save both their lives?  There are 6 clean and wholesome Mail Order Bride stories in this series that will touch your heart.  These are tales demonstrating qualities of fortitude, strength, and valor through biblical themes.  Stories you’ll find in this series are: Book 1 – A Home for Elizabeth Book 2 – A Sturdy Hand for Sharron Book 3 – Welsh Beauty for a Fierce FighterBook 4 – Irish Lass for a Wounded WarriorBook 5 – An English Bride for a Lonely CaptainBook 6 - A Highlander Bride for the Dark Rider

    It didn't give you the date and it didn't give you specifics. It just spat out a sliver of paper upon which were printed, in careful block letters, the words DROWNED or CANCER or OLD AGE or CHOKED ON A HANDFUL OF POPCORN. It let people know how they were going to die." Machine of Death tells thirty-four different stories about people who know how they will die. Prepare to have your tears jerked, your spine tingled, your funny bone tickled, your mind blown, your pulse quickened, or your heart warmed. Or better yet, simply prepare to be surprised. Because even when people do have perfect knowledge of the future, there's no telling exactly how things will turn out. Featuring stories by: * Randall Munroe* Ben "Yahtzee" Croshaw* Tom Francis* Camille Alexa* Erin McKean* James L. Sutter* Douglas J. Lane* and many others.Featuring illustrations by: * Kate Beaton* Kazu Kibuishi* Aaron Diaz* Jeffrey Brown* Scott C.* Roger Langridge* Karl Kerschl* Cameron Stewart* and many others

    Unlikely associates, this cynical thief and idealist swordsman, were just learning how to work together as a team. In this standalone short story of The Riyria Chronicles, Royce is determined to teach his naive partner a lesson about good deeds. Join Royce and Hadrian in this short story (5,400 words).This is now a chapter in Ryria Chronicles # 2: The Rose and the Thorn, so for those looking to read the entire series in order, reading this short story on its own isn't necessary.

    There are the surprising, fresh little phrases minted expressly to convey the delicate realities of the made-up world. There's the humor, fierce and sly but always kind. There's the imagination that changes gender and historical epoch at whim, and does so convincingly; and the characters themselves, a sundry bunch of men and women not necessarily successful or commendable but always, somehow, likable. Best of all, by their very diversity, these stories reveal glimpses of the smart and enigmatic woman behind the work. In "Atlantic Crossing," Winterson becomes a middle-aged businessman of the mid-20th century, accidentally assigned to share his second-class cabin with a young black woman on a transatlantic crossing. In the realm of event, little happens, but in its depth of perception and what it tells of the nuances of regret, the story is as rich as a novel in another writer's hands. A few scant pages later, Winterson becomes a kind of lost female Homer, telling Orion's story from Artemis's point of view: "When she returned she saw this huge rag of a man eating her goat, raw.... His reputation hung about him like bad breath." In "The Poetics of Sex," she creates a lesbian love story that evokes her characters' personalities as explicitly as their erotic pleasures. "The 24-Hour Dog," the story of a woman writer returning a puppy she had thought to adopt, is remorseless as a psychological thriller in the squirmy depths it plumbs: "I had made every preparation, every calculation, except for those two essentials that could not be calculated: his heart and mine." Read The World and Other Places twice, once for instruction, once for joy. --Joyce Thompson

    His vast, intellectually rigorous books have ranged in setting from the distant past (The Baroque Cycle) to the modern era (Reamde) to the remote future (Anathem, Seveneves). But when Stephenson turns his attention to shorter forms, the results can be every bit as impressive, as this dazzling novella—itself a kind of tightly compressed epic—clearly indicates. Atmosphæra Incognita is a beautifully detailed, high-tech rendering of a tale as old as the Biblical Tower of Babel. It is an account, scrupulously imagined, of the years-long construction of a twenty-kilometer-high tower that will bring the human enterprise, in all its complexity, to the threshold of outer space. It is a story of persistence, of visionary imaginings, of the ceaseless technological innovation needed to bring these imaginings to life. At the same time, it shows us our familiar planet from an entirely new perspective, and offers vivid snapshots of the unique beauties and unexpected hazards of the “atmosphæra incognita” that lies between this world and “the deep ocean of the cosmos.” The result is pure pleasure, pure excitement, pure Neal Stephenson. No one with an interest in Stephenson’s work, or in science fiction at its most thoughtful and ambitious, can afford to miss this latest edition to an extraordinary body of work.