The Tulls of Baltimore are no exception. Abandoned by her salesman husband, Pearl is left to bring up her three children alone - Cody, a flawed devil, Ezra, a flawed saint, and Jenny, errant and passionate. Now as Pearl lies dying, stiffly encased in her pride and solitude, the past is unlocked and with it, secrets.

    Henry originated the humorous, energetic tale that ends with an ironic, even shocking twist. In "After Twenty Years," for example, two boys agree to meet at a particular spot exactly twenty years later. Both are faithful, but in the intervening years one boy has turned into a criminal, the other into a policeman. Behind the rendezvous lurks a powerful dramatic situation with a fascinating moral dilemma--all in a few brief pages. This is just one of the many literary gems in Selected Stories of O. Henry, a collection of forty-five of O. Henry's most renowned and entertaining short stories. Each one offers insights into human nature and the ways it is affected by love, jealousy, poverty, gentility, and the all-pervading reality of people conning people--themes that ran through the author's own life. Born William Sidney Porter, O. Henry started writing while in prison for embezzlement. Later he moved to New York, and his tales romanticizing the commonplace, particularly the life of ordinary New Yorkers, became highly popular. The most widely read author of his time, O. Henry died penniless but left behind a wealth of short stories that endure as hallmarks of the genre.

    That man may have been his best friend. Intolerable memory accompanies sobriety. A-sail on the high seas of literary tradition, Ottessa Moshfegh gives us a nasty heartless blackguard on a knife-sharp voyage through the fogs of recollection.They said I've done something wrong? . . . And they've just left me down here to starve. They'll see this inanition and be so damned they'll fall to my feet and pass up hot cross buns slathered in fresh butter and beg I forgive them. All of them . . . : the entire world one by one. Like a good priest I'll pat their heads and nod. I'll dunk my skull into a barrel of gin.Ottessa Moshfegh was awarded the 2013 Plimpton Discovery Prize for her stories in the Paris Review and a creative writing fellowship from the National Endowment for the Arts. She is currently a Wallace Stegner fellow at Stanford, and lives in Oakland, California.

    in the 1960s in a wildly original, totally unique voice. These stories are time capsule gems, as poignant and startling today as they were when published in the early 1970s. Eve Babitz is not well known today, but she should be. Her first hand experiences in the L.A. cultural scene, translated into haunting fiction, are an unforgettable glimpse at a lost world and a magical time.

    Dogs, birds, horses, automobiles, and the weather are some of the recycled elements in Marcus's first collection—part fiction, part handbook—as familiar objects take on markedly unfamiliar meanings. Gradually, this makeshift world, in its defiance of the laws of physics and language, finds a foundation in its own implausibility, as Marcus produces new feelings and sensations—both comic and disturbing—in the definitive guide to an unpredictable yet exhilarating plane of existence.

    Combining elements of classic McElroy with tantalizing stories pointing the way ahead (the spare and dangerous “No Man’s Land,” the lush and mischievous “The Campaign Trail”), Night Soul and Other Stories presents a wide range of work from a monumental artist.

    Among the things I do pretty well at this point I’d have to list darts, re-closing Stay-Fresh boxes, and staying out of the way. This is the self-eulogy offered early on by the unwilling hero of the opening story in this collection, a dazzling array of work in short fiction from a master of the form. The stories in Love and Hydrogen—familiar to readers from publications ranging from McSweeney’s to The New Yorker to Harper’s to Tin House—encompass in theme and compassion what an ordinary writer would seem to need several lifetimes to imagine.A frustrated wife makes use of an enterprising illegal-gun salesman to hold her husband hostage; two hapless adult-education students botch their attempts at rudimentary piano but succeed in a halting, awkward romance; a fascinated and murderous Creature welcomes the first human visitors to his Black Lagoon; and in the title story, the stupefyingly huge airship Hindenburg flies to its doom, representing in 1937 mankind's greatest yearning as well as its titanic failure. Generous in scope and astonishing in ambition, Shepard’s voice never falters; the virtuosity of Love and Hydrogen cements his reputation as, in the words of Rick Bass, “a passionate writer with a razor-sharp wit and an elephantine heart”—in short, one of the most powerful talents at work today.

    Filled with an abiding sense of love and family, and of the forces that test them to the breaking point, Wildlife—first published by Atlantic Monthly Press in 1990 and now reissued as a Grove Press paperback—is a book whose spare poetry and expansive vision established it as an American classic.

    Written prior to the publication of Kushner’s acclaimed debut novel Telex From Cuba, these stories, like Roberto Bolaño’s Antwerp, burst forth with the genesis of her fictional universe. From the mythical “Great Exception,” to the ominous “Debouchment”—originally published in her too-short-lived journal Soft Targets—to the sexy and noirish title story, Kushner saddles up for a journey into the wilds of modern fiction.

    Although fellow novelists William Dean Howells and Hamlin Garland immediately recognized genius in the twenty-one-year-old author of Maggie: A Girl of the Streets, in 1893 most readers were unwilling to accept its unconventional theme and were uneasy with a style that was at once darkly naturalistic and vividly impressionistic. Today Maggie is esteemed as an American classic, the first of an impressive group of works in which Crane explored the underside of urban life, portraying the rise of the metropolis as it alters not just the human environment but human nature itself. This volume includes "George's Mother" and eleven other tales and sketches of New York written between 1892 and 1896. Together in their dignified realism these tales confirm Crane's place as the first modern American writer.

    It features the story 'Ichthyology', where a young boy watches his father spiral from divorce to suicide.

    With the grit of Raymond Carver, the humor of Grace Paley, and a blend of wit and melancholy all her own, Berlin crafts miracles from the everyday, uncovering moments of grace in the laundromats and halfway houses of the American Southwest, in the homes of the Bay Area upper class, among switchboard operators and struggling mothers, hitchhikers and bad Christians. Readers will revel in this remarkable collection from a master of the form and wonder how they'd ever overlooked her in the first place.

    Lovecraft's 'the Call of Cthulhu' is a harrowing tale of the weakness of the human mind when confronted by powers and intelligences from beyond our world.