Brian Doyle’s The Kind of Brave You Wanted to Be is a book of cadenced notes on the swirl of miracle and the holy of attentiveness; a book about children and birds, love and grief and everything alive, which is to say all prayers.

    The poet's imagination of romanticism is captured in the vividly described poems. The poems are written in Hindi and the poet not only narrates the poems in the book but has also sung it in tune. The poems are appealing to the young generation and have been read widely by people in India and abroad

    Archeophonics, defined as the archeology of lost sound, is one way of understanding the role and the task of poetry: to recover the buried sounds and shapes of languages in the tradition of the art, and the multitude of private connections that lie undisclosed in one's emotional memory. The book takes seriously the opening epigraph by the late great James Schuyler: "poetry, like music, is not just song." It recognizes that the poem is not a decorative art object but a means of organizing the world, in the words of anthropologist Clifford Geertz, "into transient examples of shaped behavior." Archeophonics is a series of discrete poems that are linked by repeated phrases and words, and its themes and nothing less than joy, outrage, loss, transhistorical thought, and day-to-day life. It is a private book of public and civic concerns.

    Pushing her boundaries with more challenging technical poetry writing, she hopes her readership would appreciate Daylight Dialogues as much as they did Midnight Monologues.Paperback is already available in Malaysia, Singapore and the Philippines and has reached the Best seller's list.

    The poet Donald Davie writes: 'Vikram Seth's poems should have an impact far beyond much noisier pieces; for when did we last see a volume in which the poet's eye is on what is objectively before him, rather than on the intricacies of his own sensibility?'

    Widely regarded as one of the country's most important Native American poets, Ortiz has led a thirty-year career marked by a fascination with language—and by a love of his people. This omnibus of three previous works offers old and new readers an appreciation of the fruits of his dedication.Going for the Rain (1976) expresses closeness to a specific Native American way of life and its philosophy and is structured in the narrative form of a journey on the road of life. A Good Journey (1977), an evocation of Ortiz's constant awareness of his heritage, draws on the oral tradition of his Pueblo culture. Fight Back: For the Sake of the People, For the Sake of the Land (1980)—revised for this volume—has its origins in his work as a laborer in the uranium industry and is intended as a political observation and statement about that industry's effects on Native American lands and lives. In an introduction written for this volume, Ortiz tells of his boyhood in Acoma Pueblo, his early love for language, his education, and his exposure to the wider world. He traces his development as a writer, recalling his attraction to the Beats and his growing political awareness, especially a consciousness of his and other people's social struggle. "Native American writers must have an individual and communally unified commitment to their art and its relationship to their indigenous culture and people," writes Ortiz. "Through our poetry, prose, and other written works that evoke love, respect, and responsibility, Native Americans may be able to help the United States of America to go beyond survival."

    Best of all, he's packed us in his suitcase. He represents an ever-changing population of those raised elsewhere who find themselves beckoned by the history, mystique, and magic-makers of New York City. These poems inhabit their own contradictions, and exquisitely navigate the many complicated sides of what it means to be alive. About The Author: Jon Sands has been a professional teaching and performing artist since 2007. He's a recipient of the 2009 NYC-LouderARTS fellowship grant, and has represented New York City multiple times at the National Poetry Slam. He is the Director of Poetry and Arts Education Programming at the Positive Health Project, as well as a Youth Mentor with Urban Word-NYC. His work has appeared in decomP magazine, The Millions, Suss, The Literary Bohemian, Danse Macabre, The November 3rd Club, and others. He lives in New York City, where he makes better tuna salad than anyone you know.

    Color these images and recite these poetries together at Sunset/evening. The love quotients between you would increase exponentially.

    Moved on to Caius Became the baius knaius. 'Oxford Blues' is one of the many new poems in this expanded and revised edition of The State of Poetry, Roger McGough's book of short humorous verse which was published in 2005 as part of Penguin's 70s series celebrating its 70th anniversary. From a poem commissioned to commemorate Dylan Thomas in just 140 characters, which unfortunately comes to an end mid-word, to a pre-emptive erratum notice, these poems show McGough at his inventive, hilarious best - and there are also new line drawings by the author offered at no extra cost.

    tr Rosmarie Waldrop, second of 2-vol set

    Life is now nowhere Else. Live, live for Today I say, but The moments tick And groan, moan With the dismal passage Of time and I wait Forever for what Cannot be. Poems of feeling and experience, the anthology encompasses all of life and beyond: death, the universe, hopes, dreams, love, loss - all of existence contained in one work. Poetry that captures both moments and lifetimes, memories and hopes, reality and dreams. Poems to identify with, poems of life.

    It contains his earliest poems - in nazm, ghazal and qita form - that set him on course to becoming the greatest and most-read Urdu poet of the 20th century.

    I AM Magic shows you exactly how to create magic in your own life.In this book, you’ll discover: •A better way of thinking about what you’re thinking!•How to focus on the good things and bring more of these your way•How to find delight in the everyday stuff•An easy to remember way of staying on the happiness trackYou no longer have to leave your life to chance. This book shows you how to take control of your own happiness and create a better life.If you don’t want to spend hours reading a book but you want the feel good factor , then you’ll love I AM Magic’s easy to remember rhymes, which set you up quickly and easily for a happy day, every day.

    Don't lose more time searching for the perfect poems or readings - I've already done all the hard work to save you the trouble. This book combines several well known anthologies and brings you well over 1000 poems since 1250. The original anthologies used as a source are: 1919 Arthur Quiller-Couch, The Oxford Book of English Verse, and 1917 The New Poetry - An Anthology - Edited by Harriet Monroe and Alice Corbin Henderson.

    Linguistics. Originally appearing in 1977 and now in its 11th printing, THE NEW SENTENCE by Ron Silliman is a classic collection of essays by one of the sharpest minds in American contemporary poetic thought. It is a collection with rich insight into Silliman's own monumental poetical work and the writing of his peers, a book which both illuminates the concerns of the era in which it was written and radiates outward with a tremendous scope that continues to bear fruit for the contemporary reader. Ron Silliman is a terrific prose critic...positively bristles with intellectual and political energy of a very high order -Bruce Boone.