Collected in this book are the selected works of Anne, Charlotte, and Emily Brontë (along with their father, Patrick Brontë).

    Since she’s never visited the property, Danielle’s not sure what awaits her in Oregon. She certainly doesn’t expect to find one of the house’s previous owners still in residence. After all, the man has been dead for almost ninety years—shouldn’t he have moved on by now? Bundle of Books 1-4 of the Haunting Danielle Series 1. The Ghost of Marlow House 2. The Ghost Who Loved Diamonds 3. The Ghost Who Wasn't 4. The Ghost Who Wanted Revenge

    When Lucas Corinth is invited back to the Alpine town of Gries-am-See, it is as a favoured native son. Since his boyhood there during the war, he has become a famous composer and conductor. But over the celebrations falls a shadow. In revenge of an act of betrayal, Lucas's life is at risk.

    Now, the land suffers under the tyranny of King Imre, whose savage oppression of the human population weighs heavily on Camber’s heart—a heart that is about to be shattered by a tragic loss that will lead him to confront the usurpers whose dark magic haunts the realm.  Saint Camber: The yoke of tyranny has finally been lifted in Gwynedd, but Camber’s job remains unfinished. The dangerous remnants of a conquered enemy still mass at the borders, and the new ruler is desperately unhappy wearing the crown. With the stability of a fragile kingdom at stake, its greatest champion must make the ultimate sacrifice: Camber of Culdi must cease to exist.  Camber the Heretic: The king’s heir is a mere boy of twelve, and the malevolent regents who will rule until young Alroy comes of age are determined to eliminate all Deryni. Suddenly, the future of Gwynedd hangs in the balance, and Camber—once adored as a saint, but now reviled as a heretic—must find a way to protect his people before everything and everyone he loves is destroyed in the all-consuming flames of intolerance and hate.   Filled with mysticism and magic, these sagas reminds us that “Kurtz’s love of history lets her do things with her characters and their world that no non-historian could hope to do” (Chicago Sun-Times).

    Though most of us will board an aircraft at some point in our lives, we know little about how they work and the procedures surrounding their operation. It is that mystery that makes these losses, such as the vanishing of Malaysia Airlines flight 370, so terrifying. Without a Trace explores the most interesting of these disappearances: mysteries that have baffled investigators for years. Occasionally tragic, frequently amusing, Without a Trace is unerringly accurate and informative. The two Without a Trace volumes span 150 years and explore mysteries from around the world. This is volume one, beginning just before the golden age of aviation with a manned balloon swept over the English Channel, and ending with a top-secret spy plane disappearing at the height of the cold war. Each case is laid out in rich detail and presented chronologically, highlighting the historical context, official accident reports and contemporary news surrounding each mystery. Where did they go? Sylvia Wrigley introduces the crews, innocent bystanders and rescuers in this collection of true stories. Documenting the popular theories from each case, she uses her knowledge and experience as a pilot and an aviation journalist to demystify aviation jargon and narrow down each disappearance to the most likely explanations. This collection takes a hard look at the human failings of great aviators, explorers and celebrities who have pushed the limits of flight and ended up at the heart of a mystery. The stories encompass airships, military jets and commercial airlines - all of which have vanished without a trace.

    A large man with big appetites - his nickname Kubu means hippo in the Setswana language. He is happily married and lives in the capital, Gaborone.Twenty-first century Botswana is a country with real issues and real murders. In this collection of stories - one never previously published - Kubu investigates three mysterious deaths. A man is stabbed outside a bar. Is it just a jealous fight or is there something much more sinister behind it? A man suffers a gruesome death in a country town. Is it the result of witchcraft, or could there be another cause? A policeman is shot dead at close range in his own home. Is it the colleagues of a man he killed who was resisting arrest? And what of his wife's alibi?In the last story of the collection, The Haunting, a very unusual detective in South Africa solves a strange disappearance and fraud in a most unconventional way.Finally, author Michael Stanley interviews Detective Kubu himself in Gaborone until Kubu amusingly turns the tables!This entertaining collection of Kubu's shorter adventures is not to be missed by his many fans. And if you haven't met Kubu yet, then a treat is in store for you.Michael Stanley is the pen name of two South Africans - Michael Sears and Stanley Trollip - who write fiction together. Their novels - all featuring Detective Kubu - are A CARRION DEATH, THE SECOND DEATH OF GOODLUCK TINUBU (A DEADY TRADE in the UK), DEATH OF THE MANTIS, and DEADLY HARVEST. The books have been shortlisted for a variety of awards, and DEATH OF THE MANTIS won the BARRY AWARD for best paperback original in 2012.

    Przemysl, Poland. No one has explained to three-year-old Renatka what war is. She knows her Tatus, a doctor, is away with the Polish Army, that her beautiful Mamusia is no longer allowed to work at the university, and that their frequent visitors-among them Great Aunt Zuzia and Uncle Julek with their gifts of melon and clothes-have stopped appearing. One morning Mamusia comes home with little yellow six-pointed stars for them to wear. Renatka thinks they will keep her family safe.In June of 1942, soldiers in gray-green uniforms take Renata, Mamusia, and grandmother Babcia to the Ghetto where they are crammed into one room with other frightened families. The adults are forced to work long hours at the factory and to survive on next to no food. One day Mamusia and Babcia do not return from their shifts. Six years old and utterly alone, Renata is passed from place to place and survives through the willingness of ordinary people to take the most deadly risks. Her unlikely blonde hair and blue eyes and other twists of fate save her life but stories become her salvation. Hans Christian Andersen's fairy tales transport her to an enchanted world; David Copperfield helps her cope on her own; and she longs for the family in Swallows and Amazons. A chronicle of the horrors of war, Let Me Tell You a Story is a powerful and moving memoir of growing up in a disturbing world, and of the magical discovery of books.

    Locked Doors is the second of her Nurse Hilda Adams stories. Nurse Adams is charged with the care of two young boys in a home full of conundrums. Both parents are fearful but refuse to leave their home and won't say why. The rugs have been rolled up and the furniture piled into the middle of each room. Their anxiety is catching, as Miss Adams too furtively watches for danger as she searches for clues. Why, she wonders, do they lock every door in the house? And who or what is the menace that terrifies them?

     Get ready for one 'ruff' night!Tudorphile Dolly thought that the night she spent on an astral plane with Henry VIII's six wives, learning their heretofore unknown secrets, was a one-time thing. Not so! In "Seven Will Out", Dolly finds herself back in the ether with the women of later Tudor times: Elizabeth I, 'Bloody' Mary, Bess of Hardwick, Mary, Queen of Scots, and Anne Hathaway Shakespeare, to name a few. They too have secrets that will turn history on its head, and comic sass that will keep you laughing. And if that isn't enough, there is even a cameo appearance by Anne Boleyn.You've read all of the traditional, serious and romantic takes on the legendary characters of the English Renaissance. Why not try your Tudors and your Shakespeare with a new and different twist?

    Willingly, he lets himself become intoxicated by the surreal beauty of a fairy-woman who offers to take him to a far away, forbidden land where all his desires will be fulfilled. He welcomes the opportunity to be away from the gruesome war that has consumed his life for so long, but what price will the warrior pay to be in a land void of death, loss and pain? Does the pleasure of the company of the stunning stranger outweigh the price he must pay to remain in The Isles of the Blest?

    But her life has been so endlessly cast and recast that we have lost sight of the remarkable girl at the heart of it—a teenaged peasant girl who, after claiming to hear voices, convinced the French king to let her lead a disheartened army into battle. In the process she changed the course of European history.In The Virgin Warrior, Larissa Juliet Taylor paints a vivid portrait of Joan as a self-confident, charismatic and supremely determined figure, whose sheer force of will electrified those around her and struck terror into the hearts of the English soldiers and leaders. The drama of Joan’s life is set against a world where visions and witchcraft were real, where saints could appear to peasants, battles and sieges decided the fate of kingdoms and rigged trials could result in burning at the stake.  Yet in her short life, Joan emboldened the French soldiers and villagers with her strength and resolve.  A difficult, inflexible leader, she defied her accusers and enemies to the end.  From her early years to the myths and fantasies that have swelled since her death, Taylor teases out a nuanced and engaging story of the truly irresistible "ordinary" girl who rescued France.

    Patna Hall is as beautiful and timeless as India itself, ruled over firmly and wise by proprietor Auntie Sanni. For Mary it feels strangely like home.In a week that will change the young couple's destiny, election fever grips the Southern Indian state and Mary falls under the spell of the people, the country - and Krishnan, godlike candidate for the Root and Flower party . . .

    

    Al Franken, as he prefers to be called, has written the first truly indispensable book of the new millennium. Filled with wisdom, observations, and practical tips you can put to work right away, Oh, the Things I Know! is a cradle-to-grave guide to living, an easy-to-follow user's manual for human existence.What does a megasuccess like Al Franken--bestselling author, Emmy-award winning television star, sitting U.S. Senator, and honorary Ph.D.--have to say to ordinary people like you? Well, as Dr. Al himself says, There's no point in getting advice from hopeless failures.Join Mr. Franken--sorry, Dr. Franken--on a journey that will take you from your first job (Oh, Are You Going to Hate Your First Job!), through the perils and pitfalls of your twenties and thirties (Oh, the Person of Your Dreams vs. the Person You Can Actually Attract!), into the joys of marriage and parenthood (Oh, Just Looking at Your Spouse Will Make Your Skin Crawl!), all the way to the golden years of senior citizenship (Oh, the Nursing Home You'll Wind Up In!). Don't travel life's lonesome highway by yourself. Take Al Franken along, if not as an infallible guide, then at least as a friend who will make you laugh.

    The audacious and patchwork concept underlying this story (the richer you are the less you are forced to consume; the greatest poverty is involved with the aggregation of goods) was Horace Gold’s and according to Pohl he had offered it to almost all of his regular contributors, asking for a story centered on the idea. The idea lacks all credibility, everyone (including Pohl) told him and everyone refused to write something so patently unbelievable until, according to Pohl, Horace browbeat him into an attempt and Pohl decided that it was less trouble to deliver something than continue to resist. To his utter shock, the story was received by Gold and his readership with great glee, was among the most popular GALAXY ever published (or Pohl) and one of the most anthologized. Whether this demonstrated the audacity and scope of Gold’s unreason or whether it confirmed Gold’s genius (or both) Pohl was utterly unable to decide. The sculpted consumer-obsessed society was used again by Pohl a few years later in the novelette THE MAN WHO ATE THE WORLD which was far more credible (consumption-obsession as a kind of personal tyranny) and, perhaps for that very reason, much less successful, barely remembered.