Their narratives, themes, and characters address and provide answers to eternal questions: where do we come from, how do we live, what do we believe in? This fascinating book explores the major myths and legends across the world, from Classical mythology to Eastern beliefs, and from American legends to African folk tales. The stories are retold in compelling detail, while key aspects of each myth are considered: their meaning, purpose, and power; the main characters; and their importance to modern culture.Special illustrations and photographs combine with informative text, family trees, and a focus on themes such as creation, death, and the afterlife. From Gilgamesh to Quetzalcoatl, Heracles to Pan Gu, Myths and Legends provides a full and captivating reference guide to the worlds of mythical beings, mortal heroes, and immortal gods.

    We go to synagogue dutifully enough. We rise when we should rise, sit when we should sit. We read and sing along with the cantor and answer 'Amen' in all the right places. We may even rattle through the prayers with ease. We sacrifice vitality for shelf-life, and the neshomeh, the Jewish soul, can taste the difference."--from the IntroductionThis fresh approach to prayer is for all who wish to appreciate the power of prayer's poetry and song, jump into its ceremonies and rituals, and join the age-old conversation that Jews have had with God. Reb Zalman, one of the most important Jewish spiritual teachers in contemporary American Judaism, offers you new ways to pray, new channels for communicating with God and new opportunities to open your heart to God's response.With rare warmth and authenticity, Reb Zalman shows you:How prayer can engage not just spirit, but mind, heart and bodyMeditations that open the door to kavanah, the focus or intention with which we prayHow to understand the underlying "deep structure" of our prayer servicesHow to find and feel at home in a synagogueHow to sing and lead niggunim, the simple, wordless tunes that Jews sing to get closer to Godand more

    Demonstrates that the usual theoretical distinction between black magic and white, evil magic and good, is not so simply drawn. Text: English (translation)Original Language: French, Hebrew, Italian, Latin

    But people want to know about a book that, they are told, defines Judaism. Everyman's Talmud is the right place to begin not only to learn about Judaism in general but to meet the substance of the Talmud in particular . . . In time to come, Cohen's book will find its companion-though I do not anticipate it will ever require a successor for what it accomplishes with elegance and intelligence: a systematic theology of the Talmud's Judaism.--From the Foreword by Jacob NeusnerLong regarded as the classic introduction to the teachings of the Talmud, this comprehensive and masterly distillation summarizes the wisdom of the rabbinic sages on the dominant themes of Judaism: the doctrine of God; God and the universe; the soul and its destiny; prophesy and revelation; physical life; moral life and social living; law, ethics, and jurisprudence; legends and folk traditions; the Messiah and the world to come.

    Robert Pinsky, former poet laureate of the United States, plumbs the depths of David’s life: his triumphs and his failures, his charm and his cruelty, his divine destiny and his human humiliations. Drawing on the biblical chronicle of David’s life as well as on the later commentaries and the Psalms—traditionally considered to be David’s own words—Pinsky teases apart the many strands of David’s story and reweaves them into a glorious narrative.Under the clarifying and captivating light of Pinsky’s erudition and imagination, and his mastery of image and expression, King David—both the man and the idea of the man—is brought brilliantly to life.

    From King David to Barack Obama, from the birth of Judaism, Christianity and Islam to the Israel–Palestine conflict, this is the epic history of 3,000 years of faith, slaughter, fanaticism and coexistence.How did this small, remote town become the Holy City, the ‘centre of the world’ and now the key to peace in the Middle East? In a dazzling narrative, Simon Sebag Montefiore reveals this ever-changing city in its many incarnations, bringing every epoch and character blazingly to life. Jerusalem’s biography is told through the wars, love affairs and revelations of the men and women – kings, empresses, prophets, poets, saints, conquerors and whores – who created, destroyed, chronicled and believed in Jerusalem. As well as the many ordinary Jerusalemites who have left their mark on the city, its cast varies from Solomon, Saladin and Suleiman the Magnificent to Cleopatra, Caligula and Churchill; from Abraham to Jesus and Muhammad; from the ancient city of Jezebel, Nebuchadnezzar, Herod and Nero to the modern times of the Kaiser, Disraeli, Mark Twain, Rasputin and Lawrence of Arabia.Drawing on new archives, current scholarship, his own family papers and a lifetime’s study, Montefiore illuminates the essence of sanctity and mysticism, identity and empire in a unique chronicle of the city that is believed will be the setting for the Apocalypse. This is how Jerusalem became Jerusalem, and the only city that exists twice – in heaven and on earth.

    No book has been as widely read. But how did the bible become the book we know? Pelikan takes readers thru the book’s evolution from its earliest incarnation as oral tales to its modern existence in various iterations, translations & languages. From the earliest Hebrew texts & its appearance in Greek, then Latin, he explores the canonization of different bibles & why certain books were adopted by certain sects, as well as the development of the printing press, the translation into modern languages & varying schools of critical scholarship. Both a work of scholarship & a fascinating read, Whose Bible Is It? will be welcomed by the many fans of Elaine Pagels’s books & Adam Nicolson’s God’s Secretaries.PrefaceThe Bible, the whole Bible & nothing but the Bible?The God who speaks The truth in Hebrew-Moses speaking GreekBeyond written Torah: Talmud & continuing revelationThe law & the prophets fulfilled Formation of a second TestamentThe peoples of the Book Back to the sources The Bible only The Canon & the criticsA message for the whole human raceThe strange new world within the BibleAlternative canons of the Tanakh/Old Testament New TestamentNotes & Further Reading

    Seldom has such a small handful of words provided a teaching as rich as has this famous opening line. In a single stroke, the simple sentence cuts through the pervasive tendency students have of getting so close to Zen as to completely miss what it’s all about. An instant teaching on the first page. And that’s just the beginning.In the forty years since its original publication, Zen Mind, Beginner’s Mind has become one of the great modern Zen classics, much beloved, much reread, and much recommended as the best first book to read on Zen. Suzuki Roshi presents the basics—from the details of posture and breathing in zazen to the perception of nonduality—in a way that is not only remarkably clear, but that also resonates with the joy of insight from the first to the last page. It’s a book to come back to time and time again as an inspiration to practice, and it is now available to a new generation of seekers in this fortieth anniversary edition, with a new afterword by Shunryu Suzuki’s biographer, David Chadwick.

    With Rabbi Yosef Begun's marginal notes. Vowelized, facing Hebrew and English texts.

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    From lavish tomb paintings and imposing temple reliefs to humble household shrines, countless tributes throughout Egypt reflect the richness and complexity of their mythology. This book examines the evolution, worship, and eventual decline of the numerous gods and goddesses—from minor household figures such as Bes and Taweret to the all-powerful deities Amun and Rethat made Egypt the most completely theocratic society of the ancient world, and made Egyptians, according to Herodotus, "more religious than any other people."     • "Rise and Fall of the Gods" considers the origins of Egypt's deities, their struggles to control cosmic forces, and their eventual decline.     • "Nature of the Gods" examines the forms, appearances, and manifestations of the deities, as well as the transcendence of preeminent deities such as Amun.     • "Worship of the Gods" introduces the rituals and mysteries of formal Egyptian worship, including the importance of temples and festivals.     • "Kingship and the Gods" discusses the all-important position of the king, who served as a bridge between the gods and humanity.     • "The Many Faces of the Divine" is a unique catalogue of Egypt's gods and goddesses grouped according to their primary forms, discussing their iconography, mythology, and worship, and their influence over time.With hundreds of illustrations and specially commissioned drawings, this is a comprehensive and authoritative guide to the deities that lay at the heart of Egyptian religion and society.

    She was the sister of Samuel Gordon, the writer, and married Myer Jack Landa, a British Jewish writer. Together they published a number of novels and plays. She wrote a children's column in the Jewish Chronicle and published a book, Jewish Fairy Tales and Legends (1919). "The very cordial welcome given to my earlier volume of "Jewish Fairy Tales and Fables" has prompted me to draw further upon Rabbinic lore in the interest, chiefly, of the children. How the wise Rabbis of old took into account the necessities of the little ones, whose minds they understood so perfectly, is obvious from such legends as those dealing with boyish exploits of the great Biblical characters, Abraham, Moses, and David. These I have rewritten from the stories in the Talmud and Midrash in a manner suitable for the children of to-day

    Aphrodite, the Greek goddess whose love overcame mortality. Mazu, the Chinese deity who safely guides travelers home. Lakshmi, the Hindu provider of fortune and prosperity. These powerful deities and many more are celebrated in gorgeous artwork and enlightening essays that explore the feminine divine and encourage readers to empower themselves. Ann Shen's signature watercolors make Legendary Ladies a unique, gift-worthy homage to the mighty women within.

    Each powerful character will fire the imagination, entertain, and provoke debate.

    1 in 1938, introduced the world to something both unprecedented and timeless: Superman, a caped god for the modern age. In a matter of years, the skies of the imaginary world were filled with strange mutants, aliens, and vigilantes: Batman, Wonder Woman, the Fantastic Four, Iron Man, and the X-Men—the list of names as familiar as our own. In less than a century, they’ve gone from not existing at all to being everywhere we look: on our movie and television screens, in our videogames and dreams. But what are they trying to tell us?For Grant Morrison, arguably the greatest of contemporary chroniclers of the “superworld,” these heroes are powerful archetypes whose ongoing, decades-spanning story arcs reflect and predict the course of human existence: Through them we tell the story of ourselves, our troubled history, and our starry aspirations. In this exhilarating work of a lifetime, Morrison draws on art, science, mythology, and his own astonishing journeys through this shadow universe to provide the first true history of the superhero—why they matter, why they will always be with us, and what they tell us about who we are . . . and what we may yet become.