A wild thriller and deadly game of cat-and-mouse from one of China's most popular authors. For fans of Jo Nesbo, Se7en, and Hong Kong police cinema.The brutal murder of respected police officer Sergeant Zheng Haoming sends shock waves through Chengdu, a modern metropolis in the heart of China's stunning Sichuan province. He had been obsessed by an unsolved, eighteen-year-old murder case until an entity calling itself Eumenides (after the Greek goddess of vengeance and retribution) releases a terrifying manifesto. Is the manifesto a sick joke, or something more sinister? Soon, the public starts nominating worthy targets for Eumenides to kill, and, two days later, Sergeant Zheng is dead. Eumenides' cunning game is only getting started. The police receive a "death notice," a chilling note announcing the the killer's next target, the crimes they have committed, and the date of their execution. The note is both a challenge and a taunt to the police. When the first victim dies in public, under their complete protection, the police are left stunned. More death notices are coming. The chase is on.Death Notice is an explosive, page-turning thriller filtered through a vibrant cultural lens. Zhou Haohui expertly adds an exhilarating new perspective to the twists and tropes of the genre all fans love, making for a uniquely propulsive and entertaining read.

    Thus begins the unraveling of Su Lan, a brilliant physicist who until this moment has successfully erased her past, fighting what she calls the mind’s arrow of time.When Su Lan dies unexpectedly seventeen years later, it is her daughter Liya who inherits the silences and contradictions of her life. Liya, who grew up in America, takes her mother’s ashes to China, Liya’s memories are joined by those of two others: Zhu Wen, the woman last to know Su Lan before she left China, and Yongzong, the father Liya has never known. In this way a portrait of Su Lan emerges: an ambitious scientist, an ambivalent mother, and a woman whose relationship to her own past shapes and ultimately unmakes Liya’s own sense of displacement.

    Seventeen-year-old Naoko Nakamura’s prearranged marriage to the son of her father’s business associate would secure her family’s status in their traditional Japanese community, but Naoko has fallen for another man—an American sailor, a gaijin—and to marry him would bring great shame upon her entire family. When it’s learned Naoko carries the sailor’s child, she’s cast out in disgrace and forced to make unimaginable choices with consequences that will ripple across generations.America, present day. Tori Kovač, caring for her dying father, finds a letter containing a shocking revelation—one that calls into question everything she understood about him, her family and herself. Setting out to learn the truth behind the letter, Tori’s journey leads her halfway around the world to a remote seaside village in Japan, where she must confront the demons of the past to pave a way for redemption.In breathtaking prose and inspired by true stories from a devastating and little-known era in Japanese and American history, The Woman in the White Kimono illuminates a searing portrait of one woman torn between her culture and her heart, and another woman on a journey to discover the true meaning of home.

    ‘Rashōmon’ and ‘In a Bamboo Grove’ inspired Kurosawa’s magnificent film and depict a past in which morality is turned upside down, while tales such as ‘The Nose’, ‘O-Gin’ and ‘Loyalty’ paint a rich and imaginative picture of a medieval Japan peopled by Shoguns and priests, vagrants and peasants. And in later works such as ‘Death Register’, ‘The Life of a Stupid Man’ and ‘Spinning Gears’, Akutagawa drew from his own life to devastating effect, revealing his intense melancholy and terror of madness in exquisitely moving impressionistic stories.A WORLD IN DECAY- Rashōmon- In a Bamboo Grove- The Nose- Dragon: The Old Potter's Tale- The Spider Thread- Hell ScreenUNDER THE SWORD- Dr. Ogata Ryōsai: Memorandum- O-Gin- LoyaltyMODERN TRAGICOMEDY- The Story of a Head That Fell Off- Green Onions- Horse LegsAKUTAGAWA'S OWN STORY- Daidōji Shinsuke: The Early Years- The Writer's Craft- The Baby's Sickness- Death Register- The Life of a Stupid Man- Spinning Gears

    And in the sleepy port town of Malacca, ghosts and superstitions abound.Li Lan, the daughter of a genteel but bankrupt family, has few prospects. But fate intervenes when she receives an unusual proposal from the wealthy and powerful Lim family. They want her to become a ghost bride for the family's only son, who recently died under mysterious circumstances. Rarely practiced, traditional ghost marriages are used to placate restless spirits. Such a union would guarantee Li Lan a home for the rest of her days, but at a terrible price.After an ominous visit to the opulent Lim mansion, Li Lan finds herself haunted not only by her ghostly would-be suitor, but also by her desire for the Lims' handsome new heir, Tian Bai. Night after night, she is drawn into the shadowy parallel world of the Chinese afterlife, with its ghost cities, paper funeral offerings, vengeful spirits, and monstrous bureaucracy—including the mysterious Er Lang, a charming but unpredictable guardian spirit. Li Lan must uncover the Lim family's darkest secrets—and the truth about her own family—before she is trapped in this ghostly world forever.

    The war results in two different and mutually incompatible worlds. In 2196, one hundred years later, Earth and Mars attempt to initiate a dialogue, hoping a reconciliation is on the horizon. Representing Mars, a group of young delegates are sent to Earth to study the history and culture of the rival planet, all while teaching others about life on Mars.Narrated from two perspectives: Luo Ying, an eighteen-year-old girl from Mars who has spent the past five years on Earth, and Ignacio, a filmmaker in his late twenties from Earth on a job to document the delegates from Mars. Both Luo and Ignacio are trapped between worlds, with critics all around, and always under suspicion, searching for where they truly belong.

    Beginning amid the decadent glamour of China in the 1930s and ending in the 1980s in Hong Kong, this brilliant novel, which formed the basis for the award-winning movie, is the passionate story of an opera student who falls in love with his best friend, and the beautiful woman who comes between them.

    A couple in their thirties live in a small rented cottage in a quiet part of Tokyo; they work at home, freelance copy-editing; they no longer have very much to say to one another. But one day a cat invites itself into their small kitchen. It leaves, but the next day comes again, and then again and again. Soon they are buying treats for the cat and enjoying talks about the animal and all its little ways. Life suddenly seems to have more promise for the husband and wife — the days have more light and color. The novel brims with new small joys and many moments of staggering poetic beauty, but then something happens….As Kenzaburo Oe has remarked, Takashi Hiraide’s work "really shines." His poetry, which is remarkably cross-hatched with beauty, has been acclaimed here for "its seemingly endless string of shape-shifting objects and experiences,whose splintering effect is enacted via a unique combination of speed and minutiae."

    Curated by Jay Rubin (who has himself freshly translated several of the stories) and introduced by Haruki Murakami this is a book which will be a revelation to many of its readers. Short story writers already well-known to English-language readers are all included - Tanizaki, Akutagawa, Murakami, Mishima, Kawabata, Yoshimoto - but also many surprising new finds. From Tsushima Yuko's 'Flames' to Sawanishi Yuten's 'Filling Up with Sugar', from Hoshi Shin'ichi's 'Shoulder-Top Secretary' to Yoshimoto Banana's 'Bee Honey', The Penguin Book of Japanese Short Stories is filled with fear, charm, beauty and comedy.

    Told from the viewpoints of three different women, this is a story of the psychological impact of illicit love. First viewed through the eyes of Shoko, who learns of the affair through reading her mother's diary, then through the eyes of Midori, who had long known about the affair of her husband with Saiko, and finally through the eyes of Saiko herself.

    These creatures live alongside humans in near-inconspicuousness—save their greenish skin, serrated earlobes, and strange birthmarks. Aided by her elusive former professor and his enigmatic assistant, our narrator sets off to document each beast, and is slowly drawn deeper into a mystery that threatens her very sense of self. Part detective story, part metaphysical enquiry, Strange Beasts of China engages existential questions of identity, humanity, love and morality with whimsy and stylistic verve.

    This is a curiously elegant and scandalous tale of sexual deception and revenge. Ibuki loves widow Yasuko who is young, charming and sparkling with intelligence as well as beauty. His friend, Mikame, desires her too but that is not the difficulty. What troubles Ibuki is the curious bond that has grown between Yasuko and her mother-in-law, Mieko, a handsome, cultivated yet jealous woman in her fifties, who is manipulating the relationship between Yasuko and the two men who love her.

    The Hundred Days’ Reform that followed was a moment of unprecedented change and extraordinary hope—brought to an abrupt end by a bloody military coup. Dashed expectations would contribute to the revolutionary turn that Chinese history would soon take, leading in time to the deaths of millions.Peach Blossom Paradise, set at the time of the reform, is the story of Xiumi, the daughter of a wealthy landowner and former government official who falls prey to insanity and disappears. Days later, a man with a gold cicada in his pocket turns up at his estate and is inexplicably welcomed as a relative. This mysterious man has a great vision of reforging China as an egalitarian utopia, and he will stop at nothing to make it real. It is his own plans, however, which come to nothing, and his “little sister” Xiumi is left to take up arms against a Confucian world in which women are chattel. Her campaign for change and her struggle to seize control over her own body are continually threatened by the violent whims of men who claim to be building paradise.

    In a perfect fusion of treatment and theme, this powerful novel tells the story of a seventeenth-century Portuguese priest in Japan at the height of the fearful persecution of the small Christian community.

    A-qing, the adolescent hero, comes from an impoverished family. His father casts him out after learning that his son is gay. A-qing drifts into New Park, a gay hangout in Taipei, and begins his life as a hustler. He meets other boys living on the street, also forsaken by their families: Little Jade, who is constantly searching for his unknown father; Mousey, an orphan and petty thief; and Wu Min, a shy tender kid, who attempts suicide when discarded by a middle-aged man. These four boys become fast friends and are taken under the protection of Chief Yang, a fiftyish gay guru in the Park. The boys begin to build a family of their own. Meanwhile, A-qing meets Dragon Prince, whose passionate and faithful love for Phoenix Boy has become a legend of the Park...The second part of the novel deals with the Cozy Nest, a gay bar run by Chief Yang, where the boys and other homosexual exiles have found refuge. The bar is sponsored by Papa Fu, whose young soldier son had shot himself when his homosexuality was exposed.In Taiwan, the gay community is known as the buoliquan, literally "glass community," while the individuals are called "glass boys" or "Crystal Boys."Crystal Boys was first published in Taiwan and has since appeared in Hong Kong and in mainland China: two editions (Beijing and Harbin) were published in 1987. A film, Outcasts, based on the novel and directed by Yu Kan-Ping (1986) is currently available in the United States on video cassette (subtitled).