Decca is in love with Rupert, but he in turn is in love with her brother, Istvan. When Istvan comes to town, louche puppet troupe in tow, the lines of their age-old desires intersect against a backdrop of approaching war. Hearts are broken when old betrayals and new alliances - not just their own - take shape, as the townsmen seek refuge from the onslaught of history by watching the girls of the Poppy cavort onstage with Istvan's naughty puppets . . .Under the Poppy is a vivid, sexy, historical novel that zips along like the best guilty pleasure. Nominated for the IMPAC Award. Winner of the Gaylactic Spectrum Award.

    Set on the Côte d'Azur in the 1920s, it is the story of a young American writer, David Bourne, his glamorous wife, Catherine, and the dangerous, erotic game they play when they fall in love with the same woman. "A lean, sensuous narrative...taut, chic, and strangely contemporary," The Garden of Eden represents vintage Hemingway, the master "doing what nobody did better" (R. Z. Sheppard, Time).

    An ad in the Student Union - "2 ♀ seek flatmate. No bigots." - leads Maria to a home with warm Ruth and wickedly funny Jael, students who are older and more fascinating than she'd expected.A poignant, funny, and sharply insightful coming-of-age story, Stir-Fry is a lesbian novel that explores the conundrum of desire arising in the midst of friendship and probes feminist ideas of sisterhood and non-possessiveness.

    Cliffy, black, and Noah, Jewish, are teens of their time, segregated by neighborhood, skin color and opportunity, yet neither boy has ever had a friend like the other.

    A powerful and passionate tale is set on a southern army post --a human hell inhabited by a sexually disturbed officer, his animalistic wife, her lover, and the driven young private who forces the drama to its climax...

    Soehnlein captures the spirit of a generation and an era, embodied in the haunting, unstoppable voice of thirteen-year-old Robin MacKenzie, a modern-day Holden Caulfield, whose struggle for a place in the world is as ferocious as it is real.The time is the late 1970s--an age of gas shortages, head shops, and Saturday Night Fever. The place, suburban New Jersey. At a time when the teenagers around him are coming of age, Robin MacKenzie is coming undone. While "normal boys" are into cars, sports, and bullying their classmates, Robin enjoys day trips to New York City with his elegant mother, spinning fantastic tales for her amusement in an intimate ritual he has come to love. He dutifully plays the role of the good son for his meat-and-potatoes father, even as his own mind is a jumble of sexual confusion and painful self-doubt. But everything changes in one, horrifying instant when a tragic accident wakes his family from their middle-American dream and plunges them into a spiral of slow destruction.As his family falls apart day by day, Robin finds himself pulling away from the unquestioned, unexamined life that has been carefully laid out for him. Small acts of rebellion lead to larger questions of what it means to stand on his own. Falling into a fevered triangle with two other outcasts, Todd Spicer and Scott Schatz, Robin embarks on an explosive odyssey of sexual self-discovery that will take him beyond the spring-green lawns of suburbia, beyond the fraying fabric barely holding together his quickly unraveling family, and into a complex future, beyond the world of normal boys.In The World Of Normal Boys, K.M. Soehnlein has created a dazzling gem of a debut novel in the tradition of Ordinary People and A Boy's Own Story, one that sparkles with raw honesty, poetic beauty, wry insight, and a rare richness of emotion that reverberates long after the last page is read. It is a story about growing up and falling apart, of rebellion and acceptance, of unspoken lives and irreversible choices that are made.

    Here is Cheryl, a tightly-wound, vulnerable woman who lives alone, with a perpetual lump in her throat. She is haunted by a baby boy she met when she was six, who sometimes recurs as other people's babies. Cheryl is also obsessed with Phillip, a philandering board member at the women's self-defense non-profit where she works. She believes they've been making love for many lifetimes, though they have yet to consummate in this one. When Cheryl's bosses ask if their twenty-one-year-old daughter Clee can move into her house for a little while, Cheryl's eccentrically-ordered world explodes. And yet it is Clee--the selfish, cruel blond bombshell--who bullies Cheryl into reality and, unexpectedly, provides her the love of a lifetime. Tender, gripping, slyly hilarious, infused with raging sexual fantasies and fierce maternal love, Miranda July's first novel confirms her as a spectacularly original, iconic and important voice today, and a writer for all time. The First Bad Man is dazzling, disorienting, and unforgettable.

    Rasa spends his days translating for Western journalists and pining for the nights when he can sneak his lover, Taymour, into his room. One night Rasa's grandmother—the woman who raised him—catches them in bed together. The following day Rasa is consumed by the search for his best friend Maj, a fiery activist and drag queen star of the underground bar, Guapa, who has been arrested by the police. Ashamed to go home and face his grandmother, and reeling from the potential loss of the three most important people in his life, Rasa roams the city’s slums and prisons, the lavish weddings of the country’s elite, and the bars where outcasts and intellectuals drink to a long-lost revolution. Each new encounter leads him closer to confronting his own identity, as he revisits his childhood and probes the secrets that haunt his family. As Rasa confronts the simultaneous collapse of political hope and his closest personal relationships, he is forced to discover the roots of his alienation and try to re-emerge into a society that may never accept him.

    It was great. I had a laugh with Charlie, we went out, did drugs, had great sex, had a laugh, I saw Finn, I had a laugh. And now today, today, since the second I opened my eyes, the pair of them had turned into ogres of potential angst, pain, and -- oh no, the worst of all -- responsibility."Tommy is twenty-nine, lives and loves in London, and has a morbid fear of the c word -- commitment, the b word -- boyfriend, and the f word -- forgetting to call his drug dealer before the weekend. But when he begins to feel the urge to become a father, he starts to wonder if his chosen lifestyle can ever make him happy. His flatmates, the eccentric, maternal Sadie and the stoic, supportive Bobby, encourage Tommy to tone down his lifestyle a wee bit and accept the fact that he's got to grow up sometime. His boyfriend, Charlie (whose son, Finn, is the epitome of childhood charm), wishes that Tommy could make a real commitment to their relationship. But can he?Faced with the choice of maintaining his hedonistic, drugged-out, and admittedly fabulous existence or chucking it all in favor of a far more sensitive, fulfilling, and -- let's face its -- lightly staid lifestyle, Tommy finds himself in a true quandary. Through a series of adventures and misadventures that lead him from London nightspots to New York bedrooms and back, our boy Tommy manages to answer some of life's most pressing questions -- and even some he never thought to ask.Perfectly pitched, with scathing witticisms and deadpan observations, Tommy's Tale is a rollicking, tongue-in-cheek opus of absolute debauchery and reluctant redemption that's simply not to be missed.

    His brother, Connor, has already been kicked out of the house for being gay and laying low seems to be his only chance to avoid the same fate. To pass the time before graduation, Michael hangs out at The Echo where he can dance and forget about his father's angry words, the pressures of school, and the looming threat of AIDS, a disease that everyone is talking about, but no one understands.Then he meets Gabriel, a boy who actually sees him. A boy who, unlike seemingly everyone else in New York City, is interested in him and not James. And Michael has to decide what he's willing to risk to be himself.-------------------------------------------------------------------------------------Optioned for screen by Game of Thrones’ Nikolaj Coster-Waldau’s, Ill Kippers Productions, and Pretty Little Liars’ Julian Morris

    Someone to love. Who will love me back." September, 1982. John Cougar's "Jack and Diane" is on endless radio rotation, and Dallas and Dynasty rule the ratings. Jack Paterno is a straight-A student living in the Detroit suburb of Hazel Park, with his own Atari 5200, a Beta VCR, and everything a seventh-grader could ask for. The only thing he has in common with foul-mouthed Brad Dayton, who lives on the gritty south side near 8 Mile, is that both are in Varsity Band. Or maybe that's not the only thing. Because Jack is discovering that while hanging around with girls in elementary school was perfectly acceptable, having lots of girl friends (as opposed to girlfriends) now is getting him and Brad labeled as Band Fags. And Jack is no fag. Is he?As Jack and Brad make their way through junior high and then through Hazel Park High School, their friendship grows deeper and more complicated. From stealing furtive glances at Playgirl to discussing which celebrities might be like that, from navigating school cliques to dealing with crushes on girls and guys alike, Jack is trying to figure out who and what he is. He wants to find real, endless love, but he also wants to be popular and "normal." But, as Brad points out, this is real life--not a John Hughes movie. And sooner or later, Jack will have to choose.Filled with biting wit and pitch-perfect observations, Band Fags is an exhilarating novel about lust and love, about the friendships that define and sometimes confine us, and about coming of age and coming to terms with the end of innocence and the beginning of something terrifying, thrilling, and completely unpredictable.Advance praise for Band Fags! "For those of us who came of age in the 80s, reading Frank Anthony Polito's novel is like being teleported back to high school. Filled with pop culture references that will have you saying, 'I remember that!, ' this is a love letter to a time when happiness was a pair of Calvin Klein jeans, and every heartbreak could be fixed by listening to your Bonnie Tyler or REO Speedwagon albums. Most important, though, it is a portrait of a friendship between two boys struggling to find themselves without losing each other."--Michael Thomas Ford, author of Last Summer "With the Motor City running on empty in Reagan's America, Frank Anthony Polito's characters dance their mystery dance of teenage longing as if Motown never left for California. Sexy, funny, and wiser than it wants to be, Band Fags! pulses with a ragged beauty and bounces to its beat. I give it a 98.6." --Thorn Kief Hillsbery, author of What We Do Is Secret"More than just a novel, Band Fags! is a virtual time machine that transports you smack dab into the cheesy heart of the 80's. It's like a queer Wonder Years as it follows Brad and Jack's memorable journey through high school hell. Screamingly funny, surprisingly charming and, ultimately, truly moving, it's a fresh take on the importance of friendship during the worst/best years of your life." --Brian Sloan, A Really Nice Prom Mess and Tale of Two Summers"A consistently hilarious story of the best-friendship we all seem to have had, set in a time we can never seem to forget -- the totally awesome '80s -- Band Fags! never misses a beat in its affectionate, moment-by-moment chronicling of the complicated journey we take from cradle to closet to what lies beyond." --Matthew Rettenmund, author of Boy Culture"Band Fags! is like the gay teen flick John Hughes never got around to making. Let's face it, there's a Band Fag in all of us and Frank Anthony Polito has his on speed dial. This book is a sweet, funny, deeply felt valentine to the wonder/horror of coming of age in the 1980's. You might just pee your parachute pants." --Den

    Russ Hildebrandt, the associate pastor of a liberal suburban church, is on the brink of breaking free of a marriage he finds joyless--unless his wife, Marion, who has her own secret life, beats him to it. Their eldest child, Clem, is coming home from college on fire with moral absolutism, having taken an action that will shatter his father. Clem's sister, Becky, long the social queen of her high-school class, has sharply veered into the counterculture, while their brilliant younger brother Perry, who's been selling drugs to seventh graders, has resolved to be a better person. Each of the Hildebrandts seeks a freedom that each of the others threatens to complicate.Jonathan Franzen's novels are celebrated for their unforgettably vivid characters and for their keen-eyed take on contemporary America. Now, in Crossroads, Franzen ventures back into the past and explores the history of two generations. With characteristic humor and complexity, and with even greater warmth, he conjures a world that resonates powerfully with our own.A tour de force of interwoven perspectives and sustained suspense, its action largely unfolding on a single winter day, Crossroads is the story of a Midwestern family at a pivotal moment of moral crisis. Jonathan Franzen's gift for melding the small picture and the big picture has never been more dazzlingly evident.

    Before long, Walker finds himself caught in a perverse triangle that leads to a sudden, shocking act of violence that will alter the course of his life.Three different narrators tell the story of Invisible, a novel that travels in time from 1967 to 2007 and moves from Morningside Heights, to the Left Bank of Paris, to a remote island in the Caribbean. It is a book of youthful rage, unbridled sexual hunger, and a relentless quest for justice. With uncompromising insight, Auster takes us into the shadowy borderland between truth and memory, between authorship and identity, to produce a work of unforgettable power that confirms his reputation as “one of America’s most spectacularly inventive writers.”

    Julian Warner, a father at last, wrestles with a question his husband posed: what will you tell our son about the people you came from, now that they're gone? Finding the answers takes Julian back in time to Eisenhower's immigration border raids, an epistolary love affair during the Vietnam War, crumbling marriages, queer migrations to Cambridge and New York, up to the disorienting polarization of Obama's second term. And in these answers lies a hope: that by uncloseting ourselves--as immigrants, smart women, gay people--we find power in empathy.

    The first is told episodically by John, a hustler in New York, who falls in love with Martin, a man dying of AIDS. Interwoven with these stories is a second set, in which characters named Martin and John appear, but living different lives. The resulting novel is a work of stunning originality that is "inspired and brilliant" (The Nation).