Simak (1904-1988). When the Science Fiction Writers of America began bestowing their Grand Master awards, Simak was the third writer so honored. Only Robert Heinlein and Jack Williamson preceded him, and he received his award before such luminaries as Fritz Leiber, Isaac Asimov, and Ray Bradbury. Simak earned this distinction by producing, over a long period of time, a significant body of popular, respected, often award-winning work, including his classics City and Way Station, and many shorter works, eight of which are contained in this collection. Readers unfamiliar with Simak are in for a treat. More than half of the stories here were among the best stories of their respective years. "The Big Front Yard" (1958) won a Hugo. "A Death in the House" (1959) was selected by Judith Merril for Year's Best SF: Fifth Annual Edition. "Over the River and Through the Woods" (1965) made the cut for World's Best Science Fiction: 1966 edited by Donald Wollheim.Contents: A Death in the House The Big Front Yard Goodnight Mr. James Dusty Zebra Neighbor Over the River & Through the Woods Construction Shack Grotto of the Dancing Deer [He] wrote for so long and always so well that his excellence came to be taken for granted, as we take sunlight for granted until we go blind. - Poul Anderson I read Cliff's stories with particular attention, and I couldn't help but notice the simplicity and directness of the writing - the utter clarity of it. I made up my mind to imitate it, and I labored over the years to make my writing simpler, clearer, more uncluttered, to present my scenes on a bare stage. - Isaac Asimov Without Simak, science fiction would have been without its most humane element, its most humane spokesman for the wisdom of the ordinary person and the value of life lived close to the land. - James Gunn Good fantasy - and that includes science fiction - takes off from the known for its flights into the new. Cliff Simak was a master of the art. His known was the rural Midwest that he loved. His new could reach to the ends of space and time, but never beyond reality. Even his cosmic aliens always had half human dimensions that made them believable. I loved him, as so many did, for his unfailing warmth and a wit that was keen but never cruel. I heard from him often during the painful time after his wife's death. His own death touched me deeply, and I'm happy to see him remembered with this collection of his best-loved stories. - Jack Williamson I always loved his stories, short or long. He made me love them -and the rural America of his childhood - as much as he did. - Lester del Rey Ten years ago it would have been inconceivable that a volume of the best stories of Clifford Simak (author of the classic City) would not have been published by Putnam or Del Rey, but today we have to be grateful to the one-man firm of Tachyon Publications for preserving Over the River and Through the Woods, which includes some of Simak's best stories, including two Hugo Award winners. After all, Simak is dead, which means his career is flatlined, even if Robert Heinlein said, "to read science fiction is to read Simak. The reader who does not like Simak stories does not like science fiction at all." Simak was a master of a special kind of nostalgic science fiction that reconciled the values of his youth (the rural Midwest of the 1920s) with the larger universe. Material that became ludicrous cliche in the hands of lesser writers - all those endless flying saucers landing in the hillbilly's back acre - was by Simak handled with elegance and dignity."A Death in the House" is typical: A farmer finds a dying alien. He does what he can, but that's very little. The farmer conceals the grave, wanting to give his "guest" that much dignity. But the alien is plantlike. It (or its young) sprouts out of the corpse. Human and alien struggle toward understanding. In "The Big Front Yard," a rural handyman finds his house transformed into a gateway to other worlds. The common people have the good sense; trouble starts when profiteers and the government get involved. The tone is light, friendly and clever. This is not to suggest that Simak was a writer with no hard edges. "Good Night Mr. James" is a horror story, about a duplicate human being created to destroy a particularly nasty alien illegally smuggled to Earth. But the gentler mode was more typical, and he could also write humor. "Dusty Zebra" is a long technological joke, maybe a bit slight to be included when a 50-year career must be distilled into 218 pages. Simak's last story, the last in the book, "The Grotto of the Dancing Deer," is about an immortal caveman, quite different from de Camp's "Gnarly Man." He is the original artist who painted that cave art the scientists keep finding; after all this time, he just has to tell someone. The story won both the Hugo and the Nebula for 1980, because both readers and fellow professionals wanted to say "thank you." - The Washington Post Book World Clifford D. Simak is another classic SF writer who staked out a distinctive territory based on his rural midwestern roots - only a couple hundred miles north of Bradbury's - but he never strayed very far from a few classic SF themes which he treated with considerably more rigor than Bradbury, if sometimes with as much sentimentality. Simak's City is at least as important to the history of SF as Bradbury's The Martian Chronicles - some would say more so, given its more challenging conceptual framework - and his other short stories are among the most enduring in the genre, as Over the River & Through the Woods, a new limited edition from Tachyon Publications, attests. Yet Simak, like Sturgeon, seems in danger of fading into the limbo of historical anthologies; while his work was once as widely available as that of any of the giants, today these stories seem almost like new discoveries - and are just as fresh. Part of the reason may be not that Simak's folksy language seems to belie the underlying sense of alienation and tragedy that characterizes much of his work; part may be due to the rediscovery of American regional idioms among younger SF writers from Terry Bisson to Nancy Kress . . . 'Over the River & Through the Woods' contains eight Simak stories from 1951 through 1980 - which means it includes none of the classic stories like "Desertion" or "Huddling Place", which later went to make up City, but does include his late Hugo and Nebula-winning masterpiece "The Grotto of the Dancing Deer" and the Hugo-winning "The Big Front Yard." One of the first things that comes to mind when rereading the latter story after several years - it concerns a characteristically laconic farmer with a dog named Towser (the only name Simak seems to have permitted for dogs) who finds on his property a gateway to distant worlds - is that few contemporary writers would have let such a simple and elegant premise be confined to a novella. Simak's focus is on the unimpressed rustic whose very lack of response to the wonder at his doorstep intensifies our own. When a rustic is impressed by an alien presence, such as in "A Death in the House," it is less likely to be from a sense of wonder than from a sense of companionship. Simak's roots may be firmly in SF, but he writes of alien encounters in a way Willa Cather might have written of them. Aliens are strange but unthreatening, and in some cases (as in "Neighbor") they can turn the entire neighborhood into a pastoral Shangri-la, isolated from the outside in a way that encapsulates what must be Simak's own drams of lost innocence. But Simak could write about more than wonderful things happening to remote farmers. "Good Night, Mr. James" is a very early treatment (1951) of what we would today call a cloning story, done with the kind of cynical humor that is needed for what is essentially a double- and triple-cross tale. It reveals Simak's healthy streak of humor, as does "Dusty Zebra," in which trivial objects are zapped into another dimension in return for high-tech wonders. "Construction Shack" ironically explores an almost Stapledonian notion of whole solar systems being engineered by ancient aliens (Pluto is the construction shack of the title), cast in terms of the matter-of-fact space jockeys so familiar from pulp SF. Simak may be at his best, however, when his theme is isolation and abandonment. The title story concerns children from the future sent back to the refuge of the 1890s. The best tale in the collection and one of the high points of Simak's late career, "The Grotto of the Dancing Deer," concerns an anthropologist who comes to realize that his assistant seems to know far too much about certain ancient cave paintings, and may in fact have been their creator. Simak's evocation, in a few pages, of the sheer loneliness of immortality and the daunting perspectives of time involved, again could be a lesson to a generation of younger writers, and reminds us brilliantly of what Simak was capable of. - Locus

    Blaylock"The Giving Mouth" by Ian R. MacLeod "A Sun in the Attic" by Mary Gentle "The God-Clown is Near" by Jay Lake"The Steam Man of the Prairie and the Dark Rider Get Down: A Dime Novel" by Joe R. Lansdale"The Selene Gardening Society" by Molly Brown"Seventy-Two Letters" by Ted Chiang"The Martian Agent, A Planetary Romance" by Michael Chabon"Victoria" by Paul Di Filippo"Reflected Light" by Rachel E. Pollock"Minutes of the Last Meeting" by Stepan Chapman"Excerpt from the Third and Last Volume of Tribes of the Pacific Coast" by Neal Stephenson"The Steam-Driven Time Machine: A Pop Culture Survey" by Rick Klaw"The Essential Sequential Steampunk: A Modest Survey of the Genre within the Comic Book Medium" by Bill Baker

    Hartwell returns with this fifth annual collection of the year's most imaginative, entertaining, and mind-expanding science fiction.Here are works from some of today's most acclaimed authors, as well as visionary new talents, that will introduce you to new ideas, offer unusual perspectives, and take you to places beyond your wildest imaginings. Contents xiii • Introduction (Year's Best SF 5) • (2000) • essay by David G. Hartwell 1 • Everywhere • (1999) • shortstory by Geoff Ryman 14 • Evolution Never Sleeps • (1999) • shortstory by Elisabeth Malartre 36 • Sexual Dimorphism • (1999) • shortstory by Kim Stanley Robinson 57 • Game of the Century • (1999) • novelette by Robert Reed 94 • Secrets of the Alien Reliquary • (1998) • poem by Michael Bishop 97 • Kinds of Strangers • (1999) • novelette by Sarah Zettel 124 • Visit the Sins • (1999) • shortstory by Cory Doctorow 145 • Border Guards • (1999) • novelette by Greg Egan 174 • Macs • (1999) • shortstory by Terry Bisson (aka macs) 186 • Written in Blood • (1999) • shortstory by Chris Lawson 204 • Has Anybody Seen Junie Moon? • (1999) • shortstory by Gene Wolfe 222 • The Blue Planet • (1999) • shortstory by Robert J. Sawyer 229 • Lifework • (1999) • shortstory by Mary Soon Lee 238 • Rosetta Stone • (2000) • shortstory by Fred Lerner 255 • An Apollo Asteroid • (1999) • shortstory by Brian W. Aldiss 271 • 100 Candles • (1999) • shortstory by Kurt Wohleber 288 • Democritus' Violin • (1999) • shortstory by G. David Nordley 311 • Fossil Games • (1999) • novelette by Tom Purdom 362 • Valour • (1999) • shortstory by Chris Beckett 379 • Huddle • [Manifold] • (1999) • novelette by Stephen Baxter 404 • Ashes and Tombstones • (1999) • shortstory by Brian Stableford [as by Brian M. Stableford ] 422 • Ancient Engines • (1999) • shortstory by Michael Swanwick 433 • Freckled Figure • (1992) • shortstory by Hiroe Suga 457 • Shiva • (1999) • shortstory by Barry N. Malzberg 466 • The Queen of Erewhon • (1999) • novelette by Lucy Sussex

    The author's previous books include "Dying Inside" and "The Time Hoppers".xi • Introduction (The Conglomeroid Cocktail Party) • (1984) • essay by Robert Silverberg 1 • The Far Side of the Bell-Shaped Curve • (1982) • novelette by Robert Silverberg 24 • The Pope of the Chimps • (1982) • short story by Robert Silverberg 48 • The Changeling • (1982) • short story by Robert Silverberg 72 • The Man Who Floated in Time • (1982) • short story by Robert Silverberg 84 • The Palace at Midnight • (1981) • short story by Robert Silverberg 102 • A Thousand Paces Along the Via Dolorosa • (1981) • novelette by Robert Silverberg 130 • At the Conglomeroid Cocktail Party • (1982) • short story by Robert Silverberg 141 • Our Lady of the Sauropods • (1980) • short story by Robert Silverberg 160 • Gianni • (1982) • short story by Robert Silverberg 182 • The Trouble with Sempoanga • (1982) • short story by Robert Silverberg 194 • How They Pass the Time in Pelpel • (1981) • short story by Robert Silverberg 212 • Waiting for the Earthquake • (1981) • novelette by Robert Silverberg 240 • Not Our Brother • (1982) • novelette by Robert Silverberg 264 • The Regulars • (1981) • short story by Robert Silverberg 276 • Jennifer's Lover • (1982) • short story by Robert Silverberg 297 • Needle in a Timestack • (1983) • short story by Robert Silverberg

    Volume One, presenting the first five writers to receive the award, features the fiction of: Robert A. HeinleinJack WilliamsonClifford D. SimakL. Sprague de CampFritz Leiber

    owns a technology that renders it "the world's best-defended Third World country." The only real outer-space planning is in Common Europe, so young American "space cadet" Jerry Reed goes to work in Paris. He falls in love with and marries Soviet career bureaucrat Sonya Gagarin and the story jumps ahead 20 years, blending world events with a focus on their family. Sonya's star has risen with the Euro-Russians' while Jerry has been stymied by pervasive anti-Americanism. Daughter Franja has her father's space fever and enrolls in a Russian space school; son Bob, fiercely curious about an earlier, admired America before it was run by xenophobic "Gringos," enters Berkeley. Ten years later the U.S. is a pariah, Euro-Russia the pet of the civilized world and the Reeds scattered--politics forced Jerry and Sonya's divorce, Franja speaks only to her mother and Bob is trapped in "Festung Amerika." A series of odd, occasionally tragic events brings the family (and the world) together. Despite some tech-talk this is not science fiction: the first two-thirds of this hefty book is chillingly logical, if sometimes very funny, and while the "happy" ending may seem forced, Spinrad ( Bug Jack Barron ) gives us a wild, exhilarating ride into the next century.

    Contents:Surfacing (1988)Video Star (1986)No Spot of Ground (1989)Flatline (1988)Side Effects (1985)Witness (1986)Wolf Time (1987)The Bob Dylan Solution (1989)Dinosaurs (1987)

    A stunning collection of the kind of fiction that has only one source--the unparalleled Ray Bradbury.

    talk show Arthur C. Clarke was once asked to name his favorite writer. His answer was "Larry Niven." Countless others agree. The Baltimore Sun and Kirkus Reviews have both dubbed Niven "the premier writer of hard SF," and Gregory Benford has hailed him as "the paradigm of SF personality of the last several decade."Now Larry Niven presents us with his undisputed masterwork. N-Space contains, very simply, the best SF of his career--marvelous fiction, a wealth of anecdotes and gossip, plus Niven's own special brand of wit and excitement.Contents:1 • Introduction: The Maker of Worlds • (1990) • essay by Tom Clancy3 • On Niven • (1992) • essay by Frederik Pohl and Steven Barnes and David Brin and John Hertz and Wendy All and Gregory Benford15 • Dramatis Personae • (1990) • essay by Larry Niven25 • Foreword: Playgrounds for the Mind • (1990) • essay by Larry Niven31 • From World of Ptavvs (excerpt) • (1990) • shortfiction by Larry Niven36 • Bordered in Black • (1966) • shortstory by Larry Niven56 • Convergent Series • (1967) • shortstory by Larry Niven (variant of The Long Night)62 • All the Myriad Ways • [Time Travel - Parallel Universe] • (1968) • shortstory by Larry Niven73 • From A Gift From Earth (Excerpt) • (1990) • shortfiction by Larry Niven90 • The Meddler • (1968) • novelette by Larry Niven112 • Passerby • [State] • (1969) • shortstory by Larry Niven126 • Down in Flames • (1969) • essay by Larry Niven139 • From Ringworld (Excerpt) • (1990) • shortfiction by Larry Niven148 • The Fourth Profession • (1971) • novelette by Larry Niven195 • "Shall We Indulge in Rishathra?" • (1978) • shortfiction by Larry Niven195 •  "Shall We Indulge in Rishathra?" • (1978) • interior artwork by William Rotsler199 • Man of Steel, Woman of Kleenex • (1969) • essay by Larry Niven208 • Inconstant Moon • (1971) • novelette by Larry Niven234 • What Can You Say About Chocolate Covered Manhole Covers? • (1971) • shortstory by Larry Niven245 • Cloak of Anarchy • [Known Space] • (1972) • shortstory by Larry Niven269 • From Protector (excerpt) • (1990) • shortfiction by Larry Niven279 • The Hole Man • (1974) • shortstory by Larry Niven293 • Night on Mispec Moor • [State] • (1974) • shortstory by Larry Niven305 • Flare Time • (1978) • novella by Larry Niven347 • The Locusts • (1979) • novelette by Larry Niven and Steven Barnes389 • From The Mote in God's Eye (excerpt) • (1990) • shortfiction by Larry Niven and Jerry Pournelle394 • Building the Mote in God's Eye • [A Step Farther Out] • (1976) • essay by Larry Niven and Jerry Pournelle420 • Brenda • (1988) • novella by Larry Niven465 • The Return of William Proxmire • (1989) • shortstory by Larry Niven475 • The Tale of the Jinni and the Sisters • (1988) • shortstory by Larry Niven491 • Madness Has Its Place • [Man-Kzin Wars] • (1990) • novelette by Larry Niven519 • Niven's Laws (1990 version) • (1990) • essay by Larry Niven528 • The Kiteman • [Integral Trees] • (1990) • novelette by Larry Niven571 • The Alien in Our Minds • (1987) • essay by Larry Niven580 • Space • (1990) • essay by Larry Niven597 • Bibliography of Larry Niven • (1990) • essay by uncredited

    For the first time in one volume: every word Bruce Sterling has ever written on the Shapers-Mechanists Universe.In the last decade, Sterling has emerged a pioneer of crucial, cutting-edge science fiction. Now Ace Books is proud to offer Sterling's stunning world of the Schismatrix--where Shaper revolutionaries struggle against aristocratic Mechanists for ultimate control of man's destiny. This volume includes the classic full-length novel, Schismatrix, plus thousands of words of mind-bending short fiction.

    Each of the writers was asked to write a new story based on one of his or her most famous series. Stephen King tells a tale of Roland, the Gunslinger, in the world of The Dark Tower, in "The Little Sisters of Eluria."Terry Pratchett relates an amusing incident in Discworld, of a magical contest and the witch Granny Weatherwax, in "The Sea and Little Fishes"Terry Goodkind tells of the origin of the Border between realms in the world of The Sword of Truth, in "Debt of Bones."Orson Scott Card spins a yarn of Alvin and his apprentice from the Tales of Alvin Maker, in "Grinning Man."Robert Silverberg returns to Majipoor and to Lord Valentine's adventure in an ancient tomb, in "the Seventh Shrine."Ursual K. Le Guin adds a sequel to her famous books of Earthsea, portraying a woman who wants to learn magic, in "Dragonfly."Tad Williams tells a dark and enthralling story of a great and haunted castle in the age before Memory, Sorrow, and Thorn, in "The Burning Man."George R.R. Martin sets his piece a generation before his epic, A Song of Ice and Fire, in the adventure of "The Hedge Knight."Ann McCaffrey, the poet of Pern, returns once again to her world of romance and adventure in "Runner of Pern."Raymond E. Feist's Riftwar Saga is the setting of the tale of "The Wood Boy."Robert Jordan, in "New Spring," tells of crucial events in the years leading up to The Wheel of Time, of the meeting of Lan and Moiraine and the beginning of the search for the child who must grow to lead in the Last Battle.

    There's a greater emphasis than usual on Golden Age writers (just the way it came together) -- but we have one original story as well, a posthumous collaboration with H.B. Fyfe, finishing a really terrific but not-quite-done tale he had been working on before his death. It's a bit reminiscent of James Tiptree, Jr.'s best work -- but predates Tiptree by a couple of decades. And we have novels by Robert Silverberg, Frederik Pohl & C.M. Kornbluth, Murray Leinster, E. Everett Evans, and Donald Wollheim...not to mention part 2 of our serialization of Tony Rothman's mammoth 2013 novel, Firebird. And a ton of great short stories. 36 works in all, more than 1900 pages of great reading!ANGELS IN THE JETS, by Jerome BixbyA CODE FOR SAM, by Lester del ReySTAR SHIP, by Poul AndersonTHE WELL-OILED MACHINE, by H.B. FyfeJACK OF NO TRADES, by Evelyn E. SmithTHE GRAVITY BUSINESS, by James E. GunnDOOMSDAY EVE, by Robert Moore WilliamsMASTER OF LIFE AND DEATH, by Robert SilverbergFALCONS OF NARABEDLA, by Marion Zimmer BradleyNEW LAMPS, by Robert Moore WilliamsTHE PIRATES OF ZAN, by Murray LeinsterOUT OF THE IRON WOMB!, by Poul AndersonLATER THAN YOU THINK, by Fritz LeiberTHE PLANET MAPPERS, by E. Everett EvansAFTERGLOW, by H.B. Fyfe and John Gregory BetancourtSHIPPING CLERK, by William MorrisonCONTAGION, by Katherine MacLeanTHE LIGHT ON PRECIPICE PEAK, by Stephen TallTHE LUCKIEST MAN IN DENV, by Simon EisnerON THE FOURTH PLANET, by J.F. BoneBIMMIE SAYS, by Sydney Van ScyocSWEET TOOTH, by Robert F. YoungSEARCH THE SKY, by Frederik Pohl and C. M. KornbluthSTAR, BRIGHT, by Mark CliftonHOT PLANET, by Hal ClementTWO WEEKS IN AUGUST, by Frank M. RobinsonTHE ALIEN, by Raymond F. JonesBODYGUARD, by Christopher GrimmJAYWALKER, by Ross RocklynneSECOND CHILDHOOD, by Clifford D. SimakOF ALL POSSIBLE WORLDS, by William TennPOLLONY UNDIVERTED, by Sydney Van ScyocDELAY IN TRANSIT, by F. L. WallaceA GIFT FROM EARTH, by Manly BanisterONE AGAINST THE MOON, by Donald A. WollheimSpecial Feature: FIREBIRD, by Tony Rothman [Part 2 of 3]If you enjoy this volume of classic stories, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see the 270+ other entries in this series, including science fiction, fantasy, mysteries, adventure, horror, westerns -- and much, much more!

    15, 1975, in conjunction with the Dept. of Humanities and Communications, the Dept. of the Arts, UCLA Extension, and the stories written as a follow-up.Cosmic hod-carriers, by Harlan Ellison. --The specs. --The concept seminars. --The extrapolations, the questions. --Second thoughts. --Farside stations. --Flare time. --With Virgil Oddum at the east pole. --Swanilda's song. --Seasoning. --Concepts. --Songs of a sentient flute. --Hunter's moon. --The promise. --Why dolphins don't bite. --Waiting for the earthquake.

    Dick the greatest science fiction mind on any planet. Since his untimely death in 1982, interest in Dick's works has continued to mount, and his reputation has been further enhanced by a growing body of critical attention. The Philip K. Dick Award is now given annually to a distinguished work of science fiction, and the Philip K. Dick Society is devoted to the study and promulgation of his works.Dick won the prestigious Hugo Award for the best novel of 1963 for The Man in the High Castle. In the last year of his life, the film Blade Runner was made from his novel Do Androids Dream of Electric Sheep ?This collection includes some of Dick's earliest short and medium-length fiction, including "We Can Remember it for You Wholesale" (the story that inspired the motion picture Total Recall), "Second Variety" (which inspired the motion picture Screamers), "Paychecks", "The Minority Report", and 21 more.Content: "Fair Game" (1959) "The Hanging Stranger" (1953) ""The Eyes Have It"" (1953) "The Golden Man" (1954) "The Turning Wheel" (1954) "The Last of the Masters" (1954) "The Father-Thing" (1954) "Strange Eden" (1954) "Tony and the Beetles" (1954) "Null-O" (1958) "To Serve the Master" (1956) "Exhibit Piece" (1954) "The Crawlers" (1954) "Sales Pitch" (1954) "Shell Game" (1954) "Upon the Dull Earth" (1954) "Foster, You're Dead!" (1955) "Pay for the Printer" (1956) "War Veteran" (1955) "The Chromium Fence" (1955) "We Can Remember It for You Wholesale" (1966) "The Minority Report" (1956) "Paycheck" (1953) "Second Variety" (1953)

    With original, captivating tales by Greg Bear, Gregory Benford, Ben Bova, David Brin, Cory Doctorow, Neil Gaiman, Joe Haldeman, Harry Harrison, Larry Niven, Vernor Vinge, Gene Wolfe, and others, Gateways is a SF event that will be a must-buy for SF readers of all tastes, from the traditional to the cutting edge; from the darkly serious to the laugh-out-loud funny.Each author has written a story that he or she feels reflects the effect Pohl has had on the field—in the style of writing, the narrative tone, or the subject matter. It says a lot about Pohl's career that the authors represented here themselves span many decades and styles, from the experimental SF of British SF author Brian W. Aldiss to the over-the-top humor of Harry Harrison and Mike Resnick, from the darkly powerful drama of Hollywood screenwriter Frank Robinson to the satiric pungency of multiple Hugo Award-winner Vernor Vinge. Every story here is uniquely nuanced; all of them as entertaining and thought provoking as Pohl's fiction.In a career dating back to 1939, Pohl has won all the awards science fiction has to offer: Hugos, Nebulas, the SFWA Grand Master Award. Having written more than two million words of fiction and edited the groundbreaking Star anthologies and Hugo Award-winning magazines and books, Pohl is an SF icon. This anthology of brilliant, entertaining SF stories is a testament to his stature in the field.