In turn-of-the-century South Africa, fourteen-year-old Lettie, her younger brother, and her mother are Dutch Afrikaner settlers who have been taken from their farm by British soldiers and are being held in a concentration camp. It is early in the Boer War, and Lettie’s father, grandfather, and brother are off fighting the British as thousands of Afrikaner women and children are detained. The camps are cramped and disease ridden; the threat of illness and starvation are ever present. Determined to dictate their own fate, Lettie and her family give each other strength and hope as they fight to survive amid increasingly dire conditions. Brave and defiant, Lettie finds comfort in memories of stargazing with her grandfather, in her plan to be a writer, and in surprising new friendships that will both nourish and challenge her. A beautiful testament to love, family, and sheer force of will, The Lost History of Stars was inspired by Dave Boling’s grandfather’s own experience as a soldier during the Boer War. Lettie is a figure of abiding grace, and her story is richly drawn and impossible to forget.

    The first, a science fiction of the past, tells of a boy whose brother was ‘devoured’ by the machine he operated. The second is a noirish thriller set in our century, as a police psychologist attempts to track down a group of terrorists. And the third and final strand accompanies two strange beings into the future.A novel of connecting and reconnecting, inspired by the writings of the great visionary poet Walt Whitman, Specimen Days is a genre-bending, haunting ode to life itself – a work of surpassing power and beauty by one of the most original and daring writers at work today

    It was a Wednesday, early in September 1952. The Cardinals were five games behind the Dodgers with three weeks to go, and the season looked hopeless. The cotton, however, was waist-high to my father, over my head, and he and my grandfather could be heard before supper whispering words that were seldom heard. It could be a "good crop."Thus begins the new novel from John Grisham, a story inspired by his own childhood in rural Arkansas. The narrator is a farm boy named Luke Chandler, age seven, who lives in the cotton fields with his parents and grandparents in a little house that's never been painted. The Chandlers farm eighty acres that they rent, not own, and when the cotton is ready they hire a truckload of Mexicans and a family from the Ozarks to help harvest it.For six weeks they pick cotton, battling the heat, the rain, the fatigue, and sometimes each other. As the weeks pass Luke sees and hears things no seven-year-old could possibly be prepared for, and he finds himself keeping secrets that not only threaten the crop but will change the lives of the Chandlers forever. ©2000, 2001 Belfry Holdings, Inc. (P)2001 Random House, Inc. Bantam Doubleday Dell Audio Publishing, a Division of Random House, Inc.

    The stark Icelandic winter landscape is the backdrop. We follow the priest, Skugga-Baldur, on his hunt for the enigmatic blue fox. From there we’re then transported to the world of the naturalist Friðrik B. Friðriksson and his charge, Abba, who suffers from Down’s syndrome, and who came to his rescue when he was on the verge of disaster. Then to a shipwreck off the Icelandic coast in the spring of 1868.The fates of all these characters are intrinsically bound, and gradually, surprisingly, unravelled in this spellbinding fable that is part mystery, part fairy tale.Sjón is a celebrated Icelandic poet and novelist. His novels have been translated into twenty-five languages and include From the Mouth of the Whale and The Whispering Muse (both by Telegram). Sjón won the Nordic Council Literary Prize, the equivalent of the Man Booker Prize, for The Blue Fox and "Best Icelandic Novel" for The Whispering Muse in 2005. Also a songwriter, he has written lyrics for Björk, including for her eight studio album, Biophilia.

    First he earned his freedom and then he won the presidency in the nation's first free election in 1994. But he knew that South Africa was still dangerously divided by almost fifty years of apartheid. If he couldn't unite his country in a visceral, emotional way--and fast--it would collapse into chaos. He would need all the charisma and strategic acumen he had honed during half a century of activism, and he'd need a cause all South Africans could share. Mandela picked one of the more farfetched causes imaginable--the national rugby team, the Springboks, who would host the sport's World Cup in 1995.Against the giants of the sport, the Springboks' chances of victory were remote. But their chances of capturing the hearts of most South Africans seemed remoter still, as they had long been the embodiment of white supremacist rule. During apartheid, the all-white Springboks and their fans had belted out racist fight songs, and blacks would come to Springbok matches to cheer for whatever team was playing against them. Yet Mandela believed that the Springboks could embody--and engage--the new South Africa. And the Springboks themselves embraced the scheme. Soon South African TV would carry images of the team singing "Nkosi Sikelele Afrika," the longtime anthem of black resistance to apartheid.As their surprising string of victories lengthened, their home-field advantage grew exponentially. South Africans of every color and political stripe found themselves falling for the team. When the Springboks took to the field for the championship match against New Zealand's heavily favored squad, Mandela sat in his presidential box wearing a Springbok jersey while sixty-two-thousand fans, mostly white, chanted "Nelson! Nelson!" Millions more gathered around their TV sets, whether in dusty black townships or leafy white suburbs, to urge their team toward victory. The Springboks won a nail-biter that day, defying the oddsmakers and capping Mandela's miraculous ten-year-long effort to bring forty-three million South Africans together in an enduring bond.John Carlin, a former South Africa bureau chief for the London Independent, offers a singular portrait of the greatest statesman of our time in action, blending the volatile cocktail of race, sport, and politics to intoxicating effect. He draws on extensive interviews with Mandela, Desmond Tutu, and dozens of other South Africans caught up in Mandela's momentous campaign, and the Springboks' unlikely triumph. As he makes stirringly clear, their championship transcended the mere thrill of victory to erase ancient hatreds and make a nation whole.

    Yann Martel's title story (described as "unforgettable...a truly stunning piece of fiction"*), won the 1991 Journey Prize to universal acclaim. The intensely human tragedy that lies at its heart is told with a spare, careful elegance that resonates long after it has ended--and is matched through all the stories by an immediacy an dazzling freshness.

    This magnificent novel juxtaposes geographically distant places, brilliant and playful reflections, and a variety of styles, to take its place as perhaps the major achievement of one of the world’s truly great writers.

    Their enigmatic lodger, Zamani, seems to be their last, best hope for finding him. Since Bukhosi's disappearance, Zamani has been preternaturally helpful: hanging missing posters in downtown Bulawayo, handing out fliers to passersby, and joining in family prayer vigils with the flamboyant Reverend Pastor from Agnes's Blessed Anointings church. It's almost like Zamani is part of the family....But almost isn't nearly enough for Zamani. He ingratiates himself with Agnes and feeds alcoholic Abednego's addiction, desperate to extract their life stories and steep himself in borrowed family history, as keenly aware as any colonialist or power-mad despot that the one who controls the narrative inherits the future. As Abednego wrestles with the ghosts of his past and Agnes seeks solace in a deep-rooted love, their histories converge and each must confront the past to find their place in a new Zimbabwe. Pulsing with wit, seduction, and dark humor, House of Stone is a sweeping epic that spans the fall of Rhodesia through Zimbabwe's turbulent beginnings, exploring the persistence of the oppressed in a young nation seeking an identity, but built on forgetting.

    Written as fiction to protect the innocent, the book exposes the explosive dark truths of the Winelands' elite. All is revealed through the eyes of stay at home mom, 49-year-old Jen, who is the wife of John, a renowned wine farmer and businessman. Jen, like many of her privileged friends, lives a charmed life provided by her husband, in exchange for conjugal sex and obligatory wifely gratitude. When Jen stumbles upon her playboy husband in a compromising position with his sexy employee, things fall apart. Jen is forced to choose between leaving her marriage, jeopardising her standing and stability in the community or turning a blind eye to his infidelity. The book follows Jen's passage to self-discovery and self-fulfillment, while other characters' perspectives move the story forward as each is privy to (and eventually reveals) at least one 'truth' or 'lie' which Jen must face. Jen's exposition of her husband's infidelity inadvertently mirrors the underbelly of the patriarchal and often duplicitous community of the seemingly perfect Stellenbosch. Led by prominent wine farmers, international businessmen and renowned academics, business and private interests, even if ethically compromised, are staunchly guarded. The unfolding chapters irreverently explore both the emotional growth of the protagonist, Jen, as well as the moral ambiguities of the other players in the book. Characters like Lee, John's childhood friend and unknown ally to Jen, and marriage wrecker, Patty, blur lines between right and wrong and what is decent and moral. The alluring opulence of the rich and privileged setting of the famed Cape Winelands is complemented by the very real, often funny and indeed relatable crises that Jen is forced to confront. Sex,Lies & Stellenbosch is a page turner - sexy, fast-paced and entertaining.

    I left this book bruised yet somehow better for it.” – Tayari Jones.“Brutal, haunting, redemptive and...beautiful.” – Jojo Moyes. This extraordinary debut set in South Africa reveals legacies of abuse and redemption exploring the extraordinary strength of the human spirit - from the Boer War in 1901 to brutal camps for teenage boys now. There is always darkness but there is always light in it if we just look.South Africa, 1901 - the height of the second Boer War. Sarah van der Watt and her six-year-old son Fred are forced from their home on Mulberry Farm by British troops. As the polite invaders welcome them to Bloemfontein Concentration Camp they promise Sarah and Fred that they will be safe there.2010. Sixteen-year-old Willem is an outsider. Hoping he will become the man she wants him to be, his Ma and her boyfriend send Willem away to the New Dawn Safari Training Camp where they are proud to 'make men out of boys'. They promise Willem he will be safe there.You Will Be Safe Here is a powerful and urgent novel of two connected South African stories with universal relevance. Inspired by real events, it uncovers a hidden colonial history, reveals a dark contemporary secret, and explores the legacy of violence and our drive to survive and to love. An Observer, Guardian, Financial Times, Irish Times, Irish Independent and Big Issue Pick of the Year

    . .Young, alone, and far from her family in Britain, Hope Clearwater contemplates the extraordinary events that left her washed up like driftwood on Brazzaville Beach. It is here, on the distant, lonely outskirts of Africa, where she must come to terms with the perplexing and troubling circumstances of her recent past. For Hope is a survivor of the devastating cruelities of apes and humans alike. And to move forward, she must first grasp some hard and elusive truths: about marriage and madness, about the greed and savagery of charlatan science . . . and about what compels seemingly benign creatures to kill for pleasure alone.

    Claire Donovan always dreamed of visiting Venice, though not as a chaperone for a surly teenager. But she can't pass up this chance to complete her Ph.D. thesis on Alessandra Rossetti, a mysterious courtesan who wrote a secret letter to the Venetian Council warning of a Spanish plot to overthrow the Venetian Republic in 1618. Claire views Alessandra as a heroine and harbors a secret hope that her findings will elevate Alessandra to a more prominent place in history. But an arrogant Cambridge professor is set to present a paper at a prestigious Venetian university denouncing Alessandra as a co-conspirator -- a move that could destroy Claire's paper and career.As Claire races to locate the documents that will reveal the courtesan's true motives, Alessandra's story comes to life with all the sensuality, political treachery, and violence of seventeenth-century Venice. Claire also falls under the city's spell. She is courted by a handsome Italian, matches wits with her academic adversary, bonds with her troubled young charge, and, amid the boundless beauty of Venice, recaptures the joy of living every moment....Layering wit and warmth into her portraits of two very different yet equally dynamic heroines, Christi Phillips shifts effortlessly between past and present in a remarkable novel that is at once a love story, a mystery, and an intriguing historical drama. Filled with beautifully rendered details of one of the world's oldestand most magical cities, "The Rossetti Letter" marks Phillips's debut as a writer of extraordinary skill and grace.

    It is an epic narrative that moves from California to Kashmir, France, and England, and back to California again. Along the way there are tales of princesses lured from their homes by demons, legends of kings forced to defend their kingdoms against evil. And there is always love, gained and lost, uncommonly beautiful and mortally dangerous.

    Zed is still obsessed with the betrayals of his own past but must fill in the blanks of this victim's life. Who tortured and killed Smit, and who was Smit in the first place? Not the man whose papers he carries, that much is certain. Zed can never be sure of the loyalties of the people with whom he is dealing--his own past reputation ensures that--and he soon finds himself uncovering secrets that the security services of many countries would like left alone.

    One is black, one white. Both are successful women with impressive careers. Both have recently been widowed. And both are sworn enemies, sharing hedge and hostility which they prune with a zeal that belies the fact that they are both over eighty.But one day an unforeseen event forces the women together. And gradually the bickering and sniping softens into lively debate, and from there into memories shared. But could these sparks of connection ever transform into friendship? Or is it too late to expect these two to change?