Ever been racially slurred in the sack? Ever been subjected to strangers yelling at you at 3am about the most intimate details of your life? Ever been to New York? Six characters from wildly different backgrounds make love, war and hysteria late one night in the cultural, sexual and generational smorgasbord that is Manhattan.

    1999 - In a world of scientific chaos, cloning and genetic engineering, the cellar of the same house reveals a dark secret buried for 200 years.

    Over the years these authoritative, critically acclaimed editions have been the preferred choice of more than three million readers for personal libraries and individual study as well as for classroom use.

    Starring Leonardo DiCaprio (What's Eating Gilbert Grape, The Basketball Diaries) and Claire Danes (My So-Called Life, Little Women) as the doomed lovers, the film is set in a modern city. The actors speak Shakespeare's words--but with their own American accents.Readers can now experience this new vision of Shakespeare's violent, tragic play alongside the Bards original text, in a special single volume that features an introduction by the film's director.--back cover

    Telling jokes for money offers an escape from the building site or the milk round. But the humour is a deadly serious business that also involves anger, pain and truth.' Financial Times'Trevor Griffiths has not shown his brilliance as a writer more clearly than in Comedians.' Daily Telegraph

    This new volume collects the author’s plays written in the past five years, including References to Salvador Dalí Make Me Hot ("effortlessly melds otherworldly fantasy with gritty realism to make sparks fly onstage."—The Journal News), Sueño (a reworking for Pedro Calderón’s Life is a Dream) and Sonnets for an Old Century, the author’s most recent work, which recently premiered in Los Angeles.Puerto Rican-born playwright José Rivera plays have been produced all over the world and his work has been translated into seven languages. His best known work includes Marisol and Each Day Dies with Sleep. "Rivera has a messianic mission to replace old and dying creeds with vibrant new visions."—Robert Brustein, New RepublicAlso available by José RiveraMarisol and Other Plays PB $15.95 1-55936-136-0 • USA

    After a tumultuous childhood in a broken home, keeping secrets became a way of life for twin sisters: Gabby and Olivia, and their little sister, Emma. They've all got skeletons in their closets; memories locked away never to see the light of day. But after they take divergent paths in life, disaster strikes, and their pasts collide head-on with a mysterious present in this surreal and gripping family drama. The worst has happened, and if they want to find the key to survival and reconciliation, they must learn to let their skeletons out; shake the dust off of them, and maybe even let them dance across the floor. At turns heartbreaking, dark and beautiful, The Girl in the Box explores not only the consequences of secrets--even secrets kept out of fear--but also the courage it takes to speak the truth, to let go, and to survive. Trigger Warning: The content of this novel contains graphic scenes: violence to women, victimization, abduction, and abusePreviously titled: Let Me GoFiction: Psychological Suspense, Family Drama, Stand-Alone (no cliffhangers)

    The Light That Shines in the Darkness -- the last of Tolstoy's plays, was left unfinished. In Russia it is prohibited on account of its allusions to the refusal of military service. Yet it is in some ways the most interesting of Tolstoy's posthumous works. It is obviously not strictly autobiographical, for Tolstoy was not assassinated as the hero of the piece is, nor was his daughter engaged to be married to a young prince who refused military service. But like some of his other writings, the play is semi-autobiographical. In it, not only has Tolstoy utilised personal experiences, but more than that, he answers the question so often asked: Why, holding his views, did he not free himself from property before he grew old?

    Here Scott and Zelda Fitzgerald, often seen as symbols of the doomed youth of the jazz age, become two halves of s single creative psyche, each part alternately feeding and then devouring the other.Set in Highland Hospital near Asheville, North Carolina, where Zelda spent her last confinement, this “ghost play” begins several years after Scott’s death of a heart attack in California. But the past is “still always present” in Zelda, and Williams’s constant shifting of chronology and mixing of remembrance with ghostly re-enactment suggest that our real intimacy is with the shadow characters of our own minds. As Williams said the Author’s Note to the Broadway production: “Our reason for taking extraordinary license with time and place is that in an asylum and on its grounds liberties of this kind are quite prevalent: and also these liberties allow us to explore in more depth what we believe is truth of character."Williams poses the inevitable, unanswerable questions: Did Scott prevent Zelda from achieving an independent creativity? Did Zelda’s demands force Scott to squander his talents and turn to alcohol? Whose betrayal — emotional, creative, sexual — destroyed the other? But he poses these questions in a new way: in the act of creation, Zelda and Scott are now aware of their eventual destruction, and the creative fire that consumed the two artists combines symbolically with the fire that ended Zelda’s life.

    This collection includes the revised and updated translations by Paul Roche of the Oedipus cycle, Oedipus the King, Oedipus at Colonus, and Antigone, as well as all-new translations of Ajax, The Women of Trachis, Electra, and Philocetes.

    

    

    Prince Nicu II and Princess Victoria's immutable, romantic feelings for one another forces them to engage in extremely risky actions and fabricate various falsehoods. Throughout the play Nicu II and Victoria deceive everyone; including their parents King Nicu I and Queen Isabella. Nicu II is presumptuous in character, therefore, he maintains an excessive confidence within himself that he and his sister's romantic relationship can continue without being discovered, but Victoria fears that they cannot continue their affair emotionally unscathed. Despite Victoria's worries, she continues with the relationship as Nicu II emboldens her more and more.

    In a critical preface, Bentley finds all four works to be a Gogolian treatment of love - or the lack of love - and by the same token, thoroughly original works of dramatic art. Also includes a piece on Gamblers by the eminent Polish critic Jan Kott.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.