With echoes of Gwendolyn Brooks and Sonia Sanchez, Mans writes to call herself—and us—home. Each poem explores what it means to be a daughter of Newark, and America--and the painful, joyous path to adulthood as a young, queer Black woman.Black Girl, Call Home is a love letter to the wandering Black girl and a vital companion to any woman on a journey to find truth, belonging, and healing.

    They express themselves through fashion, sports and other physical pursuits, through food, and music, and art. They are flirting and falling in love. They are loving to themselves and one another. With stories that feature fat main characters starring in a multitude of stories and genres, and written by authors who live these lives too, this is truly a unique collection that shows fat young people the representation they deserve.With a foreword by Aubry Gordon, creator of Your Fat Friend, and with stories by:Nafiza Azad, Chris Baron, Sheena Boekweg, Linda Camacho, Kelly deVos, Alex Gino, Claire Kann, amanda lovelace, Hillary Monahan, Cassandra Newbould, Francina Simone, Rebecca Sky, Monique Gray Smith, Renée Watson, Catherine Adel West, Jennifer Yen

    These bewitching poems and stories unwind a fevered world of magic and longing and young women who chance the uncanny and gain wisdom beyond their years.

    From the body’s first mysterious eroticism to its final humiliation and pain, Gil Cuadros gives voice to both the beauty and sorrow of our common fate. His writing cuts like a double-edged sword—at times artful and sharp, at times unfiltered and raw. This is an awesome and haunting book.”—David Trinidad“The sensual, the expressive, the daring, the transformed become the matryrs of every era, every family. Their memoirs, heroics are our most devastating works of art. Gil Cuadros’s story ‘Unprotected’ is a classic of AIDS fiction and deserves a place of honor in the mosaic of American writing.”—Sarah Schulman“In a voice poised between plainspokenness and urgency, Gil Cuadros writes about the remnants of love in a devastated world. The poems and stories in City of God are as dire as they are beautiful, and sharp as a blow to the body.”—Bernard Cooper“I accuse Gil Cuadros of literary seduction in the nth degree…He makes me read on when I want to cry…I do not want to look at his words, and yet I cannot take my eyes away. His images sooth, burn, inspire. I accuse Gil Cuadros of language abuse—his stroke of silk, his pen a bludgeon. I accuse him of heart-bashing.”—Wanda ColemanGil Cuadros published stories and poems in Indivisible, High Risk 2, and Blood Whispers. His work is also on the compact disc, Verdict and the Violence: Poet’s Response to the LA Uprising. He was awarded the 1991 Brody Literature Fellowship, and was one of the first recipients of the PEN Center USA/West grant to writers with HIV. He lived in Los Angeles until his death in 1996.

    Undeniably celebratory and deeply troubling, this sharp-edged collection (of fiction, prose poetry, personal essay, photographs, and illustration) figures the un-hyphenated femme experience emerging in performance, betrayal, violence, humor and survival.Brazen Femme recognizes femme as an identity in flux and in motion, as constantly being reinvented. This mutability sets the stage for creative and thoughtful representation featuring critically acclaimed writers including Michelle Tea, Camilla Gibb, Sky Gilbert, Amber Hollibaugh and Anurima Banerji. The collection includes the entertaining and challenging work of writers and artists whose stories are missing from existing explorations of femme that exclude experiences of men, transsexual women, and sex workers.Whether by choice or necessity, these frenzied femmes each explore their desires to make (and remake) femininity fit their own queer frames. Darlings, drag queens, whores and action heroes . . . a femme by any other name is spectacular.With writings by Debra Anderson, Anurima Banerji, T.J. Bryan, Anna Camilleri, Daniel Collins, Lisa Duggan and Kathleen McHugh, Camilla Gibb, Sky Gilbert, Tara Hardy, Amber Hollibaugh, Suzann Kole, Heather Mc-Callister, Elaine Miller, Kathryn Payne, Leah Piepzna-Samarasinha, Elizabeth Ruth, Trish Salah, Abi Slone and Allyson Mitchell, Michelle Tea, Zoe Whittal and Karin Wolf.With photographs by Chloë Brushwood Rose, and Daniel Collins, and illustrations by comic artists Sandi Rapini, Suzy Malik and Allyson Mitchell.Chloë Brushwood Rose and Anna Camilleri have been collaborating in Toronto as curators, editors and art-makers for the past four years. Anna co-founded the interdisciplinary performance troupe Taste This, who collaborated on the acclaimed Boys Like Her.

    A residential program for bright high schoolers at UNC–Chapel Hill seems like the perfect escape—until Bree witnesses a magical attack her very first night on campus.A flying demon feeding on human energies.A secret society of so called “Legendborn” students that hunt the creatures down.And a mysterious teenage mage who calls himself a “Merlin” and who attempts—and fails—to wipe Bree’s memory of everything she saw.The mage’s failure unlocks Bree’s own unique magic and a buried memory with a hidden connection: the night her mother died, another Merlin was at the hospital. Now that Bree knows there’s more to her mother’s death than what’s on the police report, she’ll do whatever it takes to find out the truth, even if that means infiltrating the Legendborn as one of their initiates.She recruits Nick, a self-exiled Legendborn with his own grudge against the group, and their reluctant partnership pulls them deeper into the society’s secrets—and closer to each other. But when the Legendborn reveal themselves as the descendants of King Arthur’s knights and explain that a magical war is coming, Bree has to decide how far she’ll go for the truth and whether she should use her magic to take the society down—or join the fight.

    Lauren Zuniga has made a name for herself for fearlessly confronting legislators and being an ambassador for the Heartland. This collection is the underbelly. No emotion is spared. No image is lost. It is a field guide to blisters and curtsies. It is a chronicle of women/children/animals coming together in a house named Clementine.

    Poems confront craving, control, the constant battle of alcoholism and sobriety, and the questioning of the self and its instincts within the context of this never-ending fight.“In Calling a Wolf a Wolf, Kaveh Akbar exquisitely and tenaciously braids astonishment and atonement into a singular lyric voice. The desolation of alcoholism widens into hard-won insight: ‘the body is a mosque borrowed from Heaven.’ Doubt and fear spiral into grace and beauty. Akbar’s mind, like his language, is perpetually in motion. His imagery—wounded and resplendent—is masterful and his syntax ensnares and releases music that’s both delicate and muscular. Kaveh Akbar has crafted one of the best debuts in recent memory. In his hands, awe and redemption hinge into unforgettable and gorgeous poems.” —Eduardo C. Corral

    But when her father suddenly leaves and her mother breaks down, Daisy's old life disappears, and she is set free in the rift created between her parents. Susie Taylor's sharp, quick-witted prose carries Daisy through a family cataclysm, relationships with boys, and her increasingly confusing feelings towards girls, especially Wanda. A refreshingly perceptive and honest debut, Even Weirder Than Before explores the nature of family, friendships, and sexual awakenings--and introduces one of Newfoundland's most exciting new writers.

    A vital document of black modernism and one of the earliest overtly queer fictions in the African American tradition. Published for the first time.Buried in the archive for almost ninety years, Claude McKay's Romance in Marseille traces the adventures of a rowdy troupe of dockworkers, prostitutes, and political organizers--collectively straight and queer, disabled and able-bodied, African, European, Caribbean, and American. Set largely in the culture-blending Vieux Port of Marseille at the height of the Jazz Age, the novel takes flight along with Lafala, an acutely disabled but abruptly wealthy West African sailor. While stowing away on a transatlantic freighter, Lafala is discovered and locked in a frigid closet. Badly frostbitten by the time the boat docks, the once-nimble dancer loses both of his lower legs, emerging from life-saving surgery as what he terms "an amputated man." Thanks to an improbably successful lawsuit against the shipping line, however, Lafala scores big in the litigious United States. Feeling flush after his legal payout, Lafala doubles back to Marseille and resumes his trans-African affair with Aslima, a Moroccan courtesan. With its scenes of black bodies fighting for pleasure and liberty even when stolen, shipped, and sold for parts, McKay's novel explores the heritage of slavery amid an unforgiving modern economy. This first-ever edition of Romance in Marseille includes an introduction by McKay scholars Gary Edward Holcomb and William J. Maxwell that places the novel within both the "stowaway era" of black cultural politics and McKay's challenging career as a star and skeptic of the Harlem Renaissance.

    But they’re long dead now, buried in the catacombs beneath the city of Eth, where their calcified organs radiate an eldritch power that calls out to anyone hardy enough to live in this cut-throat, war-torn land. Some survivors are human, while others are close enough, but all are struggling to carve out their lives in a world both unforgiving and wondrous. Darkly comic and viciously original, Viscera is an unforgettable journey through swords-and-sorcery fantasy where strangeness gleams from every nook and cranny.“Exquisitely imagined, deeply insightful yet scathingly witty, Viscera barrels along at a scorching pace after vividly realized characters whose separate quests—for identity, for revenge, for release—find themselves on a collision course in a world that's simultaneously both grimdark and surreal. Lusciously weird and utterly unique.” —Nicole Kornher-Stace, author of Archivist Wasp“Viscera is a work of gleeful weirdness, set in a world that calls to mind China Miéville's Bas-Lag novels, and full of characters fighting to reshape themselves and their destinies, in search of deep and resonant truth.” —Kat Howard, author of Roses and Rot

    This book chews with its open mouth full of the juiciest words, the most indigestible images. This book undoes me. . . . francine j. harris brilliantly ransacks the poet's toolkit, assembling art from buckets of disaster and shreds of hope. Nothing she lays her mind's eye on escapes. You, too, will be captured by her work."—Evie ShockleyLyrically raw and dangerously unapologetic, play dead challenges us to look at our cultivated selves as products of circumstance and attempts to piece together patterns amidst dissociative chaos. harris unearths a ruptured world dictated by violence—a place of deadly what ifs, where survival hangs by a thread. Getting by is carrying bruises and walking around with "half a skull."From "low visibility":I have light in my mouth. I hunger you. You wantwhat comes in drag. a black squirrel in a black tar lane,fresh from exhaust, hot and July's unearthed steam.You want to watch it run over. to study the sog. You want the stink of gristle buried in a muggy weather.I want the faulty mirage. a life of grass.we want the same thing. We want their deathsto break up the sun.francine j. harris is a 2015 NEA Creative Writing Fellow whose first collection, allegiance, was a finalist for the 2013 Kate Tufts Discovery and PEN Open Book Award. Originally from Detroit, she is also Cave Canem fellow who has lived in several cities before returning to Michigan. She received an MFA in Creative Writing from the University of Michigan, and currently teaches writing at Interlochen Center for the Arts.

    As the book unfolds, the reader journeys alongside the author through grief and healing. Named the Most Promising Young Poet in the country by the Academy of American Poets, Collins's work has consistently wowed audiences. Autopsy propels that work onto the national stage. In the words of the author, the book is a spring thaw -- the new life alongside the old, the good cry and the release after.

    Demanding "if you really love a writer, bury her in all your awful and watch as she scrawls her way out," her book does exactly that. An incessant digging, a journey in building escape routes, armed with both humor and a brazen darkness, each poem in this book of bloodletting is another swing of the pick and axe in this young woman"s labor, insistent upon light.

    But now his rule is failing, and revolution is sweeping across the Empire's many islands.Lin is the emperor's daughter and spends her days trapped in a palace of locked doors and dark secrets. When her father refuses to recognise her as heir to the throne, she vows to prove her worth by mastering the forbidden art of bone shard magic.Yet such power carries a great cost, and when the revolution reaches the gates of the palace, Lin must decide how far she is willing to go to claim her birthright - and save her people.